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ELEVATOR REPAIR SERVICE

ABRONS ARTS CENTER A CONVERSATION BETWEEN JOHN COLLINS AND KATE SCELSA Kate Scelsa: So, John!

John Collins: Kate, you’ve worked as a company member with ERS for about sixteen years now…And it turns out that you were doing stealth research for all these years on what would be perfect parts to write for some of our actors.

KS: This is going to sound very sentimental, but writing this play has really felt like a love letter to this company. So it’s that, combined with my very deep love for Edward Albee’s play and specifically for the character of Martha.

JC: And it’s exciting for me because I’m getting to work with one of my favorite novelists, who wrote one of my favorite books of the past couple of years.

KS: Thank you for that plug.

JC: It also fits in really nicely with the shows you’ve worked on with us, taking another work of great American literature as a jumping off point. And looking at the parts you’ve played in ERS shows, there have been a lot of Marthas in your life.

KS: I’ve always been very interested in whether or not embodying that kind of female rage could be seen as sympathetic. Even powerful. Or if those women just become the shrew. Which means their rage can be dismissed.

JC: Well you take Martha, who’s an extreme character…

KS: She doesn’t care what anyone thinks of her. But what are the consequences of that attitude? For most of Albee’s play we see Martha as this incredible feminist character, in that she and her husband are on equal footing, and that’s what makes it so fascinating to watch, and fun to play. But in the end of Albee’s play Martha is defeated—by the idea of motherhood. That never really rang true for me.

JC: Here we are going through a moment in history when we especially need to be challenging an outdated narrative of, “A woman can’t be powerful and angry.” And when a woman whose theatrical anger inspires us so much is defeated, either because of or in spite of that power…Why can’t her power be the thing that makes her soar to triumph?

KS: Exactly. We love her for being too much, but then we punish her for it.

JC: So you have written simultaneously a reverent homage to this character and a challenge to Albee’s play. But there is a lot of love for Edward Albee here.

KS: If he didn’t get so much right, there wouldn’t be any point in even having a conversation about it. But it’s the so much that he got right that makes me want to engage with the places where I feel he let me down.

JC: When you create a powerful character like that, you have power as a writer.

KS: That’s right.

JC: And that’s where we start with “Everyone’s Fine.”

KS: Martha must be avenged.

JC: Yes. She must be avenged.

A NOTE FROM ELEVATOR REPAIR SERVICE Elevator Repair Service’s 2017-18 season began with a new take on Measure for Measure and concludes with an even newer take on George and Martha. In between we’ve taken Hemingway to New Zealand and celebrated the year with a fabulous rooftop gala in Tribeca. Life continues to move very fast for this company as we prepare for next season. Mind-bogglingly, it will be our 28th.

Next season will once again be a mixture of old and new, of looking back at past successes and hard work on future challenges. As 2018-19 begins, we will be back to the most exciting and difficult part of what we do: making new work. We will spend the first months of the season finding a new experiment for the ensemble, one that will become our next full-length work.

We’ll also return to the show that changed everything for us, Gatz. With tours to Abu Dhabi and beyond and a special limited New York engagement at NYU Skirball Center in January 2019, Gatz will once again take audiences on a marathon ride through .

We’re so grateful to have you along as audience and supporters. You don’t just make it possible for us to make our work, you are the reason we make it. We look forward to seeing you again soon.

John Collins Ariana Smart Truman Artistic Director Producing Director JOHN COLLINS, Artistic Director ARIANA SMART TRUMAN, Producing Director ELEVATOR REPAIR SERVICE

presents

By KATE SCELSA for ELEVATOR REPAIR SERVICE

with LINDSAY HOCKADAY, MIKE IVESON, VIN KNIGHT, APRIL MATTHIS, ANNIE MCNAMARA

Scenic Design LOUISA THOMPSON Costume Design KAYE VOYCE Lighting Design RYAN SEELIG Sound Design BEN WILLIAMS Properties Design AMANDA VILLALOBOS Stage Manager MAURINA LIOCE Assistant Stage Manager ELIZABETH EMANUEL Production Manager LIZ NIELSEN Technical Director AARON AMODT

