Level 2-10 the Trojan Horse
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
1186 B.C.E. the Trojan War Greece
1186 B.C.E. The Trojan War Greece The events in the myth of The Judgement of Paris started a period of war called the Trojan War, in which the city of Troy and its allies fought the citystate of Sparta and its allies. Most of what we know of the Trojan War comes from epics such as Homer’s Iliad and O dyssey, but there is evidence that the Trojan War was a real event; the problem is that we don’t know exactly how much of what is described in the Iliad is true. For example, the Iliad features Gods and Goddesses not present in modern society or belief, as well as people that may have been idealized as war heroes. The following is what we know about the events of the Trojan War from the Iliad. Menelaus, the king of Sparta, was so angry that Paris had taken his wife that he set out to wage war with Paris and the city of Troy. To do so, he sent out for certain people to help, such as Odysseus, the hero of the Odyssey, and Achilles, who a seer said the war would not be won without. The Greeks first attacked nearby kingdoms that were supplying Troy, destroying the Trojan economy, killing Trojan hero Hector and looting spoils of war. However, the Greeks couldn’t break down the wall that surrounded Troy, so Odysseus devised a plan now known as the Trojan Horse. The Greeks hid inside a giant wooden horse that they tricked the Trojans to let inside their walls. -
COMMENTARY Calchas on the Basis of an Omen Declares That Troy Must
COMMENTARY 1-20 Calchas on the basis of an omen declares that Troy must be taken by trickery. It is easy to assert 1 that Q. has combined the traditional detail2 of Odysseus' device ofthe Horse with Sinon's claim in Virg. A. 2. 185f. that Calchas 'ordered' the Greeks to build it. Even if the detail is Virg. 's own 3, in Q. Calchas' intervention is grounded in reality, is based on a wholly dif ferent set of circumstances, is strategically necessary (an effective method of crushing the stiff opposition put up by the god-fearing Neoptolemos, a motif certainly not of Q. 's own devising: 66-103n. ), and must be viewed against the background of a tradition in which oracles, prophecies and portents abound4 , and in which Calchas came to assume an increasingly dominant role 5 • Q. 's Calchas indeed (for his teaming up with Odysseus cf. the n. on 360-88, § 4 (a) (ii)) is a leading light in decision making both before and after the fall of Troy6 • His Trojan counterpart Helenos, so popular elsewhere, is virtually driven out of the action: he is a fighter viii. 252f., xi. 348f.; a seer, though not explicitly so, only in the chaotic prophecy of Hera at x. 346f. Calchas is on the scene at this point in the saga in Dictys 5. 7: he predicts that Troy will fall into Greek hands on the basis of an omen involving an eagle carrying a victim's entrails. The doubly inept Triph. 172f. is worth a passing glance: the 'aged' Calchas is in the Horse, and in his capacity as a seer he is well aware ( EU Elow~) that the Greeks were at long last going to take Troy.-Triph. -
MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats. -
The Legend of the Trojan Horse
The Legend of the Trojan horse Once upon a time, a long time ago, there was an ancient city named Troy. Troy was on the coast of Asia, across the sea from the Greek city-state of Sparta. In those days people used to build walls around their city to help protect them with a gate. In times of war, the gates could be closed and locked to stop intruders from getting inside. The walls around Troy were very high and very strong. According to the legend of the Trojan Horse, for ten long years the Greeks had been trying to get over the wall around the city of Troy. But the Greeks could not get over the wall. And the Trojans could not drive the Greeks away. Year after year they fought. And year after year neither side won. One day, a Greek general, Odysseus had a tricky idea. “Let’s pretend to sail away”, he suggested. “We’ll leave a gift for Troy, a gift to announce the end of the war, a wooden a horse with 30 men hidden inside. At night, these men can sneak out and open the gate of Troy!” That was the way things were done back then. When you admitted defeat, you supplied a gift. It made sense to leave a gift of art. The Greek were famous for their art. The Greeks thought it was a brilliant idea. They had their best artists build the horse and it was magnificent. When it was ready, the Greeks brought the wooden horse close to the gates of Troy and pretended to sail away. -
Consider Rembrandt's “Aristotle Contemplating the Bust of Homer
