Students May Pay for Summer Transit Program Turf War for Mclnnes
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MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
The Cord Weekly (October 29, 1997)
Mews Feature Entertainment McGuinty The Sarah visits anatomy McLachlan Laurier Jf shines *% % cults IMr in TO 41 campus %P the "The tie that binds since 1926" WEDNESDAY, OCTOBER 29,1997 WLU Student Publications Cord VOLUME XXXVIII • ISSUE TWELVE National aspirations FRV IMPI I RPM DWrYTTV focused and Laurier striker Ken Cartmill during action from last Saturday's victorious game against AL MacNEVIN The Hawks, looking incredibly McMaster. the team faces Western for the OUA championship. Cord Sports disciplined, took the lead in the second half on Today strike rookie Roe. The Laurier Men's Soccer team pulled into a by Jimmy After the season with a of in Roe's and first career OUA marker, players have commented that it was opening pair McMaster on Saturday with only one thing goal Many and tactical losses in their first three it looks as their heads: Halifax, the sight of this year's couldn'thave come at a more opportune time Anagnostopoulos' strategic prepa- games are them the 2-1 lead ration the team to create so have gotten together and national championships. as the rookie gave they that allowed though they chances committed to Two striker would never relinquish. for goals on Saturday. winning. wins away from sending many "Frank has noted The will be today at J.W. Kenny Cartmill home, the mood could only be McMaster wouldn't go away though as us so prepared," game played to was to us." Little Stadium in London. described as intense. they continued add pressure leaving four or Johnston, "nothing going stop five the offensive to It has been road for the One is for sure, these Hawks will be Veteran forward Joe Wey opened the scor- men in zone looking even an interesting thing for the with score. -
Take Back the Night Marches in Ann Arbor
Take Back The Night Marches in Ann Arbor BY JOSH BENNINGHOFF a survivor of violence against women." There exists a "continuum of violence HE NIGHT OF SATURDAY, in our rape culture," she said, citing April 18th was not about any statistics that claim that one in three T social issue; it was about women will be sexually assaulted be women, for better or for worse. Shortly fore the age of eighteen. after 7:00 p.m., student activist Although she said that no man Brenna De Vaney's introductions com should ever be raped, she claimed the menced the Nineteenth Annual "Take American "rape culture" doesn't ac Back the Night" march and rally. knowledge the severity of its rape Although the Ann Arbor Coalition statistics. This claim brought forth Against Rape (AACAR) organized this h~r overall slogan, that the "personal event in just over a month, popular is political." She then proceeded to support for this event was apparent condemn TBTN for not addressing in the crowd gathered on the Diag. the racial issues that are inextricably Some came expecting TBTN to spe intertwined with the feminist move cifically address sexual violence, in ment. She asked, "What use are a cluding rape; but the purpose ofTBTN, bunch ofwhite women marching with as stated in their literature distrib police escorts?" After remarking how uted at the rally, is to make the fol the "most useless thing in the world is lowing proclamation for women: "we a guilty man ... Guilt makes people will be safe, we will be strong and we turn inward. -
Annual Report 2018—2019
Annual Report 2018—2019 Contents 02 — Message from the Chair 20 — In the Community 03 — Message from the President 21 — Juries 04 — About the Foundation 24 — Programs 06 — Staff 29 — Sponsorship 07 — Board of Directors 32 — Collective Initiatives 08 — National Advisory Board 36 — Success Stories 10 — Our Funding Partners 40 — Awards 12 — Financial Results 44 — Year-End Snapshot 14 — Funding Offered by Genre 48 — PwC Report 16 — Applications by Genre Up+Downtown Music and Arts Festival 2018 — Eric Kozakiewicz FACTOR 2018—2019 1 Message from the Chair Message from the President has been a key focus of the Department of Canadian Heritage and the Canadian presence for our sector at jazzahead! in Bremen. In we continue to support fantastic programs on the global stage support of the Frankfurt Book Fair, we will be assembling events such as Reeperbahn in Germany, Printemps de Bourges in France, to promote Canadian talent at the Berlin Film Festival, Elbjazz, while developing new markets and genre opportunities with and in Hamburg and Munich. As well, we will be creating the Linecheck in Milan, Italy later this year and the Frankfurt Book Fair definitive music show for the Book Fair itself. These events will in Germany in 2020. be done with the support of the Canadian Embassy in Berlin, and the invaluable support of Sound Diplomacy in Germany. Through new CRTC mandates, we have received substantial increased funding for expanded video and other music programs. In the upcoming months we will be working with Manitoba By using new funds from that source and other radio CCD Music, developing and financing opportunities for Indigenous benefits, FACTOR has developed a new program for publishers and artists to showcase in Australia at Big Sound and in Germany expanded the available funding for songwriters’ workshops. -
