DOCSLIB.ORG

Playlist Rock Classique 9 Avril 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Playlist Rock Classique 9 Avril 2021 Animateurs : Alain Lefebvre et le Dr. Pendragon Émission #1185 Date : 9 avril 2021 Heure : 11:00 à 17:00 Baladodiffusion : Vendredi 9 avril 2021 Cette semaine à Rock Classique… Alain Lefebvre et le Docteur Pendragon vous présenteront encore une fois une émission « régulière » inédite assurément des plus éclectiques. Le « Rock Master » diffusera une face complète d’un album vinyle classiques : un incontournable du heavy métal anglais qui est sorti il y a 40 ans ce mois-ci soit le deuxième des Tygers of Pan Tang, Spellbound , en plus de nous parler d’un groupe allemand des années ’70 du nom d’Ardo Dombec dans la Chronique des groupes obscurs et nous présenter comme d’habitude Les Éphémérides du Rock ainsi que tous les segments qui font l’originalité de l’émission en compagnie du Doc. Plusieurs nouveautés sont cette semaine au programme parmi lesquelles : Black Jüjü, Let’s Work to Farm, Angelus Apatrida, Witherfall, Ricky Warwick, Osees et le tout nouvel opus de Cheap Trick, In Another World qui va paraître – justement - vendredi. Une autre émission qui devrait plaire aux vrais amateurs de vrai Rock. Rock Classique , tous les vendredis de 11h00 à 17h00, en reprise les lundis de 12h00 à 18h00. Canevas Rock Classique 9 avril 2021 (émission #1185) Artiste/groupe Titre de la pièce Album et année de sortie 1 The Beatles 3 Cool Cats Anthology 1 (1995) 2 Pantera Planet Caravan Far Beyond Driven (1994) 3 Ardo Dombec Spectaculum Ardo Dombec (1971) 4 Ardo Dombec Clean-Up Sunday Ardo Dombec (1971) 5 Ardo Dombec Downtown Paradise Lost Ardo Dombec (1971) 6 Jethro Tull My Sunday Feeling This Was (1968) 7 Blood, Sweat & Tears Spinning Wheel Blood, Sweat & Tears (1969) 8 Ides of March Vehicle Vehicle (1970) 9 Sugarloaf Green-Eyed Lady Sugarloaf (1970) 10 Rare Earth Get Ready Get Ready (1969) 11 The Atomic Bitchwax The Local Fuzz The Local Fuzz (2011) 12 Canned Heat Let’s Work Together Single (1970) 13 The Doobie Brothers Disciple The Doobie Brothers (1972) 14 Grand Funk Railroad Rock ‘N Roll Soul Phoenix (1972) 15 Frank Zappa Zomby-Woof Over-Nite Sensation (1973) 16 Johnny Winter Rock and Roll Hoochie Koo Johnny Winter And (1970) 17 Steely Dan Do It Again Can’t Buy a Thrill (1972) 18 Mountain You Better Believe It Avalanche (1974) 19 Vanilla Fudge Shotgun Near the Beginning (1969) 20 Jimi Hendrix Stepping Stone War Heroes (1972) 21 Alice Cooper Public Enemy #9 School’s Out (1972) 22 Elton John All the Girls Love Alice Goodbye Yellow Brick Road (1973) 23 Paul McCartney Junior’s Farm 45 tours (1974) 24 Kenny Lodgins Danger Zone Top Gun Movie Soundtrack (1986) 25 Fu Manchu Eatin’ Dust Eatin’ Dust (1998) 26 Uriah Heep Devil’s Daughter Return to Fantasy (1975) 27 Deep Purple Woman from Tokyo Who Do You Think We Are! (1973) 28 Rainbow Long Live Rock ‘N Roll Long Live Rock ‘N Roll (1978) 29 Judas Priest Deceiver Sad Wings of Destiny (1976) 30 Van Halen Panama 1984 (1984) 31 Coney Hatch Devil’s Deck Coney Hatch (1982) 32 Aerosmith Lightning Strikes Rock in a Hard Place (1982) 33 Cheap Trick In Another World (Reprise) In Another World (2021) 34 Osees Weird and Wasted Connection Metamorphosed (2020) 35 Ricky Warwick You Don’t Love Me When Life Was Hard and Fast (2021) 36 Black Jüjü Let It Slide Black Jüjü (2021) 37 Let’s Work to Farm Peggy Farmer 2 (2021) 38 The Pretty Reckless And So It Went Death by Rock & Roll (2021) 39 Tygers of Pan Tang Silver and Gold Spellbound (1981) 40 Tygers of Pan Tang Blackjack Spellbound (1981) 41 Tygers of Pan Tang The Story So Far Spellbound (1981) 42 Tygers of Pan Tang Tyger Bay Spellbound (1981) 43 Tygers of Pan Tang Don’t Stop By Spellbound (1981) 44 Piledriver Witch Hunt Metal Inquisition (1984) 45 Mercyful Fate Mandrake Dead Again (1998) 46 Celtic Frost Dethroned Emperor Emperor’s Return EP (1985) 47 Witherfall The Last Scar The Other Side of Fear (2021) 48 Angelus Apatrida Bleed the Crown Angelus Apatrida (2021) 49 Coroner The Favorite Game Coroner (1995) 50 Probot / with Snake Dictatosaurus Probot (2004) 51 Cryptosis Game of Souls Bionic Swarm (2021) 52 Trouble The Tempter Psalm 9 (1984) .
