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Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Avid Supported Video File Formats
Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4 -
Roxio Toast 17 Titanium User Guide
Rax1a· toastTITANIUM··11 ¥a-t:;;J-�-@J USER GUIDE Roxio® Toast® 17 Titanium User Guide i Contents Getting Started 1 1 Installing The Software . 2 The Toast Main Window. 3 Burning Your First Disc With Toast . 5 Converting Video. 7 Choosing the Right Project . 7 About Discs . 9 Using the Media Browser . 10 Changing Recorder Settings . 13 Saving and Opening Toast Projects. 14 Erasing Discs . 15 Ejecting a Disc . 15 Toast Extras . 16 Technical Support Options . 19 Toast Titanium ii www.roxio.com Making Video Discs 21 2 Types of Video Discs . 22 Overview of Making a Video Disc. 23 Making a video disc with MyDVD . 24 Making a DVD or BD Video Disc . 25 Using Plug & Burn. 33 Making a DVD From VIDEO_TS Folders . 41 Making a VIDEO_TS Compilation. 44 Making a BDMV Folder Disc. 45 Creating an AVCHD Archive . 46 Making a video with Live Screen Capture 48 Editing videos with Toast Slice . 48 Editing Video . 48 Using Other Toast Features 51 3 Saving Disc Images . 52 Mounting Disc Images . 53 Comparing Files or Folders . 54 Creating a Temporary Partition . 55 Making Data Discs 57 4 What is a Data Disc?. 58 Toast Titanium Contents iii Types of Data Discs . 58 Overview of Making a Data Disc . 60 Burning Projects to Multiple Recorders . 61 Making a Mac Only Disc . 63 Making a Mac & PC Disc . 69 Making a DVD-ROM (UDF) Disc . 74 Making an ISO 9660 Disc . 75 Making a Photo Disc. 76 Encrypting a disc with Roxio Secure Burn. 77 Using Toast Dynamic Writing . 78 Making Audio Discs 79 5 What is an Audio Disc?. -
Editing AVCHD with Final Cut Pro 7
A U V n CC de r A standi M W o n rk g flo w Editing AVCHD with Final Cut Pro 7 1 1 1 TABLE OF CONTENTS THE AVCHD WORKFLOW ON APPLE 3 COMPUTERS……………………………………………………………………………............ EDITING AND OUTPUTTING AVCHD WITH APPLE FINAL CUT PRO 7 Transferring AVCHD Footage to Your Mac………………………………............................. 3 Copying AVCHD Footage to A Hard Drive…………………………………………................ 4 Transferring AVCHD Footage Directly From the Panasonic 4 AVCCAM Cameras to Your Mac......................................................................................... Editing With Final Cut Pro 7.…………................................................................................ 5 OUTPUT OPTIONS …………………………………………………...................................... 5 To iPod................................................................................................................................ 8 To YouTube......................................................................................................................... 10 To Blu-ray or AVCHD Disc.................................................................................................. 11 To Standard Definition DVD................................................................................................ 14 THE AVCHD WORKFLOW – ARCHIVING Archiving To Hard Drive………………………………………………………………................ 14 Archiving To Blu-ray Disc……………………………………………………………................. 14 Archiving To Standard DVD Discs ……………………………………………….................... 14 To DLT or LTO Tape…………………………………………………….................................. -
Production and Post – Unified
ACQUIRE Production and Post – Unified Because it matters. Ki Pro Connector Side Rear Operator Side FireWire 400 FireWire 400 FireWire 400 1394a Ethernet 1394a Ethernet 1394a Ethernet 140 x 16 pixel 140 x 16 pixel 140 x 16 pixel To Camera 10/100/1000 AJATo LANCCamera 10/100/1000To CameraAJA 10/100/1000LANC AJA LANC Alphanumeric Alphanumeric Alphanumeric (for Control & Timecode) RJ45 (for ControlLens Ta &p Timecode)Loop (for ControlRJ45 & Timecode)Lens Ta p LoopRJ45 Lens Ta p IndustryLoop Standard Industry Standard Industry Standard Balanced Unbalanced Balanced Unbalanced Balanced Unbalanced and Graphics Display and Graphics Display and Graphics Display 4-pin XLR 4-pin XLR 4-pin XLR FireWire 800 LTC AudioFireWire In 800Audio In FireWireLTC 800Audio In AudioLTC In Audio In Audio In For Power For Power For Power 1394b In/Out 1394b In/Out1394b In/Out (use Battery Power (use BatteryStorage Power Module(use Battery Power Storage Module Storage Module Connection Connection Connection Storage Module Expresscard 34Storage Slots (2) Module ExpresscardStorage Module 34 Slots (2) Expresscard 34 Slots (2) or supplied AC Adapter) or supplied AC Adapter)Releaseor supplied AC Adapter) Release Release to Mac Leftto Mac Right to Mac Left Right Left Right Button (slides intoButton slot) x1 laneButton PCIe(slides into slot) (slides x1 laneinto slot)PCIe x1 lane PCIe WiFi Radio WiFi Radio WiFi Radio ON/OFF ON/OFF ON/OFF LED LED LED VU VU VU Indicator Indicator Indicator Meters Meters Meters 2-CH 2-CH 2-CH Audio Audio Audio Input Input Input Level Level Level -