Director of Development MARILYN HAINES Finance Manager LUCY MALLETT Associate Producer LINDSAY HOCKADAY Producer ARIANA SMART TRUMAN

Directed by JOHN COLLINS

This work was commissioned by the Virginia B. Toulmin Foundation and developed in part at the Access Theater Residency Program, and is generously supported by The Lehoczky Escobar Family, and Lee and Fritz Michel. COMPANY George Washington ...... VIN KNIGHT Martha Washington ...... ANNIE MCNAMARA Nick Sloane ...... MIKE IVESON Honey Sloane ...... APRIL MATTHIS Carmilla, PhD Candidate ...... LINDSAY HOCKADAY

Performance time is approximately one hour and 15 minutes.

WHO’S WHO LINDSAY HOCKADAY (Carmilla, PhD Candidate) With PLAYS/ FUNNYHOUSE OF A NEGRO (Signature Theater); ERS: as performer: GATZ (2012); SHUFFLE; FONDLY, ANTLIA PNEUMATICA; IOWA (Playwrights Horizons); THE COLLETTE RICHLAND; THE SELECT () INSURGENTS (Labyrinth); ON THE LEVEE (LCT3); LEAR (tours); MEASURE FOR MEASURE. She performs with Sibyl (Soho Rep); MELANCHOLY PLAY (13P); THE SUGAR HOUSE Kempson’s 7 Daughters of Eve Theater & Performance (Ma-Yi); ANNA BELLA EEMA (New Georges). Regional: Company. ERS Associate Producer and Director of LITTLE BUNNY FOO FOO (Actors Theatre of Louisville); A Education Programs. STREETCAR NAMED DESIRE (Yale Rep); Ralph Lemon’s SCAFFOLD ROOM (Walker Art Center), Humana Festival. MIKE IVESON (Nick Sloane) With ERS: GATZ; THE SELECT Film/TV: Wendell and the Lemon; Black Card (YouTube); (THE SUN ALSO RISES); ARGUENDO; THE SOUND AND “Instinct” (CBS). Ruth Maleczech Award, for THE FURY; FONDLY, COLLETTE RICHLAND; MEASURE FOR Sustained Excellence of Performance. MEASURE. Other selected credits: PLENTY (Public Theater); the Obie-winning A BEAUTIFUL DAY IN NOVEMBER ON ANNIE MCNAMARA (Martha Washington) With ERS: THE GREATEST OF THE GREAT LAKES (New Georges); THE GATZ and THE SOUND AND THE FURY. Selected theater: WORLD MY MAMA RAISED (Clubbed Thumb); HOW TO GET IOWA (Playwrights Horizons, Lortel Nomination); WE’RE INTO BUILDINGS (New Georges); CRIME OR EMERGENCY GONNA BE OKAY (Humana/ATL); MAP OF VIRTUE (13P); (PS122); and in his self-penned musicals SORRY ROBOT (New THAT PRETTY PRETTY (Rattlestick); RAPTURE, BLISTER, Ohio) and THE TEAR DRINKERS (The Kitchen). TV: “Orange Is BURN (Huntington). Film & TV: Blue Jasmine, “Orange the New Black.” mikeiveson.com is the New Black,” “The Knick,” “Mozart in the Jungle.” With Clubbed Thumb, where she is an affiliated artist: VIN KNIGHT (George Washington) With ERS: MEASURE THE WORLD MY MAMA RAISED; TOMB OF KING TOT; FOR MEASURE; ARGUENDO; FONDLY, COLLETTE RICHLAND; 41-DERFUL; LAY ME DOWN, JUSTIN TIMBERLAKE; U.S. SHUFFLE; THE SELECT (THE SUN ALSO RISES); THE SOUND DRAG. AND THE FURY; NO GREAT SOCIETY and GATZ. Other stage credits include THE MUSIC MAN (Sharon Playhouse), KATE SCELSA (Playwright) has been a member of ERS SPAM (JACK), OUR MAN IN HAVANA (Portland Stage), since 2002. With ERS as a performer: GATZ; THE SOUND CAT ON A HOT TIN ROOF (2013 Broadway revival), MARIE AND THE FURY; SHUFFLE; THE SELECT (THE SUN ALSO ANTOINETTE (ART and Yale Rep), THE TEMPERAMENTALS RISES). Kate’s novel “Fans of the Impossible Life” was an (Barrow Group) and U.S. DRAG (Clubbed Thumb). Film Indie Next pick, received a starred review in Publishers and TV credits include “Unbreakable Kimmy Schmidt,” Weekly, and has been published in nine languages. Her “Succession,” “Bull,” “The Blacklist,” “Homeland,” “Younger” work for theater has been seen at Dixon Place, The SoHo and Robot Stories. He is a graduate of Yale University. Playhouse, BAX, and The Bushwick Starr. New Georges Audrey Resident, Lambda Literary LGBTQ Writers in APRIL MATTHIS (Honey Sloane) With ERS: THE Schools author, and songwriter with her band The Witch SOUND AND THE FURY; FONDLY, COLLETTE RICHLAND; Ones. As always, for Amanda, Mom and Dad. MEASURE FOR MEASURE. Off-Broadway: SIGNATURE WHO’S WHO JOHN COLLINS (Director) founded Elevator Repair RYAN SEELIG (Lighting Designer) With ERS: MEASURE Service in 1991. Since then, he has directed or co-directed FOR MEASURE (co-design). Select lighting design credits all of the company’s productions. John is the recipient of include: THE REHEARSAL ARTIST (Michelle Ellsworth); a Doris Duke Artist Award, a Guggenheim Fellowship in CLYTIGATION: STATE OF EXCEPTION (Michelle Ellsworth); Drama and Performance Art and a Artists THEY THEMSELF AND SCHMERM (Becca Blackwell); Donnelley Fellowship. John received the Lucille Lortel GONER: A VOID (Ondine Geary); THE B-SIDES (The Wooster Award for Outstanding Director and the Elliot Norton Group); THE TOWN HALL AFFAIR (co-design, The Wooster Award for Outstanding Director for ERS’ production of Group); LIFE DOES NOT LIVE (James Sprang); KENTUCKY GATZ. John was born in North Carolina and raised in (EST) and LOSING TOM PECINKA (MGF). Seelig is also Georgia. He holds a combined degree in English Literature Michelle Ellsworth’s Production Manager and Lighting and Theater Studies from Yale. Supervisor for The Wooster Group. www.ryanseelig.com