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Stairway to Heavy
    # 2004/08 dschungel https://jungle.world/artikel/2004/08/stairway-heavy Stairway to Heavy Von jens thomas Probot und Transformer Di Roboter beweisen, dass Heavy Metal auch heute noch bestens funktionieren kann. von jens thomas Kurt Cobain ist tot. Seinem ehemaligen Umfeld dagegen geht es ziemlich gut. Dave Grohl zum Beispiel, Nirvanas Ex-Drummer und heutiger Sänger der Foo Fighters, wirkt fröhlich, grinst ständig und freut sich wie ein junger Bub. Der wahrscheinliche Grund dafür: Er hat gerade eine Metal-Platte mit seinem neuen Band-Projekt veröffentlicht. Probot heißt das rockende Geschöpf und ist eine Hommage an die Metal-Kultur an sich. Auf der Platte hat Grohl alle Stücke selbst eingespielt und nicht wenige Koryphäen des richtig harten bis brutalen Metal brüllen dazu. Mit dabei sind: Lemmy (Motörhead), Max Cavalera (Sepultura, Soulfly), King Diamond (Mercyful Fate) und viele andere. Dave Grohl meint es wirklich ernst mit seinem Projekt. Er zelebriert auf seiner Scheibe eine Vorliebe für Heavy Metal, ohne dass ihm daran irgendetwas peinlich ist. »Als Drummer habe ich von den Platten dieser Typen gelernt. Das ist ein großer Teil meines musikalischen Lebens«, klärt der 34jährige in der Spex auf. Das klingt seltsam. Als würde Andy Borg plötzlich zugeben, schon immer ein Liebhaber von Hamburgs Vorzeige-Punkband Slime gewesen zu sein. Schließlich stammt Grohl aus dem Genre Hardcore, spielte in den achtziger Jahren bei Scream, einer melodiösen Schrabbelband aus Washington DC, gab sich dann dem Grunge hin und trommelte schließlich bei Nirvana. Er kommt also aus jenen Szene-Zusammenhängen, die Heavy Metal aufgrund seiner Plakativität eher belächelten. Hardcore, möchtegernpolitischkorrekt, wütete gegen die böse Welt, schnitt diskursive Themen wie Drogenfreiheit und Tierschutz an.
    [Show full text]
  • Compound AABA Form and Style Distinction in Heavy Metal *
    Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay .
    [Show full text]
  • The Metal Minute Awarded 2009 Best Personal Blog by Metal Hammer Magazine
    The Metal Minute Awarded 2009 Best Personal Blog By Metal Hammer Magazine http://rayvanhornjr.blogspot.com/2010/02/dvd-review-bill-zebub- metal-retardation.html Monday, February 15, 2010 DVD Review: Bill Zebub - Metal Retardation Bill Zebub - Metal Retardation 2009 Bill Zebub Productions Ray Van Horn, Jr. Under the definition of "politically incorrect," you're quite possibly going to find Bill Zebub's name listed under the antonym bracket. The nation isn't quite the same as it was during the late sixties and early seventies when the Dean Martin roasts were, by today's defintions, as unpolitically correct as a Klan gathering. However, there was always a line of respect drawn between the panel of roasters and of course, the roastees. America was a bruised country in the midst of civil rights violence, and the healing motif as mainstream culture worked itself into a mode celebrating all walks of life, race and creed culminated in hilarious back-and-forth banter at Sammy Davis, Jr. on Martin's roast. Eventually this gave sway to the era of Archie Bunker and George Jefferson, which forever changed the social tide. History lessons aside, Bill Zebub, mastermind of the east coast underground metal rag The Grimoire of Exalted Deeds, has also released a slew of independent films and documentaries. If you're familiar with some of his homegrown horror videos such as The Crucifer, Kill the Scream Queen, Dolla Morte, Bad Acid, Jesus Christ: Serial Rapist, Dirtbags and The Worst Horror Movie Ever Made, you'll attest there's no experience in underground film like a Bill Zebub experience.