UP970 4K Ultra-HD Blu-Ray Player 4K Blu-Ray Disc Playback with HDR Compatibility
LG VIDEO UP970 4K Ultra-HD Blu-ray Player 4K Blu-Ray Disc Playback with HDR compatibility 4K Blu-Ray Disc Playback 3D Blu-Ray/ DVD Playback Ultra HD Premium KEY FEATURES Multi-HDR 4K Streaming Content Built-in WiFi PRODUCT HIGHLIGHTS VIDEO FORMAT CONNECTIVITY Ultra HD Premium Yes MPEG-1 Yes Ethernet Yes Multi-HDR Yes MPEG2 PS/TS Yes Wi-Fi Yes 4K Blu-Ray Disc Playback Yes MPEG4 AVC (H.264) Yes HDMI 2.0a x 1 FEATURES HDMI Out (2) 3D Blu-Ray/ DVD Playback Yes SMPTE VC1 (VC-9) Yes HDMI 1.4 x 1 4K Streaming Content Netflix, Youtube MKV Yes Optical Audio Output Yes Built-in WiFi Yes AVC Rec Yes USB Yes STREAMING CONTENT PROVIDERS AVCHD Yes POWER Netflix Yes M4V Yes Power Consumption 17W Youtube Yes WMV Yes Standby Power Consumption <0.5W FEATURES 3GP Yes DIMENSIONS/ WEIGHTS 3D Yes MP4 Yes Product (WxHxD) 16.9" x 1.8" x 8.1" SIMPLINK Yes MOV Yes Shipping Size (WxHxD) 18.9" x 11.1" x 4.2" LG Remote App Yes FLV Yes Product Weight 3.6 lbs USB Playback Yes VOB Yes Shipping Weight 5.7 lbs External HDD Playback Yes TS Yes INCLUDED ACCESSORIES 4k Upscaling Yes DAT Yes Remote Control Yes Noise Reduction Yes DivX Yes Batteries Yes NTSC-PAL Conversion Yes DivX HD Yes WARRANTY PLAYABLE DISC TYPE RMVB Yes Limited Warranty 1 Year Parts & Labor BD-ROM Yes K3G Yes UPC 719192610125 BD-R Yes AUDIO FORMAT Country of origin TBD BD-RE Yes LPCM Yes DVD-ROM Yes Dolby TrueHD Yes DVD-R Yes Dolby Digital Plus Yes DVD+R Yes Dolby Digital Yes DVD+RW Yes DTS Yes DVD-RW Yes DTS 2.0 + Digital Out Yes Audio CD Yes DTS-HD Master Audio Yes CD-R Yes FLAC Yes CD-RW Yes AAC Yes DTS-CD Yes WMA Yes MPEG 1/2 L2 Yes MP3 Yes HOME ENTERTAINMENT © 2017 LG Electronics USA, Inc. -
Video Terminology Video Standards Progressive Vs
VIDEO TERMINOLOGY VIDEO STANDARDS 1. NTSC - 525 Scanlines/frame rate - 30fps North & Central America, Phillipines & Taiwan . NTSC J - Japan has a darker black 2. PAL - 625 scanlines 25 fps Europe, Scandinavia parts of Asia, Pacific & South Africa. PAL in Brazil is 30fps and PAL colours 3. SECAM France Russia Middle East and North Africa PROGRESSIVE VS INTERLACED VIDEO All computer monitors use a progressive scan - each scan line in sequence. Interlacing is only for CRT monitors. LCD monitors work totally differently - no need to worry about. Interlacing is for broadcast TV. Every other line displayed alternatively. FRAME RATES As we transition from analogue video to digitla video. Film is 24 fps, PAL video 25 fps. NTSC 30fps. Actually film and NTSC are slightly different but we don't need to worry about that for now. IMAGE SIZE All video is shot at 72 px/inch - DV NTSC - 720 x 480 (SD is 720 x 486) DV PAL - 720 x 576 (SD PAL is 720 x 576) HD comes in both progressive and interlaced. HD480i is usual broadcast TV 480p is 480 progressive. 720i is 720 interlaced 720p is progressive. 720 means 720 vertical lines 1080 is 1080 vertical lines. 1080i is most popular. 720p is 1280 x 720, HD 1080 is 1920x1080px. All HD formats are 16:9 aspect ratio. Traditional TV is 4:3 aspect ratio. HDV is 1440 x 1080. New format - is it the new HD version of DV? Cameras like the Sony and JVC make minor alterations to this format when shooting In summary HD 1080i = 1920 x 1080 HD 720p = 1280 x 720 Traditional = 720 x 480 (NTSC) 720 x 576 (PAL) VIDEO OUTPUTS Analog Composite, S-Video, Component in increasing quality. -
UNCOMPROMISING QUALITY a New Level of Award Winning Picture and Sound Quality
