Glossary of Noise Control Terminology 1 General 2 Periodic
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Low Power Energy Harvesting and Storage Techniques from Ambient Human Powered Energy Sources
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2008 Low power energy harvesting and storage techniques from ambient human powered energy sources Faruk Yildiz University of Northern Iowa Copyright ©2008 Faruk Yildiz Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Power and Energy Commons Let us know how access to this document benefits ouy Recommended Citation Yildiz, Faruk, "Low power energy harvesting and storage techniques from ambient human powered energy sources" (2008). Dissertations and Theses @ UNI. 500. https://scholarworks.uni.edu/etd/500 This Open Access Dissertation is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. LOW POWER ENERGY HARVESTING AND STORAGE TECHNIQUES FROM AMBIENT HUMAN POWERED ENERGY SOURCES. A Dissertation Submitted In Partial Fulfillment of the Requirements for the Degree Doctor of Industrial Technology Approved: Dr. Mohammed Fahmy, Chair Dr. Recayi Pecen, Co-Chair Dr. Sue A Joseph, Committee Member Dr. John T. Fecik, Committee Member Dr. Andrew R Gilpin, Committee Member Dr. Ayhan Zora, Committee Member Faruk Yildiz University of Northern Iowa August 2008 UMI Number: 3321009 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Introduction to Audio Acoustics, Speakers and Audio Terminology
White paper Introduction to audio Acoustics, speakers and audio terminology OCTOBER 2017 Table of contents 1. Introduction 3 2. Audio frequency 3 2.1 Audible frequencies 3 2.2 Sampling frequency 3 2.3 Frequency and wavelength 3 3. Acoustics and room dimensions 4 3.1 Echoes 4 3.2 The impact of room dimensions 4 3.3 Professional solutions for neutral room acoustics 4 4. Measures of sound 5 4.1 Human sound perception and phon 5 4.2 Watts 6 4.3 Decibels 6 4.4 Sound pressure level 7 5. Dynamic range, compression and loudness 7 6. Speakers 8 6.1 Polar response 8 6.2 Speaker sensitivity 9 6.3 Speaker types 9 6.3.1 The hi-fi speaker 9 6.3.2 The horn speaker 9 6.3.3 The background music speaker 10 6.4 Placement of speakers 10 6.4.1 The cluster placement 10 6.4.2 The wall placement 11 6.4.3 The ceiling placement 11 6.5 AXIS Site Designer 11 1. Introduction The audio quality that we can experience in a certain room is affected by a number of things, for example, the signal processing done on the audio, the quality of the speaker and its components, and the placement of the speaker. The properties of the room itself, such as reflection, absorption and diffusion, are also central. If you have ever been to a concert hall, you might have noticed that the ceiling and the walls had been adapted to optimize the audio experience. This document provides an overview of basic audio terminology and of the properties that affect the audio quality in a room. -
Evaluation of Electric Energy Generation from Sound Energy Using Piezoelectric Actuator
International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2013): 6.14 | Impact Factor (2014): 5.611 Evaluation of Electric Energy Generation from Sound Energy Using Piezoelectric Actuator Mohana Faroug Saeed Attia1, Afraa Ibraheim Mohmmed Abdalateef2 1Department of Physics, University of Dongola, Sudan 2Collaborator Instructor University of Khartoum, Sudan Abstract: This paper presents the work done on the conversion techniques and methodologies of converting sound energy to its electrical counterpart, and focuses on the future of this type of energy sources than wind energy, solar energy, and biogas. Also, it includes the increase in energy consumption due to ever growing number of electronic devices, and the harvesting energy from humans and using of piezoelectricity. In the experimental work, a piezoelectric generator lead zirconate titante (PZT actuator) is used to extract sound energy from the loudspeaker from various distances and then to convert this energy into electrical energy. The maximum voltage generated by the piezoelectric generator occurs when its resonant frequency is operating near the frequency of sound. The result shows that the maximum output voltage of 28.8 mVrms was obtained with the sound intensity of 80.5 dB resonant frequency of 65 Hz at 1 cm distance in the first mode. In the second mode, the maximum output voltage of 94 m Vrms was obtained with the sound intensity of 105.7 dB at resonant frequency of 378 Hz at 1 cm which is larger than that of the first mode. However, for both modes, voltage decreases as distance increases. Keywords: piezoelectric effect, sound energy, piezoelectric material, resonant frequency, PZT actuator, electricity 1. -
Energy Efficiency As a Low-Cost Resource for Achieving Carbon Emissions Reductions
