HDV Product Range 2010
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Connectivity & Mobility / XDCAM -Wireless Operations
/ Connectivity & Mobility / XDCAM -Wireless operations Sony Professional Solutions Europe February 2015 How to be first on air and on the web • Simple & Flexible • Cost-efficient • Aligned with European Regulations 2 Sony wireless operation solutions Live Streaming SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study File transfer 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control 3 File transfer File Transfer: benefits 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control • Nothing lost : picture , audio, TC , file name • Choice of transmission: Wi-Fi, 3G or 4G • High Resolution file transfer enabled 4 File transfer Ongoing and future development • Proxy Trimming • Central server • Cloud Wi-Fi Router Controlled by tablet/smartphone (Android/iOS) Wi-Fi remote control Mark In/Out for partial file creation (GUI image) • Multi-Link File Transfer : use multiple LTE links with any smartphone and any carrier • Near-Live File Transfer: For instant preview/edit, the file is transferring while recording 5 File transfer File Transfer: XAVC proxy formats Video Bitrate Frame Rate Profile Audio Wrapper Resolution (typical) AVC Proxy 50p, 59p 6-12Mbps SD 1280 x 720 MP/HP (16:9) AVC 23p, 24p, 25p, 29p 4-9Mbps MP/HP AAC-LC 2/ 4/ 6/ 8ch MP4 640 x 360 AVC 23p, 24p, 25p, 29p 1.5-3Mbps 128kbps for 2ch High rez (16:9) MP SxS 480 x 270 AVC 23p, 24p, 25p, 29p 384k-1Mbps (16:9) MP 6 File transfer XAVC proxy interoperability on NLE software Software Products Version Import Timecode Handing Proxy-HiRes Relink Adobe Premiere Pro CC 2014 ✔ ✔ ✔ Avid Media Composer 7.0.4 ✔ ✔ under study Apple Final Cut Pro X 10.1.1 ✔ ✔ under study Grass valley EDIUS PRO 7.31 ✔ ✔ under study Sony Creative Software 13 ✔ ✔ ✔ Vegas Pro 7 Live Streaming Live Streaming: benefits SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study • Cost efficient solution: single dongle. -
Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Avid Supported Video File Formats
Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4 -
Video Terminology Video Standards Progressive Vs
VIDEO TERMINOLOGY VIDEO STANDARDS 1. NTSC - 525 Scanlines/frame rate - 30fps North & Central America, Phillipines & Taiwan . NTSC J - Japan has a darker black 2. PAL - 625 scanlines 25 fps Europe, Scandinavia parts of Asia, Pacific & South Africa. PAL in Brazil is 30fps and PAL colours 3. SECAM France Russia Middle East and North Africa PROGRESSIVE VS INTERLACED VIDEO All computer monitors use a progressive scan - each scan line in sequence. Interlacing is only for CRT monitors. LCD monitors work totally differently - no need to worry about. Interlacing is for broadcast TV. Every other line displayed alternatively. FRAME RATES As we transition from analogue video to digitla video. Film is 24 fps, PAL video 25 fps. NTSC 30fps. Actually film and NTSC are slightly different but we don't need to worry about that for now. IMAGE SIZE All video is shot at 72 px/inch - DV NTSC - 720 x 480 (SD is 720 x 486) DV PAL - 720 x 576 (SD PAL is 720 x 576) HD comes in both progressive and interlaced. HD480i is usual broadcast TV 480p is 480 progressive. 720i is 720 interlaced 720p is progressive. 720 means 720 vertical lines 1080 is 1080 vertical lines. 1080i is most popular. 720p is 1280 x 720, HD 1080 is 1920x1080px. All HD formats are 16:9 aspect ratio. Traditional TV is 4:3 aspect ratio. HDV is 1440 x 1080. New format - is it the new HD version of DV? Cameras like the Sony and JVC make minor alterations to this format when shooting In summary HD 1080i = 1920 x 1080 HD 720p = 1280 x 720 Traditional = 720 x 480 (NTSC) 720 x 576 (PAL) VIDEO OUTPUTS Analog Composite, S-Video, Component in increasing quality. -
Product Overview: Includes
Product Overview: Go straight from the box to box-office quality with our top-tier release from the Pinnacle Studio™ Family, Pinnacle Studio Ultimate Collection. The Collection includes everything you need to tell your story, including a complete set of plug-ins from 3D animation leader Red Giant and a Chroma-key green screen for advanced effects, editing and production, in addition to the feature-rich Studio Ultimate software. With a new, simpler interface, create top quality movies in HD video, include stunning effects, transitions, animation, and incredible Dolby Digital® 5.1 sound, empowered by new tools from Avid’s professional lines of film-editing products. Then, dazzle your audience when you share your sensations in widescreen format. Sharing options are