MC1319-Advdubroomguide.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

MC1319-Advdubroomguide.Pdf MC1319 ADVANCED DUB ROOM GUIDE MC1319 advanced dub room Guide AVAILABLE INPUTS left rack RIGHT RACK - HDV/DV: Sony HVR-M15AU(HVR/DV/ - DVDREC: Pioneer-DVR-310 (DVD) DVCAM) - UNIDVD: Pioneer DV373(PAL/NTSC DVD) - Betamax: SONY SL-20 (Betamax) - VHS: Panasonic AG-1980 (NTSC VHS/SVHS) - Beta SP: Sony UVW-1400 (Betacam SP) - UNIVHS: Panasonic AG-W3 (PAL/NTSC/ - Laser: Pioneer CLD-980 (Laserdisc) SECAMVHS) Additional inputs - HI8: SONY EVO-7800 (Hi8/Video8/8mm) - 3/4: Sony VO-5850 (Umatic 3/4”) - Mac: Output from 5k iMac via Blackmagic Intensity Extreme using FCPX or Premiere AVAILABLE OUTPUTS left rack RIGHT RACK - HDV/DV: Sony HVR-M15AU(HVR/DV/ - DVDREC: Pioneer-DVR-310 (DVD) DVCAM) - VHS: Panasonic AG-1980 (NTSC VHS/SVHS) - Beta SP: Sony UVW-1400 (Betacam SP) Additional Outputs - Mac: Output to iMac via Blackmagic Intensity Extreme - HD Monitor: Samsung HDTV monitor. Reference for dubs/transfers page 1 of 9 MC1319 ADVANCED DUB ROOM GUIDE GETTING STARTED 1. Turn on the Furman Power Conditioner via the red switch (top right) on the dub rack. 2. Make sure that only the decks you plan to use are powered on to reduce buildup of heat in the rack. 3. Turn on the iMac & Launch Blackmagic Videohub 4. Here you can route signals from the various decks in the dub rack to and from other decks or the computer using this interface: SOURCES OUTPUTS The Right column is fi xed and is the list of available outputs. Note that each output is separated by a Blank(N/A) output. The Left column is a list of dropdown menus each with every available Source. You can assign the same source to multiple outputs such as our example here: the VHS feed is outputting to both the iMac and the HD Monitor. page 2 of 9 MC1319 ADVANCED DUB ROOM GUIDE upscaling The Blackmagic Ultrastudio Express can upscale NTSC signals up from 480i to 1080i, but depending on your source, the conversion can cause a signifi cant amount of cropping or distortion to your source feed. This is caused primarily by the Display Aspect Ratio & Pixel Pitch conversion from NTSC(4:3) to HD1080i. Your mileage may vary and can diff er depending on the media of your source footage and your capture settings. Irregardless of whether you’re scaling or not, setting up the capture comes in two steps: setting your conversion & setting your capture project. SD source to HD capture (upscaled capture) Blackmagic Desktop Video Select the settings icon underneath the Ultra Studio Express. Within the settings: select the conversions tab, and set Input Conversion to: SD to HD and set Display to: Anamorphic(stretched) or Pillarbox(cropped). We’ve found that Widescreen sources, such as a Widescreen formatted DVD work best pillarboxed. Blackmagic Media Express In Media Express, open the Media Express Menu and go to Preferences(command + comma). Under the Project Format dropdown list select: HD 1080i59.94 SD source to SD Capture (native capture) Open Blackmagic Desktop Video Select the settings icon underneath Ultra Studio Express. Within the settings: select the Conversions tab, and set Input Conversion to: None. Blackmagic Media Express In Media Express, open the Media Express Menu and go to Preferences(command + comma). Under the Project Format dropdown list select: NTSC page 3 of 9 MC1319 ADVANCED DUB ROOM GUIDE Blackmagic media express interface 1 2 3 4 5 1 Scratch Folder 3 Clip Infomation & Metadata where your recorded/logged clips Always have the + button next to are displayed. To fi nd any clip on the Description selected. This will name your computer select Reveal in Finder from the Clips and .mov fi les to the Description fi eld Right Click Menu. Using Reel, Scene, Take, and Angle fi elds are optional 2 Viewer Window The video display from the camera, if this 4 Audio Levels & Switches is blank, your project settings don’t match Turn on/off Audio capture by selecting the the source. Go back to preferences and numbered audio track buttons. double check them. 5 Stills, Capture, & Log Buttons page 4 of 9 MC1319 ADVANCED DUB ROOM GUIDE Capturing Once you’ve set your fi le format in Media Express, and cued your source, you’re ready to capture a fi le. Make sure the Log and Capture tab is selected Logging VS Straight Capture Logging Log will create blank clips(labelled Media Offl ine) with your metadata saved before capturing. This is a good way to stay Logged Clips organized if you are capturing a number of clips and know what you are capturing. to Log a blank clip: Enter your Clip