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Order on Reconsideration and Further Notice of Proposed Rulemaking
Federal Communications Commission FCC 13-84 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Closed Captioning of Internet Protocol-Delivered ) MB Docket No. 11-154 Video Programming: Implementation of the ) Twenty-First Century Communications and Video ) Accessibility Act of 2010 ) ORDER ON RECONSIDERATION AND FURTHER NOTICE OF PROPOSED RULEMAKING Adopted: June 13, 2013 Released: June 14, 2013 Comment Date: (60 days after date of publication in the Federal Register) Reply Comment Date: (90 days after date of publication in the Federal Register) By the Commission: Commissioner Pai approving in part, concurring in part and issuing a statement. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 2 II. BACKGROUND.................................................................................................................................... 3 III. ORDER ON RECONSIDERATION ..................................................................................................... 5 A. Petition for Reconsideration of the Consumer Electronics Association .......................................... 5 1. Scope of the Apparatus Closed Captioning Rules..................................................................... 5 2. Application of the Apparatus Rules to Removable Media Players ......................................... 16 3. Application of the January 1, 2014 Deadline Only -
Will Sony╎s Fourth Playstation Lead to a Second Sony V. Universal?
WILL SONY’S FOURTH PLAYSTATION LEAD TO A SECOND SONY V. UNIVERSAL? † SETH ASCHER ABSTRACT Sony has included a “share” button on the next version of their popular PlayStation video game system. This feature is meant to allow players to record and share videos of their gameplay. This service shares similarities with the controversial “record” button that Sony included with its Betamax players over thirty years ago. The Betamax player was the subject of the landmark case Sony v. Universal, a foundational case for the modern application of copyright law to new technology. This Issue Brief examines how this “share” feature would fare under the framework laid out by Sony v. Universal and other evolutions in copyright law. INTRODUCTION On February 20, 2013, Sony announced their newest videogame system, predictably named the PlayStation 4.1 Chief among its new features is the share button displayed prominently on its controller.2 Microsoft’s newest offering also has a similar feature.3 Pressing the share button will allow a player to post images or videos of their gameplay to the internet, sharing them with their friends and complete strangers.4 The PlayStation 4 even buffers the last few minutes of gameplay so that a player can share their gameplay video after the fact.5 Sony’s intention is to provide an easy way for players to share images and videos online. Copyright © 2014 by Seth Ascher. † Duke University School of Law, J.D. 2014. 1 Video of the press announcement is available on numerous websites. E.g., Sony PlayStation 4 Press Conference, GAMESPOT (Feb. -
A Comparison of the US Supreme Court's <I
Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 2006 Inducers and Authorisers: A Comparison of the US Supreme Court's Grokster Decision and the Australian Federal Court's KaZaa Ruling Jane C. Ginsburg Columbia Law School, [email protected] Sam Ricketson [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Comparative and Foreign Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jane C. Ginsburg & Sam Ricketson, Inducers and Authorisers: A Comparison of the US Supreme Court's Grokster Decision and the Australian Federal Court's KaZaa Ruling, MEDIA & ARTS LAW REVIEW, VOL. 11, P. 1, 2006; U OF MELBOURNE LEGAL STUDIES RESEARCH PAPER NO. 144; COLUMBIA PUBLIC LAW RESEARCH PAPER NO. 06-105 (2006). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/1401 This Working Paper is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. MELBOURNE LAW SCHOOL Legal Studies Research Paper Studies Paper No. 144 And COLUMBIA LAW SCHOOL Public Law and Legal Theory Research Paper Series Paper No. 06-105 Inducers and Authorisers: A Comparison of the US Supreme Court’s Grokster Decision and the Australian Federal Court’s KaZaa Ruling PROFESSOR JANE GINSBURG COLUMBIA LAW SCHOOL -And- PROFESSOR SAM RICKETSON UNIVERSITY OF MELBOURNE This paper can be downloaded without charge from the Social Science Research Network Electronic Library at: http://ssrn.com/abstract=888928. -