    [Show full text]
  • Spiritually Uncontrolled Art
    Spiritually uncon trolled art: Exploring aesthetics of evil in contemporary music Robert Andersson 2011 Uppsats, magisternivå , 15 hp Religionsvetenskap Människa, natur och religionsprogrammet Handledare: Juan Carlos Gumucio Examinator: Peder Thalén Abstract This essay investigates interpretations of evil as expressed in contemporary music, focusing mainly on lyrics in contemporary popular music. The purpose is to analyze whether there is a certain aesthetic embracing of risk and innovation on display when discussing such subject matters, and to relate such aesthetic connotations to cultural and religious aspects. Lyrical interpretations of evil in a musical context appear to be existent in different forms and are in various ways attempts to integrate the existence of evil acts, as leading to suffering and pain, by incorporating such themes into lyrical material. There appears to be a possible aesthetic embraced when artists are advocating evil acts, however, not totally separable from the aesthetics of the extreme metal scene. Such forms of creative practice appear as reliant on the dialectic between historical perceptions of morality, modern society as globalized, segmented and restructured and the reoccurrence of religion in a secularized perspective. Themes regarding evil appear in this form of aesthetic in different ways to traditional discourse; making use of historical and contemporary images of evil and portraying them as desirable in various ways. In some instances such creative release is also linked to religious belief and practice, making the artistic performance equivalent of a transcendental event. Keywords Aesthetics, contemporary music, culture, extreme metal, evil, modernism, music lyrics. 2 Table of contents Abstract ...................................................................................................................................... 2 Table of contents........................................................................................................................ 3 1.
    [Show full text]
  • The Devil's Music
    religions Article The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost P.C.J.M. (Jarell) Paulissen Department of Biblical Sciences and Church History, Tilburg School of Catholic Theology, P.O. Box 90153, 5000 LE Tilburg, The Netherlands; [email protected] Abstract: This paper is an inquiry into a contemporary heavy metal band from Sweden called Ghost. Ghost released its first studio album in 2010 and, while there is some discussion as to what their genre is exactly, they immediately became a rising star in the metal scene. Yet what is of particular interest from a storytelling point of view, especially with regard to theological answers to philosophical questions in popular culture, is that the band presents itself as a satanic version of the Catholic Church through their stage act and lyrics. This made me curious whether they are trying to convey a message and, if yes, what that message might be. For the present paper, I have focused on the latter by performing a non-exhaustive textual analysis of the lyrics in a selection of songs from each of the four studio albums released so far. Ghost turns Christian liturgy on its head by utilizing devout language that is normally reserved for God and Christ to describe Satan and the Antichrist, a strategy I have called the ”satanification” of Christian doctrine, and in doing so their songs evoke imagery of a satanic faith community at prayer. The band then uses this radical inversion of traditional Christian themes to criticize certain elements of society, especially those aspects they associate with organized religion.