Energy Effi ciency as a Low-Cost Resource for Achieving Carbon Emissions Reductions A RESOURCE OF THE NATIONAL ACTION PLAN FOR ENERGY EFFICIENCY SEPTEMBER 2009 About This Document This paper, Energy Effi ciency as a Low-Cost Resource for Achieving Carbon Emissions Reductions, is provided to assist utility regulators, gas and electric utilities, and others in meeting the National Action Plan for Energy Effi ciency’s goal of achieving all cost-effective energy effi ciency by 2025. This paper summarizes the scale and economic value of energy effi - ciency for reducing carbon emissions and discusses the barriers to achieving the potential for cost-effective energy effi ciency. It also reviews current regional, state, and local approaches for including energy effi ciency in climate policy, using these approaches to inform a set of recommendations for leveraging energy effi ciency within state climate policy. The paper does not capture federal climate policy options or recommendations, discussion of tradable energy effi ciency credits, or emissions impacts of specifi c energy effi ciency measures or programs. The intended audience for the paper is any stakeholder interested in learning more about how to advance energy effi ciency as a low-cost resource to reduce carbon emissions. All stakeholders, including state policy-makers, public utility commissions, city councils, and utilities, can use this paper to understand the key issues and terminology, as well as the approaches that are being used to reduce carbon emissions by advancing energy effi ciency policies and programs. Energy Efficiency as a Low-Cost Resource for Achieving Carbon Emissions Reductions A RESOURCE OF THE NATIONAL ACTION PLAN FOR ENERGY EFFICIENCY SEPTEMBER 2009 The Leadership Group of the National Action Plan for Energy Efficiency is committed to taking action to increase investment in cost-effective energy efficiency. -
2018 Energy Efficiency Cost-Effectiveness Ratios
2018 Annual Report of Energy Conservation Accomplishments April 1, 2019 PSE obtained permission to use all photos and likenesses within this Report. Energy Efficiency Doc# EES0012019 Report Contents Table of Contents I. Executive Summary ................................................................................................. 1 Puget Sound Energy’s Annual Report of 2018 Conservation Accomplishments ................ 1 II. Introduction ............................................................................................................ 13 Key Portfolio Results .......................................................................................................... 13 Conservation Savings ........................................................................................................ 14 Expenditures ...................................................................................................................... 19 2018-2018 Biennial Target Progress ................................................................................. 21 Five–Year Trends ............................................................................................................... 22 Cost-Effectiveness Ratios .................................................................................................. 24 Direct Benefit to Customer as a Percent of Energy Efficiency Expenditures .................... 25 Energy Efficiency’s Customer Focus ................................................................................. 27 Measures -
The 7 Forms of Energy Directions: Read and Highlight the Following Information
The 7 Forms of Energy Directions: Read and highlight the following information. Electricity So now we have the total transformation for coal‐generated electricity. Working backwards from the generator through the turbine into the steam stopping at burning coal, we have 4 different energies that are used along the electricity generating process. Chemical Energy In Ohio, eletricity begins with burning coal. Burning coal releases chemical energy. Chemical energy is the energy given off during a chemical change. During chemical changes atoms rearrange creating new molecules and compounds. When they rearrange, they give off energy. Even just burning something as we do with coal is enough to cause the atoms to rearrange and release chemical energy. When a chemical change occurs, there are a variety of signs that help identify when the change is occurring. Indicators such as gas formation, light generation, heat creation, formation of a precipitate, permanent color change, and odor are all signs that a chemical change has occurred. When one of the signs is present during a change, chemical energy is released. The reason we use coal, oil, and natural gas is because when burned, the chemical energy released gives off lots of thermal energy (and some other energy as well). Thermal Energy When coal is burned, a chemical change occurs. We know this because coal gives off lots of thermal energy (heat). It also displays all of the signs of a chemical change (gas, light, heat, precipitate, color, and odor). In order to capture the thermal energy in a more useable form, power plants heat water. -
Quality of Piano Tones