AARON AMODT (Technical Director) With ERS: THE LOUISA THOMPSON (Set Designer) is a designer and SELECT (THE SUN ALSO RISES) (tour); FONDLY, COLLETTE a creator of theatrical work for young audiences. With RICHLAND. NYC: OTHELLO (NYTW); HADESTOWN ERS: GATZ. As Lead Artist she created WASHETERIA, (NYTW); LAZARUS (NYTW); BELLOMANIA (New Vic). a site-specific all-age event. Other Off-Broadway: [SIC]; Tours: A BILLION NIGHTS ON EARTH (Lucidity Suitcase BLASTED (Obie and Hewes awards) at Soho Repertory Intercontinental); RINGLING BROTHERS AND BARNUM Theatre. NY credits: Signature Theatre, The Play Company, AND BAILEY CIRCUS. Outside of theater Aaron collects Target Margin Theater, Clubbed Thumb, Rattlestick personal ephemera and makes ghost photographs. Playwrights Theater, Theatreworks USA, Playwrights Horizons, The Foundry Theater Company. Regional ELIZABETH EMANUEL (Assistant Stage Manager) is credits: Berkeley Repertory Theatre, The Kirk Douglas an AEA stage manager and assistant stage manager. Theater, Arden Theatre, Bard Summerscape, The McCarter Selected credits include THIS IS THE COLOR DESCRIBED Theatre, The Papermill Playhouse, La Jolla Playhouse, The BY THE TIME (New Georges/Lily Whitsitt); TANIA IN THE Children’s Theatre Company of Minneapolis. Yale School GETAWAY VAN (The Pool Plays); XANDER XYST, DRAGON: 1 of Drama (MFA), Rhode Island School of Design (BFA), (Ars Nova’s ANT Fest); DUST CAN’T KILL ME; PEACE, LOVE Associate Professor in the Hunter College Department AND CUPCAKES (NYMF); INDEPENDENCE (Alchemical of Theatre. Theater Laboratory); IT TAKES A VILLAGE (Three Hares). elizabethlemanuel.com ARIANA SMART TRUMAN (Producer) has worked with ERS in various capacities since 2003, and on staff since MAURINA LIOCE (Stage Manager) With ERS: THE 2006; as the Producing Director she produces all the SOUND AND THE FURY; ARGUENDO; THE SELECT (THE company’s work - most recently MEASURE FOR MEASURE SUN ALSO RISES) (tours); FONDLY, COLLETTE RICHLAND; at The Public Theater. She has collaborated with many MEASURE FOR MEASURE. NYC: Stage Management for of downtown’s finest performing artists, ensembles and Jim Findlay, David Byrne, Half Straddle, Sibyl Kempson’s institutions including Mike Iveson, Yehuda Duenyas, 7 Daughters of Eve Theater & Performance Company, Collapsable Giraffe, Radiohole, The Wooster Group, Andrew Ondrejaack, Mike Iveson, Erin Markey, Suzanne HERE Arts Center and Soho Rep. For ART/NY she teaches Bocanegra, Young Jean Lee’s Theater Company and workshops on touring theater, and in 1996 with Kate Valk Adrienne Truscott. She joined Elevator Repair Service in she co-founded The Wooster Group’s Summer Institute, January 2014. a free performance workshop for NYC youth, which she directs. LIZ NIELSEN (Production Manager) This is Liz’s first show with ERS. She is currently working with Object AMANDA VILLALOBOS (Properties Designer) Collection on their international tour of IT’S ALL TRUE With ERS: MEASURE FOR MEASURE and FONDLY, COLLETTE and is the production manager for HB Studio. Other NY RICHLAND. Broadway design: AMELIE, A NEW MUSICAL. credits include productions with Mason Holdings, Minor Off-Broadway design includes: HAND TO GOD (Berkeley Theater, Clubbed Thumb, Soho Rep, Bushwick Starr, and Rep) and GHOST RINGS (Half Straddle). Other Design Half Straddle. & Performance credits include: THE PEE-WEE HERMAN WHO’S WHO SHOW on Broadway, “Late Night” with Seth Meyers and John Collins received a 2011 US Artists Fellowship, a LET US NOW PRAISE SUSAN SONTAG. She also works in 2010 Guggenheim Fellowship and a 2014 Doris Duke collaboration with artist Becca Blackwell and is a member Performing Artist Award. ERS ensemble members have of 7 Daughters of Eve Theater & Performance Company received OBIEs for Sound Design and Sustained Excellence and the band The Witch Ones. www.avpuppets.com in Performance and Lighting Design.

