Important Irish Paintings Wednesday 05 December 2012 17:00
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Whyte Sarah Gates BA Managing Director Director This Catalogue
, WHY TE S SINCE 1783 IRISH & BRITISH ART 12 MARCH 2012 IRISH & BRITISH ART MONDAY 12 MARCH 2012 VIEWING Clyde Hall, Royal Dublin Society, Anglesea Road, Ballsbridge, Dublin 4 Friday 9 March, opening reception and gallery talks 6pm to 8pm Saturday 10 March 10am to 6pm (Gallery Talk 3pm) Sunday 11 March 10am to 6pm (Gallery Talk 3pm) Monday 12 March 10am to 6pm AUCTION Monday 12 March at 6pm Clyde Hall, Royal Dublin Society, Anglesea Road, Ballsbridge, Dublin 4 ENQUIRIES Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] BIDS Whyte's 38 Molesworth Street Dublin 2 Tel: 01 676 2888 Fax: 01 676 2880 E-mail: [email protected] On-line bids: www.whytes.ie Front cover: lot 43, Charles Edward Perugini, Lovers In A Garden Inside front cover: lot 135, Patrick Hennessy, The Fledgling Page 8, 9: lot 52, Thomas James Mulvany, Coast Scene - Noon: Peasants Winnowing Corn, 1838 Page 90: lot 41, Grace Henry, Coming Home, Achill Island, c.1915 Page 92: lot 42, Sarah Henrietta Purser, Woman With Fan Page 94: lot 96, Study For “The Blue Window”, 1961 Back cover: lot 29, Jack Butler Yeats, On The Courthouse Steps, 1946 PLEASE NOTE The exhibition of works from this sale will take place at ROYAL DUBLIN SOCIETY, CLYDE HALL, ANGLESEA ROAD, BALLSBRIDGE Friday 9 March 6pm to 8pm Saturday 10 March 10am to 6pm Sunday 11 March 10am to 6pm Monday 12 March 10am to 6pm The auction will be held on Monday 12 March at 6pm at ROYAL DUBLIN SOCIETY, CLYDE HALL, ANGLESEA ROAD, BALLSBRIDGE BALLSBRIDGE MERRION OAD ROAD R WHYTE ,S R D S M A I N HALL ENTER HERE ANGLESEA COLLECTION OF PURCHASES Collection of purchases at this sale may be effected 10am to 3pm on Tuesday 13 March from Clyde Hall. -
Designer and Modernist
DESIGNER AND MODERNIST THE IMPACT AND INFLUENCE OF LINEN DESIGN ON THE WORK OF COLIN MIDDLETON One volume DICKON HALL School of Art and Design of Ulster University Ph.D. March 2019 I confirm that the word count of this thesis is less than 100,000 words. i TABLE OF CONTENTS Acknowledgements ii Abstract iii Abbreviations iv Timeline – 1870-1945 1946-1985 Introduction 1 Chapter One – Charles Collins Middleton 45 Chapter Two, Part One – John Hewitt 79 Chapter Two, Part Two – John Hewitt (continued) 112 Chapter Three – John Middleton Murry 149 Chapter Four – Victor Waddington 180 Chapter Five – Colin Middleton 220 Conclusion 263 Bibliography 272 ii ACKNOWLEDGEMENTS I would like to thank my supervisors, Professor Karen Fleming and Dr Joseph McBrinn, for their support, advice and encouragement throughout the research and writing of this PhD thesis, as well as Dr Justin Magee and many other staff at Ulster University for their guidance and assistance at every stage. I am very grateful to Kim Mawhinney for giving me such generous access to the Colin Middleton Archive held by NMNI and also to their collection of his works, and to her colleagues at the Ulster Museum, Anne Stewart, Anna Liesching and Mary Dornan, who have been so helpful. I would also like to acknowledge the Deputy Keeper of the Records, the Public Record Office of Northern Ireland. Many other people have kindly assisted with my research in various ways and I would like to thank them and to apologise to any whom I have inadvertently left out: Nelson Bell, Terry Boyd, John Breakey, David Britton and Karen Reihill, Anne de Buck, Chris Caldwell, Professor Mike Catto, Dr Riann Coulter, David Foster, Dr Brian Kennedy, Sean Kissane, Dr Paul Larmour, David Lennon, Linda Logue, Emer Lynch, Eamonn Mallie, Charlie Minter, Shelagh Parkes, Dr Jackie Reilly, Alison Smith, Claire Walsh and Ian Whyte. -
CONNEMARA 12.30Pm Daily
Monday 3rd August & CLIFDEN Tuesday 4 th August 2015 CONNEMARA 12.30pm daily CONNEMARA ART AND ANTIQUES AUCTION The Quay, Clifden BANK HOLIDAY MONDAY 3RD AUGUST 2015 & TUESDAY 4TH AUGUST 2015 at 12.30pm daily DAY ONE: Paintings, Silver, Books, Furniture & Antiques Commencing at 12.30pm. Lot 1 – 269 DAY TWO: Paintings, Furniture, Silver, Collectables & Rugs Commencing at 12.30pm. Lot 270 - 540 ENQUIRIES / BIDS Dolan’s Art Auction House Lissarulla, Carnmore, Co. Galway Tel: +353 (0)91 798 647 Email: [email protected] PREVIEW View online at www.dolansart.com VIEWING The Quay, Clifden, Connemara, Co. Galway. Auctions Thursday 30th July, 12.00 noon – 7.00pm start Friday 31st July, 10.00am – 7.00pm Saturday 