A Camera Mount and Lntervalometer for Small Format Aerial Photography

Total Page:16

File Type:pdf, Size:1020Kb

A Camera Mount and Lntervalometer for Small Format Aerial Photography M. L. BENSON B. J. MYERS I. E. CRAIG W. C. L. GABRIEL A. G. SWAN Division of Forest Research CSlRO Canberra, A. C.T. 2600, Australia A Camera Mount and lntervalometer for Small Format Aerial Photography A versatile mount for two small-format aerial cameras and an electronic intervalometer suitable to trigger such cameras are described in detail. INTRODUCTION managers have developed a number of devices such ANAGERS of renewable resources have long rec- as camera mounts to meet their own requirements. M ognised the value of aerial photography and There have been many different approaches and photo-interpretation in the assessment and manage- thus many different solutions. Some of these devel- ment of those resources. In particular, large-scale opments have been reported formally, but many are aerial photographs are now an accepted medium for recorded only in internal reports, if at all. vegetation analysis. Much use has been made of This report describes two devices developed by black-and-white photography exposed in large- the Commonwealth Scientific and Industrial Re- format cameras (230 by 230 mm), although in recent search organization (CSIRO), Australia, Division of years there has been a marked swing towards the Forest Research in the course of a program of re- use of color films and small-format aerial cameras search on the application of large-scale aerial pho- (70- and 35-mm focal length). tography to forest management problems. The Color films are used because of their value in re- equipment will assist in mounting small-format cam- ABSTRACT:Scarcity of commercially available ancilliary equipment for small-format and large-scale aerial vhotogravhu has encouraged the development of specialized devicesvby users. ~~iroachYes'tothe design a& use of two'items $ equipment useful in the acquisition of small-format aerial photographs are described-a dual camera mount for 70-mm aerial photography and a camera intervalometer for small-format aerial photography. cording additional information which can be related eras internally in light aircraft for vertical photog- to botanical or ecological factors or to variation in raphy and controlling the intervals between expo- tree or stand condition caused by damaging agents. sures for a number of cameras (inter alia providing Small-format cameras are used to provide vertical a facility for sampling). aerial photography to supplement conventional pho- tography and have the advantages of versatility and low cost coupled with increased control by the user over the photographic specification. The use of supplementary aerial photography These developments have, however, posed prob- taken with small-format cameras to provide the lems for the user because there is a scarcity of com- forest manager with up-to-date information for plan- mercially available ancilliary equipment for small- ning and recording purposes is well established format photography, e.g., camera mounts and in- (Aldrich et al., 1959; Zsilinszky, 1969; Spencer, tervalometers. To meet these challenges, resource 1974). The camera mount is a critical part of the PHOTOGRAMMETRICENGINEERING AND REMOTE SENSING, 0099-1112/84/5011-1571$02.25/0 Vol. 50, No. 11, November 1984, pp. 1571-1580. O 1984 American Society of Photogrammetry PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING, 1984 aerial photographic apparatus which can make the Most of the reported systems are rigidly mounted difference between sharp, drift-free photographs to the boom with some adjustment for camera lev- and blurred, 'crabbed' exposures. elling on the ground. One allowed for lateral or lon- Many small-format camera mounts have been de- gitudinal tilt of both cameras simultaneously in the scribed in the literature. The diversity of the de- air to counteract aircraft tilt or to allow oblique pho- signs reflects the variety of mounting situations en- tography (Rhody, 1977). Anti-vibration damping was countered by the aerial operator, the camera equip- included in one mount (Lyons, 1964). Drift-setting ment available, the type of photography required, ability is not necessary because the two cameras are and the nature of its application. The particular de- exposed simultaneously to obtain a stereo pair. sign chosen will be influenced by the following con- Cameras are inaccessible during flight. siderations: Most su~dementarvaerial vhotoera~hsare ex- posed seqGntially in flight line toUoGtain stereo- camera format-35 mm or 70 mm or other; ; camera make, shape, and attachment points; scopic coverage :ather than from a fixed base. number of cameras required; Mounts for obtaining sequential photographs may camera accessibility during flight; be either external or internal. External mounts have camera vibration damping mechanism; the advantage of not requiring modifications to the drift sight and setting requirements; aircraft