HXR-NX5N Digital HD Video Camera Recorder
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Connectivity & Mobility / XDCAM -Wireless Operations
/ Connectivity & Mobility / XDCAM -Wireless operations Sony Professional Solutions Europe February 2015 How to be first on air and on the web • Simple & Flexible • Cost-efficient • Aligned with European Regulations 2 Sony wireless operation solutions Live Streaming SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study File transfer 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control 3 File transfer File Transfer: benefits 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control • Nothing lost : picture , audio, TC , file name • Choice of transmission: Wi-Fi, 3G or 4G • High Resolution file transfer enabled 4 File transfer Ongoing and future development • Proxy Trimming • Central server • Cloud Wi-Fi Router Controlled by tablet/smartphone (Android/iOS) Wi-Fi remote control Mark In/Out for partial file creation (GUI image) • Multi-Link File Transfer : use multiple LTE links with any smartphone and any carrier • Near-Live File Transfer: For instant preview/edit, the file is transferring while recording 5 File transfer File Transfer: XAVC proxy formats Video Bitrate Frame Rate Profile Audio Wrapper Resolution (typical) AVC Proxy 50p, 59p 6-12Mbps SD 1280 x 720 MP/HP (16:9) AVC 23p, 24p, 25p, 29p 4-9Mbps MP/HP AAC-LC 2/ 4/ 6/ 8ch MP4 640 x 360 AVC 23p, 24p, 25p, 29p 1.5-3Mbps 128kbps for 2ch High rez (16:9) MP SxS 480 x 270 AVC 23p, 24p, 25p, 29p 384k-1Mbps (16:9) MP 6 File transfer XAVC proxy interoperability on NLE software Software Products Version Import Timecode Handing Proxy-HiRes Relink Adobe Premiere Pro CC 2014 ✔ ✔ ✔ Avid Media Composer 7.0.4 ✔ ✔ under study Apple Final Cut Pro X 10.1.1 ✔ ✔ under study Grass valley EDIUS PRO 7.31 ✔ ✔ under study Sony Creative Software 13 ✔ ✔ ✔ Vegas Pro 7 Live Streaming Live Streaming: benefits SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study • Cost efficient solution: single dongle. -
Digital High Resolution Still Video Camera Versus Film- Based Camera in Photogrammetric Industrial Metrology
International Archives of Photogrammetry and Remote Sensing, Vol. 30, Part 1, pp. 114-121. DIGITAL HIGH RESOLUTION STILL VIDEO CAMERA VERSUS FILM- BASED CAMERA IN PHOTOGRAMMETRIC INDUSTRIAL METROLOGY Thomas P. Kersten and Hans-Gerd Maas Institute of Geodesy and Photogrammetry, Swiss Federal Institute of Technology ETH-Hoenggerberg, CH-8093 Zurich, Switzerland Phone: +41 1 633 3287, Fax: +41 1 633 1101, e-mail: [email protected] Phone: +41 1 633 3058, Fax: +41 1 633 1101, e-mail: [email protected] ISPRS Commission I, Working Group 3 KEY WORDS: close-range photogrammetry, high resolution, still video ABSTRACT In this paper a digital high resolution still video camera DCS200 and a conventional film-based small format camera Leica R5 are compared. The image data used for the comparison were acquired during several pilot projects in a shipyard. The goal was the determination of 3-D co-ordinates of object points, which were signalised with retro- reflective targets, for dimensional checking and control in the ship building industry, as well as to test the suitability of the cameras for these applications. The image point measurements in the photos taken by the film-based camera were performed on an analytical plotter, while the digital image data were processed semi-automatically with digital photogrammetric methods. In addition, some of the analogue images were scanned and then also processed with digital photogrammetric methods. The results of simultaneous camera calibrations and 3-D point positioning are given, showing its accuracy potential, which turned out to be in the range of 1: 50,000 and 1: 75,000 for the DCS200 and up to 1: 27,000 for the Leica. -
KODAK PLAYTOUCH Video Camera
KODAK PLAYTOUCH Video Camera Extended user guide Model Zi10 www.kodak.com For interactive tutorials: www.kodak.com/go/howto For help with your camera: www.kodak.com/go/support Eastman Kodak Company Rochester, New York 14650 © Kodak, 2010 All screen images are simulated. Kodak and PlayTouch are trademarks of Eastman Kodak Company. HDMI, the HDMI Logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. 4H7217_en Product features Front view Focus switch (Close-up/Normal) Jack for external microphone, headphones Video Recording LED Microphone Lens A/V Out IR receiver, for optional remote HDMI™ Out control Micro USB, for 5V DC In USB Release USB arm www.kodak.com/go/support i Product features Accessing the USB arm 1 Open the door. 2 Slide the USB lock. 3 Pull down the USB arm. ii www.kodak.com/go/support Product features Back view, touchscreen gestures Power button Battery compartment, SD/SDHC Card slot Speaker Battery charging light Record/OK button Strap post Tripod socket Tap (or tap and hold) Swipe Drag www.kodak.com/go/support iii Understanding the status icons Liveview Recording Current mode Settings Battery Recording level Current Face video detection length brackets Zoom Zoom control control (Wide, Telephoto) Capture Mode Review Effects Review Current video length Battery level (or Volume DC-In connected) Previous Next Scrubber bar Single/Multi-up/ Edit Delete Share Timeline View iv www.kodak.com/go/support Table of contents 1 1 Setting up your camera .........................................................................1 -