UNCOMPROMISING QUALITY A new level of award winning picture and sound quality. UB9000 ULTRA HD BLU-RAYTM PLAYER HOLLYWOOD TO YOUR HOME The UB9000 reference-class Ultra HD Blu-ray player uses our unique chroma and HDR processing technology to reproduce images with cinema-level quality at home. This combines with a structure and components that pursue the highest possible audio quality, to bring you beautiful picture and sound. HOLLYWOOD CINEMA EXPERIENCE A WHOLE WORLD OF 4K VIVID, LIFE-LIKE PICTURES HCX, three letters that are your guarantee for Do you want to enjoy video-on-demand streaming The HCX processor houses key technology – like home entertainment true to the filmmaker’s vision. in the quality of 4K? Get optimised 4K streaming 4K High Precision Chroma Processing and HDR The HCX processor packs all the picture-enhancing picture quality from Netflix, YouTube and Prime Optimiser. Backed by technologies from Panasonic technology accumulated over many years of Video*, to name just a few. At the same time, the Hollywood Laboratory, a multi-tap chroma process insights gained at the Panasonic Hollywood UB9000 supports multiple formats –currently it ensures 4K images radiate with natural textures Laboratory. They work together seamlessly, is the only Blu-rayTM player to be compatible with and depth. UB9000 is compatible with the latest quickly and precisely to give you the “ultra” in next-generation HDR10+ Blu-ray Discs™, along standards of HDR10+ and Dolby Vision™, while for Ultra HD Blu-rayTM: true-to-life pictures, stunning with Dolby Vision™. the conventional HDR10 contents, HDR Optimiser contrasts, smooth motion, and the list goes on. -
DBP-2012UDCI Universal Audio/Video Player
New model information DBP-2012UDCI Universal Audio/Video Player Enjoy Super Audio CD and Network Content in Realistic Sound and Picture Quality With the Denon DBP-2012UDCI Blu-ray disc player, you can enjoy not only Blu-ray discs and DVDs in stunning sound and picture quality but Super Audio CDs and DVD-Audio discs, too. And that’s not all, because the DBP-2012UDCI can also play music and video files stored on a PC and let you enjoy online content such as YouTube and Netflix. The DBP-2012UDCI shares the same structural and electrical design as Denon's high-class models. Coatings of different types have been applied to the surfaces of the disc mechanism and the top cover, and the top cover has been constructed of dual layers, to suppress vibrations that adversely affect sound and picture quality. The electrical circuits have also been carefully laid out in separate blocks to suppress noise caused by the different types of signals and magnetic influences. The DBP-2012UDCI allows you to enjoy sound and picture quality on a level that only a Denon Blu-ray disc player can give you. Features New Features • Audio parts strictly selected for high quality sound • A Universal Blu-ray disc player that also supports Super Audio CD and • Pure direct mode DVD-Audio formats • Denon’s high picture quality circuitry, to visually enhance your sources • Support Blu-ray 3DTM playback(*1) • Advanced High-bit I/P Scaler, for a more detailed picture and depth in colors • Network functions, to bring you a wealth of online content(*2) • 1080p/24 video output, to bring out the full quality of film - Enjoy YouTube(*3) and Netflix(*4) video distribution services without a PC. -
MAGIX Movie Edit Pro Versions Starting from Version 17 and Can Be Done Online Or by Phone
Recording 27 Recording Recording Attention users of older versions: The process described here applies to Version 17 and higher. Earlier versions had a separate workspace for RECORDING. You can access a similar menu to the one described here using the RECORD button. Nearly every project begins by importing recordings to your computer. You will find all the recording options by pressing the record button below the video monitor. "Record" under the video monitor. The RECORDING SOURCE SELECTION dialog opens. The three most popular video formats will appear in the top row: AVCHD, HDV and DV. Below you will also find analog VIDEO recording as well as AUDIO recording and a capture function for the computer monitor and still frames. 28 Recording Recording sources Import AVCHD movies AVCHD uses the MPEG4 codec. When using the program for the first time, you will be asked to activate it together with the Dolby Digital stereo decoder. Activation is free in all MAGIX Movie Edit Pro versions starting from version 17 and can be done online or by phone. You must register MAGIX Movie Edit Pro for online activation. Follow the activation instructions. In Movie Edit Pro 17 AVCHD activation was free only in Plus and Premium versions. AVCHD is the current trend in consumer cameras. Using this recording and coding process, you can record FullHD video using minimal space. These cameras no longer use tapes for recording, but instead use a hard drive, memory card or a DVD as the storage device. These movie files can be imported directly. Recording 29 Follow these steps to import AVCHD files: Connect your AVCHD camera or a memory card containing AVCHD files to your computer.