Central Florida Future, September 1, 1999
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
2015 Media Prospectus
AMERICAN ATHLETIC CONFERENCE CINCINNATI BEARCATS EAST CAROLINA PIRATES HOUSTON COUGARS MEMPHIS TIGERS SMU MUSTANGS TEMPLE OWLS TULANE GREEN WAVE TULSA GOLDEN HURRICANE UCF KNIGHTS UCONN HUSKIES USF BULLS SUN BELT CONFERENCE 2015 MEDIA APPALACHIAN STATE MOUNTAINEERS ARKANSAS STATE RED WOLVES GEORGIA SOUTHERN EAGLES GEORGIA STATE PANTHERS PROSPECTUS IDAHO VANDALS NEW MEXICO STATE AGGIES SOUTH ALABAMA JAGUARS TEXAS STATE BOBCATS TROY TROJANS UALR TROJANS UL MONROE WARHAWKS UL LAFAYETTE RAGIN’ CAJUNS UT ARLINGTON MAVERICKS A COPY OF THE OFFICAL REGISTRATION AND FINANCIAL INFORMATION FOR ORLANDO SPORTS FOUNDATION, INC., A FLORIDA-BASED NON PROFIT CORPORATION (REGISTRATION NO. CH28053, MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE 1-800-HELP-FLA (435-7352) WITHIN THE STATE OR BY VISITING www.800helpfla.com. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. LET’S NOT SUGARCOAT IT. we are Soldiers. WE TURN OUR BACKS ON THE ODDS, REFUSING TO HEAR THE LEGION OF VOICES SHOUTING OUT THE GRUESOME STATISTICS. NUMBERS MEAN NOTHING TO US. BECAUSE WE ARE WARRIORS. we leave fear in the dust, becoming braver as the battle gets tougher. OUR ENEMY ISN’T GOING TO GIVE UP EASILY. BUT NEITHER ARE WE. WE’LL KEEP SWINGING WITH EVERY OUNCE OF OUR BEING. THERE WILL COME A MOMENT WHEN THE ENEMY PUSHES BACK, HARDER THAN IT HAS BEFORE. WE MAY FALL. BUT BE SURE WE’LL GET RIGHT BACK UP. BECAUSE WE’RE NOT FIGHTING ALONE. WE’RE A TEAM. AND UNITED WE STAND. UNITED IN THIS BATTLE. TOGETHER, WE CAN WIN. WE CAN TACKLE THIS. -
2003 Soccer Camp Directory
SOCCER AMERICA IS PLEASED TO PRESENT its 32nd annual Soccer Camp Directory. It is the most complete listing of soccer camps available anywhere, containing over 1,500 sessions in over 1,000 locations. This directory is published to benefit youth soccer play- ers throughout North America and is dedicated to these young people. If you are looking for a camp in your area, start with the section that begins on page 26. These camps are grouped by region. If you are looking for a camp during a certain week, begin with the Camp Calendar listings on page 52. Camps that run all summer, but have chosen not to provide us with a complete list of sessions, will not appear in the Calendar section. Summer soccer camp is a time of great expecta- tions. Whether you want to become a pro star of the fu- ture or just want the opportunity to spend time with your favorite sport and increase your skill for the next season, you will be able to find a camp that fits your needs. Some day camps will come to your community. Look for these special camp listings. Many of the camps listed in this issue are new. Oth- ers have returned time and again. The best camps un- derstand the hopes and aspirations of youthful soccer players and want young campers to cherish the memo- ries of a very special summer experience. Soccer America does not sponsor, recommend or endorse any camp, and we advise you to thoroughly in- vestigate any camp in which you are interested. -
History and Records
HISTORY AND RECORDS YEAR -BY-YEAR CHAMPIONS DIVISIONAL CHAMPIONS (SINCE 1997) Mid-American Conference Champions West Division Champions 2015 NIU/Toledo/WMU/CMU (6-2) 2015 Bowling Green (7-1) ! 1967 Toledo (5-1) 2014 Northern Illinois (7-1) 2013 Northern Illinois (8-0) 2014 Northern Illinois (7-1) ! 1966 Miami (5-1) 2012 Northern Illinois (8-0) 2013 Bowling Green (7-1) ! 1965 Bowling Green/Miami (5-1) 2011 Northern Illinois/Toledo (7-1) 2010 Northern Illinois (8-0) 2012 Northern Illinois (8-0) ! 1964 Bowling Green (5-1) 2009 Central Michigan (8-0) 2008 Ball State (8-0) 2011 Northern Illinois (7-1) ! 1963 Ohio (5-1) 2007 C. Michigan/Ball State (4-1) 2010 Miami (7-1) ! 1962 Bowling Green (5-0-1) 2006 Central Michigan (7-1) 2005 NIU/UT (6-2) 2009 Central Michigan (8-0) ! 1961 Bowling Green (5-1) 2004 Toledo/NIU (7-1) 2008 Buffalo (5-3) ! 2003 Bowling Green (7-1) 1960 Ohio (6-0) 2002 Toledo/NIU (7-1) 2007 Central Michigan (7-1) ! 1959 Bowling Green (6-0) 2001 UT/NIU/BSU (4-1) 2000 WMU/Toledo (4-1) 2006 Central Michigan (7-1) ! 1958 Miami (5-0) 1999 WMU (6-2) 2005 Akron (5-3) ! 1957 Miami (5-0) 1998 Toledo (6-2) 1997 Toledo (7-1) 2004 Toledo (7-1) ! 1956 Bowling Green (5-0-1) East Division Champions 2003 Miami (8-0) ! 1955 Miami (5-0) 2015 Bowling Green (7-1) 2014 Bowling Green (5-3) 2002 Marshall (7-1) ! 1954 Miami (4-0) 2013 Bowling Green (7-1) 2001 Toledo (5-2) ! 1953 Ohio (5-0-1) 2012 Kent State (8-0) 2011 Ohio (6-2) 2000 Marshall (5-3) ! 1952 Cincinnati (3-0) 2010 Miami (7-1) 2009 Ohio/Temple (7-1) 1999 Marshall (8-0) ! 1951 Cincinnati -
