Important Irish Art
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De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
Moving Ahead with the Stevens Competition
the WORSHIPFUL COMPANY of GLAZIER S & PAINTERS OF GLASS Issue Number 63 Spring 20 21 the 2020 competition or do it differently. Then came lockdown two! No problem, Moving ahead We chose the latter. we have been here before. We reintroduced Firstly, we delayed the entry date by four the Design Only category and sat back. with the Stevens months in the hope that lockdown would be Inevitably, lockdown three arrived, so the eased in time for participants to complete entry date has been delayed to July and Competition their work. This worked. Secondly, we Prizegiving until October. Judging will be introduced a new type of entry, Design Only, virtual again and we have a panel of judges BRIAN GREEN reports: Organising the which allowed competitors to submit their who are looking forward to the challenge. Stevens Competition in 2020 and 2021 has design but removed the need to produce a The delay has been used to widen the been quite a game! So far, the Glaziers are sample panel. This worked; roughly 40% of potential field of entry; translations of the in the lead and we intend to keep it that way. the entries fell into this category. Thirdly, the brief have been circulated in Spanish, French The original game plan for Stevens 2020 decision was taken to judge the competition and German. had to be abandoned when the country online. This worked surprisingly well. We hope Stevens 2022 will be more went into the first lockdown in March 2020 At the end of the day the Prizegiving was straightforward. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
The Life and Works of Beatrice Elvery, 1881-1920
Nationalism, Motherhood, and Activism: The Life and Works of Beatrice Elvery, 1881-1920 Melissa S. Bowen A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History May 2015 Copyright By Melissa S. Bowen 2015 Acknowledgments I am incredibly grateful for the encouragement and support of Cal State Bakersfield’s History Department faculty, who as a group worked closely with me in preparing me for this fruitful endeavor. I am most grateful to my advisor, Cliona Murphy, whose positive enthusiasm, never- ending generosity, and infinite wisdom on Irish History made this project worthwhile and enjoyable. I would not have been able to put as much primary research into this project as I did without the generous scholarship awarded to me by Cal State Bakersfield’s GRASP office, which allowed me to travel to Ireland and study Beatrice Elvery’s work first hand. I am also grateful to the scholars and professionals who helped me with my research such as Dr. Stephanie Rains, Dr. Nicola Gordon Bowe, and Rector John Tanner. Lastly, my research would not nearly have been as extensive if it were not for my hosts while in Ireland, Brian Murphy, Miriam O’Brien, and Angela Lawlor, who all welcomed me into their homes, filled me with delicious Irish food, and guided me throughout the country during my entire trip. List of Illustrations Sheppard, Oliver. 1908. Roisin Dua. St. Stephen's Green, Dublin. 2 Orpen, R.C. 1908. 1909 Seal. The Royal Institute of the Architects of Ireland, Dublin. -
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
THS NEWSLETTER No. 1
THS NEWSLETTER No. 1 n TULSK HISTORY SOCIETY NEWSLETTER No. 1 July 2021 THS NEWSLETTER No. 1 Tulsk History Society [email protected] Members: Cathal McCormack (Chair), Mary Kelly, Deirdre Jones, John Higgins, Mike Lennon (Secretary), Pauline Jones, Catherine McGuire, Eileen Beirne, Noel Sheerin (Archivist), Maeve Hanley, Jim Dockery, Jody Moylan (PRO), Darragh Kelly, Therese Hanley (Treasurer), Fergus Moffitt, Michael Jones. WELCOME IT IS WITH great enthusiasm that we welcome our readers to Tulsk History Society’s very first newsletter. We hope this will be the first of many, in the Society’s aim of celebrating the rich history of the parish. From our initial steps only a few short months ago we have built up an enthusiastic membership and committee. We hope to push on to even better things as the year progresses. As we have mentioned elsewhere (in our constitution and on social media) the aim of the society is to pursue and promote all aspects of local history, be it social, cultural, political or economic, as well as our archaeological heritage, traditions, folklore, arts, crafts and games. The newsletter is our first venture into having our own publication, which will cover the broad range of history that is on our doorsteps. A collection of archival material is already gathering pace with contributions, and we hope our newsletters will form a central part of that archive going forward. We hope you enjoy reading, and please feel free to drop us a line through our email above. Membership details are included at the end. In this month’s edition our cover story, by Cathal McCormack, looks at the Cloonyquinn origins of the famous French family, while Mary Kelly takes a deep dive into the Dúchas Folklore Collection, of 1935, and its many contributions from the schools of the parish. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