and are, thus, more versatile because they make and size of aircraft; can usually be mounted on more than one aircraft. availability of suitably modified aircraft and map- Three methods of attachment which have been used ping camera mounts; and are to the window ledge, the seat rails, or the wing budget. struts. Fisher and Steever (1973) described a simple In order to put the mount which is described here metal frame mount which was hand-held out of a into perspective, the main approaches and design Cessna window. It contained four 35-mm Robot features of some other small-format mounts which cameras for multispectral photography. The most have been described in the literature will first be commonly-reported method of external attachment summarized. A simplified classification of small- is to the window ledge. Willingham (1979) used a format camera mounting systems, as they have been wooden mount for a 35-mm Canon camera. Klein described, is shown in Figure 1. (1970) included vibration damping to his window One of the most specialized types of small-format mount for a 35-mm Miranda camera. Parker and mounting system is the external mounting of two Johnson (1970) mounted a large-format camera on a cameras at a known distance apart to obtain fixed- door-clamping frame, the K-20 with a 102-by 127- base stereo photography. These cameras are usually mm format. The mount could be levelled in flight. mounted at the ends of a steel boom attached be- Meyer and Grumstrup (1978) described a sophis- neath a helicopter (Lyons, 1961; Spencer, 1979) or tocated window-ledge mount for a variety of 35-mm through a helicopter (Rhody, 1977). They have also cameras. This mount, which is now commercially been mounted at the ends of a metal frame which produced, featured a wind deflector to protect the was hand held in a helicopter (Avery, 1958) and at camera, levelling control, an aiming sight, and a the wing tips or on the wing struts of a futed-wing hinged runner to permit retraction of the camera. aircraft (Williams, 1978; Benson et al., 1984). Cam- None of these externally-mounted cameras allowed eras of 70-mm format have generally been used, compensation for drift. Mason and Matthews (1979) including Hulcher (Lyons, 1964), Hasselblad devised a versatile mount which would accommo- (Rhody, 1977; Benson et al., 1984), and Vinten date either one or two 35- or 70-mm cameras and (Spencer, 1979), but the use of an F24 camera with allow camera retrieval in flight as well as levelling 127-mm format has been reported (Lyons, 1961). and attitude adjustment. Attachment of the large mount is effected by two clamps on the window ledge and by four 127-mm heavy duty suction cups bearing against the aircraft exterior. Quite a dif- &a1 wwa mounting Mtanr ferent approach was described by CSIRO (1981) in which a Hasselblad 70-mm camera was mounted mud Mnscd alm hclkopta mounting syrtcmr mntirprvltcmr (mudbau stmo photogaphy) horizontally on the window ledge and aimed at an - external mirror to achieve the vertical view. The advantages are that the camera is not exposed to the slip-stream and it is very accessible for lens or mag- azine changes. Another a~~roachto external mounting which has A A - I been used for 35-mm cameras is to clamp a retract- SdaptcdlerscromM cammount able rod to the seat rails internally and project the camera through the open doorway (Spencer, 1974; FIG. 1. Classification of small-format aerial camera Mennis, 1978). ~hesemounts allow-in-flight lev- mounting systems. elling but no drift adjustment and the cameras are CAMERA MOUNT AND INTERVALOMETER exposed in the slip-stream. Cameras have also been and tilt, a prism viewfinder, a drift indicator, a light clamped to the wing struts of Cessna aircraft. Strut meter, and a stop watch for timing intervals be- mounts for 35-mm cameras have been described by tween exposures. Neustein and Waddell (1973) and Willett and Ward The dual camera mount which was developed by (1978), and for a 70-mm Hasselblad camera by the CSIRO Division of Forest Research falls into the Benson et al. (1984). These systems could not be last category. It is an internal mount designed to levelled in flight nor adjusted for drift. The Has- suit the camera equipment to be used and the avail- selblad mount includes a wind deflector to shield able modified aircraft. It is a robust and versatile the camera from the slip-stream. mount which suports two 70-mm Hasselblad model All of the re~ortedexternal mounting", svstems for 500 ELIM cameras or one 70-mm Vinten model 492 small-format cameras except the strut mounts have camera and one Hasselblad over two separate 150- the disadvantage of requiring an open window or mm holes in the floor of a Piper Cherokee Six air- door during flight, which can increase crew discom- craft (see Frontispiece and Figure 2). The mount fort, impair aircraft performance and handling char- allows drift correction and limited flight attitude acteristics, and increase the risk to camera and per- compensation and has efficient vibration damp- sonnel.
