DOCSLIB.ORG

55LW5300 55" Class 3D 1080P LED LCD TV (54.6" Measured Diagonally)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
55LW5300 55 55LW5300 55" Class 3D 1080p LED LCD TV (54.6" measured diagonally) FEATURES • LG Cinema 3D* • 3D Blu-ray™ Player Included • 2D to 3D Conversion • LED Plus w/Local Dimming • TruMotion 120Hz • Full HD 1080p Resolution • ENERGY STAR® Qualified • Picture Wizard II • Intelligent Sensor • Smart Energy Saving • ISFccc® Ready 3D TV AND 3D BLU-RAY ENTERTAINMENT BUNDLE Straight out of the box, this entertainment package is ready to deliver 3D and Full 1080p content. The LW5300 includes a LED LCD 3D TV, a 3D Blu-ray disc player and 4 pairs of 3D glasses. 3D Home Entertainment has arrived! Want 3D like you get it in the movie theater? Enjoy 3D Blu-ray Disc™ movies in Full HD 1080p. Want deeper blacks and richer colors? LG’s LED Incredible picture quality, easy to use & share Also supports standard Blu-ray Disc movies in high Plus technology provides even greater control of glasses, and endless 3D content with 2D to 3D definition and upscales DVDs to near HD quality. brightness through local dimming technology conversion. In fact, in 3D TV tests 4 out 5 to deliver better contrast, amazing clarity and people choose LG Cinema 3D as the best 3D color detail, as well as greater energy efficiency experience over other brands**. compared to conventional LCD TVs. LED LCD TV 55LW5300 55" Class 3D 1080p LED LCD TV PANEL SPECIFICATIONS AV INPUTS/OUTPUTS (Continued) Screen Size 55" Class (54.6" measured diagonally) Digital Audio Out (Optical) 1 (Rear) Resolution 1920 x 1080p RGB In (D-Sub 15 Pin) - PC 1 (Rear) TruMotion (Frame Rate) 120Hz PC Audio Input 1 (Rear) Contrast Ratio (DCR) 4,000,000:1 RS-232C (Control/Service) 1 (Rear) Local Dimming (2D and 3D) • Headphone Out 1 (Side) BROADCASTING SYSTEM CABINET/ACCESSORIES Analog NTSC Swivel 20º Digital ATSC/NTSC/Clear QAM (1 Tuner) VESA Compatible • (400mm x 400mm) VIDEO 3D Blu-ray Player • (Included) XD Engine • LG Cinema 3D Glasses 4 Pair (Included) Aspect Ratio Correction 6 Modes (16:9/Just Scan/Original/4:3/ Remote Control Standard Zoom/Cinema Zoom) POWER Color Temperature Control 3 Modes (Warm/Medium/Cool) ENERGY STAR® Qualified • Picture Mode 8 Modes (Intelligent Sensor/Vivid/Standard/Cinema/ Voltage, Hz 100V ~ 240V, 50/60Hz Game/Sports/isf Expert 1/isf Expert 2) Standby Mode <0.1W Just Scan (HDMI/Component/RF) DIMENSIONS/WEIGHT 0% OverScan 1080i/1080p/720p TV without Stand (WxHxD) 50.6" x 30.6" x 1.2" 24p Real Cinema • (24p 5:5/2:2 Pull Down) TV with Stand (WxHxD) 50.6" x 33.3" x 13.3" Expert Mode/ISFccc Ready • Shipping Dimensions (WxHxD) 54.6" x 34.4" x 10" Fresh White • TV without Stand Weight 47.2 lbs xvYCC • TV with Stand Weight 56.2 lbs AV Mode (Picture & Sound) Cinema/Sport/Game Shipping Weight 73.9 lbs Picture Wizard II (Customized • WARRANTY/UPC Easy Self Calibration) Limited Warranty 1 Year Parts and Labor Enhanced Noise Reduction 3D & MPEG UPC 719192582071 AUDIO Mono/Stereo/Dual (MTS/SAP) • Audio Output (Watts - THD 10%) 10W + 10W BD645 Blu-Ray Disc Player Specifications Speaker System 1 Way 2 Speakers VIDEO CAPABILITIES Dolby Digital Decoder • Digital/Analog Conversion 162MHz/12bit Surround System Infinite 3D Surround NTSC Hz 60Hz Bass/Treble/Balance • Deep Color (HDMI) • Auto Volume Leveler • x.v.Color (HDMI) • Sound Mode 5 Modes (Standard/Music/Cinema/Game/Sports) Composite Output 480i Clear Voice II • HDMI Output Up to 1080p (24 & 60Hz) 3D SPECIFICATIONS AUDIO CAPABILITIES 3D LG Cinema 3D (FPR) Digital/Analog Conversion 192KHz/24bit 2D to 3D Converting Depth 3D Effect, 20 Levels Control Level Signal/Noise Ratio 100+ dB 3D Depth Control • LPCM • 3D to 2D • 2ch Down Mix • SPECIAL FEATURES Dolby® Digital • Dolby® Digital Plus • Smart Energy Saving • Dolby® TrueHD • Intelligent Sensor • dts • 1080p Source Input HDMI 60p/50p/30p/24p dts-HD Master Audio • Component 60p/50p AV Input