Stained Glass in Ireland
Stained Glass in Ireland By Coral - Daphne – Sofie – Uta Participant teachers in English Matters’ Programme Dublin, Ireland What? • art form • coloured glass • mosaic stained glass art can be: • Classic • Modern • Smooth • Painted • Rough • … A little bit of history… • Real origins of stained glass are lost • Egyptians and the Romans • 7th century churches and monasteries in Britain • Medieval times: western churches & mosques • 19th-20th century: revival Stained Glass in Ireland St Theresa’s, Dublin National Library, Dublin (Harry Clarke) Bewley’s Café, (Harry Clarke) Grafton Str., Dublin The An Túr Gloine ("Tower of Glass") cooperative studio • 1901 throughout the first half of the 20th century. • artists included Michael Healy, Evie Hone, Beatrice Elvery, Wilhelmina Geddes and founder Sarah Purser. • hoped to provide an alternative to the commercial stained glass imported from England and Germany • "perhaps the most noteworthy example of the newly- awakened desire to foster Irish genius" • Influences: Arts and Crafts Movement, Irish revivalism and the artistic tradition of Celtic manuscript illumination. Influences Design for Trellis Wallpaper, William Morris, 1862 Proserpine, Dante Gabriel Rossetti Harry Clarke (1889-1931) • studied at Belvedere College and the Dublin Metropolitan School of art. • commissions even outside Ireland (Australia, US) • also an illustrator • fine detail of his drawing use of rich colours (especially deep blues) an innovative integration of the window leading • influenced by the Art Nouveau and Art Deco movements the French Symbolist movement the Arts and Crafts movement and the Pre-Raphaelites in Britain the revival of the Celtic tradition Medieval as well as Gothic art Clarke’s Famous Works The Geneva Window St. -
Important Irish Paintings Wednesday 05 December 2012 17:00
Important Irish Paintings Wednesday 05 December 2012 17:00 Ross's Fine Art Auctioneers 37 Montgomery Street Belfast Northern Ireland BT1 4NX Ross's Fine Art Auctioneers (Important Irish Paintings) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Estimate: £1,000.00 - £1,500.00 Charles McAuley - CATTLE GRAZING BY THE RIVER, Oil on Canvas, 15 x 22 inches / 38 x 56 cm, Signed* Estimate: £1,000.00 - £1,500.00 Lot: 12 Maurice Canning Wilks, ARHA RUA - THATCHED COTTAGE, ANTRIM COAST, Watercolour Drawing, 10 x 14 inches / 25.5 x Lot: 2 35.5 cm, Signed Frank McKelvey, RHA RUA - DONEGAL BOG, Watercolour Estimate: £500.00 - £600.00 Drawing, 10 x 14 inches / 25.5 x 35.5 cm, Signed Estimate: £500.00 - £700.00 Lot: 13 Joseph William Carey, RUA - WITH A BONE IN HER TEETH, Lot: 3 Pen & Ink Drawing, 6 x 7 inches / 15 x 17.5 cm, Signed & James Humbert Craig, RHA RUA - FAIRHEAD, Watercolour Dated 1928 Drawing, 10 x 14 inches / 25.5 x 35.5 cm, Signed Estimate: £100.00 - £200.00 Estimate: £500.00 - £600.00 Lot: 14 Lot: 4 Gerard Dillon - CAT RESTING, Pen & Ink Drawing with Frank Egginton, RCA FIAL - GREENANE PIER, KERRY, Watercolour Wash, 7 x 7 inches / 17.5 x 17.5 cm, Signed Watercolour Drawing, 15 x 21 inches / 38 x 53 cm, Signed & Estimate: £300.00 - £500.00 Dated 1977* Estimate: £1,000.00 - £1,200.00 Lot: 15 Norman J. Smyth, RUA - DAPPLED SUNLIGHT ON Lot: 5 COTTAGES, Oil on Board, 6 x 8 inches / 15 x 20 cm, Signed George Campbell, RHA RUA - ABSTRACT, Mixed Media, 19.5 Estimate: £100.00 - £200.00 x 13.5 inches / 49.5 x 34 cm . -
10 Archaeology, Cultural Heritage and Architectural Heritage