Recommended publications
  • Digital High Resolution Still Video Camera Versus Film- Based Camera in Photogrammetric Industrial Metrology
    International Archives of Photogrammetry and Remote Sensing, Vol. 30, Part 1, pp. 114-121. DIGITAL HIGH RESOLUTION STILL VIDEO CAMERA VERSUS FILM- BASED CAMERA IN PHOTOGRAMMETRIC INDUSTRIAL METROLOGY Thomas P. Kersten and Hans-Gerd Maas Institute of Geodesy and Photogrammetry, Swiss Federal Institute of Technology ETH-Hoenggerberg, CH-8093 Zurich, Switzerland Phone: +41 1 633 3287, Fax: +41 1 633 1101, e-mail: [email protected] Phone: +41 1 633 3058, Fax: +41 1 633 1101, e-mail: [email protected] ISPRS Commission I, Working Group 3 KEY WORDS: close-range photogrammetry, high resolution, still video ABSTRACT In this paper a digital high resolution still video camera DCS200 and a conventional film-based small format camera Leica R5 are compared. The image data used for the comparison were acquired during several pilot projects in a shipyard. The goal was the determination of 3-D co-ordinates of object points, which were signalised with retro- reflective targets, for dimensional checking and control in the ship building industry, as well as to test the suitability of the cameras for these applications. The image point measurements in the photos taken by the film-based camera were performed on an analytical plotter, while the digital image data were processed semi-automatically with digital photogrammetric methods. In addition, some of the analogue images were scanned and then also processed with digital photogrammetric methods. The results of simultaneous camera calibrations and 3-D point positioning are given, showing its accuracy potential, which turned out to be in the range of 1: 50,000 and 1: 75,000 for the DCS200 and up to 1: 27,000 for the Leica.
    [Show full text]
  • KODAK PLAYTOUCH Video Camera
    KODAK PLAYTOUCH Video Camera Extended user guide Model Zi10 www.kodak.com For interactive tutorials: www.kodak.com/go/howto For help with your camera: www.kodak.com/go/support Eastman Kodak Company Rochester, New York 14650 © Kodak, 2010 All screen images are simulated. Kodak and PlayTouch are trademarks of Eastman Kodak Company. HDMI, the HDMI Logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. 4H7217_en Product features Front view Focus switch (Close-up/Normal) Jack for external microphone, headphones Video Recording LED Microphone Lens A/V Out IR receiver, for optional remote HDMI™ Out control Micro USB, for 5V DC In USB Release USB arm www.kodak.com/go/support i Product features Accessing the USB arm 1 Open the door. 2 Slide the USB lock. 3 Pull down the USB arm. ii www.kodak.com/go/support Product features Back view, touchscreen gestures Power button Battery compartment, SD/SDHC Card slot Speaker Battery charging light Record/OK button Strap post Tripod socket Tap (or tap and hold) Swipe Drag www.kodak.com/go/support iii Understanding the status icons Liveview Recording Current mode Settings Battery Recording level Current Face video detection length brackets Zoom Zoom control control (Wide, Telephoto) Capture Mode Review Effects Review Current video length Battery level (or Volume DC-In connected) Previous Next Scrubber bar Single/Multi-up/ Edit Delete Share Timeline View iv www.kodak.com/go/support Table of contents 1 1 Setting up your camera .........................................................................1
    [Show full text]
  • The H.264 Advanced Video Coding (AVC) Standard
