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In the Circuit Court of Drew County, Arkansas Probate Division
See more storm Check out out the Billie damage Senior Softball players on page 6A page 8A ADVANCE-MONTICELLONIAN 75¢ WEDNESDAY, APRIL 15, 2020 SERVING DREW COUNTY SINCE 1870 Storm ravages south; Monticello not spared BY MELISSA ORRELL house shook. I came home, saw the will slow workers’ progress under [email protected] tree on the house and called Travis normal conditions, but the health and Chapman.” safety of both Entergy Arkansas em- Severe weather with straight-line At 11 p.m. Sunday night, Chapman ployees and customers can be put in winds and tornadoes tore across the and his crew was already at work re- jeopardy with close contact,” Entergy southern United States Sunday, April moving the tree from the home. stated in a press release asking cus- 12, leaving over one million people According to Ellis, he also suffered tomers to maintain their distance, ush- without electricity, over 128,000 in damage earlier this when severe storms ering in a new age where customers Arkansas. Drew County suffered along damaged University of Arkansas Mon- are unable to show their appreciation with the rest of the states with the ticello campus and Bowser Road. by making sure workers have plenty of storms knocking power out and leav- “Four trees then,” said Ellis, joking- water and food to eat while they work. ing over 5,770 customers still affected ly asking if anyone would like to buy According to Entergy, Monticello as of 4:30 p.m. Tuesday, April 14. a house. and Wilmar’s damage include “26 bro- As residents left their houses Mon- The University of Arkansas Monti- ken poles, 47 spans of downed wire day, April 13, debris and power-lines cello campus was hit once again also and over 30 additional pieces of dam- littered the streets and gas was a hot with trees littering the campus, the aged equipment. -
Italian Americans of New York and New Jersey, a Two-Part Series Hosted by Journalist Maria Bartiromo
ITALIAN AMERICANS OF AND FEBRUARY 2015 NEW YORK NEW JERSEY The largest Italian American population in the United States influences many vibrant and ever-evolving neighborhoods of New York and New Jersey. To celebrate the lives, achievements, and culture Italian Americans have brought to the metro area, WLIW21 is presenting Italian Americans of New York and New Jersey, a two-part series hosted by journalist Maria Bartiromo. The series, a companion program to the PBS broadcast The Italian Americans (Thursdays, February 19 & 26 at 9pm), highlights this large community’s rich culture and influence, featuring interviews with experts in Italian-American history and culture and prominent Italian Americans, including New York City Mayor Bill de Blasio, chef Lidia Bastianich, the late Governor of New York Mario Cuomo, singer Tony Bennett, actress Susan Lucci, former New York Senator Al D’Amato, New Jersey Governor Chris Christie, journalist Steve Adubato, actor Joe Piscopo, and many others. The program is further enhanced by the personal stories, videos, and photos viewers have shared on the Italian Americans of New York and New Jersey webpage (thirteen.org/italian-americans-ny-nj). Host Maria Bartiromo (left) shares a moving testimonial about her Italian-American heritage and childhood in Bay Ridge, Brooklyn, where her family owned a restaurant called Rex Manor that was named after the boat that took her grandfather, Carmine — a brick layer from Salerno, Italy — to America in 1919. Working at The Rex was a true family affair for the Bartiromos and an invaluable lesson for young Maria about the importance of having a strong work ethic. -
Licensing Show June 2015 1
licensing show june 2015 1 Source: Nielsen and Sesame Street Multiplatform Study Wave 5, June 2014; 2014 Sesame Brand Deck Survey, Moms of a child 0-5. Source: 2015 Sesame Brand Deck Survey . Moms of a child 0-5. “What is your opinion of the following children’s TV shows?". % of “one of my favorites”. Nielsen. 1Q15 (12/29/14-3/29/15). F18-49 with a child under 6. Combination of Sesame Street 30M and 60M version. Source: 2015 Sesame Brand Deck Survey . Moms of a child 0-5. “Which type of licensed character products do you intend to purchase for your child or as a gift in the next 12 months?". Source: 2015 Sesame Brand Deck Survey . Moms of a child 0-5. “Please indicate how well each of the following attributes below describe the program“. nd • Sesame Street had the 2 largest audience among all PBS Kids shows this Winter! • Our new 30-minute afternoon episode has helped to grow our unique audience by 27%! • Plus, the 60-minute episode ranked 9th in February with a 2.95 rating among kids 2-5 – our highest ranking in 10 years! Source: Nielsen 12/29/14-3/29/15. K2-5 combined cume of Sesame Street 60-minute and 30-minute versions, M-F 6a-6p PBS Kids programs only; Nielsen Media Research. 1Q15 (12/29/15-3/29/1) P2+ combined cume of Sesame Street 60-minute and 30-minute versions vs. Sesame Street 60-minute version; Nielsen. K2-5 Live+7 AA%. Feb 2015 (1/26/15-2/22/15). -
Lionsgate® Selected to Distribute Hit Entertainment’S Premiere Family Entertainment Library in North America
LIONSGATE® SELECTED TO DISTRIBUTE HIT ENTERTAINMENT’S PREMIERE FAMILY ENTERTAINMENT LIBRARY IN NORTH AMERICA Agreement Catapults Lionsgate Into Top Three In North American Non-Theatrical Family Home Entertainment Marketplace With Distribution Rights To Thomas & Friends™, Bob the Builder™, Barney™, Angelina Ballerina™ And More SANTA MONICA, CA, VANCOUVER, BC, and LONDON, UK– March 24, 2008 – Reflecting the continued growth of its home entertainment business, Lionsgate (NYSE: LGF), the premier independent filmed entertainment studio, has acquired the home entertainment distribution rights to worldwide family entertainment leader HIT Entertainment’s extensive portfolio of award-winning children’s programming in the US and Canada. The announcement was made today by Lionsgate President and Co-Chief Operating Officer Steve Beeks and HIT Entertainment Chief Financial Officer Jim Weight. Under the terms of the agreement, Lionsgate obtains the exclusive marketing, sales and distribution rights to HIT’s iconic franchises including Thomas & Friends™, Bob the Builder™, Barney™, Angelina Ballerina™and Fireman Sam™ newly acquired brands such as Fifi & the Flowertots™ and Roary the Racing Car™ from Chapman Entertainment, Aardman Animations’ award-winning Wallace & Gromit™ which includes four TV half hour episodes, and Shaun the Sheep™, as well as The Jim Henson Company’s Fraggle Rock™ and additional family titles from the Henson library. Lionsgate is scheduled to begin distributing HIT’s full slate of home entertainment releases in May 2008. Thomas and the Great Discovery, the brand’s first feature length direct to DVD movie since 2005, featuring Pierce Brosnan as the narrator, will be one of the first titles released in September 2008. “The HIT library will be one of the most treasured jewels in our family entertainment crown,” said Lionsgate President and Co-Chief Operating Officer Steve Beeks. -
2011 Annual Report
Mattel Annual Report 2011 Click to play! Please visit: www.Mattel.com/AnnualReport The imagination of children inspires our innovation. Annual Report 2011 80706_MTL_AR11_Cover.indd 1 3/7/12 5:34 PM Each and every year, Mattel’s product line-up encompasses some of the most original and creative toy ideas in the world. These ideas have been winning the hearts of children, the trust of parents and the recognition of peers for more than 65 years. 80706_MTL_AR11_Text.indd 2 3/7/12 8:44 PPMM To Our Shareholders: am excited to be Mattel’s sixth environment. The year proved Chief Executive Offi cer in 67 to be a transition period for years, and honored to continue Fisher-Price with the expiration the legacy of such visionaries of the Sesame Street license as Mattel founders Ruth and and our strategic re-positioning Elliot Handler; Herman Fisher of the brand. and Irving Price, the name- sakes of Fisher-Price; Pleasant We managed our business Rowland, founder of American accordingly as these challenges Girl; and Reverend W. V. Awdry, played out during the year. We creator of Thomas & Friends®. maintained momentum in our core brands, such as Barbie®, First and foremost, I would like Hot Wheels®, American Girl® to acknowledge and thank and our new brand franchise, Bob Eckert for his tremendous Monster High®, as well as with contributions to the company key entertainment properties, during the last decade. Bob is such as Disney Princess® and a great business partner, friend CARS 2®. As a result, 2011 and mentor, and I am fortunate marks our third consecutive to still be working closely with year of solid performance: him as he remains Chairman revenues and operating of the Board. -
Uncle Milton Industries Dinosaur Train Announcement
FOR MORE INFORMATION CONTACT: Nancy Davies, Salmon Borre Group [email protected]; 847.582.1610 FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AWARDS UNCLE MILTON INDUSTRIES A LICENSING AGREEMENT TO DEVELOP SCIENCE-THEMED EDUCATIONAL TOYS FOR DINOSAUR TRAIN™ LOS ANGELES – (October 5, 2010) – The Jim Henson Company and Uncle Milton Industries, a leader in creating fun, educational science and nature toys for more than 50 years, announce a multi-year licensing agreement for Uncle Milton to develop science-themed educational toys based on the hit animated children’s series, DINOSAUR TRAIN™. The announcement came at the beginning of today’s Toy Industry Association’s Fall Toy Preview, being held October 5-8 in Dallas, TX. The Jim Henson Company granted Uncle Milton Industries the rights to develop all-new educational toys focused on the science behind the exciting world of DINOSAUR TRAIN and its cast of loveable prehistoric characters. The Uncle Milton licensed product line will launch in North America in the spring of 2011 and in the U.K., Spain, France and Australia in fall of 2011. “At Uncle Milton, our goal is to make science more interesting, engaging and accessible for children. DINOSAUR TRAIN provides the perfect platform for us to do what we do best—create products that encourage kids to explore scientific concepts in a fun and meaningful way,” states Frank Adler, President of Uncle Milton Industries. “We are honored to partner with The Jim Henson Company on this strong property. It presents us with such an exciting opportunity because the property resonates so well with preschoolers, allowing us to start this important relationship between kids and science at the very earliest age.” “We know Uncle Milton will introduce a compelling new educational line that allows kids the opportunity to explore real science within the familiar and popular Dinosaur Train world,” said Melissa Segal, Senior Vice President Global Consumer Products for The Jim Henson Company. -
2012 Annual Report 2012 Annual Annual Report
Mattel 2012 Annual Report Annual Report Click to play! Please visit: corporate.mattel.com 42837_Cover.indd 1 3/13/13 9:59 AM 42837_Cover.indd 2 3/13/3/13/1313 99:59:59 AM 42837_Guts.indd 1 Nurture StructureStruct Plan Innovate 3/12/13 9:17 2012 Annual ReportReport corporate.mattel.com 1 AM To Our Shareholders: I am writing this letter having just completed one of my were well represented in their toy, video and consumer product busiest months as CEO. February 2013 started with our purchases. This, in turn, pleased fourth quarter and full-year 2012 earnings call, which our retail partners and allowed us to deliver solid results. was quickly followed by a formal presentation to the fi nancial analyst community during New York Toy Fair In 2012, we had record sales, eclipsing $7 billion in total gross sales for and an extensive series of meetings with many of our the fi rst time. Additionally, we grew investors across the country. NPD share in both the U.S. and the Euro51. It also marked the fourth I ended the month meeting with my straight year where we had strong senior management team to discuss gross margins and tight cost our future goals and how we can management, which drove expansion best achieve them. of our adjusted operating margins. All of these achievements resulted In short, February gave me great in adjusted EPS growth of 13%2, perspective on how our consumers, and our second consecutive year customers and owners are viewing of generating more than $1 billion our business. -
SI-4) Focus Goals: Value/Return on Investment (FA-5
VEGAS PBS ANNUAL PROGRAMMING PRODUCTION PLAN NETWORK AFFILIATION AGREEMENTS SCHOOL CABLE AND EBS CHANNEL RETRANSMISSION CONSENTS AND PROFESSIONAL SERVICE PROVIDER AUTHORIZATIONS 2019-2020 Strategic Imperatives: Clarity and Focus (SI-4) Focus Goals: Value/Return on Investment (FA-5) District Regulations 3312 and 2310 require Board approval for all purchases over $50,000.00 and $25,000.00, respectively. To accomplish channel scheduling and planned local productions, Vegas PBS contracts with network program providers and independent producers to accomplish a licensee-approved community service programming and a local production plan. Adoption of this plan grants Vegas PBS authority to purchase programming and production resources for those projects. The plan may be amended by Board action through the year if grant funds are secured for significant local program productions. Specific independent contractors are hired throughout the year following standard purchase order issuance by the Purchasing Department. The Purchasing Department has reviewed the request for purchase and has determined that contracting for these services may be exempted from the competitive bidding process in accordance with Nevada Revised Statutes (NRS) 332. Vegas PBS has presented an annual production plan to the Board of School Trustees since 1996. For this item, board members act in their capacity as Federal Communication Commission (FCC) approved television licensees responsible for serving viewers in the station’s multi-state and four county service region. The programming and production plan authorizes national network programming affiliation agreements for KLVX-DT Channel 10’s three over the air channels and a possible fourth channel, plus six over the air Educational Broadband Service (EBS) channels serving school sites, three noncommercial educational cable channels, and 29 Clark County School District (CCSD) Classroom Cable channels. -
PBS KIDS Shows on IPTV