    [Show full text]
  • Metallica Celebrate 30
    METALLICA CELEBRATE 30-YEAR ANNIVERSARY AT THE FILLMORE IN SAN FRANCISCO WITH SPECIAL GUESTS OZZY OSBOURNE, DAVE MUSTAINE, JASON NEWSTED, LOU REED, MARIANNE FAITHFULL, KID ROCK, AND MORE BAND TO RELEASE BEYOND MAGNETIC EP FEATURING FOUR PREVIOUSLY UNRELEASED SONGS EXCLUSIVELY ON ITUNES FOR ONE WEEK LOS ANGELES, CA – December 12, 2011 – Metallica celebrated its 30th anniversary as a band last week, performing four shows at the Fillmore Theatre in San Francisco, CA, exclusively for members of their fan club, the Metallica Club. In August, Metallica Club members around the world were able to enter a lottery for a chance to purchase tickets to all the Fillmore shows at a cost of $19.81 for a four-pack of tickets to all of the shows. Single show tickets were $6. All four of the shows immediately sold out. Last week, Metallica welcomed these fans from around the globe to join them in the celebration where there were no repeats in the set lists for the four night stand, aside from the established show closer of “Seek & Destroy,” playing close to 80 different songs. Each night at the Fillmore was hosted by comedian Jim Breuer and opened by the Rebel Souls Brass Band performing Metallica songs. This was followed by fan club winners invited on stage to play “Crash Course Trivia” and “Name That Riff” games where they were able to win exclusive 30th anniversary prizes and memorabilia. Metallica also invited many special guests relevant to their 30 years to the stage to perform with them. The list of guests included Apocalyptica, Armored Saint, Geezer Butler, John Bush, Bif Byford, Jerry Cantrell, Nick “Animal” Culmer, Glenn Danzig, Death Angel, King Diamond, Diamond Head, Marianne Faithfull, Lloyd Grant, Rob Halford, Ray Haller, Pepper Keenan, Kid Rock, Laaz Rockit, John Marshall, Jim Martin, Mercyful Fate, Ron McGovney, Dave Mustaine, Jason Newsted, Ozzy Osbourne, Soul Rebels Brass Band, Lou Reed, Bob Rock, Gary Rossington, and Hugh Tanner.
    [Show full text]
  • Parental Advisory Explicit Lyrics: a Case Study of Music Censorship and Suppression in America
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2012 Apr 26th, 9:00 AM - 10:15 AM Parental Advisory Explicit Lyrics: A Case Study of Music Censorship and Suppression in America Nathaniel T. Belcik Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Critical and Cultural Studies Commons Let us know how access to this document benefits ou.y Belcik, Nathaniel T., "Parental Advisory Explicit Lyrics: A Case Study of Music Censorship and Suppression in America" (2012). Young Historians Conference. 10. https://pdxscholar.library.pdx.edu/younghistorians/2012/oralpres/10 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. PARENTAL ADVISORY EXPLICIT LYRICS: A CASE STUDY OF MUSIC CENSORSHIP AND SUPPRESSION IN AMERICA, 1980-1989 Nathaniel T. Belcik Karen E. Hoppes History 201: History of the United States Portland State University June 10th, 2012 2 PARENTAL ADVISORY: EXPLICIT LYRICS THE PMRC AND MUSIC CENSORSHIP IN AMERICA: 1980-1989 The story of music censorship in America is a long one. The first documented instance of music censorship was after the Civil War. Pro-southern songs were banned during Reconstruction because the US government thought that they would stir up revolution and pro- Southern feelings.1 After that, the menace was jazz, whose swinging beat was thought to be corrupting to white youth. The efforts to suppress jazz were mainly local and limited to city governments wanting to ban young people from going to jazz shows.2 When rock n’ roll became popular in the 1950s, and Elvis became famous nationwide, music censorship started becoming a national issue.
    [Show full text]
  • Vinyl Catalogue 2014
    VINYL CATALOGUE 2014 Established in 2004, Back On Black - together with subsidiary label Back On Black Rock Classics - specialises in vinyl editions of classic metal and rock albums and is dedicated to providing top quality releases for record collectors and rock fans worldwide. Our releases are pressed on exquisite, heavyweight vinyl to produce the very best in sound quality with a mesmerizing tactile feel that makes them a pleasure to handle. Beautiful vinyl colours are carefully chosen to complement the artwork, with some releases available in a variety of colours for the dedicated collector. Many releases are double, or even triple, LPs! The artwork itself is re-worked to faithfully interpret the original album, and reproduced on superior grade gatefold sleeves in heavyweight card with a superb and un-rivalled finish. As well as all our re-mastered LPs of classic albums from throughout history, Back On Black also issues many exclusive vinyl editions of contemporary metal and rock releases. Far from being dead, our beloved vinyl format is going from strength to strength – and Back On Black is proud to serve the needs of the vinyl connoisseur! Just take a look at our catalogue of releases to see the calibre of albums we release! Combine your favourite rock and metal with your favourite format – and get your music Back On Black! CONtact: PHONE: +44 (0)1491 825029 MAILORDER: PLASTICHEAD.COM UK SALES: [email protected] INTERNATIONAL SALES: [email protected] BACKONBLACK.COM facebook.COM/BACKONBLACKRECORDS PLASTICHEAD.COM All titles subject to availability due to territorial or licensing terms.