The H.264 Advanced Video Coding (AVC) Standard
Whitepaper: The H.264 Advanced Video Coding (AVC) Standard What It Means to Web Camera Performance Introduction A new generation of webcams is hitting the market that makes video conferencing a more lifelike experience for users, thanks to adoption of the breakthrough H.264 standard. This white paper explains some of the key benefits of H.264 encoding and why cameras with this technology should be on the shopping list of every business. The Need for Compression Today, Internet connection rates average in the range of a few megabits per second. While VGA video requires 147 megabits per second (Mbps) of data, full high definition (HD) 1080p video requires almost one gigabit per second of data, as illustrated in Table 1. Table 1. Display Resolution Format Comparison Format Horizontal Pixels Vertical Lines Pixels Megabits per second (Mbps) QVGA 320 240 76,800 37 VGA 640 480 307,200 147 720p 1280 720 921,600 442 1080p 1920 1080 2,073,600 995 Video Compression Techniques Digital video streams, especially at high definition (HD) resolution, represent huge amounts of data. In order to achieve real-time HD resolution over typical Internet connection bandwidths, video compression is required. The amount of compression required to transmit 1080p video over a three megabits per second link is 332:1! Video compression techniques use mathematical algorithms to reduce the amount of data needed to transmit or store video. Lossless Compression Lossless compression changes how data is stored without resulting in any loss of information. Zip files are losslessly compressed so that when they are unzipped, the original files are recovered. -
The Leica Dicomar Lens on the UX Cameras the New AG-UX90 and AG-UX180 Camcorders Are Large-Sensor General-Purpose Professional C
The Leica Dicomar Lens on the UX Cameras The new AG-UX90 and AG-UX180 camcorders are large-sensor general-purpose professional camcorders, designed to deliver great footage regardless of the particular shooting scenario, whether the user is tasking it with shooting sports, or news, or live events, or concerts, or conventions, or speeches, or commercials, or corporate films, or weddings, or interviews, or any of the myriad other situations professional shooters find themselves in. An absolutely key component of being able to tackle so many different types of shooting environments, is the lens. While many shooters have come to rely on large-sensor cameras such as DSLRs, DSLMs, and digital cinema camcorders, the limitations of the lens for these large-sensor cameras has always introduced complications or limitations in shooting style as compared to the small- sensor all-in-one camcorder designs of professional handheld camcorders. With the UX90 and UX180, Panasonic has set out to deliver a single-lens system that provides the quality, performance, and flexibility to let the camera excel in all these environments. Creating such a lens that could cover the relatively huge 1” sensor and 4K resolution was a significant task; getting it to do so with Leica Dicomar-certified performance was a significant accomplishment. Getting it to do so while actually delivering more capability, a wider field of view, better image stabilization, better autofocus, and a longer zoom range, is truly impressive. In this paper I’d like to explore what they’ve accomplished, how they approached it, and what these innovations mean for the typical shooter. -
The Dos and Don'ts of Videoconferencing in Higher
The Dos and Don’ts of Videoconferencing in Higher Education HUSAT Research Institute Loughborough University of Technology Lindsey Butters Anne Clarke Tim Hewson Sue Pomfrett Contents Acknowledgements .................................................................................................................1 Introduction .............................................................................................................................3 How to use this report ..............................................................................................................3 Chapter 1 Videoconferencing in Higher Education — How to get it right ...................................5 Structure of this chapter ...............................................................................................5 Part 1 — Subject sections ............................................................................................6 Uses of videoconferencing, videoconferencing systems, the environment, funding, management Part 2 — Where are you now? ......................................................................................17 Guidance to individual users or service providers Chapter 2 Videoconferencing Services — What is Available .....................................................30 Structure of this chapter ...............................................................................................30 Overview of currently available services .......................................................................30 Broadcasting -
