2016 Q4 Issue 3
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Dispute Prevention and Resolution in the Format Industry
Dispute Prevention and Resolution in the Format Industry Tony Stern EVP Commercial & Business Affairs, Worldwide Production, Fremantle Media WIPO Seminar, 20th January 2011 at Bird and Bird Who is Fremantle Media? • Alongside Endemol the largest producer and distributor of TV formats in the World • Produce in 21 countries, license formats into the remainder • In 2010 produced or licensed 296 Entertainment series around the world o 35 x Got Talent o 22 x X‐Factor o 20 x Family Fortunes o 19 x Farmer Wants a Wife o 17 x Idols Litigation is a Lottery in the Formats Business • Very few cases have gone all the way to judgement • Still unclear whether formats are protected by copyright • Unfair Competition is a better cause of action o Defendant acted in an unfair manner o In doing so caused damage to a competitor • FM has two cases being litigated at the moment Managing Expectations of Your Clients • Very important that your commercial people understand what is and is not actionable o No point embarking on litigation with minimal prospects of success • Copyright Law does not easily cope with formats o Are they just a collection of ideas or an expression of the ideas ? o Format would have to have been worked out in detail in a ‘bible’ o Substantial similarity bar is set very high o Not just copied most of the elements, but also the look and feel • Unfair Competition can be more fruitful if available o A number of cases in Europe where successfully prosecuted a format infringement • Genre is not copying Encourage and Police Your Own People From -
Kuac Pbs Kids 24/7 Services
KUAC PBS KIDS 24/7 SERVICES OVERVIEW PBS has launched new free 24/7 multiplatform children’s services. Provided by local stations, the free services include a new TV channel, a live stream on digital platforms and an interactive gaming feature, which will debut later in 2017. Together, these new services support KUAC’s mission to reach all children with high-quality educational content. These new services offer the very best child and parent experience, increasing access to award-winning PBS KIDS content, especially for those who need it the most, when it is most convenient. Starting June 5, 2017 KUAC will broadcast PBS KIDS shows 24 hours a day on KUAC 9.5 and offer a live stream, making it easy for children to watch their favorite series during primetime and other after-school hours when viewing among children is high. Viewers can watch the station-branded live stream through pbskids.org and on the PBS KIDS Video App, which is available on a variety of mobile devices and tablets. On-demand clips and full episodes continue to be available for free on the PBS KIDS Video App and pbskids.org. Streaming on pbskids.org accounts for over a third of all time spent watching kids videos online and the site is #1 in the kids’ category for total views and minutes spent.i Across digital platforms, PBS KIDS averages 363.2 million streams per month.ii Later this year, the live stream experience will expand to offer an integrated games feature, enabling children to toggle between a PBS KIDS show and an activity that extends learning – all in one seamless digital experience. -
RTL Group Press Release
PRESS RELEASE RTL Group reports highest-ever first-half revenue • Group revenue up 4.2 per cent to €3.2 billion in H1/2019, and up 4.6 per cent on a like-for-like basis • EBITA broadly stable at €538 million despite higher programming and video-on-demand (VOD) investments • Profit for the period up 21.0 per cent to €443 million • Paying subscribers for RTL Group’s VOD platforms in Germany and the Netherlands up 46.2 per cent • New alliances and partnerships: RTL Group shapes the future of the European TV industry • RTL Group updates and confirms full-year 2019 outlook • New dividend policy approved, targeting a pay-out ratio of at least 80 per cent of the adjusted net profit, payable after the Annual General Meeting Luxembourg, 28 August 2019 − RTL Group announces its results for the six months ended 30 June 2019. H1/2019: record first-half-year revenue, jump in net profit Group revenue was up 4.2 per cent to a record level of €3,173 million (H1/2018: €3,046 million), driven by Fremantle and the digital businesses. On a like-for-like basis, revenue rose 4.6 per cent to €3,124 million (H1/2018: €2,988 million) – the highest growth rate since 2010. RTL Group’s digital revenue grew 21.0 per cent to €513 million (H1/2018: €424 million), driven by Fremantle, BroadbandTV, SpotX and the Group’s streaming services TV Now and Videoland. Reported Group EBITA1 was broadly stable at €538 million (H1/2018: €548 million). Higher investments in programming and VOD services were largely compensated for by significantly higher profit contributions from Fremantle and Groupe M6. -
Local Information Programming and the Structure of Television Markets