Stairway to Heavy
# 2004/08 dschungel https://jungle.world/artikel/2004/08/stairway-heavy Stairway to Heavy Von jens thomas Probot und Transformer Di Roboter beweisen, dass Heavy Metal auch heute noch bestens funktionieren kann. von jens thomas Kurt Cobain ist tot. Seinem ehemaligen Umfeld dagegen geht es ziemlich gut. Dave Grohl zum Beispiel, Nirvanas Ex-Drummer und heutiger Sänger der Foo Fighters, wirkt fröhlich, grinst ständig und freut sich wie ein junger Bub. Der wahrscheinliche Grund dafür: Er hat gerade eine Metal-Platte mit seinem neuen Band-Projekt veröffentlicht. Probot heißt das rockende Geschöpf und ist eine Hommage an die Metal-Kultur an sich. Auf der Platte hat Grohl alle Stücke selbst eingespielt und nicht wenige Koryphäen des richtig harten bis brutalen Metal brüllen dazu. Mit dabei sind: Lemmy (Motörhead), Max Cavalera (Sepultura, Soulfly), King Diamond (Mercyful Fate) und viele andere. Dave Grohl meint es wirklich ernst mit seinem Projekt. Er zelebriert auf seiner Scheibe eine Vorliebe für Heavy Metal, ohne dass ihm daran irgendetwas peinlich ist. »Als Drummer habe ich von den Platten dieser Typen gelernt. Das ist ein großer Teil meines musikalischen Lebens«, klärt der 34jährige in der Spex auf. Das klingt seltsam. Als würde Andy Borg plötzlich zugeben, schon immer ein Liebhaber von Hamburgs Vorzeige-Punkband Slime gewesen zu sein. Schließlich stammt Grohl aus dem Genre Hardcore, spielte in den achtziger Jahren bei Scream, einer melodiösen Schrabbelband aus Washington DC, gab sich dann dem Grunge hin und trommelte schließlich bei Nirvana. Er kommt also aus jenen Szene-Zusammenhängen, die Heavy Metal aufgrund seiner Plakativität eher belächelten. Hardcore, möchtegernpolitischkorrekt, wütete gegen die böse Welt, schnitt diskursive Themen wie Drogenfreiheit und Tierschutz an. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
The Metal Minute Awarded 2009 Best Personal Blog by Metal Hammer Magazine
The Metal Minute Awarded 2009 Best Personal Blog By Metal Hammer Magazine http://rayvanhornjr.blogspot.com/2010/02/dvd-review-bill-zebub- metal-retardation.html Monday, February 15, 2010 DVD Review: Bill Zebub - Metal Retardation Bill Zebub - Metal Retardation 2009 Bill Zebub Productions Ray Van Horn, Jr. Under the definition of "politically incorrect," you're quite possibly going to find Bill Zebub's name listed under the antonym bracket. The nation isn't quite the same as it was during the late sixties and early seventies when the Dean Martin roasts were, by today's defintions, as unpolitically correct as a Klan gathering. However, there was always a line of respect drawn between the panel of roasters and of course, the roastees. America was a bruised country in the midst of civil rights violence, and the healing motif as mainstream culture worked itself into a mode celebrating all walks of life, race and creed culminated in hilarious back-and-forth banter at Sammy Davis, Jr. on Martin's roast. Eventually this gave sway to the era of Archie Bunker and George Jefferson, which forever changed the social tide. History lessons aside, Bill Zebub, mastermind of the east coast underground metal rag The Grimoire of Exalted Deeds, has also released a slew of independent films and documentaries. If you're familiar with some of his homegrown horror videos such as The Crucifer, Kill the Scream Queen, Dolla Morte, Bad Acid, Jesus Christ: Serial Rapist, Dirtbags and The Worst Horror Movie Ever Made, you'll attest there's no experience in underground film like a Bill Zebub experience. -
Women's Soccer Awards