KAYE VOYCE (Costume Designer) With ERS: MEASURE ABRONS ARTS CENTER is a home for contemporary FOR MEASURE. Broadway: SIGNIFICANT OTHER; THE REAL interdisciplinary arts in ’s Lower East Side THING; THE REALISTIC JONESES; SHINING CITY. Recent neighborhood. A core program of the Henry Street Off-Broadway: HAMLET (The Public Theater); A HOME Settlement, Abrons believes that access to the arts AT THE ZOO; THE ANTIPODES; SIGNATURE PLAYS; THE is essential to a free and healthy society. Through WAYSIDE MOTOR INN (Signature Theatre); MOURNING performance presentations, exhibitions, education BECOMES ELECTRA (Target Margin Theater); REVOLT. SHE programs and residencies, Abrons mobilizes communities SAID. REVOLT AGAIN (Soho Rep); AFTER THE BLAST; THE with the transformative power of art. Abrons Arts Center MYSTERY OF LOVE & SEX; 4000 MILES (Lincoln Center values freedom of expression and creativity, ever striving Theater). Other recent: Richard Maxwell’s PARADISO; THE to provide creative communities with a space that EVENING, PARTS I AND II; ISOLDE and NEUTRAL HERO. celebrates diversity of thought and experience.Abrons Trisha Brown’s final dances: TOSS and ROGUES. aims to be an anti-oppressive home to people from all backgrounds and does not discriminate on the basis of BEN WILLIAMS (Sound Designer) With ERS: FONDLY, race, national or ethnic origin, citizen status, ancestry, COLLETTE RICHLAND; THE SELECT (THE SUN ALSO RISES); age, religion, disability, sex or gender identity. As GATZ; ARGUENDO; THE SOUND AND THE FURY; SHUFFLE; definitions of expression and inclusion evolve, Abrons NO GREAT SOCIETY. New York: MIND ON HEAVEN (creator, is committed to continually revising this statement in performer); THIS IS THE COLOR (Lily Whitsitt); RAW BACON collaboration with our communities. FROM POLAND (Christina Masciotti); THE TERRIFYING (Julia Jarcho and minor theater); WHEN A PRIEST MARRIES INDIGENOUS LAND ACKNOWLEDGMENT A WITCH (Suzanne Bocanegra). Awards for sound design: Obie, Lucille Lortel, LADCC. www.benwilliamsdotcom.com Nulelìntàmuhëna èli paèkw Lenapehoking Kulawsihëmo ènta ahpièkw. ELEVATOR REPAIR SERVICE Elevator Repair Service is a Nooleelundamuneen eeli payeekw -based company that creates original works Lunaapeewahkiing. Wulaawsiikw neeli apiiyeekw. for live theater with an ongoing ensemble. Founded We are glad because you people came in 1991, ERS has authored an extensive body of work to Lenapehoking. Live well when you are here. that includes 19 original theatrical productions. ERS recently concluded a sold-out run at The Public Theater Abrons Arts Center is situated on the Lenape island of of their MEASURE FOR MEASURE. The company’s best- Manhahtaan (Mannahatta) in Lenapehoking, the Lenape known work, GATZ (2006) is a word-for-word enactment homeland. We pay respect to Lenape peoples, past, of “The Great Gatsby” set in a mysterious low-rent present, and future and their continuing presence in office and presented in an eight-hour performance. It the homeland and throughout the Lenape diaspora. We returns to New York for a limited run at NYU Skirball offer our care and gratitude to the land, water and air of January 2019. ERS has received numerous awards and Lenapehoking, and are committed to resisting colonialism distinctions including an OBIE for Sustained Excellence; and imbalance with Mother Earth through the support The Foundation for Contemporary Arts Theater Grant; the of Indigenous-led programming and Indigenous artistic Theatre Communications Group’s Peter Zeisler Memorial practices. Award for Outstanding Achievement; Elliot Norton Awards for Outstanding Visiting Production, Outstanding Thank you to the Lenape Center and Emily Johnson for their Actor, and Outstanding Director; and Lucille Lortel Awards partnership in developing Abrons Arts Center’s Indigenous for Alternative Theatrical Experience, Outstanding Land Acknowledgment. Director and Outstanding Design. Artistic Director ERS STAFF Electricians ...... Natalie Avery, Artistic Director...... John Collins Martin Bodenheimer, Caroline Eng, David Levitt, Producing Director...... Ariana Smart Truman Lizzie Mahoney, Adam Rose, Christina Tang, Director of Development...... Marilyn Haines Luke Van Meveren Director of Education Programs & Associate Producer...... Lindsay Hockaday Lighting Equipment Rental...... Tribeca Lighting Manager of Finance ...... Lucy Mallett Sound Equipment Rental...... One Dream Sound Stage Manager...... Maurina Lioce Scenic Shop...... Joe Silovsky Studios LLC Administrative Consultant...... Hanna Novak Graphic Designer...... Maggie Hoffman Interns...... Hannah Birch Special Thanks from the Playwright: Freddie and Carl, Stephanie Ghajar, Anxin Hu, Emma Levine, Vin Scelsa, Alexander C. Sanger, Khaliah Williams, Shaina Matthews, Micali Morin, Lilja Owsely, Ajani McMullen-Williams, Laura von Holt, Joeley Pulver, Rosie Rizzo, Anna Maria Tomasdottir Kate Jacobs, Scott Shepherd, Julian Fleisher and Geoffrey Jackson Scott. SPECIAL SERVICES Attorneys...... WilmerHale WARNING: The photographing or sound recording of Production Photographer ...... Joan Marcus any performance or the possession of any device for such Promotional Photographer...... Brad Buehring photographing or sound recording inside this theatre, without the written permission of the management, is prohibited by Advertising...... Grapeseed Media law. Violators may be punished by ejection and violations may Press Representative...... John Wyszniewski, render the offender liable for money damages. Everyman Agency THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF ERS BOARD OF DIRECTORS PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES. Doug Curtis (Chair), Steve Bodow (Vice Chair), Zoe E. Rotter (Vice Chair), Lucy Mallett (Treasurer), The Director is a member of the John Collins (President), Clay Ballard, Kenneth STAGE DIRECTRS AND CHOREOGRAPHERS SOCIETY, a national technical labor union. Cera, David Gilbert, Mindy Goldberg, Fritz Michel, Nicholas Quinn Rosenkranz, Greig Sargeant, Bill Stasiulatis, Anne Stringfield, Robert A. Wilson, Jr.