Dublin City Council College Green Project EIS Chapter 10- Archaeology, Architectural and Cultural Heritage 10 Archaeology, Cultural Heritage and Architectural Heritage 10.1 Introduction Irish Archaeological Consultancy Ltd has prepared this report on behalf of Dublin City Council to assess the impact, if any, on the archaeological, architectural and cultural heritage resource of the Proposed Project at College Green, Dublin City Centre (OS Sheet 18). The Proposed Project occupies a city-centre location, c. 235m south of the River Liffey, adjacent to landmark buildings including Bank of Ireland and Trinity College. The study area falls within 1.4 hectares (including the block formed by St Andrew’s, Trinity, and Church Street). It is located at College Green which encompasses parts of Dame Street, Trinity Street, St Andrew’s Street and Church Lane, at the very northern end of Grafton Street. The Project is adjacent to the southern end of Anglesea Street and occupies the full area of Foster Place and College Green which includes the southernmost part of Westmoreland Street, the area south of Bank of Ireland (former House of Parliament) and immediate west of Trinity College. As part of the Proposed Project, it has been indicated that a large area of eastern College Green (170m x 40m) may be excavated to a depth of 2.5m to accommodate the main plaza. The Proposed Project is located within the zone of archaeological potential for the historic centre of Dublin City (DU018-020). It is located c. 270m outside of the medieval town walls of Dublin. The Proposed Project is also surrounded by numerous protected structures and partially located within Architectural Conservation Areas (ACAs) associated with O’Connell Street, The South City Retail Quarter and Grafton Street and Environs. -
Whyte Sarah Gates BA Managing Director Director This Catalogue
, WHY TE S SINCE 1783 IRISH & BRITISH ART 12 MARCH 2012 IRISH & BRITISH ART MONDAY 12 MARCH 2012 VIEWING Clyde Hall, Royal Dublin Society, Anglesea Road, Ballsbridge, Dublin 4 Friday 9 March, opening reception and gallery talks 6pm to 8pm Saturday 10 March 10am to 6pm (Gallery Talk 3pm) Sunday 11 March 10am to 6pm (Gallery Talk 3pm) Monday 12 March 10am to 6pm AUCTION Monday 12 March at 6pm Clyde Hall, Royal Dublin Society, Anglesea Road, Ballsbridge, Dublin 4 ENQUIRIES Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] BIDS Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] On-line bids: www.whytes.ie Front cover: lot 43, Charles Edward Perugini, Lovers In A Garden Inside front cover: lot 135, Patrick Hennessy, The Fledgling Page 8, 9: lot 52, Thomas James Mulvany, Coast Scene - Noon: Peasants Winnowing Corn, 1838 Page 90: lot 41, Grace Henry, Coming Home, Achill Island, c.1915 Page 92: lot 42, Sarah Henrietta Purser, Woman With Fan Page 94: lot 96, Study For “The Blue Window”, 1961 Back cover: lot 29, Jack Butler Yeats, On The Courthouse Steps, 1946 PLEASE NOTE The exhibition of works from this sale will take place at ROYAL DUBLIN SOCIETY, CLYDE HALL, ANGLESEA ROAD, BALLSBRIDGE Friday 9 March 6pm to 8pm Saturday 10 March 10am to 6pm Sunday 11 March 10am to 6pm Monday 12 March 10am to 6pm The auction will be held on Monday 12 March at 6pm at ROYAL DUBLIN SOCIETY, CLYDE HALL, ANGLESEA ROAD, BALLSBRIDGE BALLSBRIDGE MERRION OAD ROAD R WHYTE ,S R D S M A I N HALL ENTER HERE ANGLESEA COLLECTION OF PURCHASES Collection of purchases at this sale may be effected 10am to 3pm on Tuesday 13 March from Clyde Hall. -
(1899±1901) Cre- Was Small, with a Shallow Stage Which Dictated Ated by W.B
A Abbey Theatre The opening of the Abbey from a conversion of the Mechanics' Hall in Theatre on 27 December 1904 followed from Lower Abbey Street and a disused morgue, the Irish Literary Theatre (1899±1901) cre- was small, with a shallow stage which dictated ated by W.B. Yeats and Lady Gregory, with simple sets. But though poorly equipped, the Edward Martyn and George Moore, to pro- early Abbey was aesthetically innovative. duce a `school of Celtic and Irish dramatic Robert Gregory and Charles Ricketts literature'. When Yeats joined forces with the designed for it, Gordon Craig's screens were self-trained Fay brothers ± William the stage first used on its stage, and Ninette de Valois manager and comedian, and Frank the verse- set up a ballet school for theatre use. In 1905 a speaker ± their company (augmented import- permanent salaried company was established antly by Synge and the talented Allgood and controlling powers were given to the sisters) had the potential to create an entirely directors (some actors seceded, thinking the new kind of Irish theatre, one which aimed, changes contrary to nationalist principles). as a later Abbey playwright, Thomas Kilroy, The Abbey's claim to be a national theatre put it, to `weld the fracture between the was aggressively tested by Catholics and Anglo-Irish and Gaelic Ireland'. The Irish nationalists in their audiences. The peasant National Theatre Society became in 1904 drama was the field where cultural interests the National Theatre Society (NTS) Ltd, clashed most spectacularly. Lady Gregory familiarly known from its inception as the popularized the genre with one-act comedies Abbey Theatre.