1st August, 10.00am – 7.00pm pm Sunday 2nd August, 10.00am – 7.00pm 12.30 Monday 3rd August, 10.00am to start of auction daily Tuesday 4th August, 10.00am to start of auction All lots are sold subject to the terms and conditions of sale printed in this catalogue. Buyers premium 20% plus VAT on each lot. Purchasers will not be charged the 4% artist resale levy. DOLAN’S Niall Dolan Melinda Hardiman Conor Dolan Dolan’s have dedicated saleroom telephone lines for all enquiries and bids during the viewing and auction: Telephone 091 798647 086 4098015 Email [email protected] Website www.dolansart.com 56 N N56 Lough Leenane Ballinrobe Letterfack Mask Cong Clifden N56 R345 N84 Recess Lough R341 Maam Corrib Cross Roundstone Oughterard R336 N56 R340 DIRECTIONS Carna From the square in Clifden, go down onto the Harbour Road, the Auction venue is on R336 Galway the right hand side of Spiddal Barna the road, opposite the The Quay, Clifden new playground. -
Important Irish Art
1 Important Irish Art Wednesday 1st April 2015 Important Irish Art, wednesday 1st April 2015 at 6pm t 2 Front Cover Frank McKelvey Lot 34 Opposite Louis le Brocquy Lot 82 Page 2 Colin Middleton Lot 6 Page 5 John Doherty Lot 124 Inside Back Cover Jack P. Hanlon Lot 28 Back Cover Jack B. Yeats Lot 41 3 Important Irish Art Auction Wednesday 1st April 2015 at 6pm Important Irish Art, wednesday 1st April 2015 at 6pm 4 5 IMPORTANT IRISH ART AUCTION Wednesday 1st April 2015 at 6.00pm VENUE Adam’s Salerooms 26 St Stephen’s Green, Dublin 2. Ireland Viewing HighLights MARch 12TH - 19 TH At The Ava Gallery, Clandeboye Estate, Bangor, Co. Down BT19 IRN Monday - Friday 11.00am - 5.00pm Saturday 14th March 2.00pm - 5.00pm Sunday 15th March 2.00pm - 5.00pm FULL SALE Viewing MARch 29TH - APRIL 1ST At Adam’s, 26 St Stephen’s Green, Dublin 2. Sunday 29th March 2.00pm - 5.00pm Monday 30th March 10.00am - 5.00pm Tuesday 31st March 10.00am - 5.00pm Wednesday 1st April 10.00am - 5.00pm Important Irish Art, wednesday 1st April 2015 at 6pm 6 Brian Coyle FSCSI FRICS James O’Halloran BA FSCSI FRICS Stuart Cole MSCSI MRICS David Britton BBS ACA Eamon O’Connor BA CHAIRMAN MANAGING DIRECTOR DIRECTOR DIRECTOR DIRECTOR [email protected] [email protected] [email protected] [email protected] Kieran O’Boyle BA Hdip ASCSI Nick Nicholson Karen Regan BA Abigail Bernon BA DIRECTOR Ronan Flanagan CONSULTANT FINE ART DEPARTMENT FINE ART DEPARTMENT IMPORTANT [email protected] FOR [email protected] FINE ART DEPARTMENT [email protected] [email protected] [email protected] CREATE A ‘MY ADAM’S’ ACCOUNT You can now create your own account with us by signing up and registering your particulars online at www.adams.ie The process involves uploading identification by way of passport or driving licence and supplying valid credit card information. -
The Art Collections - Trinity College Dublin
The Art Collections - Trinity College Dublin Artist Deborah Brown Title White on Canvas with Blue (1962, ref. no. 206/14/62) Medium oil on canvas Notes Donated in 2017 by the Estate of Professor Anne Crookshank FTCD b. 1927, Belfast Deborah Brown is a painter and sculptor from Cavehill near Belfast in the North of Ireland. As a child, she enjoyed being outdoors and riding horses around the fields near her home. She also spent many summers at the family’s country house in Cushendun, County Antrim. These landscapes would inspire much of her early work and, later, the green hills and rocky coastline would become reduced to their essential forms in her abstract paintings. At school, Brown was encouraged by her teachers to pursue art. The landscapist James Humbert Craig was a friend of her father’s and she regularly called to his home to watch him work. Brown states that it was Craig who explained that an artist must paint what they see rather than what they know, advice which proved invaluable in her training. Taking still-life classes as a teenager developed Brown’s skills in observation, a technique she honed at the Belfast College of Art (1946-7) and took to an even further degree at the National College of Art and Design in Dublin, where she studied for two years under Seán Keating and Maurice MacGonigal. Whilst in Dublin, Brown visited the galleries and attended the Irish Exhibition of Living Art which reflected the talents of her contemporaries. Up to this point, her education had been focused on the realistic representation of forms and she admits that she was unsure about the meaning of abstract art.