Navigation/ • A/V INPUTS/OUTPUTS EZ Input Searching Digital Audio Out (Optical) 1 (Rear) Input Labeling • Audio L/R Out 1 (Rear) Key Lock/Child Lock • Composite Video Out 1 (Rear) Moving LED ll (Breathing LED) • HDMI Out 1 (Rear) Closed Caption • Ethernet/LAN (RJ-45) 1 (Rear) CONVENIENCE FEATURES USB 2.0 1 (Front) Language English/Spanish/French/Korean DIMENSIONS/WEIGHT Quick Menu Aspect Ratio/Picture Mode/ Unit Dimensions (WxHxD) 16.9" x 1.8" x 7.5" Sound Mode/Sleep Timer/Caption/ Shipping Dimensions (WxHxD) 18.5" x 3.5" x 11.0" SAP/Energy Saving/AV Mode/Del/Add Unit Weight 3.5 lbs Auto Tuning/Programming • Shipping Weight 5.8 lbs Channel Add/Delete • WARRANTY/UPC Favorite Channel Programming • Limited Warranty 1 Year Parts/90 Days Labor Auto/Manual Clock • UPC 719192582668 On/Off Timer • Sleep Timer • Auto Off/Auto Sleep • AV INPUTS/OUTPUTS *For a small percentage of the population, the viewing of stereoscopic 3D video technology may cause RF In 1 (Rear) discomfort such as headaches, dizziness or nausea. If you experience any symptoms, discontinue using AV In 2 (1 Rear, 1 Side) the 3D functionality and contact your health care provider. 4 Pairs of 3D glasses are included. Additional Component In (Y, Pb, Pr) + Audio 2 (Rear) glasses sold separately. HDMI In 3 (2 Rear, 1 Side) ** Based on LG consumer perception study comparing overall 3D experience LG Cinema 3D TV vs. USB 2.0 1 (Side) Samsung and Sony active 3D TVs in factory default settings, May 2011. LG TV model 47LW5600 with model AG-F200 glasses; Samsung TV model UN46D6420 with model SSG-3100GB glasses; Sony TV model KDL-46EX723 with model TDGBR100/B glasses. LG Electronics U.S.A., Inc. Design, features and specifications are subject to change without notice. Non-metric weights and measurements are approximate. 1000 Sylvan Avenue Englewood Cliffs, NJ 07632 Customer Service and Technical Support: (800) 243-0000 © 2011 LG Electronics USA, Inc. All rights reserved. “LG Life’s Good” is a registered trademark of LG Corp. All other product and brand names are LG.com trademarks or registered trademarks of their respective companies. 08/15/11.
Load more

Recommended publications
  • Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
    HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output.
    [Show full text]
  • 24P and Panasonic AG-DVX100 and AJ-SDX900 Camcorder Support in Vegas and DVD Architect Software
    ® 24p and Panasonic AG-DVX100 and AJ-SDX900 camcorder support in Vegas and DVD Architect Software Revision 3, Updated 05.27.04 The information contained in this document is subject to change without notice and does not represent a commitment on the part of Sony Pictures Digital Media Software and Services. The software described in this manual is provided under the terms of a license agreement or nondisclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. Sound Forge, ACID, Vegas, DVD Architect, Vegas+DVD, Acoustic Mirror, Wave Hammer, XFX, and Perfect Clarity Audio are trademarks or registered trademarks of Sony Pictures Digital Inc. or its affiliates in the United States and other countries. All other trademarks or registered trademarks are the property of their respective owners in the United States and other countries. Copyright © 2004 Sony Pictures Digital Inc. This document can be reproduced for noncommercial reference or personal/private use only and may not be resold. Any reproduction in excess of 15 copies or electronic transmission requires the written permission of Sony Pictures Digital Inc. Table of Contents What is covered in this document? Background ................................................................................................................................................................. 3 Vegas ..........................................................................................................................................................................