The Emergence of the Compact Disc Hans B
IEEE A Communications Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page BEF MaGS HISTORY OF COMMUNICATIONS EDITED BY MISCHA SCHWARTZ INTRODUCTION BY EDITOR The article following on the history of the development of the development process, but of the pitfalls and difficulties encoun- CD, written especially for this column by one of the engineers tered and eventually overcome before the system could be who participated in the development effort, should be of interest deemed successful. As another reviewer noted, “ I also appreciat- to all readers of this magazine. As one of the reviewers of the ed the depiction of the human elements that are invariably part article noted, “CDs and successor optical discs are so much a of these projects,” in this case the initial naming of the project or part of our lives, it is fascinating to read about their genesis.” As the reasons for the choice of the final dimensions of the CD. The he goes on to note, “As an engineer, it is equally fascinating and ability of two major companies, Philips and Sony, from two dif- insightful to see how technologies which now seem so obvious ferent parts of the world, to collaborate and come up with such a and inevitable were once open to debate.” I venture to guess that successful product is another fascinating lesson taught by this this is true of almost all technologies, whether large systems or particular history. I suggest you read on to see all of this for your- devices within systems. This is what makes reading about the his- self. -
THE SOUND ENGINEERING MAGAZINE NOVEMBER 1972 S1.00 Built Better
THE SOUND ENGINEERING MAGAZINE NOVEMBER 1972 S1.00 Built better. Performs longer. Casts less. Wire windings are OUT, conductive plastic is IN for Series 300 is offered in 6 different stroke lengths and high performance audio controls. With its new Series features longer life of 10 million traverses minimum, 300 SLIDELINETM, Duncan Electronics replaces noisy, infinite resolution and linear, audio and constant im- rough and "grainy" wire elements with smooth, noise- pedance outputs for every audio need! f ree RESOLON® conductive plastic which actually improves with use! Dual channels can be contained in a standard single housing only 1M6" wide the most compact dual at- RESOLON elements and precious metal wipers used - tenuator available to the industry. Two dual units can in all Series 300 controls bring consistent low -noise be coupled and driven by a common knob to create operation and superior performance to linear motion 4 channels for master controls or quadrasonics. faders for broadcast and recording. And, the cost is less than many high grade wirewound controls of For complete specifications, call or write for our FREE the past! Duncan Seriesbrochure. 300 A sound ide FG. gS 4d czttz. gS sign and rï cticiti'aie Rita S' few Vastly improved performance. F Resolon element as the '_ professional grade Series 300. This re- sults in far lower noise, longer life (5 million strokes minimum), in- finite resolution ti and smoother "feel." DUNCAN ELECTRONIC f DONNE 2865 Fairview Road Costa Mesa, California 92626 Phone: (714) 5458261 TWX 910-595-1128 Circle 10 on Reader Service Card COMING NEXT MONTH THE SOUND ENGINEERING MAGAZINE NOVEMBER 1972 VOLUME 6. -
Northeasthistoricfilmcarlson 39
NortheastHistoricFilmCarlson 1/29 Please review the Application Guidelines for details about the information requested in this proposal. Fields marked with an asterisk are required. Eligibility To be eligible for a Digitizing Hidden Collections grant in 2016, applicant projects must meet the following requirements: Minimum allowable request for 2016: $50,000 Maximum allowable request for 2016: single-institution projects: $250,000 / collaborative projects: $500,000 Minimum allowable project term: 12 months Maximum allowable project term: single-institution projects: 24 months / collaborative projects: 36 months Projects must begin between January 1 and June 1, 2017 Single-institution projects must be completed by May 31, 2019 Collaborative projects must be completed by May 31, 2020 Is this a collaborative project? Yes/No Yes What is the size of the request? NOTE: The minimum acceptable request in this program, for all projects, is $50,000. Single-institution projects can request no more than $250,000. Collaborative projects can request no more than $500,000. Amount Requested $322,092 Provide the proposed project length in whole months, and list the project start and end dates. NOTE: All projects must begin between January 1 and June 1, 2017. The minimum project length, for all projects, is 12 months. Single-institution projects can last up to 24 months and must end by May 31, 2019. Collaborative projects can last up to 36 months and must end by May 31, 2020. Project length (months) 18 Project Start Date 01/01/2017 Project End Date 06/30/2018 NortheastHistoricFilmCarlson 2/29 A note regarding principal investigators: An individual may not be named as a principal investigator (PI) on more than one proposal, and may not serve as PI on two funded projects simultaneously. -
Digital Video Camera Recorder
3-066-521-12 (1) Digital Video Camera Recorder Operating Instructions Before operating the unit, please read this manual thoroughly, and retain it for future reference. Owner’s Record The model and serial numbers are located on the bottom. Record the serial number in the space provided below. Refer to these numbers whenever you call upon your Sony dealer regarding this product. Model No. DCR-TRV Model No. AC- Serial No. Serial No. TM SERIES DCR-TRV830 DCR-TRV730/TRV828/TRV830 ©2001 Sony Corporation Welcome! Congratulations on your purchase of this Sony Digital Handycam camcorder. With your Digital Handycam, you can capture life’s precious moments with superior picture and sound quality. Your Digital Handycam is loaded with advanced features, but at the same time it is very easy to use. You will soon be producing home video that you can enjoy for years to come. WARNING For the customers in the U.S.A. and CANADA To prevent fire or shock hazard, do DISPOSAL OF LITHIUM ION not expose the unit to rain or BATTERY. moisture. LITHIUM ION BATTERY. DISPOSE OF PROPERLY. You can return your unwanted lithium ion batteries to your nearest Sony Service Center or Factory Service Center. Note: In some areas the disposal of lithium ion batteries in household or business trash may be prohibited. For the Sony Service Center nearest you call 1-800-222-SONY (United States only) For the Sony Factory Service Center nearest you call 416-499-SONY (Canada only) Caution: Do not handle damaged or leaking lithium ion battery. This symbol is intended to alert the user to the presence For customers in the U.S.A. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Betamax Beta Transfer to DVD Or Tape
CONTACT US NOW FREE QUOTE & ESTIMATE (905) 482-9438 EMAIL US CONTACT FORM 78 Dana Crescent Thornhill, Ontario L4J 2R5 Canada MAP PERSONAL VIDEO AND AUDIO EDITING FOR CONSUMERS AND SMALL BUSINESS Video editing, Color 8mm, Super 8 & VHS, 8mm, Hi8, Photo Restoration, Streaming Video Audio Cassette, LP, CD, Correction, Titling, 16mm film with MiniDV, Digital & more Picture Retouching, Convert to WMV, RM, transfer to CD or MP3 DVD Authoring, etc. sound to DVD/VHS transfer to DVD/VHS Photo & Slide Scanning QuickTime, MPEG2/4 Forms Betamax Testimonials We transfer BETA (Betamax) video tapes to DVD, Tape, raw & Examples AVI or MPEG2. We can also help restore your old, damaged Ready to save your or improperly shot videos from incorrect exposures, age, memories? Please color loss, and more. Let us add ambience to your video complete this order with titles, transitions and music. form and include it when you drop off or ship us your media. Beta video went head to head against VHS in the consumer market and even though VHS won, Beta variants succeeded in (Adobe PDF reader required). capturing the professional market. More information on Beta can be found here. Quick Quote Roll your mouse on and off the Quick Question images below Your Name Here Beta Transfer to DVD or Tape If you don't know which package applies to your video, let us do a free Your Email Here or evaluation. (most tapes transfer with the bronze package) Your Phone Number Up to 2 hours. BETA PAL is currently not available. DIGITAL IMPROVEMENTS - Beta Videotape Transfer and Restoration Page 2 of 7 Your Message Here Add 6% GST for all orders within Canada Bronze $24.95 Direct 1. -
Sony Corporation