    Whitepaper: The H.264 Advanced Video Coding (AVC) Standard What It Means to Web Camera Performance Introduction A new generation of webcams is hitting the market that makes video conferencing a more lifelike experience for users, thanks to adoption of the breakthrough H.264 standard. This white paper explains some of the key benefits of H.264 encoding and why cameras with this technology should be on the shopping list of every business. The Need for Compression Today, Internet connection rates average in the range of a few megabits per second. While VGA video requires 147 megabits per second (Mbps) of data, full high definition (HD) 1080p video requires almost one gigabit per second of data, as illustrated in Table 1. Table 1. Display Resolution Format Comparison Format Horizontal Pixels Vertical Lines Pixels Megabits per second (Mbps) QVGA 320 240 76,800 37 VGA 640 480 307,200 147 720p 1280 720 921,600 442 1080p 1920 1080 2,073,600 995 Video Compression Techniques Digital video streams, especially at high definition (HD) resolution, represent huge amounts of data. In order to achieve real-time HD resolution over typical Internet connection bandwidths, video compression is required. The amount of compression required to transmit 1080p video over a three megabits per second link is 332:1! Video compression techniques use mathematical algorithms to reduce the amount of data needed to transmit or store video. Lossless Compression Lossless compression changes how data is stored without resulting in any loss of information. Zip files are losslessly compressed so that when they are unzipped, the original files are recovered.
    [Show full text]
  • The Leica Dicomar Lens on the UX Cameras the New AG-UX90 and AG-UX180 Camcorders Are Large-Sensor General-Purpose Professional C
    The Leica Dicomar Lens on the UX Cameras The new AG-UX90 and AG-UX180 camcorders are large-sensor general-purpose professional camcorders, designed to deliver great footage regardless of the particular shooting scenario, whether the user is tasking it with shooting sports, or news, or live events, or concerts, or conventions, or speeches, or commercials, or corporate films, or weddings, or interviews, or any of the myriad other situations professional shooters find themselves in. An absolutely key component of being able to tackle so many different types of shooting environments, is the lens. While many shooters have come to rely on large-sensor cameras such as DSLRs, DSLMs, and digital cinema camcorders, the limitations of the lens for these large-sensor cameras has always introduced complications or limitations in shooting style as compared to the small- sensor all-in-one camcorder designs of professional handheld camcorders. With the UX90 and UX180, Panasonic has set out to deliver a single-lens system that provides the quality, performance, and flexibility to let the camera excel in all these environments. Creating such a lens that could cover the relatively huge 1” sensor and 4K resolution was a significant task; getting it to do so with Leica Dicomar-certified performance was a significant accomplishment. Getting it to do so while actually delivering more capability, a wider field of view, better image stabilization, better autofocus, and a longer zoom range, is truly impressive. In this paper I’d like to explore what they’ve accomplished, how they approached it, and what these innovations mean for the typical shooter.