    [Show full text]
  • AJ- Variable Frame-Rate HD Camera-Recorder
    AJ- Variable Frame-Rate HD Camera-Recorder A variable frame-rate camera for an HD multi-media world. High Definition The HD Story The freedom to realize your vision. new world of creative possibilities is emerging on the multi-media horizon. As technology evolves, Panasonic continues to bridge the gap between the artist and their vision Since the introduction of our DVCPRO family of digital through breathtaking advances in high-definition products, we've placed hundreds of thousands of digital imaging. By empowering storytellers with recorders in the world's news, production and post a dazzling array of production-oriented technology, production communities. Already acknowledged as at significant economies, an exciting one of the most reliable and economical Whether episodic television, independent films, music videos, commercials or new media projects, Panasonic is ushering in a new era of high definition. video systems, DVCPRO HD is now building on this directors and digital artists with exciting new creative history with our HD Cinema cameras and related options. From infusing documentaries with a lush, digital VTRs. cinematic quality to creating stunning new visual effects for music videos, the AJ-HDC27F gives unprecedented Whether episodic television, independent films, music freedom for storytellers to realize their vision. videos, commercials or new media projects, Panasonic is ushering in a new era of high definition, digital Open systems. Open minds. production, finishing and distribution. By bringing An important component of the AJ-HDC27F is its together the worlds of cinematography, digital recording compatibility with other international formats. and computer-augmented post production, Panasonic DVCPRO HD VTRs playback DVCPRO 25/50/50P and has defined itself as the premier name for technology DV recordings, and 1080i and 720p images from that fuels artistic freedom worldwide.
    [Show full text]
  • Manual • To Obtain Assistance, Contact Philips Customer Care Center; in the U.S.A., Canada, Puerto Rico, Or the U.S
    4K Ultra HD Blu-ray Player BDP5502 BDP5502/F7 A Register your product and get support at www.philips.com/welcome F or further assistance, call the customer support service in your country. User Manual • To obtain assistance, contact Philips Customer Care Center; In the U.S.A., Canada, Puerto Rico, or the U.S. Virgin Islands; 1-866-202-5960 CONTENTS INTRODUCTION ................................................. 3 LIST OF SETTINGS ........................................... 37 Safety instruction ...........................................................3 Included accessories .................................................... 6 SETUPS ...............................................................41 Network connection .................................................... 41 FEATURES ........................................................... 7 EasyLink (HDMI CEC) ................................................. 43 Features .............................................................................7 HDMI video resolution ...............................................44 Version information .......................................................8 Parental controls ......................................................... 45 Symbols used in this owner’s manual ......................8 Software update ..........................................................46 Voice guide .....................................................................47 FUNCTIONAL OVERVIEW ................................9 Restore default settings ............................................48
    [Show full text]
  • IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60I: JUST LOOK at the FACTS
    IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60i: JUST LOOK AT THE FACTS. It’s a fact that Sony’s HDCAM® 1080/60i system has This enhanced SDTV programming will increase your established itself as the world’s first proven, practical, revenue today. You’ll have an HD master for additional standardized, and field-tested approach to high defini- revenue tomorrow. You’ll even have built-in legacy play- tion program origination for digital broadcasting. back of your entire BETACAM archive -- including analog It’s a fact that Sony HDCAM camcorders and decks have BETACAM®, BETACAM SP®, BETACAM SX®, DIGITAL BETACAM® been out in the field for nearly five years. Thousands and MPEG IMX™ 1/2" format recordings. have been deployed worldwide. They’ve handled hun- And you’ll have all the tools you need: a complete all- dreds of sophisticated, multi-camera productions -- and Sony system, or select Sony HDCAM components that created uncompromising masters to form the basis of a integrate seamlessly with other systems. valuable digital HD archive for the future. It’s a fact that Sony HDCAM equipment is built on the M OVING AHEAD, OR MISSING HDW-750 industry-leading 1/2" platform, with robust performance and plenty of headroom -- plus the crucially important AN OPPORTUNITY? ability to protect a 15-year legacy of 1/2" BETACAM® Budgets are tight for everyone -- broadcasters, produc- format recordings. ers, corporations, rental houses. Sony understands. So And it’s a fact that now, Sony’s HDCAM 1080/60i your 2nd-generation HDCAM 1080/60i system is specifi- approach is already in its 2nd generation.