Name(Description), Reel, Scene, Take, & Angle and select Log. This will create the blank clip with that information. Then Cue your fi lm reel with your Offl ine Clips and select Capture. Make sure this is selected When the dialogue pops up, select Overwrite to Capture Media onto the selected Clip Straight Capture This will create a Clip for you with your current metadata entered and begin Capturing it right away. You can capture over previously captured clips, by selecting them and selecting Capture, then Overwriting. End capture Regardless whether you have Logged or Straight captured. Once you have selected capture, it will be begin and display the recorded clip length and disk space remaining on the drive you specifi ed. To end capture just hit ESC on the keyboard or select the Capture button. page 5 of 9 MC1319 ADVANCED DUB ROOM GUIDE De-Interlacing De-Interlacing your video is not necessary but will improves the quality of the picture by removing the interlacing artifacts apparent in VHS and some DVD Sources. It’s a straight forward process and will also allow you to transcode and change the resolution of your capture. 1. Open MPEG Streamclip and load your captured clip in File > Open Files.. or by dragging & dropping your clip into the interface. 2. With your Clip loaded select File > Export to Quicktime or by hitting Command + E and use the suggested settings below. Settings for HD Transfer Settings for sD Transfer Once your settings are correct for your output, select Make Movie in the lower right hand corner and save your exported fi le to the desktop or your external disk drive. page 6 of 9 MC1319 ADVANCED DUB ROOM GUIDE outputting from a file to tape / dvd If you intend to output a video fi le from the MC1319 iMac to any of the four destinations (HDV/ DV, Beta SP, DVDRec, VHS). It is imperative that your source fi le is formatted for Standard Defi nition(720x480 or 720x486), as the Decks in the Advanced Dub room cannot process an HD Source. Set Audio Outputs In System Preferences > Sound make sure that the selected Output device is the Blackmagic Intensity Extreme. Route Mac Signal to the Decks Secondly, you’ll have to route the Output from the Blackmagic Intensity Extreme to the deck you intend to use. In this example we’ll be using the VHS Deck. Here we’re outputting a fi le from the iMac to the VHS Deck and are monitoring from the VHS. This is so we can monitor what is captured to the VHS, not what the iMac is outputting. IMAC VHS MONITOR Here we’re outputting a fi le from the iMac to the VHS Deck and are monitoring from the VHS. This is so we can monitor what is captured to the VHS, not what the iMac is outputting. Outputting from Mac 1. Open Blackmagic Media Express. 2. Import your media from the fi le menu(File>Import>Media Files) or drag and drop your media into the *Scratch* Media list. 3. Click on the Green Playback tab and cue your fi le using the transport controls or timeline slider. 4. Begin recording by pressing record on your output device then press play in Media Express. Note: It is important not to click away from the Media Express window. This will stop playback. page 7 of 9 MC1319 ADVANCED DUB ROOM GUIDE Notes on capturing to decks Pioneer DVD Recorder The input should be set to L1. If not, press the Function Button on the front of the DVD Recorder until you reach the channel (Input Selector) section. Then use the function wheel to scroll through the channel options until you reach L1. The Rec Mode function enables you to choose a compression option appropriate for the length of your source material. Push the Function button until the reach the Rec Mode. The choices of compression are from: FINE 1 hr 2 hr 4 hr 6 hr MN File compression increases(degrading image quality as a result) as the length of recording time increases. When you’ve reached the end of your source material press STOP REC. Then select the Home Menu with the Pioneer DVD Recorder remote. Scroll to Finalize and follow the onscreen prompts to finish the process. Panasonic svhs / vhs deck Bring the front panel down to load your tape and to expose the controls The input should always be set to A1. If it isn’t set to A1, change it via the Channel Buttons. Additionally, make sure the Hi-Fi/Linear Mix switch on the front of the console is switched to Off. page 8 of 9 MC1319 ADVANCED DUB ROOM GUIDE Sony beta SP Deck INPUT Video Input Make sure the VIDEO IN switch is set to COMPONENT and make sure to adjust for audio levels on the left side of the deck. Recording Hitting the REC button by itself only auditions(previews) the recording to the monitor.
Recommended publications
  • The Law on Optical Discs
    THE LAW ON OPTICAL DISCS I. GENERAL PROVISIONS Subject-matter of the Law Article 1 This Law shall regulate the manufacturing, commercial duplication, circulation and exports of optical discs, and imports and exports of production parts, raw materials and equipment used for manufacturing of optical discs. Definitions Article 2 The terms used in this Law, shall have the following meaning: 1) Optical Disc shall mean any medium or device, other than a production part, on which data in digital form, readable by means of an optical scanning mechanism employing a high-density light source (a laser), has been stored or is capable of being stored, including all the formats, notably: - CD (compact disc) - CD-DA (compact disc digital audio) - CD-I (compact disc – interactive) - CD-P (compact disc – photo) - CD-ROM (compact disc read-only memory) - CD-R (compact disc recordable) - CD-RW (compact disc rewritable) - CD-WO (compact disc write once) - DVD (digital versatile disc) - DVD-RAM (digital versatile disc random access memory) - DVD-ROM (digital versatile disc read-only memory) - LD (laserdisc) - MD (mini-disc) - VCD (video compact disc) - CVD (China video disc) - SVCD (super video compact disc) - SACD (Super audio compact disc) 2) Production Part shall mean any component of a mould (a “stamper”), that embodies data in a digital form and is capable of being used to mould optical discs, or any other device embodying data from which a stamper may be produced by means of an electroplating process; 3) Master disc shall mean a disc made of glass or polymer that contains data in digital form used to produce Production Part (a “stamper”);.
    [Show full text]
  • Sony Recorder
    Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO
    [Show full text]
  • DVD/CD Rewritable Drive
    IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste.
    [Show full text]
  • Order on Reconsideration and Further Notice of Proposed Rulemaking
    Federal Communications Commission FCC 13-84 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Closed Captioning of Internet Protocol-Delivered ) MB Docket No. 11-154 Video Programming: Implementation of the ) Twenty-First Century Communications and Video ) Accessibility Act of 2010 ) ORDER ON RECONSIDERATION AND FURTHER NOTICE OF PROPOSED RULEMAKING Adopted: June 13, 2013 Released: June 14, 2013 Comment Date: (60 days after date of publication in the Federal Register) Reply Comment Date: (90 days after date of publication in the Federal Register) By the Commission: Commissioner Pai approving in part, concurring in part and issuing a statement. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 2 II. BACKGROUND.................................................................................................................................... 3 III. ORDER ON RECONSIDERATION ..................................................................................................... 5 A. Petition for Reconsideration of the Consumer Electronics Association .......................................... 5 1. Scope of the Apparatus Closed Captioning Rules..................................................................... 5 2. Application of the Apparatus Rules to Removable Media Players ......................................... 16 3. Application of the January 1, 2014 Deadline Only
    [Show full text]
  • Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
    HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output.
    [Show full text]
  • Will Sonyâ•Žs Fourth Playstation Lead to a Second Sony V. Universal?
    WILL SONY’S FOURTH PLAYSTATION LEAD TO A SECOND SONY V. UNIVERSAL? † SETH ASCHER ABSTRACT Sony has included a “share” button on the next version of their popular PlayStation video game system. This feature is meant to allow players to record and share videos of their gameplay. This service shares similarities with the controversial “record” button that Sony included with its Betamax players over thirty years ago. The Betamax player was the subject of the landmark case Sony v. Universal, a foundational case for the modern application of copyright law to new technology. This Issue Brief examines how this “share” feature would fare under the framework laid out by Sony v. Universal and other evolutions in copyright law. INTRODUCTION On February 20, 2013, Sony announced their newest videogame system, predictably named the PlayStation 4.1 Chief among its new features is the share button displayed prominently on its controller.2 Microsoft’s newest offering also has a similar feature.3 Pressing the share button will allow a player to post images or videos of their gameplay to the internet, sharing them with their friends and complete strangers.4 The PlayStation 4 even buffers the last few minutes of gameplay so that a player can share their gameplay video after the fact.5 Sony’s intention is to provide an easy way for players to share images and videos online. Copyright © 2014 by Seth Ascher. † Duke University School of Law, J.D. 2014. 1 Video of the press announcement is available on numerous websites. E.g., Sony PlayStation 4 Press Conference, GAMESPOT (Feb.
    [Show full text]
  • A Comparison of the US Supreme Court's <I
    Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2006 Inducers and Authorisers: A Comparison of the US Supreme Court's Grokster Decision and the Australian Federal Court's KaZaa Ruling Jane C. Ginsburg Columbia Law School, [email protected] Sam Ricketson [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Comparative and Foreign Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg & Sam Ricketson, Inducers and Authorisers: A Comparison of the US Supreme Court's Grokster Decision and the Australian Federal Court's KaZaa Ruling, MEDIA & ARTS LAW REVIEW, VOL. 11, P. 1, 2006; U OF MELBOURNE LEGAL STUDIES RESEARCH PAPER NO. 144; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 06-105 (2006). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/1401 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. MELBOURNE LAW SCHOOL Legal Studies Research Paper Studies Paper No. 144 And COLUMBIA LAW SCHOOL Public Law and Legal Theory Research Paper Series Paper No. 06-105 Inducers and Authorisers: A Comparison of the US Supreme Court’s Grokster Decision and the Australian Federal Court’s KaZaa Ruling PROFESSOR JANE GINSBURG COLUMBIA LAW SCHOOL -And- PROFESSOR SAM RICKETSON UNIVERSITY OF MELBOURNE This paper can be downloaded without charge from the Social Science Research Network Electronic Library at: http://ssrn.com/abstract=888928.
    [Show full text]
  • DV-983H 1080P Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio
    DV-983H 1080p Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio DV-983H is the new flagship model in OPPO's line of award-winning up-converting DVD players. Featuring Anchor Bay's leading video processing technologies, 7.1-channel audio, and 1080p HDMI up-conversion, the DV-983H Universal DVD Player delivers the breath-taking audio and video performance needed to make standard DVDs look their best on today's large screen, high resolution displays. The DV-983H provides a rich array of features for serious home theater enthusiasts. By applying source-adaptive, motion-adaptive, and edge-adaptive techniques, the DV-983H produces an outstanding image for any DVD, whether it’s mastered from an original theatrical release film or from a TV series. Aspect ratio conversion and multi-level zooming enable users to take full control of the viewing experience – maintain the original aspect ratio, stretch to full screen, or crop the unsightly black borders. Special stretch modes make it possible to utilize the full resolution of ultra high-end projectors with anamorphic lens. For users with an international taste, the frame rate conversion feature converts PAL movies for NTSC output without any loss of resolution or tearing. Custom home theater installers will find the DV-983H easy to integrate into whole-house control systems, thanks to its RS-232 and IR IN/OUT control ports. To complete the home theatre experience, the DV-983H produces stunning sound quality. Its 7.1 channel audio with Dolby Digital Surround EX decoding offers more depth, spacious ambience, and sound localization.
    [Show full text]
  • The Emergence of the Compact Disc Hans B
    IEEE A Communications Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page BEF MaGS HISTORY OF COMMUNICATIONS EDITED BY MISCHA SCHWARTZ INTRODUCTION BY EDITOR The article following on the history of the development of the development process, but of the pitfalls and difficulties encoun- CD, written especially for this column by one of the engineers tered and eventually overcome before the system could be who participated in the development effort, should be of interest deemed successful. As another reviewer noted, “ I also appreciat- to all readers of this magazine. As one of the reviewers of the ed the depiction of the human elements that are invariably part article noted, “CDs and successor optical discs are so much a of these projects,” in this case the initial naming of the project or part of our lives, it is fascinating to read about their genesis.” As the reasons for the choice of the final dimensions of the CD. The he goes on to note, “As an engineer, it is equally fascinating and ability of two major companies, Philips and Sony, from two dif- insightful to see how technologies which now seem so obvious ferent parts of the world, to collaborate and come up with such a and inevitable were once open to debate.” I venture to guess that successful product is another fascinating lesson taught by this this is true of almost all technologies, whether large systems or particular history. I suggest you read on to see all of this for your- devices within systems. This is what makes reading about the his- self.
    [Show full text]
  • Understanding Digital Video
    chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied.
    [Show full text]
  • Blu-Ray Disc™ HDD Recorder
    sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing.
    [Show full text]
  • Minimum Charqe F25.00 Minimum Charqe €20.00
    We have specialisedin the preservationof familymemories since 1988.We are dedicated to reproducing your precious memories to the highest standard possiblefor you and your future generationsto enjoy. We are consciousof the responsibilityentrusted to us and take this responsibility seriously.All prices includeVAT. All ordersare processedto the U.K. PAL FromStandard Bmm, Super Bmm, 9.5mm & 16mmwith or withoutsound. format(except where the USA NTSCformat is requested). Standard Film Transfer to DVD: Each film is assessed, repaired(if needed) and transferredto DVD. The DVD will contain a basic menu pagewith chaplerbuttons that link to the startof each reel of film. Premium Film Transfer to DVD or Blu-rav: Each film is assessed, These DVD's are for playback on DVD-R compatible players. Your cleaned,repaired (if needed),colour corrected and edited as necessary. DVD'swill containregular chapter points throughout. DVD or Blu-raymenu pages and chapterbuttons are createdspecific to your production. FROM:VHS -VHS-C - S-VHS-VideoB - HiB- DigitalB- MiniDV Editinq. Streaminq and Storaqe Formats: Cine can be transferredto MinimumCharqe €20.00 computerfile formatsfor Editing,Storage and Streaming.The file format Firsthour of order....€20.00 - Additionalhours.... €7.00 per hour we supply is MP4, if you require a differenttype of file format simply informus when you place your order. Note: Additional to the Telecine price below will be the the Hard Drive Memory FROM:Mini DVD - DVD RAM - MicroMV - Hard DriveCamcorder - High cost of or Stick that your Definition- BelacamSP - DVCPRO- DVCAM- U-Matic- Betamax- V2000. files can be delivered on. You will be advised of this cost once we have received your order and calculated the data space needed.
    [Show full text]