THE JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA Volume 34 Number 6 JUNE. 1962 Quality of Piano Tones HARVEY FLETCIIER,E. DONNEL• BLACKHAM,AND RICIIARD STRATTON Brigham Young University, Provo, Utah (ReceivedNovember 27, 1961) A synthesizerwas constructedto producesimultaneously 100 pure toneswith meansfor controllingthe intensity and frequencyof each one of them. The piano toneswere analyzedby conventionalapparatus and methodsand the analysisset into the synthesizer.The analysiswas consideredcorrect only when a jury of eight listenerscould not tell which were real and which were synthetictones. Various kinds of synthetictones were presented to the jury for comparisonwith real tones.A numberof thesewere judged to have better quality than the real tones.According to thesetests synthesized piano-like tones were produced when the attack time was lessthan 0.01 sec.The decaycan be as long as 20 secfor the lower notes and be lessthan 1 secfor the very high ones.The best quality is producedwhen the partials decreasein level at the rate of 2 db per 100-cpsincrease in the frequencyof the partial. The partialsbelow middle C must be inharmonicin frequencyto be piano-like. INTRODUCTION synthesizer,and (4) the frequencychanger. To these HISpaper isa reportof our efforts tofind an ob- facilitieshave been added, a sonograph,an analyzer, a jectivedescription of the qualityof pianotones as single-tracktape recorder,a 5-track tape recorder,and understoodby musicians,and also to try to find syn- other apparatususually available in electronicresearch thetic toneswhich are consideredby them to be better laboratories.A block diagram of the arrangementis than real-piano tones. shownin Fig. 1. The usual statement found in text books is that the pitch of a tone is determinedby the frequencyof EQUIPMENT vibration,the loudnessby the intensityof the vibration, 1. -
Power Generation Using Noise Pollution
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056 Volume: 07 Issue: 05 | May 2020 www.irjet.net p-ISSN: 2395-0072 POWER GENERATION USING NOISE POLLUTION Dhananjay Shendre1, Ishwar Mohan2, Snehal Shingade3, Krutika Thakare4 1-4Student, Dept. of Electrical Engineering, JSPM’s Jaywantrao Sawant College of Engineering, Pune, Maharashtra, India ---------------------------------------------------------------------***---------------------------------------------------------------------- Abstract – Electricity is one of the most important blessing reach to the speakers and then converted back to sound. The that science has given to the mankind. It has also become a electrical current generated by a micro-phone is very small part of modern life and one cannot think of a world without it. and referred to as MIC-level; this signal is typically measured The use of electricity is increasing day by day while the in mill volts. Before it can be used for any-thing serious the resources needs for production are limited and reducing signal needs to be amplified, usually to line level (typically drastically. It became necessary to find an alternate sources 0.5 -2V). Application of sound energy as the source of for production of electricity. electricity can be much beneficial for the human existence as compared to other sources. This is because the sound is In this project we are trying to research and implement one present in the environment as a noise which forms an the solution that is noise pollution. Noise is defined as essential part of the environmental pollution. unwanted sound but sound consists of vibrations and pressure. Vibrations refers the oscillating movement. Sound energy is a mechanical energy which travel in the form of wave, mechanical wave that is an oscillation of Our methodology is based on the oscillations created by the pressure which need medium to travel i.e. -
A Pocket-Sized Introduction to Acoustics Keith Attenborough, Michiel Postema
A pocket-sized introduction to acoustics Keith Attenborough, Michiel Postema To cite this version: Keith Attenborough, Michiel Postema. A pocket-sized introduction to acoustics. The Univerisity of Hull, 80 p., 2008, 978-90-812588-2-1. hal-03188302 HAL Id: hal-03188302 https://hal.archives-ouvertes.fr/hal-03188302 Submitted on 6 Apr 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A pocket-sized introduction to acoustics Prof. Dr. Keith Attenborough Dr. Michiel Postema Department of Engineering The University of Hull 2 ISBN 978-90-812588-2-1 °c 2008 K. Attenborough, M. Postema. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechan- ical, photocopying, recording or otherwise, without the prior written permission of the authors. Publisher: Michiel Postema, Bergschenhoek Printed in England by The University of Hull Typesetting system: LATEX 2" Contents 1 Acoustics and ultrasonics 5 2 Mass on a spring 7 3 Wave equation in fluid 9 4 Sound speed -
2017 Greenhouse Gas Inventory Tables and Figures