EVERYONE’S FINE WITH VIRGINIA WOOLF United Scenic Artists, Local 829 of the IATSE is the union representing scenic, costume, lighting, sound and projection PRODUCTION CREDITS designers in Live Performance. Assistant Set Designer...... Sam Vawter Assistant Costume Designer...... Alice Tavener Assistant Lighting Designer...... Evan Anderson Sound Design Intern...... Isabel Bleyer Properties Intern & Run Crew . . . . . Hannah Birch Carl Load-in crew...... Sally Shepard, Shane Salk, Akil Noel, Tavish Miller, Aaron Minebrook, Gene Lee @erstheater Master Electrician...... Becca Plunkett Assistant Master Electrician...... Greg Folsom ERS SUPPORTERS GOVERNMENT National Endowment for the Arts New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature New York City Department of Cultural Affairs in partnership with the City Council

FOUNDATION The Andrew W. Mellon Foundation New York Theater Program Barbara Bell Cumming Charitable Trust The Dorothy Strelsin Foundation Edward T. Cone Foundation Emma Sheafer Trust The Fan Fox and Leslie R. Samuels Foundation for Contemporary Arts The Harold and Mimi Steinberg Charitable Trust Howard Gilman Foundation Jockey Hollow Foundation Lucille Lortel Foundation New England Foundation for the Arts’ National Theater Project, with lead funding from The Andrew W. Mellon Foundation Scherman Foundation Select Equity Group SEG New Voices Initiative Shubert Foundation INSTITUTIONAL Elevator Repair Service is a member of the Alliance of Resident theaters/New York. ERS INDIVIDUAL CONTRIBUTORS

