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Un'italia Fuori Dall'italia Immagini Di Cultura Italiana Nella A10 116 Nota redazionale Tutte le traduzioni in italiano non supportate da uno specifico riferimento biblio- grafico si intenedono effettuate dall’autrice. Chiara Sciarrino Un’Italia fuori dall’Italia Immagini di cultura italiana nella letteratura anglo–irlandese contemporanea ARACNE Copyright © MMV ARACNE editrice S.r.l. www.aracneeditrice.it [email protected] via Raffaele Garofalo, 133 A/B 00173 Roma redazione: (06) 72672222 – telefax 72672233 amministrazione: (06) 93781065 ISBN 88–7999–961–3 I diritti di traduzione, di memorizzazione elettronica, di riproduzione e di adattamento anche parziale, con qualsiasi mezzo, sono riservati per tutti i Paesi. Non sono assolutamente consentite le fotocopie senza il permesso scritto dell’Editore. I edizione: gennaio 2005 For my parents INDICE Introduzione p. 11 Capitolo I – Che c’é di buono in un libro senza figure e senza dialogo? Le arti italiane e la letteratura anglo-irlandese contemporanea 1.1 Le relazioni fra arti visive e letteratura p. 21 1.2 “Fra passato e presente”: interesse per l’arte italiana in Irlanda p. 25 1.3 Innocence: arte e sregolatezza? p. 26 1.3.1 Tableaux vivants nel play di McGuinness p. 30 1.3.2 Dolly West’s Kitchen: ulteriori riflessioni sull’arte del drammaturgo p. 36 1.4 Arte come mera descriptio? Deirdre Madden in qualità di turista p. 40 1.4.1 A view of the present state of arts in Italy: Remembering Light and Stone p. 43 1.5 Estetica dell’indefinito: Edna O’Brien p. 48 1.6 The Fisher Child di Philip Casey p. 52 1.7 L’Italia di William Trevor: utopia artistica o incubo personale? p. 60 1.8 Ut Pictura Poesis p. 69 1.8.1 “A poem is the cry of its occasion”: le raccolte di Durcan p. 70 1.9 “Rararmente dipingo ciò che vedo, dipingo ciò che sento nel mio corpo”: Eavan Boland p. 77 1.10 “La buona arte dice la verità, è la verità”: Eiléan Ní Chuilleanáin p. 79 1.11 Arte versus realtà? Derek Mahon p. 85 Capitolo II – Musica italiana e letteratura anglo-irlandese: storia di una relazione delirante e idillica Interrogativi sulla natura della musica p. 89 2.1 Musica e realtà p. 90 2.2 Musica e letteratura p. 94 2.3 Opera come arte mista: letteratura musicale o musica teatrale p. 101 2.4 Parole “irlandesi” e musica italiana p. 103 2.5 The Gigli Concert di Tom Murphy: magica aspirazione o incantata temporalità? p. 107 2.6 Un luogo per sognare l’impossibile: Pavarotti in The Salvage Shop di Jim Nolan p. 133 2.7 Le stagioni liriche italiane in As Music and Splendour p. 147 2.7.1 Arte e finzione nel romanzo di Kate O’Brien p. 149 2.8 Non solo opera: da Battisti e Gino Paoli… al Festival di Sanremo: Pat Kinevane, Julia e Sean O’Faolain p. 156 Capitolo III – I rapporti letterari fra Italia e Irlanda Breve riepilogo degli studi di influenza, relazione e intertestualità p. 163 3.1 L’Italia letteraria in Irlanda: introduzione p. 169 3.2 Ignazio Silone ripercorso da Harry Clifton p. 170 3.3 Siamo i figli del Sessantotto... Pasolini in Clifton e Mahon p. 175 3.4 Antonio Fogazzaro letto e commentato da Sean O’Faolain p. 179 3.5 Forme pirandelliane e contenuti irlandesi: il teatro di Brian Friel p. 182 3.6 L’eredità dantesca p. 186 3.6.1 Intertestualità, citazione e critica nell’opera di Seamus Heaney p. 187 3.6.2 Un’altra versione dell’Inferno dantesco: Autumn Sequel di Louis MacNeice p. 196 3.6.3 PS: l’Inferno di Ciaran Carson p. 199 3.7 Infiniti modi di interpretare Leopardi: Or Volge L’anno p. 200 3.8 Alcuni casi di traduzione: Devlin, Grennan, O’Grady e Hutchinson p. 204 3.9 Interpretazioni: casi di Irish literature after Italian literature p. 209 Postfazione p. 211 Bibliografia p. 217 %ED]DPZGDPD^>V>PDFI\Y@ODVVDC@D`\YC>OO \ZGDPV >YC U>CD @` Y>Z[PD E\P ZGD VLDBI>O DYK\`UDYZ \E ZGD U\VZ E>]\[PDC \E GDP BPD>Z[PDV ZG>ZPDFI\YIV%Z>O` 0>C`1\PF>Y 8D ^DYZ Z\ [P\LD 8D O\\MDC >Z BO>VVIB>O >YZIN[IZIDV 8D OIVZDYDC Z\ U[VIB 8D D_>UIYDC B\\O %Z>OI>Y BG[PBGDV >YC >PZ F>OODPIDVZIOOU`D`DV>YCEDDZ>YCUIYC>BGDC 8D>ZDVZP>YFD>YCV\UDZIUDVCDOIBI\[VUD>OV \EYD^V\[YCV YD^VUDOOV YD^VDYV>ZI\YV +DYYIEDP+\GYVZ\Y \V>>BB\U[Y>DB\V>CIEEDPDYbI>C[DC\YYDIPO>YCDVIBGDVBPI]\Y\ V[OO%Z>OI> >C[Y>CIVZ>Yb>CILIaCIBDYZ\>YYIO[Y>C>OO>OZP>! 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