Sarah Mclachlan Mirrorball Mp3, Flac, Wma
Sarah McLachlan Mirrorball mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Mirrorball Country: Europe Released: 1999 Style: Soft Rock, Pop Rock MP3 version RAR size: 1808 mb FLAC version RAR size: 1541 mb WMA version RAR size: 1699 mb Rating: 4.3 Votes: 225 Other Formats: MIDI ASF MOD AUD MMF APE WMA Tracklist 1 Intro (Last Dance) 2 Building A Mystery 3 Plenty 4 Hold On 5 Good Enough 6 Do What You Have To Do 7 Witness 8 Wait 9 I Will Remember You 10 Ice 11 I Love You 12 I Will Not Forget You 13 The Path Of Thorns (Terms) 14 Mary 15 Adia 16 Fear 17 Elsewhere 18 Vox 19 Into The Fire 20 Possession 21 Ice Cream 22 Sweet Surrender 23 Fumbling Towards Ecstasy 24 Angel 25 Credits (Last Dance) Credits Bass – Brian Minato Drums, Percussion, Vocals – Ashwin Sood Film Director [Directed By] – Sophie Muller Film Producer – Rob Small Guitar, Vocals – David Sinclair , Sean Ashby Keyboards, Vocals – Vince Jones* Vocals – Camille Henderson Vocals, Piano, Guitar, Executive Producer – Sarah McLachlan Notes "Special DVD version includes... 9 extra live tracks not available on the CD! Interactive menu Multiple camera-angle choices Photo gallery - Lyrics Discography - And more!" Bonus Features: Multi-Angle Camera Viewing (On 3 Songs: Fear, Into The Fire, Sweet Surrender); 5.1 Surround Sound; Full Motion Menu; Interview; Photo Gallery; Discography; Lyrics. (C)1999 Arista Records, Inc. Distributed by the local BMG company. Barcode and Other Identifiers Barcode: 7 43217 03839 7 Other versions Category Artist Title (Format) Label Category Country -
Sarah Mclachlan - Fumbling Towards Ecstasy Mp3 Download
Sarah McLachlan - Fumbling Towards Ecstasy mp3 download DOWNLOAD LINKS (Clickable) Genre: Pop Performer: Sarah McLachlan Album: Fumbling Towards Ecstasy Country: US Released: 1994 Style: Pop Rock, Soft Rock, Vocal MP3 version RAR size: 1693 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1619 mb Rating: 4.5 Votes: 971 Other Formats: DTS ASF AC3 MIDI APE MP3 MPC MP3 album Sarah McLachlan - Fumbling Towards Ecstasy download description Tracklist 1 Possession 4:39 2 Wait 4:10 3 Plenty 4:05 4 Good Enough 5:01 5 Mary 3:53 6 Elsewhere 4:42 7 Circle 3:42 8 Ice 3:53 9 Hold On 4:08 10 Ice Cream 2:45 11 Fear 3:56 12 Fumbling Towards Ecstasy 4:50 Companies, etc. Recorded At – Wild Sky Studio Recorded At – Highland Studios, Stoney Creek Mixed At – Wild Sky Studio Edited At – A.R.P. Track Productions Mastered At – Sterling Sound Glass Mastered At – Sonopress USA – 32149 Manufactured By – Arista Records, Inc. Record Company – Bertelsmann Music Group Published By – Tyde Music Published By – Sony Music Published By – Nettoverboard Publishing Published By – M.J. Publishing Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Credits Acoustic Guitar – Sarah McLachlan (tracks: 8, 9) Bass – Bill Dillon (tracks: 9), Brian Minato (tracks: 1, 3, 4, 7), Pierre Marchand (tracks: 2, 3, 5, 6, 8, 11) Bass [Additional] – Bill Dillon (tracks: 7), Pierre Marchand (tracks: 7) Cello – Jane Scarpantoni (tracks: 11) Drum Programming – Pierre Marchand (tracks: 1, 4, 5, 8, 9, 11, 12) Drums – Ashwin Sood (tracks: 1 to 4, 7 to 9), Guy -
The Cord Weekly (September 10, 1998)
Resident :the Cord Slold "through rocks damm the E history- hard] Ipm>im Cord ■ •' % ji feylllgi 28 :r> ,a - September VOLUME ISSUE Thursday, 10, 1998 39 5 Orientation week fun alert BEN HARRIS rock between the Quadrangle and the "Trying to integrate faculty, residence Fred Nichols Campus Centre. life, WLUSU, Student Publications, and On Monday, September 7th, Laurier This year's Orientation Week seems administration was key" said officially welcomed a record number of to be illiciting positive reaction from Sabharwal, "having everybody involved students. most students. that wanted to be the first year first year was challenge." it Over 1700 registered for the six In an informal poll conducted by They certainly gave their best, as they day event dubbed "Safari Laurier". The Cord, an overwhelming majority of began planning for the festivities in started The fun after the day long first year participants registered a posi- April. volunteers in "registration festival" came to a close. tive reaction towards the Orientation Over 380 pitched to The line-up for this registration reached Week experience. make this year's Orientation Week run the Aird underpass at times. Comments ranged from: "We know as smoothly as possible. University President and Vice everybody on our floor already", "the Safety was a primary concern, with Chancellor Robert Rosehart was on group involvement is really beneficial", the Laurier Emergency Response Team hand to greet students and parents to: "The Turret is really good! I like visible to "make sure booboo's get all alike at "Dr. Bob's Lemonade Stand", dancing." patched up." according to the official with distin- There feedback along many of Laurier's was some negative "Safari Laurier" guide. -
