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Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
50PF7521D/10 Philips Widescreen Flat TV with Pixel Plus
Philips widescreen flat TV with Pixel Plus 50" plasma integrated digital 50PF7521D Turn up your viewing experience with Digital Tuner and Pixel Plus Digital TV does not get much better! This Flat TV has Pixel Plus for breathtaking natural pictures, Active Control for optimum brightness, Electronic Program Guide for digital TV combined in a contemporary design. Breathtaking natural pictures • High Definition plasma WXGA display, 1366 x 768p • Integrated Digital Tuner for DVB-T reception • HD ready for the highest quality display of HDTV signals • Pixel Plus for better details, depth and clarity Superb sound reproduction • Virtual Dolby Surround for a cinema-like audio experience Slim, stylish design to complement your interior • Compact and slim design that fits in every room Designed for your convenience • Watch analogue TV while recording a digital program For advanced performance • HDMI input for full digital HD connection in one cable Widescreen flat TV with Pixel Plus 50PF7521D/10 50" plasma integrated digital Specifications Picture/Display • Remote Control: DVD, TV, Aux • Aspect ratio: 16:9 • Screen Format Adjustments: 4:3, Subtitle Zoom, • Brightness: 1400 cd/m² Super Zoom, Widescreen, Movie expand 14:9, • Contrast ratio (typical): 10000:1 Movie expand 16:9 • Diagonal screen size: 50 inch / 127 cm • Clock: Sleep Timer, Wake up Clock • Display screen type: WXGA Plasma panel • Teletext enhancements: 4 favourite pages, • Picture enhancement: Pixel Plus, Progressive Scan, Program information Line 3/2 - 2/2 motion pull down, Contrast -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Avid Supported Video File Formats
Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4 -
Digital Television Systems
This page intentionally left blank Digital Television Systems Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved, such as signal analysis, modulation techniques, and source and channel coding. The digital television standards, including the MPEG family, ATSC, DVB, ISDTV, DTMB, and ISDB, are presented toaid understanding ofnew systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems.Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology.Additional background features, including Fourier analysis, probability and stochastic processes, tables of Fourier and Hilbert transforms, and radiofrequency tables, are presented in the book’s useful appendices. This is an ideal reference for practitioners in the field of digital television. It will alsoappeal tograduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems. Marcelo S. Alencar is Chair Professor in the Department of Electrical Engineering, Federal University of Campina Grande, Brazil. With over 29 years of teaching and research experience, he has published eight technical books and more than 200 scientific papers. He is Founder and President of the Institute for Advanced Studies in Communications (Iecom) and has consulted for several companies and R&D agencies. -
24P and Panasonic AG-DVX100 and AJ-SDX900 Camcorder Support in Vegas and DVD Architect Software
® 24p and Panasonic AG-DVX100 and AJ-SDX900 camcorder support in Vegas and DVD Architect Software Revision 3, Updated 05.27.04 The information contained in this document is subject to change without notice and does not represent a commitment on the part of Sony Pictures Digital Media Software and Services. The software described in this manual is provided under the terms of a license agreement or nondisclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. Sound Forge, ACID, Vegas, DVD Architect, Vegas+DVD, Acoustic Mirror, Wave Hammer, XFX, and Perfect Clarity Audio are trademarks or registered trademarks of Sony Pictures Digital Inc. or its affiliates in the United States and other countries. All other trademarks or registered trademarks are the property of their respective owners in the United States and other countries. Copyright © 2004 Sony Pictures Digital Inc. This document can be reproduced for noncommercial reference or personal/private use only and may not be resold. Any reproduction in excess of 15 copies or electronic transmission requires the written permission of Sony Pictures Digital Inc. Table of Contents What is covered in this document? Background ................................................................................................................................................................. 3 Vegas .......................................................................................................................................................................... -
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon
PROFESSIONAL VIDEO 315 800-947-1175 | 212-444-6675 Blackmagic • Canon VIDEO TAPE Fuji Film PRO-T120 VHS Video Cassette (FUPROT120)............................3.29 XA10 Professional HD Camcorder DVC-60 Mini DV Cassette (FUDVC60) .......................................3.35 Pocket Cinema Camera Ultra-compact, the XA10 DVC-80 Mini DV Cassette (FUDVC80)........................................7.99 shares nearly all the Pocket Cinema Camera is a HDV Cassette, 63 Minute (FUHDVDVM63) .................................6.99 functionality of the XF100, true Super 16 digital film DV141HD63S HDV (FUDV14163S) ............................................7.95 but in an even smaller, camera that’s small enough run-and-gun form factor. to keep with you at all times. Maxell 64GB internal flash drive Remarkably compact (5 x 2.6 DV-60 Mini DV Cassette (MADVM60SE) .................................3.99 and two SDXC-compatible x 1.5”) and lightweight (12.5 M-DV63PRO Mini DV Cassette (MADVM63PRO)......................5.50 card slots allow non-stop oz) with a magnesium alloy chassis, it features 13 stops of T-120 VHS Cassette (MAGXT120) ..........................................2.39 recording. Able to capture dynamic range, Super 16 sensor size, and and records 1080HD STD-160 VHS Cassette (MAGXT160).....................................2.69 AVCHD video at bitrates up to lossless CinemaDNG RAW and Apple ProRes 422 (HQ) files to fast STD-180 VHS Cassette (MAGXT180)......................................3.09 24Mbps, the camcorder’s native 1920 x1080 CMOS sensor also SDXC cards, so you can immediately edit or color correct your HG-T120 VHS Cassette (MAHGT120) .....................................1.99 lets you choose 60i, 24p, PF30, and PF24 frame rates for media on your laptop. Active Micro Four Thirds lens mount can HG-T160 VHS Video Cassette (MAHGT160) ............................2.59 customizing the look of your footage. -
ATSC Standard: 3D-TV Terrestrial Broadcasting, Part 3 – Frame Compatible Stereo Coding Using Real-Time Delivery
ATSC A/104 Part 3:2014 3D-TV Broadcasting, Part 3 27 June 2014 ATSC Standard: 3D-TV Terrestrial Broadcasting, Part 3 – Frame Compatible Stereo Coding Using Real-Time Delivery Doc. A/104 Part 3 27 June 2014 Advanced Television Systems Committee 1776 K Street, N.W. Washington, D.C. 20006 ATSC A/104 Part 3:2014 3D-TV Broadcasting, Part 3 27 June 2014 The Advanced Television Systems Committee, Inc., is an international, non-profit organization developing voluntary standards for digital television. The ATSC member organizations represent the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. Specifically, ATSC is working to coordinate television standards among different communications media focusing on digital television, interactive systems, and broadband multimedia communications. ATSC is also developing digital television implementation strategies and presenting educational seminars on the ATSC standards. ATSC was formed in 1982 by the member organizations of the Joint Committee on InterSociety Coordination (JCIC): the Electronic Industries Association (EIA), the Institute of Electrical and Electronic Engineers (IEEE), the National Association of Broadcasters (NAB), the National Cable and Telecommunications Association (NCTA), and the Society of Motion Picture and Television Engineers (SMPTE). Currently, there are approximately 120 members representing the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. ATSC Digital TV Standards include digital high definition television (HDTV), standard definition television (SDTV), data broadcasting, multichannel surround-sound audio, and satellite direct-to-home broadcasting. Note: The user's attention is called to the possibility that compliance with this standard may require use of an invention covered by patent rights. -
AJ- Variable Frame-Rate HD Camera-Recorder
AJ- Variable Frame-Rate HD Camera-Recorder A variable frame-rate camera for an HD multi-media world. High Definition The HD Story The freedom to realize your vision. new world of creative possibilities is emerging on the multi-media horizon. As technology evolves, Panasonic continues to bridge the gap between the artist and their vision Since the introduction of our DVCPRO family of digital through breathtaking advances in high-definition products, we've placed hundreds of thousands of digital imaging. By empowering storytellers with recorders in the world's news, production and post a dazzling array of production-oriented technology, production communities. Already acknowledged as at significant economies, an exciting one of the most reliable and economical Whether episodic television, independent films, music videos, commercials or new media projects, Panasonic is ushering in a new era of high definition. video systems, DVCPRO HD is now building on this directors and digital artists with exciting new creative history with our HD Cinema cameras and related options. From infusing documentaries with a lush, digital VTRs. cinematic quality to creating stunning new visual effects for music videos, the AJ-HDC27F gives unprecedented Whether episodic television, independent films, music freedom for storytellers to realize their vision. videos, commercials or new media projects, Panasonic is ushering in a new era of high definition, digital Open systems. Open minds. production, finishing and distribution. By bringing An important component of the AJ-HDC27F is its together the worlds of cinematography, digital recording compatibility with other international formats. and computer-augmented post production, Panasonic DVCPRO HD VTRs playback DVCPRO 25/50/50P and has defined itself as the premier name for technology DV recordings, and 1080i and 720p images from that fuels artistic freedom worldwide. -
What the Heck Is HDTV?
05_096734 ch01.qxp 12/4/06 10:58 PM Page 9 Chapter 1 What the Heck Is HDTV? In This Chapter ᮣ Understanding the acronyms ᮣ Transmitting from ATSC to the world ᮣ Going wide ᮣ Avoiding the pitfalls ince the transition to color TV in the 1950s and ’60s, nothing — nothing!! — Shas had as much impact on the TV world as HDTV (high-definition TV) and digital TV. That’s right. TV is going digital, following in the footsteps of, well, everything. We’re in the early days of this transition to a digital TV world (a lot of TV programming is still all-analog, for example), and this stage of the game can be confusing. In this chapter, we alleviate HDTV anxiety by telling you what you need to know about HDTV, ATSC, DTV, and a bunch of other acronyms and tech terms. We also tell you why you’d want to know these terms and concepts, how great HDTV is, and what an improvement it is over today’s analog TV (as you can see when you tune in to HDTV). Finally, we guide you through the confusing back alleys of HDTV and digital TV, making sure you know what’s HDTV and what’s not. Almost everyone involved with HDTV has noticed that consumer interest is incredibly high with all things HDTV! As a result, a lot of device makers and other manufacturers are trying to cash in on the action by saying their products are “HDTV” (whenCOPYRIGHTED they are not) or talking about MATERIAL such things as “HDTV-compatible” when it might be meaningless (like on a surge protector/electrical plug strip). -
55LW5300 55" Class 3D 1080P LED LCD TV (54.6" Measured Diagonally)
55LW5300 55" Class 3D 1080p LED LCD TV (54.6" measured diagonally) FEATURES • LG Cinema 3D* • 3D Blu-ray™ Player Included • 2D to 3D Conversion • LED Plus w/Local Dimming • TruMotion 120Hz • Full HD 1080p Resolution • ENERGY STAR® Qualified • Picture Wizard II • Intelligent Sensor • Smart Energy Saving • ISFccc® Ready 3D TV AND 3D BLU-RAY ENTERTAINMENT BUNDLE Straight out of the box, this entertainment package is ready to deliver 3D and Full 1080p content. The LW5300 includes a LED LCD 3D TV, a 3D Blu-ray disc player and 4 pairs of 3D glasses. 3D Home Entertainment has arrived! Want 3D like you get it in the movie theater? Enjoy 3D Blu-ray Disc™ movies in Full HD 1080p. Want deeper blacks and richer colors? LG’s LED Incredible picture quality, easy to use & share Also supports standard Blu-ray Disc movies in high Plus technology provides even greater control of glasses, and endless 3D content with 2D to 3D definition and upscales DVDs to near HD quality. brightness through local dimming technology conversion. In fact, in 3D TV tests 4 out 5 to deliver better contrast, amazing clarity and people choose LG Cinema 3D as the best 3D color detail, as well as greater energy efficiency experience over other brands**. compared to conventional LCD TVs. LED LCD TV 55LW5300 55" Class 3D 1080p LED LCD TV PANEL SPECIFICATIONS AV INPUTS/OUTPUTS (Continued) Screen Size 55" Class (54.6" measured diagonally) Digital Audio Out (Optical) 1 (Rear) Resolution 1920 x 1080p RGB In (D-Sub 15 Pin) - PC 1 (Rear) TruMotion (Frame Rate) 120Hz PC Audio Input 1 (Rear)