Charles Hill Yale University / Stanford University The Trojan Horse: Grand Strategy and National Identity Consider Rembrandt’s “Aristotle Contemplating the Bust of Homer.” What is he contemplating? How to convey the matters of war and peace, of strategy and humanity found in Homer’s Iliad and Odyssey to Aristotle’s pupil Alexander. Homer’s face and sightless eyes give no clue. Aristotle’s gaze is off into space. His right hand to Homer’s head; his left hand fingers the chain that carries a pendant engraved with the head of Alexander the Great, whose expression we cannot make out. We can imagine the thoughts and words of Homer running like an electric current up to and through the mind of Aristotle, then down and on into the mind and actions of the conqueror of the world. Sometime around the year 345 Aristotle moved to the island of Mytilene where he did biological observation. Then in 343 came the invitation for which he ever after was famed: to come to the court of King Philip II of Macedonia to tutor his son Alexander, who was then thirteen years of age. As one historian put it: A rich romance came to surround that happy coupling of prince and philosopher, and we shall not hope to see through the fog of legend or determine how far Aristotle influenced his ambitious and unlovely charge –– the boy who would become Alexander the Great and rule the world from the Peloponnesus to Persia to the Punjab. So Aristotle was given the opportunity in actuality that Plato only longed for in theory –– to educate a philosopher-king. -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
' “Always the Foremost Argive Champion”? The
Scheijnen T. (2015); ‘ “Always the Foremost Argive Champion”? The Representation of Neoptolemus in Quintus of Smyrna’s Posthomerica’ Rosetta 17.5: 93 – 110 http://www.rosetta.bham.ac.uk/issue17.5/Scheijnen.pdf ‘Always the Foremost Argive Champion’? The Representation of Neoptolemus in Quintus of Smyrna’s Posthomerica Tine Scheijnen Abstract: Neoptolemus rather seldom figures in Ancient Greek literature. The Posthomerica of Quintus of Smyrna is one of the scarce examples in which the son of Achilles is staged as a hero on the battlefield. This paper investigates the representation of Neoptolemus as the successor of his father in the Trojan War. The vigorous youth who takes Achilles’ place as the principal Achaean champion is repeatedly recognised as latter’s heir. Various narrative techniques reinforce this profound assimilation, which proves crucial to determine Neoptolemus’ identity as a warrior. The image that is thus created of the young hero clearly enters into dialogue with the Homeric epics, in which the post-Achilles episode of the Trojan War is only indirectly treated. To complete what his father has left unfinished, Neoptolemus finds inspiration in his rich inheritance. ‘And in truth, as often as we took counsel around the city of Troy, he was always the first to speak, and never erred in his words; godlike Nestor and I alone surpassed him. But as often as we fought with the bronze on the Trojan plain, he would never remain behind in the throng or press of men, but would run forward far to the front, yielding to none in his prowess; and many men he slew in dreadful combat.’ (Odysseus: Odyssey 11, 510-516)1 During his visit to the Underworld in Odyssey 11, Odysseus encounters Achilles and describes to him how his son Neoptolemus became a worthy champion in the Trojan War. -
Trojan Horses
Trojan Horses The most famous story of a Trojan horse involved Odysseus of Homer’s epic poem, the Odyssey. The Greek siege of Troy had lasted for ten years. The Greeks devised a new ruse: a giant hollow wooden horse. It was built by Epeius and filled with Greek warriors led by Odysseus. The Trojans were convinced by a Greek spy, Sinon, to bring the horse into the defended city. The Trojans hugely celebrated the end of the siege, so that, when the Greeks emerged from the horse, the city was in a drunken stupor. The Greek warriors opened the city gates to allow the rest of the army to enter, and the city was pillaged ruthlessly, all the men were killed, and all the women and children were taken into slavery. Def: A Trojan horse is a program with an overt, documented or known, effect and a covery,undocumented or unexpected, effect The term Trojan horse was first used in 1974 when talking about computer malware. A simple example of a Trojan horse would be a program named “waterfalls.scr” claiming to be a free waterfall screensaver which, when run, instead would allow access to the user’s computer remotely. Trojan horses can make copies of themselves. One of the earliest Trojan horses was a version of the game animal. When the game was played,it would create an extra copy of itself. These copies spread, taking up much room. Def: A propagating Trojan horse, also called a replicating Trojan horse, is a Trojan horse that creates a copy of itself. -
Minor Characters in the Aeneid Page 1
Minor Characters in the Aeneid Page 1 The following characters are described in the pages that follow the list. Page Order Alphabetical Order Aeolus 2 Achaemenides 8 Neptune 2 Achates 2 Achates 2 Aeolus 2 Ilioneus 2 Allecto 19 Cupid 2 Amata 17 Iopas 2 Andromache 8 Laocoon 2 Anna 9 Sinon 3 Arruns 22 Coroebus 3 Caieta 13 Priam 4 Camilla 22 Creusa 6 Celaeno 7 Helen 6 Coroebus 3 Celaeno 7 Creusa 6 Harpies 7 Cupid 2 Polydorus 7 Dēiphobus 11 Achaemenides 8 Drances 30 Andromache 8 Euryalus 27 Helenus 8 Evander 24 Anna 9 Harpies 7 Iarbas 10 Helen 6 Palinurus 10 Helenus 8 Dēiphobus 11 Iarbas 10 Marcellus 12 Ilioneus 2 Caieta 13 Iopas 2 Latinus 13 Juturna 31 Lavinia 15 Laocoon 2 Lavinium 15 Latinus 13 Amata 17 Lausus 20 Allecto 19 Lavinia 15 Mezentius 20 Lavinium 15 Lausus 20 Marcellus 12 Camilla 22 Mezentius 20 Arruns 22 Neptune 2 Evander 24 Nisus 27 Nisus 27 Palinurus 10 Euryalus 27 Polydorus 7 Drances 30 Priam 4 Juturna 31 Sinon 2 An outline of the ACL presentation is at the end of the handout. Minor Characters in the Aeneid Page 2 Aeolus – with Juno as minor god, less than Juno (tributary powers), cliens- patronus relationship; Juno as bargainer and what she offers. Both of them as rulers, in contrast with Neptune, Dido, Aeneas, Latinus, Evander, Mezentius, Turnus, Metabus, Ascanius, Acestes. Neptune – contrast as ruler with Aeolus; especially aposiopesis. Note following sympathy and importance of rhetoric and gravitas to control the people. Is the vir Aeneas (bringing civilization), Augustus (bringing order out of civil war), or Cato (actually -