2017 Greenhouse Inventory June 2018 Prepared by: Puget Sound Energy Prepared by: Puget Sound Energy 2017 Greenhouse Inventory TABLE OF CONTENTS EXECUTIVE SUMMARY ................................................................................................. 3 1.0 INTRODUCTION ............................................................................. 4 1.1 Purpose ........................................................................................... 4 1.2 Inventory Organization .................................................................... 4 2.0 BACKGROUND .............................................................................. 5 2.1 Regulatory Actions .......................................................................... 5 2.2 Inventory and GHG Reporting Compliance ..................................... 6 3.0 MAJOR ACCOUNTING ISSUES .................................................... 7 4.0 BOUNDARIES AND SOURCES ..................................................... 8 4.1 Organizational Boundaries .............................................................. 8 4.1.1 Electrical Operations .............................................................................................. 8 4.1.2 Natural Gas Operations ......................................................................................... 8 4.2 Operational Boundaries .................................................................. 9 4.2.1 Scope I (Direct Emissions) .................................................................................... -
Harmonic Analysis for Music Transcription and Characterization
UNIVERSITA` DEGLI STUDI DI BRESCIA FACOLTA` DI INGEGNERIA Dipartimento di Ingegneria dell'Informazione DOTTORATO DI RICERCA IN INGEGNERIA DELLE TELECOMUNICAZIONI XXVII CICLO SSD: ING-INF/03 Harmonic Analysis for Music Transcription and Characterization Ph.D. Candidate: Ing. Alessio Degani .............................................. Ph.D. Supervisor: Prof. Pierangelo Migliorati .............................................. Ph.D. Coordinator: Prof. Riccardo Leonardi .............................................. ANNO ACCADEMICO 2013/2014 to my family Sommario L'oggetto di questa tesi `elo studio dei vari metodi per la stima dell'informazione tonale in un brano musicale digitale. Il lavoro si colloca nel settore scientifico de- nomitato Music Information Retrieval, il quale studia le innumerevoli tematiche che riguardano l'estrazione di informazioni di alto livello attraverso l'analisi del segnale audio. Nello specifico, in questa dissertazione andremo ad analizzare quelle procedure atte ad estrarre l'informazione tonale e armonica a diversi lev- elli di astrazione. Come prima cosa verr`apresentato un metodo per stimare la presenza e la precisa localizzazione frequenziale delle componenti sinusoidali stazionarie a breve termine, ovvero le componenti fondamentali che indentificano note e accordi, quindi l'informazione tonale/armonica. Successivamente verr`aesposta un'analisi esaustiva dei metodi di stima della frequenza di riferimento (usata per accordare gli strumenti musicali) basati sui picchi spettrali. Di solito la frequenza di riferimento `econsiderata standard e associata al valore di 440 Hz, ma non sempre `ecos`ı. Vedremo quindi che per migliorare le prestazioni dei vari metodi che si affidano ad una stima del contenuto armonico e melodico per determinati scopi, `efondamentale avere una stima coerente e robusta della freqeunza di riferimento. In seguito, verr`apresentato un sistema innovativo per per misurare la rile- vanza di una data componente frequenziale sinusoidale in un ambiente polifonico. -
A History of Audio Effects
applied sciences Review A History of Audio Effects Thomas Wilmering 1,∗ , David Moffat 2 , Alessia Milo 1 and Mark B. Sandler 1 1 Centre for Digital Music, Queen Mary University of London, London E1 4NS, UK; [email protected] (A.M.); [email protected] (M.B.S.) 2 Interdisciplinary Centre for Computer Music Research, University of Plymouth, Plymouth PL4 8AA, UK; [email protected] * Correspondence: [email protected] Received: 16 December 2019; Accepted: 13 January 2020; Published: 22 January 2020 Abstract: Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early architectural acoustics through electromechanical and electronic devices to the digitisation of music production studios. Throughout time, music has constantly borrowed ideas and technological advancements from all other fields and contributed back to the innovative technology. This is defined as transsectorial innovation and fundamentally underpins the technological developments of audio effects. The development and evolution of audio effect technology is discussed, highlighting major technical breakthroughs and the impact of available audio effects. Keywords: audio effects; history; transsectorial innovation; technology; audio processing; music production 1. Introduction In this article, we describe the history of audio effects with regards to musical composition (music performance and production). We define audio effects as the controlled transformation of a sound typically based on some control parameters. As such, the term sound transformation can be considered synonymous with audio effect.