PBS KIDS Shows on IPTV Nearly 260,000 children (2-11) watch PBS KIDS on IPTV every week. PBS KIDS IS THE #1 EDUCATIONAL MEDIA BRAND. PBS KIDS programs on IPTV are appointment PBS KIDS children’s programs on public television are second to none. Public television for families. television has its roots in education. It’s what sets us apart from other networks and IPTV airs over 100 hours helped earn PBS the honor of being named the #1 trusted brand by the American of high quality, educational children’s public for over a decade. (Source: Roper Poll) program each week. Children’s programs on IPTV are specifically designed to develop reading and Coming this fall - learning skills, to help build a foundation for success and inspire a love of learning. Nature Cat Favorite PBS KIDS programs include: • Sesame Street • Wild Kratts • Dinosaur Train • SuperWHY! • Daniel Tiger’s Neighborhood • Cat in the Hat • Arthur • Peg + Cat • Curious George PBS KIDS LEADS THE WAY! Wild Kratts • PBS KIDS is the #1 educational media brand and an innovator in children’s educational media. • PBS KIDS is the #1 site for children’s program videostreams. • PBS KIDS is the #1 source of media content for preschool teachers. • PBS KIDS was named the safest TV & online destination for children. • PBS KIDS helps children learn reading, math and essential skills. • PBS KIDS outscores cable and commercial broadcast television. • PBS KIDS / IPTV offers 6 literary and 11 STEM, science and math series. Daniel Tiger’s Neighborhood • PBS KIDS is trusted, valued and essential. (Source: ValuePBS.org) Children’s programs featured on IPTV are on television screens every day in homes across Iowa. -
Local Information Programming and the Structure of Television Markets
Local Information Programming and the Structure of Television Markets Federal Communications Commission Media Ownership Study #4 Jack Erb* Office of Strategic Planning and Policy Analysis Federal Communications Commission Email: [email protected] May 20, 2011 Abstract: We analyze the relationship between the ownership structure of television markets and the amount of local news and public affairs programming provided in the market (at both the overall market and individual station levels). We find that commercial television stations that are cross-owned with major newspapers in the same market tend to air more local news programming, but that the station-level increase does not translate into more local news programming at the market level. Television-radio cross-ownership has a moderate (but statistically significant) positive impact on local information programming at the station level, and each additional in-market radio station controlled by the television station owner corresponds to additional local news minutes aired by the television station. However, local news programming at the market level is likely to be lower, as the scale economies enjoyed by the cross-owned stations are outweighed by the crowding out of local news programming on other stations. Multiple ownership (i.e., situations in which a single parent controls two or more stations in the same market) does not appear to impact the amount of local information programming at either the market or station level (though this result appears somewhat dependent upon model specification). But we do find that multiple ownership and broadband subscribership have a positive impact on the relative mix of local vs. -
Yearbook 2008 African
AFRI Yearbook 2008 CAN M E DI A AFRIcan , AFRI , CAN MEDIA, C H ILDR AFRIcan The International Clearinghouse EN on Children, Youth and Media Norma Pecora, Enyonam Osei-Hwere & Ulla Carlsson CHILDRen NORDICOM Nordic Information Centre for Media and Communication Research University of Gothenburg Editors: Box 713, SE 405 30 Göteborg, Sweden Norma Pecora, Enyonam Osei-Hwere & Ulla Carlsson Telephone: +46 31 786 00 00 Fax: +46 31 786 46 55 E-mail: nordicom @nordicom.gu.se www.nordicom.gu.se WITH AN INTRODUCTIon BY FIRDOZE BULBULIA ISBN 978-91-89471-68-9 The International Clearinghouse on Children, Youth and Media NORDICOM University of Gothenburg Yearbook 2008 The International The International Clearinghouse Clearinghouse on Children, Youth and Media, at on Children, Youth and Media A UNESCO INITIATIVE 1997 Nordicom University of Gothenburg Box 713 SE 405 30 GÖTEBORG, Sweden In 1997, the Nordic Information Centre for Media Web site: and Communication Research (Nordicom), Göteborg www.nordicom.gu.se/clearinghouse University Sweden, began establishment of the International Clearinghouse on Children, Youth DIRECTOR: Ulla Carlsson and Media. The overall point of departure for the SCIENTIFIC CO-ORDINATOR: Clearinghouse’s efforts with respect to children, youth Cecilia von Feilitzen Tel:+46 8 608 48 58 and media is the UN Convention on the Rights of the Fax:+46 8 608 46 40 Child. [email protected] The aim of the Clearinghouse is to increase INFORMATION CO-ORDINATOR: awareness and knowledge about children, youth and Catharina Bucht media, thereby providing a basis for relevant policy- Tel: +46 31 786 49 53 making, contributing to a constructive public debate, Fax: +46 31 786 46 55 [email protected] and enhancing children’s and young people’s media literacy and media competence. -
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id.