    [Show full text]
  • The Dos and Don'ts of Videoconferencing in Higher
    The Dos and Don’ts of Videoconferencing in Higher Education HUSAT Research Institute Loughborough University of Technology Lindsey Butters Anne Clarke Tim Hewson Sue Pomfrett Contents Acknowledgements .................................................................................................................1 Introduction .............................................................................................................................3 How to use this report ..............................................................................................................3 Chapter 1 Videoconferencing in Higher Education — How to get it right ...................................5 Structure of this chapter ...............................................................................................5 Part 1 — Subject sections ............................................................................................6 Uses of videoconferencing, videoconferencing systems, the environment, funding, management Part 2 — Where are you now? ......................................................................................17 Guidance to individual users or service providers Chapter 2 Videoconferencing Services — What is Available .....................................................30 Structure of this chapter ...............................................................................................30 Overview of currently available services .......................................................................30 Broadcasting
    [Show full text]
  • Actinow Digital Camera Recorder
    Actinow Digital Camera Recorder Douglass is dashed defeasible after unformulated Wes hymn his hoofprint interminably. Garth predesignate her discard electronically, she recommitted it deprecatingly. Disillusive Hercules eviscerate unmusically and transcendentally, she scribings her haikus flensed nourishingly. Otherwise you protect your cart before checking out, digital camera recorder for this What's Included Digital Camera USB Charger USB and AV cable Dust. Before operating the please please source this manual thoroughly and troublesome it now future reference 2013 Sony Corporation 4-44-004-111 Digital 4K Video. Hidden Spy Pen Camera HD 100P Portable Digital Video Recorder with Photo Taking USB Port. Buyer's Guide Best HD Camcorder Under 150 Update 2020. The recording and human voice more clear sound recording and fast and do just perfectly stable footage might look your filming or guarantee away from. Buy Video Camera Camcorder Digital YouTube Vlogging Camera Recorder FHD 100P 240MP 30 Inch 270 Degree Rotation Screen 16X at Desertcart. Then share it is its own movies for. Hd camcorder supports recording will show off this actinow video recorder, record long will it can do not miss every happy moments is. Video Camera CamcorderActinow Digital Camera Recorder. Camcorder with microphone eBay. Clicking on many friends or on amazon services llc associates program designed with a confirmation in a vlogger and external light. Actinow digital camera Banggood. Sponsored Video Camera CamcorderActinow Digital Camera Recorder with. Noise reduction cancels out, so you need to save my order presented by calling this actinow digital camera recorder to withstand the actinow video recorder requires a limit to.
    [Show full text]
  • Video Camera Buying Guide-OSU.Pages
    Video Camera Buying Guide For dancers by Mitchell Rose Some people have been asking me for advice on purchasing a video camera. It can be pretty overwhelming out there with all the options available. It's hard to say, "Buy this camera" because the manufacturers change their model lineups every six months. But I can tell you some things to look for so you can scan the specs of a camera and make an informed decision yourself. ! Body Type: Camcorder or DSLR If you ask a filmmaker what type of camera to get, they're probably going to tell you to get a DSLR (digital single lens reflex) like in the photo at right. These are digital still cameras that also record video. Filmmakers love these because the image is gorgeous—they have a very filmic look. The sensor is large so you get great video. And, for the image quality, they're relatively inexpensive. I'm going to tell you: don't do it. One of the reasons filmmakers like them is they have a narrow "depth of field," meaning only the subject is actually in focus—everything else is blurry. This is the look we're used to in films. It drives the eye right to the point of interest. In a dialogue scene in a movie, that's fine—watch the couple talk, keeping them in focus, and let the Eiffel Tower in the background stay soft. But in dance you have people in the foreground and people in the background. Do you really want one dancer in focus and the other soft? You're also going to have people moving towards and away from the camera quickly.