    [Show full text]
  • Alchemist File - Understanding Cadence
    GV File Understanding Cadence Alchemist File - Understanding Cadence Version History Date Version Release by Reason for changes 27/08/2015 1.0 J Metcalf Document originated (1st proposal) 09/09/2015 1.1 J Metcalf Rebranding to Alchemist File 19/01/2016 1.2 G Emerson Completion of rebrand 07/10/2016 1.3 J Metcalf Updated for additional cadence controls added in V2.2.3.2 12/10/2016 1.4 J Metcalf Added Table of Terminology 11/12/2018 1.5 J Metcalf Rebrand for GV and update for V4.*** 16/07/2019 1.6 J Metcalf Minor additions & corrections 05/03/2021 1.7 J Metcalf Rebrand 06/09/2021 1.8 J Metcalf Add User Case (case 9) Version Number: 1.8 © 2021 GV Page 2 of 53 Alchemist File - Understanding Cadence Table of Contents 1. Introduction ............................................................................................................................................... 6 2. Alchemist File Input Cadence controls ................................................................................................... 7 2.1 Input / Source Scan - Scan Type: ............................................................................................................ 7 2.1.1 Incorrect Metadata ............................................................................................................................ 8 2.1.2 Psf Video sources ............................................................................................................................. 9 2.2 Input / Source Scan - Field order ..........................................................................................................
    [Show full text]
  • The Professional Choice GY-HD110-NTSC.Xpr 06.6.20 2:13 PM ページ 1
    GY-HD110-NTSC.xpr 06.6.20 2:13 PM ページ 2 The Professional Choice GY-HD110-NTSC.xpr 06.6.20 2:13 PM ページ 1 Defining the future of professional video — Introducing JVC ProHD With the introduction of JVC’s ProHD, the promise of digital technology has finally been fulfilled. Surprisingly affordable, impressively professional, and remarkably compact, ProHD embraces the HDV format to deliver a complete high-definition solution that has been designed to meet the needs of today’s most demanding professionals, while retaining the ability to adapt to future requirements. Since the launch of D9 in 1996 and Professional DV in 1999, JVC has continued to develop and diversify its digital video offerings in response to the rapidly changing environment of visual communications and production. JVC continues to evolve its digital cameras and recorders with advanced features and varied storage options, including full-size DV tape and Hard Disk Drives. Now with the production and delivery of video content shifting to HD, JVC has combined its expertise in camera, encoding and storage technologies to create an affordable HD solution. JVC’s ProHD system, adopting the HDV format, utilizes widely available non- proprietary technologies such as MPEG-2 compression, DV recording media and conventional hard disk drives. Based on input from industry principals and leading end users, JVC has developed a system with the most sought-after professional features and performance. Noteworthy ProHD features include full HD progressive image scanning, real 24p, and a dual recording system using tape & HDD. As ProHD evolves, JVC will continue to pursue the optimal method of storage media for our professional video products.
    [Show full text]
  • Installation and Operation Guide
    www.aja.com Published: 10/31/11 Installation and Operation Guide 1 Because it matters. 1 ii Trademarks AJA®, KONA®, Ki Pro®, KUMO®, and XENA® and are registered trademarks of AJA Video, Inc, Io Express™, Io HD™, Io™, and Because It Matters™ are trademarks of AJA Video, Inc. Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac, and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2011 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. Contacting Support To contact AJA Video for sales or support, use any of the following methods: Telephone: 800.251.4224 or 530.271.3190 Fax: 530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] FCC Emission Information This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications.
    [Show full text]
  • Converting Raw Files Using Final Cut Pro
    CONVERTING RAW FILES USING FINAL CUT PRO Introduction This document covers the process for batch processing CineForm RAW data from the SI-2K into dailies and/or offline editing files for use in an offline/online workflow using Final Cut Pro as the offline editor. The minimum tools required are a version of Final Cut Pro 6.0.x, and Neo Player, which is the freely downloadable decoder for CineForm files. Final Cut Pro has been chosen as the application for this workflow document since it is the only OSX application that currently supports both the ingest and editing of CineForm RAW files with Neo Player, and is capable of muxing the original timecode in the CineForm QuickTime files into the rendered DV files. Please note: • Compressor does not support the muxing of the original timecode in the CineForm RAW file into rendered DV-codec files. • Files must originate from the SI-2K in QuickTime format. If the user shoots to an AVI file format, and timecode is required for their workflow, Final Cut Pro will not read the timecode from an AVI file. Also timecode is not currently not propagated during the re-wrapping process, and therefore any files that are originated in the AVI format will not be capable of taking advantage of this workflow document. • Final Cut Pro currently does not support timecode on CineForm RAW QuickTime files originated in a 25fps time-base. Process Step 1) Import the source CineForm RAW QuickTime files into the host machine where the batch processing or editing will be conducted Step 2) Ingest the source RAW QT’s into Final Cut Pro using either the File->Import->Folder or File->Import->Files command.
