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Season 2016-2017 27 Season 2016-2017 Thursday, September 29, at 8:00 The Philadelphia Orchestra Saturday, October 1, at 8:00 Yannick Nézet-Séguin Conductor Sunday, October 2, at 2:00 Lucy Crowe Soprano Kate Lindsey Mezzo-soprano Nicholas Phan Tenor Philippe Sly Bass-baritone Westminster Symphonic Choir Joe Miller Director Theofanidis Rainbow Body Schubert Symphony in B minor, D. 759 (“Unfinished”) I. Allegro moderato II. Andante con moto Intermission Mozart Mass in C minor, K. 427 I. Kyrie II. Gloria Gloria in excelsis Deo Laudamus te Gratias Domine Deus Qui tollis Quoniam Jesu Christe—Cum sancto spiritu III. Credo Credo in unum Deum Et incarnatus est IV. Sanctus V. Benedictus This program runs approximately 2 hours, 5 minutes. The September 29 concert is sponsored by Robert E. Mortensen. The October 1 concert is sponsored by Mr. and Mrs. Peter Shaw. The October 2 concert is sponsored by Ms. Elaine Woo Camarda. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage. The Orchestra Center, Penn’s Landing, Concerts, School Concerts, is inspiring the future and and other cultural, civic, and residency work in transforming its rich tradition and learning venues. The Philadelphia and abroad. of achievement, sustaining Orchestra maintains a strong Through concerts, tours, the highest level of artistic commitment to collaborations residencies, presentations, quality, but also challenging— with cultural and community and recordings, The and exceeding—that level, organizations on a regional Philadelphia Orchestra is by creating powerful musical and national level, all of which a global ambassador for experiences for audiences at create greater access and Philadelphia and for the home and around the world. engagement with classical US. Having been the first Music Director Yannick music as an art form. American orchestra to Nézet-Séguin’s connection The Philadelphia Orchestra perform in China, in 1973 to the Orchestra’s musicians serves as a catalyst for at the request of President has been praised by cultural activity across Nixon, the ensemble today both concertgoers and Philadelphia’s many boasts a new partnership with critics since his inaugural communities, building an Beijing’s National Centre for season in 2012. Under his offstage presence as strong the Performing Arts and the leadership the Orchestra as its onstage one. With Shanghai Oriental Art Centre, returned to recording, with Nézet-Séguin, a dedicated and in 2017 will be the first- two celebrated CDs on body of musicians, and one ever Western orchestra to the prestigious Deutsche of the nation’s richest arts appear in Mongolia. The Grammophon label, ecosystems, the Orchestra Orchestra annually performs continuing its history of has launched its HEAR at Carnegie Hall while also recording success. The initiative, a portfolio of enjoying summer residencies Orchestra also reaches integrated initiatives that in Saratoga Springs, NY, and thousands of listeners on the promotes Health, champions Vail, CO. For more information radio with weekly Sunday music Education, eliminates on The Philadelphia afternoon broadcasts on barriers to Accessing the Orchestra, please visit WRTI-FM. orchestra, and maximizes www.philorch.org. 4 Music Director Chris Lee Music Director Yannick Nézet-Séguin is now confirmed to lead The Philadelphia Orchestra through the 2025-26 season, an extraordinary and significant long-term commitment. Additionally, he becomes music director of the Metropolitan Opera beginning with the 2021-22 season. Yannick, who holds the Walter and Leonore Annenberg Chair, is an inspired leader of the Orchestra. His intensely collaborative style, deeply rooted musical curiosity, and boundless enthusiasm have been heralded by critics and audiences alike. The New York Times has called him “phenomenal,” adding that under his baton, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” Highlights of his fifth season include an exploration of American Sounds, with works by Leonard Bernstein, Christopher Rouse, Mason Bates, and Christopher Theofanidis; a Music of Paris Festival; and the continuation of a focus on opera and sacred vocal works, with Bartók’s Bluebeard’s Castle and Mozart’s C-minor Mass. Yannick has established himself as a musical leader of the highest caliber and one of the most thrilling talents of his generation. He has been music director of the Rotterdam Philharmonic since 2008 and artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000. He was also principal guest conductor of the London Philharmonic from 2008 to 2014. He has