Music 334 2011
WOMEN, MUSIC AND GENDER — MUSIC 334 Conrad Grebel College, University of Waterloo Dr. Carol Ann Weaver, Professor Monday Evenings, 7-10 PM, Room 1302, CGC, Fall, 2011 WEEK AREAS OF STUDY Soundfiles Readings* (*note: required readings are shown by asterick* and by bold font; other readings are optional but recommended, either on reserve in the Conrad Grebel Library (top floor of Grebel academic building) or on ACE site as reading files. Sound files must be accessed via UW ACE for the course Music 334) Playlists Readings 1, Sept. 12 Introduction. Overview of women’s roles in music throughout 1 *Pendle Ch.1 history and within several specific non-Western, traditional Drinker, societies. Readings in Western philosophies dealing Ch. 1-9; with expected roles of women in society will be included. Stone, “Gifts Roles of women in the musical & religious areas of ancient from Reclaiming” and traditional societies — social contexts will be dealt with in Zweig: To Be historically, emphasizing cultural settings in which women are a Woman, pp. 203-216 most likely to make musical contributions. The earlier, more "traditional" societies are more likely for women to be prominent leaders within ritual/religious realms. Music in Ancient Societies l. Middle East, 25,000 B.C. 7. China, 500 B.C. 2. Near East, 9,000-7,000 B.C. 8. India, 500 B.C 3. Egypt, 4,000 B.C. 9. Israel, l,800-00 B.C. 4. Babylon, 4,000 B.C. 10. traditional African--ancient to 20th C. 5. Crete, 4,000-2,000 B.C. 11. traditional North American Native 6. -
Sarah Mclachlan Wintersong Mp3, Flac, Wma
Sarah McLachlan Wintersong mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Wintersong Country: US Style: Alternative Rock, Pop Rock MP3 version RAR size: 1742 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1443 mb Rating: 4.9 Votes: 571 Other Formats: VQF MP4 VOC APE WMA MIDI TTA Tracklist Hide Credits Happy Xmas (War Is Over) 1 3:29 Written-By – John Lennon, Yoko Ono* What Child Is This? (Greensleeves) 2 3:31 Arranged By – Sarah McLachlanWritten-By – Traditional River 3 4:02 Written-By – Joni Mitchell Wintersong 4 3:31 Written-By – Sarah McLachlan I'll Be Home For Christmas 5 3:15 Written-By – Buck Ram, Kim Gannon, Walter Kent O Little Town Of Bethlehem 6 3:51 Arranged By – Sarah McLachlanWritten-By – Traditional The First Noel/Mary Mary 7 5:00 Arranged By – Sarah McLachlanWritten-By – Traditional Silent Night 8 3:48 Arranged By – Sarah McLachlanWritten-By – Traditional Song For A Winter's Night 9 3:48 Written-By – Gordon Lightfoot Have Yourself A Merry Little Christmas 10 3:44 Written-By – Hugh Martin, Ralph Blane In The Bleak Mid-Winter 11 3:46 Arranged By – Sarah McLachlanWritten-By – Traditional Christmas Time Is Here 12 4:02 Featuring – Diana KrallWritten-By – Lee Mendelson, Vince Guaraldi Companies, etc. Phonographic Copyright (p) – Arista Records LLC Copyright (c) – Arista Records LLC Distributed By – Arista Records LLC Manufactured By – Arista Records LLC Credits Acoustic Guitar, Guitar [Electric], Mandolin, Bass – Bill Dillon Arranged By [Orchestral Treatments] – Pierre Marchand (tracks: 6, 10) Arranged -
Sarah Mclachlan the Canadian Singer Opens up About Her Fresh Start in Life and Love
EXCLUSIVE INTERVIEW BACK IN THE SPOTLIGHT SARAH MCLACHLAN THE CANADIAN SINGER OPENS UP ABOUT HER FRESH START IN LIFE AND LOVE hine On is not just the title of Sarah McLach- The four years since your last record have been choose to do. They are very musical, very artistic S lan’s latest album: it’s her state of being. rather tumultuous. When did you know you were and very dramatic – great actresses! After a turbulent few years – including a di- ready to make this very personal album? After vorce from drummer Ashwin Sood, the death of Laws of Illusion I did not want to tell that story Will the girls go on tour with you this year? They her father and the severing of ties with her man- anymore. I wanted to have something to say but I come on the summer ones; it’s like a camping agement and record company of 23 years – the did not have it to say yet. I was starting songs and trip. They love it! They love travelling and they Canadian singer has emerged stronger than ever. was going back to that comfortable place about love experiencing new places. Every day is a new Just as her album proclaims, she is ready to breakups and things like that, but I wasn’t there adventure. It’s like, “What are we gonna do today, sparkle. “I love everything it says; it’s what we all anymore; I didn’t want to write “that” song. I don’t Mom? Where are we going to go?” We research want – to shine,” the mother of two, 46, tells Hello! want to sing it anymore.