as limitless as your creativity: from Blu-ray and AVCHD to YouTube, iPod, PS3, Wii, and more. Includes: • Studio Ultimate editing software • Chroma-key Green Screen* • Full step-by-step printed instruction manual Also includes valuable suite of Red Giant effects—used in movies and TV productions: • Knoll Light Factory—Light and lens flares from master effects guru John Knoll (visual effects supervisor; Star Wars, Pirates of the Caribbean, Avatar) • ToonIt—Turn video into animation • Trapcode Shine—Light ray effects • Particular—3D smoke, explosion, rain effects • Magic Bullet Looks—Change look and mood of your movie, from arctic tundra to desert sunrise • Trapcode 3D Stroke—Animations like glowing lines, swirling shapes, and 3D camera effects *Green screen not included on upgrade -
HDV Workflow
Whitepaper Author: Jon Thorn, Field Systems Engineer—AJA Video Systems, Inc. HDV Workfl ow JVC HDV and Sony HDV Workfl ow Using the AJA KonaLH or KonaLHe with Final Cut Pro 5 Introduction With the introduction of the HDV format, a broader era of HD acquisition has grown from the portable camcorder sized devices that could record compressed HD on inexpensive MiniDV tapes. However, akin to the beginning of the DV era in the late 1990s, this format is still early in its development and deployment. Though support for the format has grown quickly by comparison to its digital forerunner—DV, the format’s very structure has proven to be somewhat problematic in a conventional post-production workfl ow. The Format What makes HDV such an amazing format is that it manages to capture HD images via MPEG2 compression and allow for record- ing the signal to a MiniDV tape (thankfully a tape format already ubiquitous in the marketplace among all major camera manu- facturers and tape stock providers.) This MPEG2 compression is similar to a DVD (although DVD is a program stream vs. HDV’s transport stream and HDV uses a constant bit rate whereas DVDs use variable bit rates). The issue for post production is that the HDV transport stream is based around a long-GOP structure (group of pictures) which produces images based on information over a section of time, via I, P and B frames; Intraframes, predicted frames and bi-direction- al frames. Formats that do not use this scheme treat frames as individual units, as in the progressive formats where a frame truly is a frame, or as interlaced frames where two fi elds create the image. -
A320M-HDV.Pdf
Version 1.0 Published February 2017 Copyright©2017 ASRock INC. All rights reserved. Copyright Notice: No part of this documentation may be reproduced, transcribed, transmitted, or translated in any language, in any form or by any means, except duplication of documentation by the purchaser for backup purpose, without written consent of ASRock Inc. Products and corporate names appearing in this documentation may or may not be registered trademarks or copyrights of their respective companies, and are used only for identification or explanation and to the owners’ benefit, without intent to infringe. Disclaimer: Specifications and information contained in this documentation are furnished for informational use only and subject to change without notice, and should not be constructed as a commitment by ASRock. ASRock assumes no responsibility for any errors or omissions that may appear in this documentation. With respect to the contents of this documentation, ASRock does not provide warranty of any kind, either expressed or implied, including but not limited to the implied warranties or conditions of merchantability or fitness for a particular purpose. In no event shall ASRock, its directors, officers, employees, or agents be liable for any indirect, special, incidental, or consequential damages (including damages for loss of profits, loss of business, loss of data, interruption of business and the like), even if ASRock has been advised of the possibility of such damages arising from any defect or error in the documentation or product. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. -
UNDERWATER VIDEO 284 Housing and Accessories