David Gilbert* Pink House Productions DIRECTOR’S Peter Goettler & Cynthia Goettler Patrick Ravey CIRCLE $1000+ Mark Goldberg & Lisa Rechsteiner Ariana Smart Truman Robert Rosenkranz & Robin Aufses & Arthur Aufses III Mindy Goldberg Alexandra Munroe Joe Baio & Anne Griffin Kristine & Marc Granetz Nicholas Quinn Rosenkranz Christopher Bannon Laura Grey & Jordan Klepper Mark Rossier Cori Bargmann Rinne Groff & David Becker Janet & Steve Rotter Steve Bodow & Kathy Profeta Diane Hawes Zoe E. Rotter Kenneth Cera David Herskovits & Jennifer Egan Ben Rubin & Julie Rottenberg Debra & Robert Chavez Liz & Tim Howell Carolina Saez & Bill Stasiulatis Emilie Cohen & John Williams Janet & Michael Iveson Greig Sargeant* Evie & Stephen Colbert Christina & Declan Kiely Freddie & Vin Scelsa* Diane Compagno Miller Lucy Mallett & Brad Buerhing Betsey Schmidt & Eric Liftin Conrad Cummings & Robert Katz Diane & Adam Max Laura & Karl Slovin Doug Curtis Lee & Fritz Michel* Deborah Solomon & Shawn Donnelley Jackie & Harry Moses Kent Sepkowitz Samuel Duncan Enid Nemy Patricia Specter Linda & Thomas Dupree Elizabeth Newell Anne Stringfield & Steve Martin Martha Escobar & Stephanie & Robert Olmsted Susan Wheeler Sandor Lehoczky* Zhe Pan Janine Safer & Jonathan Whitney Dennis Furbush Julia Pershan & Jonathan Cohen* Frank Williams & Keris Salmon Linda & Robert German Nicholas Pileggi David & Martha Zornow Valerie Gersten