SONY CORPORATION GRIFFIN CONSULTING GROUP Hao Tang Rahul Misra Ellie Shanholt April 2012 CONTENTS Executive Summary ..................................................................................................................... 3 Company Overview and History .............................................................................................. 4 Financial Analysis ........................................................................................................................ 6 Liquidity .................................................................................................................................... 6 Profitability ............................................................................................................................... 7 Operating Efficiency ................................................................................................................ 9 Stock Performance ................................................................................................................... 9 Segments and Locations ........................................................................................................ 12 Competitive Analysis ................................................................................................................ 14 Internal Rivalry: ..................................................................................................................... 14 Entry ........................................................................................................................................ -
How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content
Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content ABSTRACT With the growing popularity of YouTube and other platforms for user-generated content, such as blogs and wikis, copyright holders are increasingly concerned about potential infringing uses of their content. However, when enforcing their copyrights, owners often do not distinguish between direct piracy, such as uploading an entire episode of a television show, and transformative works, such as a fan-made video that incorporates clips from a television show. The line can be a difficult one to draw. However, there is at least one source of user- generated content that has existed for decades and that clearly differentiates itself from piracy: fandom and “fan fiction” writers. This note traces the history of fan communities and the copyright issues associated with fiction that borrows characters and settings that the fan-author did not create. The author discusses established social norms within these communities that developed to deal with copyright issues, such as requirements for non-commercial use and attribution, and how these norms track to Creative Commons licenses. The author argues that widespread use of these licenses, granting copyrighted works “some rights reserved” instead of “all rights reserved,” would allow copyright holders to give their consumers some creative freedom in creating transformative works, while maintaining the control needed to combat piracy. However, the author also suggests a more immediate solution: copyright holders, in making decisions concerning copyright enforcement, should consider using the norms associated with established user-generated content communities as a framework for drawing a line between transformative work and piracy. -
Hazleton Area School District
DATE: 10/06/2011 HAZLETON AREA SCHOOL DISTRICT BID CATALOG 070 (2012-2013) AV SUPPLIES & EQUIPMENT --------------------------------------------------------------------------------------------- STOCK ITEM/ QTY UNIT OF UNIT TOTAL DESCRIPTION MEASURE PRICE PRICE --------------------------------------------------------------------------------------------- ADAP001 _________ EACH 5.00 __________ XLR ADAPTER 3 PRONG XLR FEMALE TO 1/4" MALE PHONE JACK ADAP025 _________ EACH 12.52 __________ VHS-C ADAPTER- VHS-C AUTO LOAD CASSETTE ADAPTER FOR VIEWING VHS-C CASSETTES ON FULL SIZE VHS VCR, MOTORIZED UNIT, BATTERIES INCLUDED ADAP026 _________ EACH 290.00 __________ FISHEYE ADAPTER FOR DIGITAL VIDEO CAMERAS WITH 35MM LENS FRONT DIAMETER, CENTURY OPTICS PART # DSFEWA37, ULTRA FISHEYE .3X. ADORAMA ITEM # CYDSFEWA37 ADAP333 _________ EACH 25.13 __________ SONY PORTABLE AC ADAPTER CHARGER (AC-LS1) AMPH001 _________ EACH 50.00 __________ VOICE AMP 190 WITH STANARD MICROPHONE PLUS WIRELESS MICROPHONE 200 YD RANGE 50 WATT POWER PORTABLE, LANTERN TYPE, BATTERY INCLUDED AMPL100 _________ EACH 50.00 __________ 100 WATTS X 2 CD PHONO TAPE 1 VIDEO AM FM INPUTS 4 SPEAKER PORTS SIMULATED SURROUND SOUND, 40 PROGRAMS, AM/FM PROGRAMS, HEADPHONES, JACK, FULL FUNCTION REMOTE CONTROL CC SYSTEM AUDI002 _________ EACH 20.00 __________ AUDIO TAPE 60 MINUTES CASSETTE, NORMAL BIAS, LOW NOISE AUDI003 _________ EACH 25.00 __________ AUDIO SNAKE BOX 49.2FT 16 GAUGE STEEL BOX CHANNEL ID NUMBERS, "WRITE-ON" SPACE, HELIX MULTIPAIR 24 AWG Q-AUDIO CABLE, 8MIC INPUTS (XLR) 4 MONITOR