DECEPTION and THEODICY in AENEID 1-4 by Kevin Gaul
DECEPTION AND THEODICY IN AENEID 1-4 by Kevin Gaul Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2017 © Copyright by Kevin Gaul, 2017 To my patient parents and somewhat faithful dog. ii TABLE OF CONTENTS ABSTRACT ...................................................................................................................... iv LIST OF ABBREVIATIONS USED ............................................................................... v ACKNOWLEDGEMENTS ............................................................................................ vi CHAPTER 1. INTRODUCTION .................................................................................... 1 CHAPTER 2. LATE AEQUARA TUTA SILENT ........................................................... 6 CHAPTER 3. DOLUS AN VIRTUS, QUIS IN HOSTE REQUIRAT? ........................ 19 CHAPTER 4. POSTQUAM RES ASIAE PRIAMIQUE EVERTERE GENTEM ...... 33 CHAPTER 5. UNA DOLO DIVUM SI FEMINA VICTA DUORUM EST ................. 50 CHAPTER 6. CONCLUSION ....................................................................................... 61 REFERENCES ................................................................................................................ 68 iii ABSTRACT The theme of deception, or dolus, is undeniably central to the Aeneid, both as a frequent vehicle for the unfolding narrative and as a means by which the poet explores more complex themes. Ultimately, this thesis aims to shed light -
Achilles.Pdf
ffi ffi Achilles : GreeP Mythology By: English For Students Introduction Achilles, in Greek mytholo_gy, greafesl of the Greek warriors in the Troian Wor. He was the son of the seo nymph Thetis and Peleus, king of the Myrmidons of Thessoly. When the Fates prophesied that Achiltes would die in the Trojon War, Thetis aitempted to make her infant son immortal. In one version of the story, Thetis rubbed Achiltes with ombrosia and placed him in the hearth fire to moke him immortat. According to a later legend, she bothed him in the River Styx. The waiers made him invulnerable except for fhe heel by which his mother hetd him. The term Achilles heel has become popularized to refer to someone's or something's key weakness. Youth White Achitles wos growing up, the Greek armies were preparing for their assoult on Troy in Asia Minor. Knowing thot her son wos fated to die if he took pari in the war, Achiltes's mother dressed him in women's clothing ond sent him to Skyros io live omong ihe young women in the court of King Lycomedes. Warned that they coutd not conquer Troy without the aid of Achilles, the Greeks sent Odysseus, king of Ithaca, to find him. Disguised as a peddler, Odysseus went to Skyros bearing o shield and o speor dmong his goods. When Achitles betrayed his identity by seizing the weopons, Odysseus persuaded him to join the GreeR expedition to Troy. The Trojon Wor Achiltes fought mony baftles during the Greeks' len-yeor siege of Troy. When ihe Mycenoean king Agomemnon seized the capiive slave Briseis from him during the wor, Achitles withdrew the Myrmidons from baftte ond sulked in his tent. -
Ralph Hexter
Ralph Hexter What was the Trojan Horse Made Of?: Interpreting Vergil 's Aeneid The most startling feature of the Aeneid's narrative economy is the flash- back represented by books 2 and 3, the account of the fall of Troy and then of Aeneas's wanderings told in Carthage by Aeneas to Dido. Star- tling it is not in the context of Vergilian imitation of Homer: Aeneas tells his story to Dido as Odysseus had told parts of his to the Phaeacians in the Odyssey. 1 But while the Odyssey serves as a rich subtext for the Aeneid, it does not serve readers well if it dulls us to what is novel and, in my view, most characteristically Vergilian about the Roman poet's use of inset narrative, which he doubles or squares. For just as Aeneas's narrative to Dido is set near the beginning of Vergil's narrative to us, as the second and third of twelve books, so near the beginning of Aeneas's narrative we have the account of Sinon's2 deception of the Trojans-by means of storytelling-which leads to their undoing as they accept the Trojan horse into the city. This is a short circuit of narrative and interpretation that no listener or interpreter can overlook. For me, it is the primal scene of narration and misinterpretation in the Aeneid. 3 That this inner scene of narrative deception and misinterpretation is itself part of Aeneas's tale to Dido, which in different ways and for very different reasons leads to her undoing, and that Aeneas's account and Dido's suicide are in turn set within Vergil's narrative to us, has profound ramifications for our understanding of Vergil's text and of our own role and responsibilities as readers.