WOMEN’S SOCCER AWARDS All-America Teams 2 National Award Winners 15 ALL-AMERICA TEAMS NOTE: From 1980-85, the National D–Karen Gollwitzer, SUNY Cortland D–Karen Nance, UC Santa Barbara M–Amanda Cromwell, Virginia Soccer Coaches Association of D–Lori Stukes, Massachusetts D–Kim Prutting, Connecticut M–Linda Dorn, UC Santa Barbara America (NSCAA) selected one F–Pam Baughman, George Mason D–Shelley Separovich, Colorado Col. M–Jill Rutten, NC State All-America team that combined all F–Bettina Bernardi, Texas A&M D–Carla Werden, North Carolina F–Brandi Chastain, Santa Clara three divisions. Starting in 1986, Division III selected its own team, F–Moira Buckley, Connecticut F–Michelle Akers, UCF F–Lisa Cole, SMU but Divisions I and II continued to F–Stacey Flionis, Massachusetts F–Joy Biefeld, California F–Mia Hamm, North Carolina select one team. Starting in 1988, F–Lisa Gmitter, George Mason F–Shannon Higgins, North Carolina F–Kristine Lilly, North Carolina all three divisions selected their 1984 F–April Kater, Massachusetts F–April Kater, Massachusetts own teams. Soccer America started F–Jennifer Smith, Cornell NSCAA 1991 selecting a team in 1988, which SOCCER AMERICA included all divisions. Beginning in G–Monica Hall, UC Santa Barbara NSCAA 1990, the team was selected from D–Suzy Cobb, North Carolina D–Lisa Bray, William Smith G–Heather Taggart, Wisconsin only Division I schools. NSCAA and D–Leslie Gallimore, California D–Linda Hamilton, NC State D–Holly Hellmuth, Massachusetts was rebranded as United Soccer D–Liza Grant, Colorado Col. D–Lori Henry, North Carolina M–Cathleen Cambria, Connecticut Coaches in 2017. -
Wind Ensemble
UNiVErSiTY oF CENTral FLORIDA Wind Ensemble Florida MUSiC EdUCa TorS aSSoCiaTioN C oNFErENCE TAMPA CONVENTION CENTER TAMPA, Fl ORIdA JANUARY 10, 2013, 4 P.M. UNIVERSITY of CENTRAL FLORIDA The University of Central Florida, celebrating its 50th anniversary in 2013, is the nation’s second-largest university. Located in Orlando, Florida, UCF and its 12 colleges provide opportunities to 59,767 students, offering 177 bachelor’s and master’s degrees and 31 doctoral programs. 2 UNiVErSiTY oF CENTral FLORIDA Wind Ensemble Scott C. Tobias CONDUCTOR Neil E. Jenkins GUest CONDUCTOR Michael Wilkinson TROMBONE Program March from Symphonic Paul Hindemith Metamorphosis of Themes (1895-1963) by Carl Maria von Weber trans. Keith Wilson Firefly Ryan George (b. 1978) The Lark in the Clear Air Clifton Taylor (b. 1968) divertimento for Trombone Arthur Frackenpohl and Band (b. 1924) III. Galop Michael Wilkinson, Trombone Baron Cimetière’s Mambo donald Grantham (b. 1947) Neil E. Jenkins, Conductor Alleluia Samuel R. Hazo (b. 1966) Symphony No. 2 Frank Ticheli III. “Apollo Unleashed” (b. 1958) for Dr. James E. Croft 3 LETTER FROM THE PRESIDENT dear Conference Participants, It is my pleasure to offer greetings to the Florida Music Educators Association on behalf of the University of Central Florida’s faculty and staff members and more than 59,767 students. I hope that you enjoy this afternoon’s performance by the UCF Wind Ensemble, under the direction of Scott C. Tobias, director of Bands. UCF’s department of Music is home to outstanding faculty members and students, and it has earned a reputation for excellence and artistry throughout our state and nation. -
Wo M E N 'S Aw a Rd Wi N N E
Wom e n ’ s Awa r d Win n e r s Division I First-Team All-America (198 0 - 9 9 ) .. 23 8 Division I First-Team All-America by School.. 23 9 Division II First-Team All-America (198 8 - 9 9 ) .. 24 0 Division II First-Team All-America by School.. 24 1 Division III First-Team All-America (1 9 8 6 - 9 9 ) .. 24 1 Division III First-Team All America by School.. 24 2 National Awa r d Win n e r s .. 