    [Show full text]
  • MOSFET MODULATED DUAL CONVERSION GAIN CMOS IMAGE SENSORS by Xiangli Li a Dissertation Submitted in Partial Fulfillment of the Re
    MOSFET MODULATED DUAL CONVERSION GAIN CMOS IMAGE SENSORS By Xiangli Li A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Electrical and Computer Engineering Boise State University Nov 2008 © 2008 Xiangli Li ALL RIGHTS RESERVED APPROVAL TO SUBMIT DISSERTATION The dissertation presented by Xiangli Li entitled MOSFET Modulated Dual Conversion Gain CMOS Image Sensors is hereby approved: ________________________________________________ R. Jacob Baker Date Advisor ________________________________________________ Jimmy J. Browning Date Committee Member ________________________________________________ Kristy A. Campbell Date Committee Member ________________________________________________ John N. Chiasson Date Committee Member ________________________________________________ Michael P. Lesser Date External Examiner BOISE STATE UNIVERSITY GRADUATE COLLEGE SUPERVISORY COMMITTEE FINAL READING APPROVAL of a dissertation submitted by Xiangli Li I have read this dissertation and have found it to be of satisfactory quality for a doctoral degree. In addition, I have found that its format, citations, and bibliographic style are consistent and acceptable, and its illustrative materials including figures, tables, and charts are in place. ________________________ __________________________________________ Date R. Jacob Baker, Ph.D. Chair, Supervisory Committee ________________________ __________________________________________ Date Jimmy J. Browning, Ph.D. Member, Supervisory Committee ________________________
    [Show full text]
  • Accessories for DSLR Cameras with Video Function
    Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Product catalogue DSLR accessories 05/2012 LWS - Lightweight support Follow focus systems – Digital Video (DV): DV StudioRig / DV StudioRig plus DV StudioRig Photo / DV StudioRig plus Photo MatteBox Fluid Zoom Drive Chrosziel GmbH MonitorPack, Lens Support Brackets Klausnerring 6 D-85551 Heimstetten b. München / Munich Germany Carrying Handle, Hand Grips Phone +49 89 90 10 91 0, Fax +49 89 44 70 86 1 E-Mail [email protected], Web www.chrosziel.com Managing Directors: Harm Abrahams, Jürgen Nußbaum HRB 158740 Amtsgericht München ● VAT ID Nr. DE 249425648 For our deliveries and services solely our General Terms of Trade apply. 05/2012 Recommended retail prices in Euro without tax, ex works, subject to change without further notice, issue 05/2012 Chrosziel GmbH, Klausnerring 6, D - 85551 Heimstetten, Tel. +49 89 901 091 0, Fax +49 89 447 086 1, [email protected] 1 Accessories for DSLR cameras with video function Canon EOS 5D MKII / III, 550D, 600D, 7D, 1D Mark IV, Nikon D90 and others with similar size – LWS 401- 421S Canon EOS 5D MKII / III with battery pack, Nikon D3S, D1, D800 and others with similar camera body size – LWS 401- 93 Lightweight support Rec. retail price Lightweight support, choose according to your camera: 401-421S LWS Lightweight support with twist stopper for DSLR 315.00 € e.g.
    [Show full text]
  • LEICA COMPACT CAMERAS Experience the Joy of Life
    Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY LEICA COMPACT Phone +49-6441-2080-0 I Fax +49-6441-2080-333 I www.leica-camera.com CAMERAS LEICA COMPACT CAMERAS Experience the joy of life. 02 01 03 01 LEICA D-LUX 02 LEICA V-LUX In all its incredible diversity, life is filled with magical moments. Mo - Inspiration is the source of creativity. And the Leica D-Lux is the ideal The beauty of life is always waiting to be discovered. The Leica V-Lux ments that simply demand to be captured. The compact cameras from companion for capturing the most memorable moments of daily life. is perfect for every kind of journey of discovery. The ideal composition Leica offer an unsurpassed level of freedom to do just that – in every Recording them with your own creative vision. Perfectly composed, of every subject can quickly be assessed in its high-resolution view - situation life brings. And as you would expect, they capture pictures thanks to the high-resolution integrated viewfinder. As a high-perfor- finder. Speaking of speed: its autofocus is amazingly fast. Its new, large that record every nuance in brilliant quality. mance Leica compact camera, it features an extremely fast lens with sensor offers almost infinite opportunities for exploring the creative a maximum aperture of f/1.7. In combination with its large sensor and possibilities of selective focus. An enormously broad range of photos, The Leica D-Lux, the Leica V-Lux, and the Leica C capture pictures a zoom range of 24 to 75 mm (35 mm equivalent), it guarantees almost from macro to extreme telephoto can be captured by its superb 25 to from the very heart of life.