made wildly successful appearances with the world’s most revered ensembles and has conducted critically acclaimed performances at many of the leading opera houses. Yannick Nézet-Séguin and Deutsche Grammophon (DG) enjoy a long-term collaboration. Under his leadership The Philadelphia Orchestra returned to recording with two CDs on that label. He continues fruitful recording relationships with the Rotterdam Philharmonic on DG, EMI Classics, and BIS Records; the London Philharmonic for the LPO label; and the Orchestre Métropolitain for ATMA Classique. In Yannick’s inaugural season The Philadelphia Orchestra returned to the radio airwaves, with weekly Sunday afternoon broadcasts on WRTI-FM. A native of Montreal, Yannick studied piano, conducting, composition, and chamber music at Montreal’s Conservatory of Music and continued his studies with renowned conductor Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada, Musical America’s 2016 Artist of the Year, Canada’s National Arts Centre Award, the Prix Denise-Pelletier, and honorary doctorates from the University of Quebec in Montreal, the Curtis Institute of Music in Philadelphia, and Westminster Choir College of Rider University in Princeton, NJ. To read Yannick’s full bio, please visit www.philorch.org/conductor. 30 Soloist Marco Borggreve British soprano Lucy Crowe made her Philadelphia Orchestra debut in 2011. Her operatic roles include Adele in Johann Strauss’s Die Fledermaus and Servilia in Mozart’s La clemenza di Tito at the Metropolitan Opera; Eurydice in Gluck’s Orpheus and Eurydice, Adina in Donizetti’s The Elixir of Love, Susanna in Mozart’s The Marriage of Figaro, Gilda in Verdi’s Rigoletto, and Belinda in Purcell’s Dido and Aeneas at the Royal Opera House, Covent Garden; Sophie in Strauss’s Der Rosenkavalier at the Deutsche Oper Berlin, the Bavarian State Opera, and Covent Garden; and the title role in Janáček’s The Cunning Little Vixen at Glyndebourne Festival Opera. She made her U.S. debut as Iole in Handel’s Hercules at the Chicago Lyric Opera and has since sung the role at the Canadian Opera Company. In concert Ms. Crowe has performed with many of the world’s finest conductors and orchestras, including the Orchestra dell’Accademia Nazionale di Santa Cecilia with Antonio Pappano; the Philharmonia Orchestra and Esa- Pekka Salonen; the Boston Symphony at Tanglewood with Stéphane Denève; the London Symphony with Daniel Harding and Mark Elder; the City of Birmingham Symphony with Andris Nelsons, Edward Gardner, Emmanuelle Haïm, and Sakari Oramo; the Zurich Chamber Orchestra with Roger Norrington; the Orchestra of the Age of Enlightenment with Charles Mackerras and Richard Egarr; and the Scottish Chamber Orchestra with Mr. Mackerras and Yannick Nézet-Séguin. Ms. Crowe has performed at the Salzburg, Edinburgh, and Mostly Mozart festivals. She is a regular recitalist at London’s Wigmore Hall and made her U.S. recital debut at Carnegie Hall in 2014. Her recordings include Handel’s Il pastor fido and a Handel and Vivaldi disc with La Nuova Musica under David Bates for Harmonia Mundi; a Lutosławski disc with the BBC Symphony under Edward Gardner, Handel’s Alceste with Christian Curnyn and the Early Opera Company, and Eccles’s The Judgement of Paris, all for Chandos; and a solo Handel disc, ll caro Sassone, with Harry Bicket and the English Concert, also on Harmonia Mundi. Born in Staffordshire, England, Ms. Crowe studied at the Royal Academy of Music, where she has recently been appointed a fellow. 31 Soloist Dario Acosta American mezzo-soprano Kate Lindsey makes her Philadelphia Orchestra debut with these performances. She has appeared in many of the world’s most prestigious opera houses, performing with the Metropolitan, Santa Fe, Seattle, Los Angeles, and Bavarian State operas; at the Royal Opera House, Covent Garden; at the Salzburg, Glyndebourne, and Aix-en-Provence festivals; with Lille Opera; and at the Théâtre des Champs-Élysées in Paris. Ms. Lindsey’s recent performance highlights include Cherubino in a new production of Mozart´s The Marriage of Figaro at the Royal Opera House; Hansel in Humperdinck’s Hansel and Gretel at the Dutch National Opera; Dorabella in Mozart’s Così fan tutte at the Aix-en- Provence Festival, the BBC Proms, and the Edinburgh International Festival; and Zerlina in Mozart’s Don Giovanni at the Metropolitan Opera. She also made her debut with the Royal Concertgebouw Orchestra. In concert she sang the premiere performances of a new commission by John Harbison with James Levine and the Boston Symphony.
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