UNDERWATER VIDEO 284 Housing and Accessories www.BandH.com HD10 High Definition UW Video Housing Pro8 Underwater Video Housing Pro6 Underwater Video Housing • 6-10 Standard manual controls- • 7 Mechanical Controls • 7 Mechanical Controls Power on/off, Record-start/stop, • Rugged PVC Material Construction • Rugged PVC Material Construction Zoom-Wide/Telephoto, White • Includes Color-Correcting Filter • Includes Color-Correcting Filter Balance, Auto focus, Auto/Manual and Wide-Angle Lens and Wide-Angle Lens focus Switch, ND filter • Ballast Release System Handles • Ballast Release System Handles • 250 ft depth rating • Rated Down to 250’ • Rated Down to 250’ • Close to neutral buoyancy at approx. 33 ft • BRS (Ballast Release System) for easy travel of if trouble f/ Panasonic DVX100B ................... #EQPP8DVX100Q���� 1249.95 f/ Canon FS-31/300 ............................. #EQP6CFS31���������CALL occurs on a dive, simply pull the quick release pin on one of for Sony PD170 ...................................#EQPP8PD170���������CALL f/ Panasonic PV-GS180 ........................ #EQP6GS180���������CALL the wings, the wing and handle (ballast) release, the housing f/ Canon GL2 .......................................#EQPP8GL2Q���� 1249.95 f/ Panasonic HDC-HS250 .............. #EQP6PHDCHS25���������CALL now becomes positive and shoots to the surface f/ Sony VX-2100 .................................#EQP8VX2100���� 1299.95 f/ Panasonic SDR-H80 .................... #EQP6PSDRH80���������CALL • Includes 2.5” Color LCD monitor with battery and -
HVR-A1P 9811 Sony79 HVRA1P 10Pp 11/13/09 12:22 PM Page 2
9811_Sony79_HVRA1P_10pp 11/13/09 12:22 PM Page 1 Digital HD Video Camera Recorder HVR-A1P 9811_Sony79_HVRA1P_10pp 11/13/09 12:22 PM Page 2 Expanding New HD Shooting Opportunities with an Unprecedented Level of Compactness and Mobility – the HVR-A1P HDV 1080i Camcorder In response to the ever-increasing demands for HD program production, Sony launched the new high-definition recording system adopting the HDV 1080i specification of the HDVTM format – the HVR-Z1P camcorder and HVR-M10P VTR – in 2004. Upon that introduction, these products have rapidly acquired a huge reputation from a wide range of customers due to their outstanding picture quality, stunning performance, and cost- effectiveness. Sony has now expanded the HDV line-up by introducing the HVR-A1P camcorder to meet further evolving needs for HD acquisition. The HVR-A1P is an extremely compact and lightweight handy-type camcorder , ideal for applications where space is at a premium or extreme mobility is required. This camcorder is equipped with a newly developed 1/3-inch type, 2.97-megapixel (total) CMOS sensor and an all-new Enhanced Imaging Processor TM that optimizes the performance of the CMOS sensor, providing outstanding high-definition picture quality. In addition to HDV 1080i recording and playback, this camcorder of fers the DVCAM TM/DV recording and playback capabilities that are provided on current Sony DVCAM models. A down-conversion capability of its 1080i recordings is also provided for a flexible choice of production systems in HDV, DVCAM, or DV format. Furthermore, the HVR-A1P incorporates a variety of convenient and professional features such as XLR audio input, time code capability, various automatic shooting modes, and still picture recording. -
The Professional Choice GY-HD110-NTSC.Xpr 06.6.20 2:13 PM ページ 1
GY-HD110-NTSC.xpr 06.6.20 2:13 PM ページ 2 The Professional Choice GY-HD110-NTSC.xpr 06.6.20 2:13 PM ページ 1 Defining the future of professional video — Introducing JVC ProHD With the introduction of JVC’s ProHD, the promise of digital technology has finally been fulfilled. Surprisingly affordable, impressively professional, and remarkably compact, ProHD embraces the HDV format to deliver a complete high-definition solution that has been designed to meet the needs of today’s most demanding professionals, while retaining the ability to adapt to future requirements. Since the launch of D9 in 1996 and Professional DV in 1999, JVC has continued to develop and diversify its digital video offerings in response to the rapidly changing environment of visual communications and production. JVC continues to evolve its digital cameras and recorders with advanced features and varied storage options, including full-size DV tape and Hard Disk Drives. Now with the production and delivery of video content shifting to HD, JVC has combined its expertise in camera, encoding and storage technologies to create an affordable HD solution. JVC’s ProHD system, adopting the HDV format, utilizes widely available non- proprietary technologies such as MPEG-2 compression, DV recording media and conventional hard disk drives. Based on input from industry principals and leading end users, JVC has developed a system with the most sought-after professional features and performance. Noteworthy ProHD features include full HD progressive image scanning, real 24p, and a dual recording system using tape & HDD. As ProHD evolves, JVC will continue to pursue the optimal method of storage media for our professional video products.