Local Information Programming and the Structure of Television Markets Federal Communications Commission Media Ownership Study #4 Jack Erb* Office of Strategic Planning and Policy Analysis Federal Communications Commission Email: [email protected] May 20, 2011 Abstract: We analyze the relationship between the ownership structure of television markets and the amount of local news and public affairs programming provided in the market (at both the overall market and individual station levels). We find that commercial television stations that are cross-owned with major newspapers in the same market tend to air more local news programming, but that the station-level increase does not translate into more local news programming at the market level. Television-radio cross-ownership has a moderate (but statistically significant) positive impact on local information programming at the station level, and each additional in-market radio station controlled by the television station owner corresponds to additional local news minutes aired by the television station. However, local news programming at the market level is likely to be lower, as the scale economies enjoyed by the cross-owned stations are outweighed by the crowding out of local news programming on other stations. Multiple ownership (i.e., situations in which a single parent controls two or more stations in the same market) does not appear to impact the amount of local information programming at either the market or station level (though this result appears somewhat dependent upon model specification). But we do find that multiple ownership and broadband subscribership have a positive impact on the relative mix of local vs. -
The Real Match Game Story Behind the Blank
The Real Match Game Story Behind The Blank Turdine Aaron always throttling his bumbershoots if Bennet is self-inflicted or outsold sulkily. Shed Tam alkalising, his vernalizations raptures imbrangle one-time. Trever remains parlando: she brutalize her pudding belly-flopped too vegetably? The inside out the real For instance, when the Godfather runs a car wash, he sprays cars with blank. The gravelly voiced actress with the oversized glasses turned out to be a perfect fit for the show and became one of the three regular panelists. Unsourced material may be challenged and removed. Behind The Blank: The Real Ma. Moviefit is the ultimate app to find your next movie or TV show. Grenvilles, Who Will Love My Children? Two players try to match the celebrity guesses. Every Saturday night, Frank gets picked up by a blank. There is currently no evidence to suggest that either man ever worked for the Armory Hill YMCA, per se. Eastern Time for an hour. Understand that this was the only completely honest version of Hwd Squares ever where no Squares were sitting there with the punch lines of the jokes in front of them. ACCEPTING COMPLETED APPLICATION FORMS AND VIDEOS NOW! Actually, Betty White probably had a higher success rate one on one. The stars were just so great! My favorite game show host just died, and I cried just as much as when Gene died. Jerry Ferrara, Constance Zimmer, Chris Sullivan, Caroline Rhea, Ross Matthews, Dascha Polanco, James Van Der Beek, Cheryl Hines, Thomas Lennon, Sherri Shepherd, Dr. Software is infinitely reproducable and easy to distribute. -
To Return to Production November 30
FOR IMMEDIATE RELEASE ‘JEOPARDY!’ TO RETURN TO PRODUCTION NOVEMBER 30 Ken Jennings Named First Interim Guest Host For New Episodes Airing January 2021 CULVER CITY, CALIF. (November 23, 2020) – As JEOPARDY! remembers and celebrates the life of Alex Trebek, the show announced today that it will resume production on Monday, November 30. Though a long-term replacement host will not be named at this time, JEOPARDY! will return to the studio with a series of interim guest hosts from within the JEOPARDY! family, starting with Ken Jennings. Earlier this year, Jennings claimed the title of JEOPARDY!’s Greatest of All Time in an epic primetime event; he also holds the all-time records for most consecutive games won (74) and highest winnings in regular-season play ($2,520,700). Additional guest hosts will be announced in the weeks ahead. “Alex believed in the importance of JEOPARDY! and always said that he wanted the show to go on after him,” said JEOPARDY! Executive Producer Mike Richards. “We will honor Alex’s legacy by continuing to produce the game he loved with smart contestants and challenging clues. By bringing in familiar guest hosts for the foreseeable future, our goal is to create a sense of community and continuity for our viewers.” JEOPARDY! also announced an update to its broadcast schedule: in memory of Alex, the show will air 10 of his best episodes the weeks of December 21 and December 28, 2020. Due to anticipated preemptions around Christmas and New Year’s, Alex’s last week of episodes will now air the week of January 4, 2021, in order to give his millions of fans a chance to see his final appearances. -
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id. -
Background Papers Submitted by Fremantlemedia Group Ltd Private
Background papers submitted by FremantleMedia Group Ltd Private and Confidential We refer to the Request for documents dated 11 June 2019 in connection with the DCMS Committee’s Inquiry into Reality TV. We hereby attach the following template documents: 1. Main Contributor Release 2. Template Welfare Protocol 3. Filming with Children protocol 4. Template Publicity Guidelines 5. Summary of Screening Process 6. Medical Questionnaire These templates are continually updated and adapted as necessary to meet the particular production needs of our different programmes. The request for documents asks for the job titles and professional qualifications of associated staff. As explained in our submission to the Committee, we may have a Programme Doctor, a Programme Psychologist and/or a Programme Psychotherapist on our programmes. These are each professionally qualified. In general, we use: Dr Sophia Khalique MBCHB MRCGP DA DRCOG. Dr Khalique has overseen contestant welfare and medical screening across our programmes for ten years. She is a partner in the 48 Wimpole Street Medical Practice, a leading private medical practice. A general practitioner, she has particular interests in mental and occupational health. She also has a wide network of specialists supporting her role on our UK programming as required, including consultant psychiatrists and ENT specialists. Marcie McLeod-Ferros Dip COT MSC (Mental Health Studies) HCPC. Ms McLeod-Ferros has been involved with our shows as our lead programme psychologist since 2009. She qualified as an occupational therapist in 1987 and a psychotherapist in 1991. She was awarded an MSc in Mental Health Studies from Kings College London in 1997 and has worked as a psychotherapist in the NHS and private practice, having also been a clinical psychologist for the Priory Group. -