    [Show full text]
  • HXR-NX5N Digital HD Video Camera Recorder
    HXR-NX5N Digital HD Video Camera Recorder 1 The name for Sony’s Camcorders and equipments and Equipments based on AVCHD technology exclusively for the demanding professionals Picture yourself in the next stage. Definition for the Professionals Mobility for the Professionals Confidence for the Professionals …visualize your creativity. 2 Introduction Debut of the First NXCAM Camcorder HXR-NX5N – Heralding New Standards in Contents Creation The new HXR-NX5N camcorder is the fi rst product of the NXCAM generation from Sony, and a new category of tapeless memory camcorder, providing an ideal balance of power and performance in the digital age. Utilizing the revolutionary AVCHD format, this camcorder offers long duration recording – with dual memory slots – on affordable consumer memory cards. As it facilitates a totally IT-based workfl ow, the HXR-NX5N has the potential to profoundly change the way content is created. Simultaneous hybrid recording is available in HD(High Definition) and SD(Standard Definition) formats using an optional HXR-FMU128 memory unit. In any format, breathtaking picture quality is assured with proven features from Sony such as a state-of-the-art "G Lens" and three Exmor CMOS sensors with a ClearVid array. Professionals around the world expect this standard of picture quality from Sony…and accept nothing less. 3 Main Features G Lens "G Lens", the lens featured in other successful Sony camcorders, already enjoys an excellent industry reputation. In the HXR-NX5N, this sophisticated lens is optimized to complement the camcorder’s advanced image sensor and image-processing technology. Three "Exmor" CMOS sensors with a ClearVid array comprise a state-of-the-art sensor system from Sony which realizes high resolution, high sensitivity, a wide dynamic range, and excellent color reproduction, regardless of the codec.
    [Show full text]
  • Media Resources Equipment Inventory
    Media Resources Equipment List [email protected] 604-844-3829 ALL-ACCESS EQUIPMENT FILM EQUIPMENT PHOTO EQUIPMENT CLASSROOM EQUIPMENT Photo / Video Equipment Audio Recorders Projection 16mm Film Cameras Video Cameras DSLR Cameras Presentation Canon G40 Vixia Camcorder Roland R-26 Recorder Epson Short-Throw Projector Bolex H16 Sony EX1/R Canon EOS 5D Mk III MacBook Pro Pentax K1000 Marantz Cassette Recorder Wide-Angle Mitsubishi Projector Manfrotto 16mm Bolex Tripod 2.5K Blackmagic Camera Laptop Projector Pentax 50mm Macro Lens All-Access Digital Projector ARRI SR 16mm Sync Camera 4K Blackmagic Camera Canon DSLR Lenses Canon G-Series Cameras Audio Accessory Aaxa Micro Projector 24mm TS-E f/3.5L Computer Accessories Canon EOS 70D Camera Boom Pole Shock Mount Optoma Micro Projector Bolex Lenses BM Camera Lenses 35mm EF f/2 USB-C Display Adapter Canon EOS 80D Camera Overhead Projector 14mm Rokinon 14mm 50mm EF f/1.4 Pistol Grip 10mm Wide/ Macro VGA Display Adapter Canon 50mm f/1.4 Lens Elmo Document Camera Rokinon Prime Lens Kit 85mm EF f/1.8 Stereo Mic Bar 15mm f/2.5 DVI Display Adapter Canon 10-22mm f/3.5-4.5mm Lens EKTA III Slide Projector Sigma Zoom Lens Kit 100mm Macro EF f/2.8 Stereo Mic Post 25mm f/1.2 HDMI Display Adapter Polaris Flash Meter Buhl 1:4 Wide Angle Lens 24-70mm Sigma Zoom 17-40mm EF f/4L 48V Phantom Power Supply mm Misc. Display Adapters 26 Macro f/1.1 24-70mm EF f/2.8L Sekonic Flashmate Icicle XLR-USB Adapter Elmo 16-CL Slotload Projector 70-200mm Sigma Zoom 40mm f/1.6 24-105mm EF f/4L Computer Remote Minolta Spotmeter
    [Show full text]