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Dispute Prevention and Resolution in the Format Industry
Dispute Prevention and Resolution in the Format Industry Tony Stern EVP Commercial & Business Affairs, Worldwide Production, Fremantle Media WIPO Seminar, 20th January 2011 at Bird and Bird Who is Fremantle Media? • Alongside Endemol the largest producer and distributor of TV formats in the World • Produce in 21 countries, license formats into the remainder • In 2010 produced or licensed 296 Entertainment series around the world o 35 x Got Talent o 22 x X‐Factor o 20 x Family Fortunes o 19 x Farmer Wants a Wife o 17 x Idols Litigation is a Lottery in the Formats Business • Very few cases have gone all the way to judgement • Still unclear whether formats are protected by copyright • Unfair Competition is a better cause of action o Defendant acted in an unfair manner o In doing so caused damage to a competitor • FM has two cases being litigated at the moment Managing Expectations of Your Clients • Very important that your commercial people understand what is and is not actionable o No point embarking on litigation with minimal prospects of success • Copyright Law does not easily cope with formats o Are they just a collection of ideas or an expression of the ideas ? o Format would have to have been worked out in detail in a ‘bible’ o Substantial similarity bar is set very high o Not just copied most of the elements, but also the look and feel • Unfair Competition can be more fruitful if available o A number of cases in Europe where successfully prosecuted a format infringement • Genre is not copying Encourage and Police Your Own People From -
RTL Group Press Release
PRESS RELEASE RTL Group reports highest-ever first-half revenue • Group revenue up 4.2 per cent to €3.2 billion in H1/2019, and up 4.6 per cent on a like-for-like basis • EBITA broadly stable at €538 million despite higher programming and video-on-demand (VOD) investments • Profit for the period up 21.0 per cent to €443 million • Paying subscribers for RTL Group’s VOD platforms in Germany and the Netherlands up 46.2 per cent • New alliances and partnerships: RTL Group shapes the future of the European TV industry • RTL Group updates and confirms full-year 2019 outlook • New dividend policy approved, targeting a pay-out ratio of at least 80 per cent of the adjusted net profit, payable after the Annual General Meeting Luxembourg, 28 August 2019 − RTL Group announces its results for the six months ended 30 June 2019. H1/2019: record first-half-year revenue, jump in net profit Group revenue was up 4.2 per cent to a record level of €3,173 million (H1/2018: €3,046 million), driven by Fremantle and the digital businesses. On a like-for-like basis, revenue rose 4.6 per cent to €3,124 million (H1/2018: €2,988 million) – the highest growth rate since 2010. RTL Group’s digital revenue grew 21.0 per cent to €513 million (H1/2018: €424 million), driven by Fremantle, BroadbandTV, SpotX and the Group’s streaming services TV Now and Videoland. Reported Group EBITA1 was broadly stable at €538 million (H1/2018: €548 million). Higher investments in programming and VOD services were largely compensated for by significantly higher profit contributions from Fremantle and Groupe M6. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
Patron : John Henderson
Official Newsletter of The Jazz Club of W.A. Inc ISSN 0817-6442 Patron : John Henderson Number 438 October 2021 ❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖❖ Enquiries: Phone 0414 942 730 ( Caterina ) Email : [email protected] Web : www.jazzclubofwa.asn.au Facebook : www.facebook.com/JazzClubofWA The Club meets Every Tuesday Night at The Yokine Bowling Club ; 10 Wordsworth Ave Yokine 7.00 - 10.00 pm Admission at door: $15 members, $20 non-members. Annual membership: $25 Caterina’s chatter October 2021 October Bands Here we are well into spring, I feel so energised when I wake up to a sunny day, but its human nature really. Soon it will be 5th October Hills Big Band too hot, too cold, humid or dry, it’s out of our control, just as Brought to us by their President, John Perry. well. 12th October Kent Street Riverside Welcome September, now in the past. We did have great Stompers bands. “Vintage JB” opened with some very good music and varieties of tunes. We all did enjoy the dancing as well. Roaring Twenties Night “Rampart Street Ramblers” a true trad jazz band also with Martin Jones (Bass Sax), Steve Searle (Trumpet), great tunes, even though I find it too fast to dance to, but great Hermann Scheidler (Trombone), Peter Groos jazz for listening. Dr. Jazz, an interesting group of musicians (Reeds), Barry Bruce (Piano), John Lee (Banjo/ including Tristan on vocals. They feature the American Vocals), Bob Appleyard (Drums/Vocals). songbook and trad, a variety to be enjoyed. Whilst closing the month “Swingy and Hot”, put together by Barry Bruce for our 19th October That’s Jazz benefit with some of Perth’s most experienced musicians in Don Slaughter (Piano), Rob Watt (Trumpet), Bob early jazz, trad, swing, as well as mainstream jazz. -
A Bloomin' Good Idea!