    [Show full text]
  • AG-UX180 Memory Card Camera Recorder *The Microphone Shown in the Photo Is an Optional Accessory
    AG-UX180 Memory Card Camera Recorder *The microphone shown in the photo is an optional accessory. 4K 60p/50p*1 Camcorder featuring the Industry's Widest Angle 24mm*2, 20x Optical Zoom and 1.0-type*3 MOS Sensor *1: Actual recording is UHD (3840 x 2160) 59.94p/50p. *2: Equivalent to 35mm under 4K 24p (aspect ratio of 17:9). Wide angle 24mm is the widest in the industry for a camcorder with integrated lens. (As of June 2017, according to Panasonic survey.) *3: Effective size Shift Your Video Production to Professional 4K Images. The 4K Premium Camcorder with Wide-Angle 24mm*1 and 20x Optical Zoom. Panasonic introduces the 4K camcorder UX series to meet professional 4K video production needs. The AG-UX180 is the premium model with professional functions and specifications for high-end users. This model is equipped with a newly designed compact lens featuring a wide 24mm angle and 20x optical zoom as well as a 1.0-type (effective size) high-sensitivity MOS sensor. Its evolved Optical Image Stabilizer (O.I.S.) and intelligent AF function suitable for professional camera work. The AG-UX180 supports 4K 24p, UHD 60p/50p, FHD 60p/50p multi-format recording and HD super slow-motion. Two SD memory card slots*2 are provided to enable relay/simultaneous/ Newly Developed, Industry’s Widest Angle backup recording for enhanced reliability, and also support 24mm*1 and 20x Optical Zoom Lens UHD/FHD*3 dual codec recording for a more efficient workflow. • The 4-Drive Lens System achieved a up to wide 24mm angle The controls of the AG-UX180, such as the manual three rings and 20x optical zoom in the handheld camcorder with and user button, as well as interfaces, such as 3G-SDI/HDMI 1.0-type (effective size) sensor.
    [Show full text]
  • Bdp7302 F7 Dfu Aen.Pdf
    4K Ultra HD Blu-ray™ Player BDP7302 Register your product and get support at www.philips.com/welcome F or further assistance, call the customer support service in your country. User Manual • To obtain assistance, contact Philips Customer Care Center; In the U.S.A., Canada, Puerto Rico, or the U.S. Virgin Islands; 1-866-202-5960 CONTENTS INTRODUCTION ................................................. 3 NETWORK SERVICES .....................................44 Safety instruction ...........................................................3 Before using network services ................................44 Included accessories .................................................... 6 Information on network services ............................44 Deactivate the network services ............................44 FEATURES ........................................................... 7 Features .............................................................................7 LIST OF SETTINGS ...........................................45 Version information ...................................................... 9 Symbols used in this owner’s manual ..................... 9 SETUPS ..............................................................49 Network connection ...................................................49 FUNCTIONAL OVERVIEW .............................. 10 EasyLink (HDMI CEC) ................................................. 54 Top / front panel ...........................................................10 HDMI video resolution ..............................................
    [Show full text]
  • Panasonic AG-AC160 HD Cameras Kits
    This product is eligible for the AVCCAM 3 Year Warranty Repair Program. For details, see page 9 of vol.1. Operating Instructions Vol.2 Memory Card Camera-Recorder Model No. AG-AC160P AG-AC160EJ Volume 2 AG-AC160EN Note that Operation Instructions Vol.2 describes advanced operations of the Memory Card Camera-Recorder. For instructions on basic operations of the Memory Card Camera- Recorder, refer to Operating Instructions Vol.1 (printed documents) contained in the supplied CD-ROM. Before operating this product, please read the instructions carefully and save this manual for future use. M0811SI0 -YI ENGLISH VQT3T51A Contents Volume 1 Read this first! Power sources How to use the camera Adjusting the hand strap Please read before use Attaching the shoulder strap Operating precautions Attaching/removing the lens hood Attaching/removing the lens cap Fitting the eye cup Before use The remote control Turning the camera ON/OFF Before using the camera Setup menu basic operations Accessories Setting the calendar Optional accessories Menu Description of parts Setup menu structure Description of parts Reference Preparation Specifications Recharging the battery Volume 2 Shooting Digital zoom function .................................... 17 Shooting in manual mode ............................ 18 Using the viewfinder ...................................... 5 Switching to manual mode............................ 18 Using the viewfinder ....................................... 5 Setting focus (manual focus) ........................ 18 Using the LCD monitor
    [Show full text]