Ruth Gallo & Kevin Meehan Edward McKeaney INSIDERS Margery & Don Galluzzi* Brette McSweeney $250 - $999 Cory Greenberg Kelli McTaggart Jeff Haines Marjorie Meredith & Derek Walker Kim Adler Wendy Haley Maureen Miller, MD Carlos & Elizabeth Arnaiz Julie Hall-Houston & Scott Houston Claire Milonas Elizabeth Calhoun Baker Jeff Hannon Elizabeth Jeppson Susan Barbash & Eric Katz Tracy Hatton John O’Loughlin David Bedingfield Charles Heenan Sarah Paley & Bob Kerrey David Bither Linda Hirshman Robert Parks Alison & Dave Blaschak Gabrielle Howard & Martin Skoble Karen Peeler Barbara Canody Anxin Hu Richard Phillips Amy Carlson Tracy Hurley Martin* Steven Phillips & Isabel Swift Ruth Anna Carlson & Albert Leonetti Susan & Stephen Jeffries Aimee Pollak Karen Casey Sally & Daniel Johnnes Charles Read Ann Colonna Maira Kalman Hillary & Charles Reyl Charley Cooper Richard Kayne Stephanie Sassoon Radu Costin & Gabriela Chelariu Johnelle & Rodney Kennedy Patricia Savoie Erin Courtney & Scott Adkins John Kim Perry Sayles & Max Rosen Jerry Croghan & Louis Hedgecock Tiffany Knipe Sheena See & Roy Faudree Lynn & Court Cunningham Sara & Stephen Kraskin William Seward & Michelle Kim Timothy Donovan Michael Kraskin Carol Siegel* Susan Eddy Karyn Kusama Ira Simmonds Steven A. Engel Susan Ladson & John Ladson III Gus Solomons, Jr. Caryl & Ken Field Elizabeth LeCompte Chuck Stevenson Ross & Margaret Fletcher Tink Leefmans & Ernest Tollerson III Vasily Strela & Irina Vainberg Ari Fliakos & Erin Douglass David Lesser Judson Traphagen Blake & Andrew Foote Don Lewis Julie Welch & David Latham Victoria Fort Nicholas Lewis Harry White Helen & Stephen Freidus Melinda McIlwain & Peter Kaminsky Benjamin Harris Frank Pruet SUPPPORTERS Jeanne Heath Carole Randall Cynthia Hedstrom Gail & George Reeke up to $249 Mona Hennessy* Hilary Reyl Hannah Hessel Ratner Nancy Reynolds Kristen Abbas Andrea Hines* Jessica Rispoli Alyssa Agee Gerald Homan Richard Rizzo Laurena Allan & Scott Reilly Susan Hootstein Gordon Rogoff & Morton Lichter Beverly & Richard Anderson Nancy & Owen Hughes Judith Rom Jaclyn Backhaus* Judy Isserlis Jack Rubinstein Michael Bailey Mimi Johnson Stephanie Sassoon Laura & Joel Bassin Moreson Kaplan & Nina Adams Jan Scelsa Joseph Bauman Michael Kaul Kate Scelsa & Amanda Villalobos Kerry & Walter Bauman Mandy Kelsey* Linda Schaeffer Earlene Baumunk Sibyl Kempson* Betty & Fred Schlissel Ali Bennet Libby King* Carol Schneebaum Kate Benson* Leslie King & Jon Glaser William Schneider Susan Bernfield & Claude Millman* Blake Koh & Sonia Nikore Mona Schnitzler & Jonathan