24 3 23 8 DIVISION I FIRST TEAM ALL-AMERICA D–Lori Stukes, Massachusetts F–Charmaine Hooper, North Carolina St. SOCCER AMERICA Al l - A m e r i c a D–Harriet Tatro, Vermont F–Kristine Lilly, North Carolina G–Saskia Webber, Rutgers F–Michelle Akers, UCF F–Kerri Tashiro, Colorado Col. D–Holly Hellmuth, Massachusetts Tea m s F–Lori Bessmer, Cortland St. F–Gina Vasallo, Boston College D–Jennifer Lewis, Duke F–April Heinrichs, North Carolina SOCCER AMERICA M–Karen Ferguson, Connecticut M–Julie Foudy, Stanford NOTE: From 1980-85, the National F–Donna MacDougall, Connecticut G–Karen Richter, UCF M–Tisha Venturini, North Carolina Soccer Coaches Association of America F–Catherine Shankweiler, Connecticut D–Tamie Batista, Santa Clara M–Sue Wall, Santa Clara (NSCAA) selected one all-America team D–Kyllene Carter, Barry F–Mia Hamm, North Carolina that combined all three divisions. Starting 19 8 5 D–Kim Prutting, Connecticut F–Kim LeMere, Hartford in 1986, Division III selected its own team, NS C A A M–Joy Biefeld, California F–Kristine Lilly, North Carolina but Divisions I and II continued to select G–Janine Szpara, Colorado Col. -
Central Florida Future, Vol. 17 No. 26, March 29, 1985
University of Central Florida STARS Central Florida Future University Archives 3-29-1985 Central Florida Future, Vol. 17 No. 26, March 29, 1985 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 17 No. 26, March 29, 1985" (1985). Central Florida Future. 572. https://stars.library.ucf.edu/centralfloridafuture/572 The hillarious. zany and naughty April Fools' supple -· ment. Confetti will return next week March 29, 1985 Volume 17 Number 26 University of Central Florida/Orlando · ,,. .. Presidential race 'gets ~oving Gill/Darner ·Gr~en/Payas by Tim Ball by Tim Bcill FUTURE STAFF WRITER FUTURE STAFF WRITER Summary: The ticket of Gill/Darner is run Summary: The ticket of Green/Payas is ning under the motto "to make student · running with a platform of "ac· • government student oriented.'' They are complishments and not promises." They are pushing for a more efficient Add/Drop pushing for a Council of Presidents, a Stu· system, lower book prices, and. a Student dent Union, and utilizing the new Kiosk Union. · Both have experience in student govern· Both have experience in student govern· ment. ment. Green is currently Attorney · General for • Gill is currently the Student Government student government and serves on several Lobby Annex Director and was a member of university-wide committees. -
Spiritually Uncontrolled Art
Spiritually uncon trolled art: Exploring aesthetics of evil in contemporary music Robert Andersson 2011 Uppsats, magisternivå , 15 hp Religionsvetenskap Människa, natur och religionsprogrammet Handledare: Juan Carlos Gumucio Examinator: Peder Thalén Abstract This essay investigates interpretations of evil as expressed in contemporary music, focusing mainly on lyrics in contemporary popular music. The purpose is to analyze whether there is a certain aesthetic embracing of risk and innovation on display when discussing such subject matters, and to relate such aesthetic connotations to cultural and religious aspects. Lyrical interpretations of evil in a musical context appear to be existent in different forms and are in various ways attempts to integrate the existence of evil acts, as leading to suffering and pain, by incorporating such themes into lyrical material. There appears to be a possible aesthetic embraced when artists are advocating evil acts, however, not totally separable from the aesthetics of the extreme metal scene. Such forms of creative practice appear as reliant on the dialectic between historical perceptions of morality, modern society as globalized, segmented and restructured and the reoccurrence of religion in a secularized perspective. Themes regarding evil appear in this form of aesthetic in different ways to traditional discourse; making use of historical and contemporary images of evil and portraying them as desirable in various ways. In some instances such creative release is also linked to religious belief and practice, making the artistic performance equivalent of a transcendental event. Keywords Aesthetics, contemporary music, culture, extreme metal, evil, modernism, music lyrics. 2 Table of contents Abstract ...................................................................................................................................... 2 Table of contents........................................................................................................................ 3 1.