Uniview Vol. 35 No. 2, Spring 2015 A bloomin’ good idea! “ The Delano Scholarship has helped me flourish in my music studies.” JULIA NICHOLLS Be part of our future For generations, UWA’s musical stars have created magical moments here on campus and across the globe. Bequests from people like the late Vic Delano, a professional musician, have provided young musicians like Julia, Christopher and William with the mentorship of some of the world’s finest performers and relieved the financial burden associated with studying music at university. Through Vic’s generosity, we can share special times with rising stars like Julia and her fellow musicians for many years to come. If you would like to help our talented musicians create magical moments for future generations, consider a gift in your will today. To find out more, contact: Liz Terracini, Development Manager, Bequests on +61 8 6488 8537 or [email protected] CRICOS Provider Code 00126G UNIPRINT 127326 CRICOS Provider VOL.35 NO. 2, SPRING 2015 ALUMNI MAGAZINE FOR THE UNIVERSITY OF WESTERN AUSTRALIA CONTENTS In Focus: campus news and views 2 From the Vice-Chancellery 8 Vocal studies hit the high notes 9 The Forrest Scholars – unlocking the doors of knowledge 12 Graduate profile: AMA WA President Dr Michael Gannon 14 Launching UWA IQ 17 What makes a good idea grow? 18 Searching for the ‘gold standard’ of healing 22 From idea to “serious innovation” 24 The CEED career launch pad 26 Rammed Earth 28 “Making things happen” for PIAF 30 Archaeology in a war zone 32 “ The Delano Scholarship Foreign Minister Julie Bishop hopes New Colombo Volunteers central to UWA’s success 34 Plan students gain insights and understanding of has helped me flourish Grad News 36 the region during study and internships. -
Background Papers Submitted by Fremantlemedia Group Ltd Private
Background papers submitted by FremantleMedia Group Ltd Private and Confidential We refer to the Request for documents dated 11 June 2019 in connection with the DCMS Committee’s Inquiry into Reality TV. We hereby attach the following template documents: 1. Main Contributor Release 2. Template Welfare Protocol 3. Filming with Children protocol 4. Template Publicity Guidelines 5. Summary of Screening Process 6. Medical Questionnaire These templates are continually updated and adapted as necessary to meet the particular production needs of our different programmes. The request for documents asks for the job titles and professional qualifications of associated staff. As explained in our submission to the Committee, we may have a Programme Doctor, a Programme Psychologist and/or a Programme Psychotherapist on our programmes. These are each professionally qualified. In general, we use: Dr Sophia Khalique MBCHB MRCGP DA DRCOG. Dr Khalique has overseen contestant welfare and medical screening across our programmes for ten years. She is a partner in the 48 Wimpole Street Medical Practice, a leading private medical practice. A general practitioner, she has particular interests in mental and occupational health. She also has a wide network of specialists supporting her role on our UK programming as required, including consultant psychiatrists and ENT specialists. Marcie McLeod-Ferros Dip COT MSC (Mental Health Studies) HCPC. Ms McLeod-Ferros has been involved with our shows as our lead programme psychologist since 2009. She qualified as an occupational therapist in 1987 and a psychotherapist in 1991. She was awarded an MSc in Mental Health Studies from Kings College London in 1997 and has worked as a psychotherapist in the NHS and private practice, having also been a clinical psychologist for the Priory Group. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands. -
Press Release
PRESS RELEASE Bertelsmann Launches Content Alliance in the U.K. • Fremantle, Penguin Random House, BMG, and DK announce joint podcast production business • ‘Storyglass’ as first major part of Bertelsmann Content Alliance UK London, July 13, 2020 – Bertelsmann’s content businesses in the U.K. – Fremantle, Penguin Random House UK, BMG, and DK – today announced the launch of “Storyglass” as the first project of their Bertelsmann Content Alliance in the U.K. Fremantle, Penguin Random House UK, BMG and DK are uniquely positioned to grow Storyglass as a leading player in the British podcast market. With access to talent across multiple genres, world-class production and editorial knowledge, Storyglass’ slate will benefit from the expertise of the four companies. Their joint project “This is Spoke” is already a great success – it won the “Best Podcast” accolade at the 2020 Campaign Publishing Awards, and was a 2020 Webby Honoree in the Diversity and Inclusion category. Baroness Gail Rebuck, Chair of the Bertelsmann Content Alliance UK, commented: “Creativity defines each of these businesses and I am excited to see what this collaboration can produce. Audio has always proved a really powerful tool to connect audiences with great stories, and we are confident that this alliance, as well as Storyglass, will put us in a position to deliver world-class series” Andrea Scrosati, Group COO, Fremantle; Tom Weldon, CEO, Penguin Random House UK; Alistair Norbury, President, Marketing & Repertoire, BMG UK and DK CEO Carsten Coesfeld, who represent the Board of the Bertelsmann Content Alliance in the U.K., added: “Podcasting is a fantastic space to test new IP and discover talent. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Gary Stadden AMPS MIBS