    [Show full text]
  • 'I Wanna Rock:' a Critique of Gender Essentialism in Metal Music
    ‘I Wanna Rock:’ A Critique of Gender Essentialism in Metal Music Scholarship A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of Philosophy University of Saskatchewan Saskatoon By Lyndsay Helfrich ©Copyright Lyndsay Helfrich, September 2017. All Rights Reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. Requests for permission to copy or to make other uses of materials in this thesis/dissertation in whole or part should be addressed to: Head of the Department of Philosophy Department of Philosophy University of Saskatchewan 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate and Postdoctoral Studies University of Saskatchewan 105 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT As Metal Music Studies (MMS) emerges as a field it is important that members of the field who research gender remain critical of the ways in which we do so.
    [Show full text]
  • Heavy Metal Frontman King Diamond to Join the Digital Cast of Guitar Hero® Metallica®
    Heavy Metal Frontman King Diamond to Join the Digital Cast of Guitar Hero® Metallica® SANTA MONICA, Calif., Feb 23, 2009 /PRNewswire-FirstCall via COMTEX News Network/ -- Having united forces with rock 'n' roll legends Metallica for encore performances and recordings throughout the years, GRAMMY® Award-nominated heavy metal vocalist and Mercyful Fate frontman King Diamond will take to the cyber-stage with Metallica this spring in Activision Publishing Inc.'s Guitar Hero® Metallica®. Fans, stagehands and groupies alike will have the opportunity to shred and drum with or wail as the digital King Diamond during performances of "Evil." The song, which originally was recorded in 1983 and is one of the Mercyful Fate songs that comprise Metallica's "Mercyful Fate" medley, was re-recorded by four of the five original band members for Guitar Hero Metallica. The recording session was overseen by guitarist Hank Shermann in the band's native Denmark; after which King Diamond laid down his vocals in Dallas, Texas, and mixed the song with J.T. Longoria. "It's been absolutely amazing to be a part of this Guitar Hero experience. It was quite a trip to re-record the song 'Evil' almost 25 years after the original recording took place. The end result with four out of the five original musicians turned out so much better than I would ever have hoped for," said King Diamond. "Seeing my animated character take form was totally eerie in a very good way. It's so strange to see yourself animated in such perfect detail - cross bone microphone, Eye necklace and all.
    [Show full text]
  • Mercyful Fate the Best of Mercyful Fate Rar
    Mercyful fate the best of mercyful fate rar [] - Mercyful Fate [EP]. [] - Mercyful Fate [EP]. Tamanho: 20,65 . [] - The Best Of Mercyful Fate. [] - The Best Of Mercyful Fate. Depois do fim do Mercyful Fate, King Diamond dedica-se à sua carreira solo até hoje. .. The Best Of Mercyful Fate (Coletânea ) Here you can download mercyful fate best of shared files: Best Of Mercyful mercyful fate best of mercyful fate carlitos RapidShare. Fast free download of Mercyful Fate- Return of the from direct link. Kb audio 1 downloads. File also searched as: ralf sesseler midi king diamond & mercyful fate - Best Of Mercyful , Mb. Mercyful Fate. be mercyful fate the best of mercyful fate on the selected school automatically to emerge the company. energetic Grade Shirts can record any effective dud drop. MERCYFUL FATE - Melissa-in The Beginning - 2 CD - Best Of - Excellent Portrait-Black Hole Of Doom demo CD RAR # Mercyful Fate metal King. Mercyful Fate. fate 2 Attachment(s) Mercyful Fate - Werewolves In Hilversum () [SBD/FLAC] The MASTERED Metallica Concert - The BEST Performed 45 RAREST Songs EVER (Multi-page thread 1 2 3) .. Mercyful Fate - Milan, IT - rar. In the Shadows by Mercyful Fate, released 22 June 1. Egypt 2. The Bell Witch 3. The Old Oak 4. Shadows 5. A Gruesome Time 6. Thirteen Invitations 7. Após um bom trabalho onde se destacou na banda Black Rose, King Diamond fundou o Mercyful Fate em , junto com os guitarristas Hank. Mercyful Fate · Don't Break The Oath (Reissue). Composers: Hank Shermann. A Corpse Without Soul · Mercyful Fate · The Best of Mercyful g: rar.
    [Show full text]