Actinow Digital Camera Recorder
Actinow Digital Camera Recorder Douglass is dashed defeasible after unformulated Wes hymn his hoofprint interminably. Garth predesignate her discard electronically, she recommitted it deprecatingly. Disillusive Hercules eviscerate unmusically and transcendentally, she scribings her haikus flensed nourishingly. Otherwise you protect your cart before checking out, digital camera recorder for this What's Included Digital Camera USB Charger USB and AV cable Dust. Before operating the please please source this manual thoroughly and troublesome it now future reference 2013 Sony Corporation 4-44-004-111 Digital 4K Video. Hidden Spy Pen Camera HD 100P Portable Digital Video Recorder with Photo Taking USB Port. Buyer's Guide Best HD Camcorder Under 150 Update 2020. The recording and human voice more clear sound recording and fast and do just perfectly stable footage might look your filming or guarantee away from. Buy Video Camera Camcorder Digital YouTube Vlogging Camera Recorder FHD 100P 240MP 30 Inch 270 Degree Rotation Screen 16X at Desertcart. Then share it is its own movies for. Hd camcorder supports recording will show off this actinow video recorder, record long will it can do not miss every happy moments is. Video Camera CamcorderActinow Digital Camera Recorder. Camcorder with microphone eBay. Clicking on many friends or on amazon services llc associates program designed with a confirmation in a vlogger and external light. Actinow digital camera Banggood. Sponsored Video Camera CamcorderActinow Digital Camera Recorder with. Noise reduction cancels out, so you need to save my order presented by calling this actinow digital camera recorder to withstand the actinow video recorder requires a limit to. -
Video Camera Buying Guide-OSU.Pages
Video Camera Buying Guide For dancers by Mitchell Rose Some people have been asking me for advice on purchasing a video camera. It can be pretty overwhelming out there with all the options available. It's hard to say, "Buy this camera" because the manufacturers change their model lineups every six months. But I can tell you some things to look for so you can scan the specs of a camera and make an informed decision yourself. ! Body Type: Camcorder or DSLR If you ask a filmmaker what type of camera to get, they're probably going to tell you to get a DSLR (digital single lens reflex) like in the photo at right. These are digital still cameras that also record video. Filmmakers love these because the image is gorgeous—they have a very filmic look. The sensor is large so you get great video. And, for the image quality, they're relatively inexpensive. I'm going to tell you: don't do it. One of the reasons filmmakers like them is they have a narrow "depth of field," meaning only the subject is actually in focus—everything else is blurry. This is the look we're used to in films. It drives the eye right to the point of interest. In a dialogue scene in a movie, that's fine—watch the couple talk, keeping them in focus, and let the Eiffel Tower in the background stay soft. But in dance you have people in the foreground and people in the background. Do you really want one dancer in focus and the other soft? You're also going to have people moving towards and away from the camera quickly. -
UNDERWATER VIDEO 284 Housing and Accessories
UNDERWATER VIDEO 284 Housing and Accessories www.BandH.com HD10 High Definition UW Video Housing Pro8 Underwater Video Housing Pro6 Underwater Video Housing • 6-10 Standard manual controls- • 7 Mechanical Controls • 7 Mechanical Controls Power on/off, Record-start/stop, • Rugged PVC Material Construction • Rugged PVC Material Construction Zoom-Wide/Telephoto, White • Includes Color-Correcting Filter • Includes Color-Correcting Filter Balance, Auto focus, Auto/Manual and Wide-Angle Lens and Wide-Angle Lens focus Switch, ND filter • Ballast Release System Handles • Ballast Release System Handles • 250 ft depth rating • Rated Down to 250’ • Rated Down to 250’ • Close to neutral buoyancy at approx. 33 ft • BRS (Ballast Release System) for easy travel of if trouble f/ Panasonic DVX100B ................... #EQPP8DVX100Q���� 1249.95 f/ Canon FS-31/300 ............................. #EQP6CFS31���������CALL occurs on a dive, simply pull the quick release pin on one of for Sony PD170 ...................................#EQPP8PD170���������CALL f/ Panasonic PV-GS180 ........................ #EQP6GS180���������CALL the wings, the wing and handle (ballast) release, the housing f/ Canon GL2 .......................................#EQPP8GL2Q���� 1249.95 f/ Panasonic HDC-HS250 .............. #EQP6PHDCHS25���������CALL now becomes positive and shoots to the surface f/ Sony VX-2100 .................................#EQP8VX2100���� 1299.95 f/ Panasonic SDR-H80 .................... #EQP6PSDRH80���������CALL • Includes 2.5” Color LCD monitor with battery and -
MOSFET MODULATED DUAL CONVERSION GAIN CMOS IMAGE SENSORS by Xiangli Li a Dissertation Submitted in Partial Fulfillment of the Re
MOSFET MODULATED DUAL CONVERSION GAIN CMOS IMAGE SENSORS By Xiangli Li A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Electrical and Computer Engineering Boise State University Nov 2008 © 2008 Xiangli Li ALL RIGHTS RESERVED APPROVAL TO SUBMIT DISSERTATION The dissertation presented by Xiangli Li entitled MOSFET Modulated Dual Conversion Gain CMOS Image Sensors is hereby approved: ________________________________________________ R. Jacob Baker Date Advisor ________________________________________________ Jimmy J. Browning Date Committee Member ________________________________________________ Kristy A. Campbell Date Committee Member ________________________________________________ John N. Chiasson Date Committee Member ________________________________________________ Michael P. Lesser Date External Examiner BOISE STATE UNIVERSITY GRADUATE COLLEGE SUPERVISORY COMMITTEE FINAL READING APPROVAL of a dissertation submitted by Xiangli Li I have read this dissertation and have found it to be of satisfactory quality for a doctoral degree. In addition, I have found that its format, citations, and bibliographic style are consistent and acceptable, and its illustrative materials including figures, tables, and charts are in place. ________________________ __________________________________________ Date R. Jacob Baker, Ph.D. Chair, Supervisory Committee ________________________ __________________________________________ Date Jimmy J. Browning, Ph.D. Member, Supervisory Committee ________________________ -
Accessories for DSLR Cameras with Video Function
Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Product catalogue DSLR accessories 05/2012 LWS - Lightweight support Follow focus systems – Digital Video (DV): DV StudioRig / DV StudioRig plus DV StudioRig Photo / DV StudioRig plus Photo MatteBox Fluid Zoom Drive Chrosziel GmbH MonitorPack, Lens Support Brackets Klausnerring 6 D-85551 Heimstetten b. München / Munich Germany Carrying Handle, Hand Grips Phone +49 89 90 10 91 0, Fax +49 89 44 70 86 1 E-Mail [email protected], Web www.chrosziel.com Managing Directors: Harm Abrahams, Jürgen Nußbaum HRB 158740 Amtsgericht München ● VAT ID Nr. DE 249425648 For our deliveries and services solely our General Terms of Trade apply. 05/2012 Recommended retail prices in Euro without tax, ex works, subject to change without further notice, issue 05/2012 Chrosziel GmbH, Klausnerring 6, D - 85551 Heimstetten, Tel. +49 89 901 091 0, Fax +49 89 447 086 1, [email protected] 1 Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Lightweight support Rec. retail price Lightweight support, choose according to your camera: 401-421S LWS Lightweight support with twist stopper for DSLR 315.00 € e.g. -
000 Front Spine Back-12-08 V2.Indd
CAMCORDERS 259 800.947.1175 | 212.444.6675 Quick Dial: 813 Intro & Media CAMCORDER FORMAT GUIDE DV/MiniDV: The DV format uses 500 lines of horizontal resolution to digitally record video Hard Disk Drive (HDD): HDD camcorders record digitally onto an internal hard drive, onto standard and MiniDV-size magnetic tape. It has become one of the standards for consumer similar to a home computer. The HDD camcorders that carry large hard drives (40GB+) offer and semi-professional video production. Along with intraframe compression for easier editing, very long recording times, which will vary depending on the selected resolution setting (HQ this format features the digital interface port known as FireWire, IEEE 1394 or i-Link. Located or LP). Generally, about one hour of standard video (SP) will consume 12.6GB of hard-drive on camcorders and VTR’s, this port allows you to transfer your recordings digitally to another DV space. device or to a computer’s non-linear editing system without signal loss. HDV: This high-definition format records video onto MiniDV magnetic tapes. Various HDV DVD: This consumer format records directly onto 3" (8 cm) DVD media, with convenient, easy camcorders offer HD recording in 1280 x 720p (progressive) or 1980 x 1080i (interlaced) playback on most home DVD players and computers. DVD discs come in three types: DVD-R resolutions, using 4:2:0 color sampling. HDV uses MPEG-2 video compression, a highly- (write-once) or -RW (rewritable); DVD+R or +RW; and DVD-RAM. The DVD minus series requires compressed video signal, with MPEG-1 audio compression (16-bit stereo).