Mobile: 07970 667937 / Films@59: 0117 9064334 [email protected] / [email protected] www.garystadden.com / www.filmsat59.com/people/gary-stadden Various Production Credits: Programme Client Broadcaster Format Entertainment: Turn Back Time: The High Street Wall To Wall BBC1 XDCam The Restaurant (1, 2 & 3) BBC BBC2 Hi Def 60 Minute Makeover (1 to 11) ITV Productions ITV1 Digi Beta Rosemary Shrager`s School For Cooks (1 & 2) RDF Media West ITV1 DVCam Dickinson’s Real Deal (3 to 10) RDF Media West ITV1 DVCam Live n Deadly BBC Bristol CBBC / BBC2 DVCam Sorcerer’s Apprentice Twenty Twenty BBC2 / CBBC DVCam James May’s Toy Stories Plum Pictures BBC2 Digi Beta Red or Black Syco ITV1 XDCam Come Dine With Me Granada London Channel 4 DVCam The X Factor / Xtra Factor Talkback Thames / Syco ITV1 / ITV2 Digi Beta Deal Or No Deal: Live Endemol West Channel 4 DVCam The Biggest Loser Shine TV ITV1 XDCam Grand Designs Talkback Thames Channel 4 XDCam Great Welsh Adventure With Griff Rhys Jones Modern Television ITV1 F5 / SD664 Homes Under The Hammer Lion Television BBC1 Digi Beta Dogs: Their Secret Lives (1 & 2) Arrow Media Channel 4 C300/SD664 Time Team Videotext Communications Channel 4 Digi Beta Ade In Britain Shiver ITV1 XDCam Dancing On Ice ITV Productions ITV1 Digi Beta Naomi’s Nightmares Of Nature BBC Bristol CBBC XDCam Escape To The Country Talkback Thames BBC2 DVCam The Apprentice (1 & 2) Talkback Thames BBC2 Digi Beta Britain’s Got Talent Talkback Thames / Syco ITV1 Digi Beta Celebrity Wedding Planner Renegade Picture Channel 5 XDCam Homes -
RTL Group Press Release
PRESS RELEASE RTL Group sells its US ad-tech company SpotX • US-based ad-tech company Magnite to fully acquire SpotX for US-$1.17 billion in cash and stock • With its European ad-tech businesses Smartclip and Yospace, RTL Group is tapping into the high-growth market of addressable TV advertising Luxembourg/Cologne, 5 February 2021 – RTL Group today announced that it has signed a definitive agreement for the sale of SpotX to Magnite (Nasdaq: MGNI), the world’s largest independent sell- side advertising platform, based in Los Angeles. The transaction is subject to receipt of regulatory approvals and is expected to close in Q2/2021. The purchase price consists of US-$560 million (€468 million1) in cash and 14.0 million shares of Magnite stock. The agreement implies an enterprise value (100 per cent) for SpotX of US-$1.17 billion (€977 million1), based on the closing price of Magnite stock as of 4 February 2021. RTL Group’s shareholders will benefit from the cash proceeds in line with the stated dividend policy. RTL Group acquired a 65 per cent majority shareholding in SpotX for €107 million in 2014, and took full ownership of SpotX in 2017, acquiring the remaining shareholding for €123 million. Thomas Rabe, CEO of RTL Group, says: “The sale of SpotX is fully in line with our strategy to concentrate on growing our European digital businesses in streaming, advertising technology, digital video and audio as well as our global content business, Fremantle. SpotX is a fantastic business, focused on the United States and with significant potential. -
RTL Group Press Release AGM Convening Notice
PRESS RELEASE Convening notice for RTL Group’s Annual General Meeting 2021 now available Luxembourg, 26 March 2021 – Following the publication of RTL Group’s audited full-year results 2020 on 12 March 2021, RTL Group convened its Annual General Meeting (AGM) of shareholders 2021. The Annual General Meeting of shareholders will be held on Wednesday 28 April 2021 at 15:00 CEST. In light of the global spread of Covid-19 and in accordance with the Luxembourg law of 25 November 2020, the AGM will be held without the physical presence of the shareholders. The AGM will be broadcast on a live webcast available to shareholders. They can exercise their voting rights electronically during the General Meeting, by correspondence beforehand, or by proxy. It will not be possible to ask questions in person at the General Meeting. However, shareholders can submit questions relating to the items on the agenda, in writing, prior to the AGM. The questions will then be answered verbally during the AGM. RTL Group published the convening notices and the preparatory documents on its website. These documents are available via: www.rtlgroup.com/agm For further information please contact: RTL Group Media & Investor Relations Oliver Fahlbusch Phone: +352/2486 5200 [email protected] About RTL Group RTL Group is a leader across broadcast, content and digital, with interests in 67 television channels, ten streaming platforms and 38 radio stations. RTL Group also produces content throughout the world and owns digital video networks. The television portfolio of Europe’s largest broadcaster includes RTL Television in Germany, M6 in France, the RTL channels in the Netherlands, Belgium, Luxembourg, Croatia, Hungary and Antena 3 in Spain.