Hurwitz Nadia Bernstein John Kurzynowski* Gary Schwartz Frank & Iris Bessell Spencer Lafrandre Tanya Selvaratnam Dorothy Bier Jillian Lauren* Judith Sensibar Saga Blane & Jake Jeppson Burt Lazarin Dans Sheehan* Christine Bocek Young Jean Lee Scott Shepherd* Ellen Bodow Phyllis Lehrer Martha Sherman Emma Bolden* Meg Lemke* Susan & Jonathan Shopiro Frank Boyd* Lauren Lentz Jillian Shriner Susan & Glenn Brill Margo Levine & R.I. Cantor Carol Siegel Angie Bucknell David Lieberman Amy Silver Francesco Campari Sam Lipsyte Lawrence Smith Marvin & Patricia Carlson Chris Lynch & Natasha Samant Susie Sokol Don Castro Emily Marro* Michael Solomon Krissa Corbett Cavouras* Jessica Massart David Stein Elaine Chapnick Tanya Melich Nan Strauss Erin Clark* Beth Meredith Maria Striar Judith Cohen Carol Meyer & Lloyd Westerman Margo Stringfield & James Stringfield, III Susan Cole Rikki Michels R. Lee Stump Michael Constantine Joanna Migdal Aniko Szucs Claire Conway* Darby Millar Lucy Taylor* Kendall Cornell Pamela Mitchell Anne Terrail Brandon Crain Alberto Castaño Molina & Maria Thayer William Curtis Dana Litvack Molina Lily Thorne Norma Davenport Maryann Molnar & Edward Betty Lauren Timmons Jessica Del Vecchio* Greg Montano Liz Tortolani* Allison Devers* Alison Moritz Justin Vahala* Catharine Dill* Phil Morrison Joe Ventura Jill Drew Rob Munk Mary Villalobos* Gray Dunlap* Rachel Murphy & Jim Glossman Laura Von Holt* Christina Duszlak Ashley Myth Eva von Schweinitz* Orianne Dutka* William Nabers Lois Walker* Susan Eddy Wendy Naidich Bor-Shuen Wang Sosi Ermarkaryan Christopher Nattrass John Warthen John Fager Merry Neisner Katie & Heath Watkin Fanny Ferreira Joyce Nissim Christine Weldon Rebecca Frank* Robert Nolan Mac Wellman Deborah Freedman John O’Loughlin Colleen Werthmann & Elinor Fuchs Deborah Oestreicher & Victor Magar Gardiner Comfort Joanna Furnans* Dorinda Oliver Khaliah Williams* David & Jennifer Galluzzi Anastasia Olowin* Gary Wilmes & Jennifer Lim* Celia Gerard* Dave Oppenheimer Maud Winchester & Lucas Reiner Nancy Gershman David Ops* Ann Winton Ellen Goldensohn Karen Peeler Michael Wohl Alice Gordon Jennifer Peltz Kristin Worrall* Sheila Greenberg Carole Pesner Wendy Zehngebot Rufus Griscom & Alisa Volkman Pauline Pinto Almaz Zelleke & Clay Shirky Susan Grodnick Gina Pollara Rinne Groff & David Becker Laurie Posner & Jeffrey Levitsky List current as of 5/18/18 Kenneth Gross Terence & Kathleen Price *Contributed to the development of J. Hallock* Anthony Privetera Everyone’s Fine with Virginia Woolf

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