Welcome to the Wonderful World of Hopper® Congratulations on Purchasing the Most Awarded and Technologically Advanced Whole-Home HD DVR on the Market
FEATURES GUIDE Welcome to the Wonderful World of Hopper® Congratulations on purchasing the most awarded and technologically advanced whole-home HD DVR on the market. The Hopper is your portal to smarter, more convenient entertainment. Now, let’s make sure you understand how to use it. 4) 14 Tips You’ll Love 14) PrimeTime Anytime 22) Settings 6) Home 15) TV Activity 24) Parental Controls 8) Guide 16) Movies 25) Internet Connection 10) Menu 18) Video On Demand 26) Refer a Friend 11) Search 19) DISH Anywhere 27) Remote Overview 12) DVR 20) Apps Back) Help Info This icon can be seen on certain pages throughout this guide. Press and hold INFO/HELP to access additional assistance on your TV. 14 TIPS YOU’LL LOVE Become a Hopper pro. Here are 14 quick tips and features that will have you surfing through your Hopper with stylish ease. Lose Your Remote? Press the LOCATE REMOTE button on the front panel of your Hopper receiver, and in a few seconds the remote will begin to beep to help you locate it. Binge-Watching is Awesome! It’s so easy to spend a day, night, or weekend just camped on your couch bingeing on a great show. The Hopper organizes DVR record- NEXT ings and On Demand programs by season and episode. When you finish an episode, EPISODE a pop-up will appear showing the next available episode to watch. It’s like you barely even have to move (OK, not sure that’s a good thing, but you get the idea.)! Watch in One Room, Finish in Another. -
Frontier Fiberoptic TV Florida Residential Channel Lineup and TV
Frontier® FiberOptic TV Florida Channel Lineup Effective September 2021 Welcome to Frontier ® FiberOptic TV Got Questions? Get Answers. Whenever you have questions or need help with your Frontier TV service, we make it easy to get the answers you need. Here’s how: Online, go to Frontier.com/helpcenter to fi nd the Frontier User Guides to get help with your Internet and Voice services, as well as detailed instructions on how to make the most of your TV service. Make any night movie night. Choose from a selection of thousands of On Demand titles. Add to your plan with our great premium off erings including HBO, Showtime, Cinemax and Epix. Get in on the action. Sign up for NHL Center Ice, NBA League Pass and MLS Direct Kick. There is something for everyone. Check out our large selection of international off erings and specialty channels. Viewing Options: Look for this icon for channels that you can stream in the FrontierTV App or website, using your smart phone, tablet or laptop. The availability of streaming content depends on your Frontier package and content made available via various programmers. Certain channels are not available in all areas. Some live streaming channels are only available through the FrontierTV App and website when you are at home and connected to your Frontier equipment via Wi-Fi. Also, programmers like HBO, ESPN and many others have TV Everywhere products that Frontier TV subscribers can sign into and watch subscribed content. These partner products are available here: https://frontier.com/resources/tveverywhere 2 -
Endless Catalog Final
® 19991999 Endless Games™ would like to thank the toy trade for all the support they have given us in 1998. We feel privileged to be a part of this exciting and colorful industry, and look forward to bringing to market products that change the way that people feel about the board game business. We are very proud to bring our new line out this year, mixing classic games and new games for a distinctive and profitable collection for retailers and consumers. We position our product to provide solid margin and offer the retailer games that the consumer knows and seek out. We are are in a changing business and we are committed to our philosophy of great games, old and new. We are always on the hunt for new games that have the potential to go “all the way.” We are in a “what’s new?” industry and we strive to bring out products that capture the magic of great game play and offer consumers an experience. Sincerely, Kevin McNulty Vice President of Sales ® 1 NO.009 THE BEATLES GAME™ “A Document Of The Band That Changed The World!” A chronicle of the life and times of the greatest band the music industry has ever seen... It is a game like no other, based on a rock group like no other! Challenge your opponents with your knowledge of the Beatles™, their music, their lyrics, and their lives, as you take a trip down the Long and Winding Road from Liverpool to The End. For 2 or more players Ages: 10 to Adult 3 3 1 Item Size: 10 ⁄4 x 10 ⁄4 x 3⁄2 3 1 1 Case Size: 21 ⁄8 x 11⁄8 x 11⁄2 Pack: 6/Case Cube: 1.58 UPC: 6-32468-00009-6 ISBN: 1-890665-15-0 The “Beatles”® is a registered trademark of Apple Corp Limited All Rights Reserved. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands.