DOCSLIB.ORG

Indonesia Forum Annual Report 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indonesia Forum Annual Report 2013 Indonesia Forum Annual Report 2013 IF_Annual Report_2013_v20150114.indd 1 20/01/2015 1:44:55 PM IF_Annual Report_2013_v20150114.indd 2 20/01/2015 1:44:55 PM Indonesia Forum Annual Report 2013 CONTENTS Indonesia Forum: An Overview 4 Convenor’s Report 2013 5 Highlights of 2013 8 Indonesia Forum Member Publications 2013 11 Indonesia-related Activities of Faculties, Departments and Centres 17 Appendix 1 47 Appendix 2 48 Appendix 3 52 Appendix 4 54 Appendix 5 54 Appendix 6 55 Darbotz painting photo. Original artwork painted March 2013. Photo courtesy of MIFA Intercultural Fine Art gallery in Melbourne. www.indonesiaforum.unimelb.edu.au 3 IF_Annual Report_2013_v20150114.indd 3 20/01/2015 1:44:55 PM INDONESIA FORUM: AN OVERVIEW The University of Melbourne pioneered Indonesian studies in the more broadly oriented towards Asia as a whole. The Forum also mid-1950s. Over the decades Indonesian studies at the university maintains close links with the Indonesian Postgraduate Students Association, international students from Indonesia and domestic of Indonesia-related subjects offered to students. Research students studying in Indonesia-related areas. Since 1999 the and teaching relating to Indonesia is conducted across several Indonesia Forum has convened six-monthly postgraduate Departments, Faculties and Centres, including Architecture, Arts, Building and Planning, Economics and Commerce, Law and The Indonesia Forum maintains an email bulletin, moderated by Medicine. Associate Professor Charles A Coppel, to keep members up to The Indonesia Forum was formed in 1991 as the Indonesia Interest date with Indonesia-related events on campus and elsewhere, Group. It changed its name in 1996, to standardise with other including in Indonesia. Its website <www.indonesiaforum.org. country forums throughout the university. The Indonesia Forum is au> provides Indonesia-related information for staff, students, an informal and open network of academics and administrative staff prospective students and colleagues from other institutions. From of the University who share a common interest and professional 2014 the Forum began a Twitter account <@indoforummelb> involvement in Indonesia. Members keep in touch by email and and a Facebook page <https://www.facebook.com/ hold regular meetings, seminars and discussions. For the past indonesiaforummelbourne>. twenty years the Indonesia Forum has hosted major functions that have brought together the wider Melbourne Indonesian and Indonesia-interested community on campus. The Indonesia Forum also plays a policy advisory role on Indonesia-related issues within the University and works closely with the Asia Institute and Asialink, whose missions are related but Indonesia Forum: An Overview Indonesia Forum: 4 www.indonesiaforum.unimelb.edu.au IF_Annual Report_2013_v20150114.indd 4 20/01/2015 1:44:56 PM CONVENOR’S REPORT 2013 2013 saw continued growth in research and engagement with Indonesia and Indonesian Studies across the University. Some highlights were the launch of the Centre for Indonesian Law, Islam and Society (CILIS) headed by Professor Tim Lindsey in the Asian Law Centre: the launch of the Asian History Hub in the School of Historical and Philosophical Studies (SHAPS) and the commencement of Associate Professor Harry Minas and Dr Ritsuko’s project to improve the treatment of mentally ill persons in Indonesia in the Centre for International Mental Health funded by an AUSAID Public Sector Linkages Program. In recognition of the strength of our Indonesia expertise The University of Melbourne was one of four universities included in the federally funded Australia Indonesia Centre, announced in November 2013. The centre aims to assist in providing solutions to Australia and Indonesia’s joint challenges through extensive research collaborations. The University of Melbourne further supported Indonesian studies by announcing a new Melbourne Asia Visting Fellows Scheme that will allow staff to sponsor leading Indonesian researchers to visit the university in coming years. Consistent with the university’s Asia strategy the Faculty of Arts also approved an Indonesia Initiative developed by Dr Katharine McGregor (SHAPS), Dr Edwin Jurriëns (Asia Institute) and Professor Thomas Reuter (Asia Institute) with input from Professor John Murphy (School of Social and Political Sciences). The initiative will allow three nominated Indonesian scholars from Arts Faculties of Indonesian universities to visit the Faculty each year for the next three years in order to build lasting research and teaching collaborations. Film Festival entitled ‘Caught in the Act: Indonesia and The Act of Killing’. The discussion centred around the Oscar nominated documentary The Act of Killing’ which focuses on the re-enactments of the 1965 killings by executioners from Medan, Indonesia. The panel discussion The second event, on 30 August, ‘After The Act of Killing: Historical Justice and the 1965-66 Mass Killings in Indonesia’, was a multisite conference sponsored by the Indonesia Forum, SHAPS and the Herb Feith Foundation. The conference included papers from University of Melbourne staff Dr Katharine McGregor and PhD candidate Jess Melvin in addition to other Australian based experts on the 1965-66 killings in Indonesia including University of Melbourne PhD graduate, Dr Vannessa Hearman (Sydney University) and former staff member Associate Professor Ariel Heryanto (ANU). The conference was hosted at the University of Melbourne and STF Driyarkara, Jakarta. Sixty people attended the Melbourne conference. The third event, on 3 October, was a panel discussion entitled ‘Reimagining Urban Culture and Space in Indonesia’, with the Melbourne School of Design, Faculty of Architecture, University of Melbourne. Panellists included Mr Revianto Budi Santosa (Lecturer at Universitas Islam Indonesia), Dr Seno Gumira Ajidarma, (Author and Lecturer in Faculty of Film and Television, Jakarta Institute of Art [IKJ], 2013 Mangold Fellow), Mr Yori Antar (Principal Architect, Han Awal & Partners, Honorary member of the Indonesian Institute of Architects) and Dr Amanda Achmadi (Lecturer in Asian Architecture and Urbanism, The University of Melbourne). Seventy people attended the event. The Forum held two Postgraduate Roundtables in 2013 allowing students across Melbourne and beyond working on Indonesia related topics to present their research. The Roundtables are proving increasingly popular. The 28th Roundtable was held on 6 May, with eight students presenting. The 29th Roundtable was held on 14 September, with 15 students presenting. About thirty people attended each roundtable. There were presentations on a wide variety in topics across different disciplines including medicine, science, engineering, technology, history, gender studies and development. Issues discussed at the 2013 seminars ranged from rubbish collectors in Surabaya, transgender and development in Indonesia, psychology curriculums for doctors and Indonesian teacher education. Thanks to the staff and students who gave up their Saturdays to attend these roundtables. Over 2013 the number of postgraduate students researching topics related to Indonesia continued at a consistent level with seven PhD completions. (See list of current thesis topics in Appendix 3 of this report.) There were many other events on campus, which had Indonesian speakers or an Indonesia focus. The Faculty of Arts hosted celebrated Convenor’s Report 2013 www.indonesiaforum.unimelb.edu.au 5 IF_Annual Report_2013_v20150114.indd 5 20/01/2015 1:44:56 PM author Dr Seno Gumira Ajidarma as the Walter Mangold Fellow. Meidytama Suryodiningrat the Editor-in-Chief of The Jakarta Post delivered a Indonesian Politics 2013 through Media Eyes the 9th Islamic Studies Postgraduate Conference. Publications by Indonesia Forum staff members have appeared in a wide variety of outlets in 2013, ranging from international journals to local newspapers and have covered topics as varied as reproductive rights, human rights and labour, new media, law reform, history and memory, the 1965 violence, people smuggling, religious diversity and Australian-Indonesian identity negotiations. Two forum members, Professor In 2013, Dr Antje Missbach a McKenzie Postdoctoral Fellow in the Asian Law Centre received an ARC DECRA Fellowship for the project Katharine McGregor received an ARC Future Fellowship and Transnational Human Rights Activism’. Professor Abdullah Saeed (Asia Institute) received an ARC Discovery Grant for a project entitled the university a large number of Indonesianists hold ARC Grants won in earlier rounds. ARC Future Fellow Linda Rae Bennett (Nossal Institute) won a further competitive ESHIRE Insight Grant Family, and Migration in the Global Era’, in which she will focus on Indonesian migrant women who have settled in Australia. Dr Edwin Jurriëns and Associate Professor Robyn Slogget (SHAPS) were successful in 2013 round of The Australia Awards Fellowships which will enable up and Cultural Recovery’ in 2014. The University’s Indonesian language enrolments have remained stable in 2013 with a student population that combines both Arts students - many continuing their language study from school - with those from faculties outside of Arts who choose to study Indonesian as part of their breadth requirements under the Melbourne Model. The Language Curriculum Reform process that the Indonesian language program has been conducting together with all other modern languages taught in the Faculty of Arts continues. The second round of new advanced level
Load more

Recommended publications
  • Analysis on Symbolism of Malang Mask Dance in Javanese Culture
    ANALYSIS ON SYMBOLISM OF MALANG MASK DANCE IN JAVANESE CULTURE Dwi Malinda (Corresponing Author) Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 365 182 51 E-mail: [email protected] Sujito Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 817 965 77 89 E-mail: [email protected] Maria Cholifa English Educational Department, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 345 040 04 E-mail: [email protected] ABSTRACT Malang Mask dance is an example of traditions in Java specially in Malang. It is interesting even to participate. This study has two significances for readers and students of language and literature faculty. Theoretically, the result of the study will give description about the meaning of symbols used in Malang Mask dance and useful information about cultural understanding, especially in Javanese culture. Key Terms: Study, Symbol, Term, Javanese, Malang Mask 82 In our every day life, we make a contact with culture. According to Soekanto (1990:188), culture is complex which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society. Culture are formed based on the local society and become a custom and tradition in the future. Culture is always related to language. This research is conducted in order to answer the following questions: What are the symbols of Malang Mask dance? What are meannings of those symbolism of Malang Mask dance? What causes of those symbolism used? What functions of those symbolism? REVIEW OF RELATED LITERATURE Language Language is defined as a means of communication in social life.
    [Show full text]
  • Performance in Bali
    Performance in Bali Performance in Bali brings to the attention of students and practitioners in the twenty-first century a dynamic performance tradition that has fasci- nated observers for generations. Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: • Wayang shadow-puppet theatre • Sanghyang ritual trance performance • Gambuh classical dance-drama • the virtuoso art of Topeng masked theatre. The book is a guide to current practice, with detailed analyses of recent theatrical performances looking at all aspects of performance, production and reception. There is a focus on the examination and description of the actual techniques used in the training of performers, and how some of these techniques can be applied to Western training in drama and dance. The book also explores the relationship between improvisation and rigid dramatic structure, and the changing relationships between contemporary approaches to performance and traditional heritage. These culturally unique and beautiful theatrical events are contextualised within religious, intel- lectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer. Leon Rubin is Director of East 15 Acting School, University of Essex. I Nyoman Sedana is Professor at the Indonesian Arts Institute (ISI) in Bali, Indonesia. Contents List
    [Show full text]
  • Falidasi Data Lingkung Seni Se-Kecamatan Ujungberung Tahun 2014
    FALIDASI DATA LINGKUNG SENI SE-KECAMATAN UJUNGBERUNG TAHUN 2014 Tahun Tempat NO Nama Lingkung Seni Jenis Kesenian Pimpinan Alamat Perangkat Kesenian Anggota Legalisasi Berdiri Latihan 1 2 3 4 5 6 7 8 9 10 Pasar Kaler RT.01 1 Pas Nada Elektone Ibu. Heny Organ, Kibord,Gitar, Kendang, Suling, 5 Orang Tidak Ada 2010 Rumah RW.01 Cigending RT.03 Gendang, Bedug, Goong, Terompet, Toa Ampli. 2 Sancang Pusaka Benjang Agus Sulaeman RW.03 Mixer, Badut, Kecrek, Kuda Lumping, Gendang, Goong, Bedug, Terompet, Kepang, 3 LS Benjang Kalimasada Benjang Gugun Gunawan Cipicung RT.04 RW.04 25 Orang Dalam Proses 2004 Rumah Lumping, Toa, Ampli,MixerBadut 4 Karinding Nukula Upit Supriatna Cipicung RT.01 RW.04 Karinding,Celempung,Toleot, Kecrex 15 Orang Tidak Ada 2011 Rumah Gendang, bedug, Goong, Terompet, Toa Ampli, Rumah ketua 5 Pusaka Gelar Putra Benjang Asep Dede Cinangka RT.02 RW.05 25 Orang Tidak Ada 2007 Barong, Badut, Kecrek RT Rumah ketua 6 Pusaka Wirahman Putra Penca Silat Enay Darso Cinangka RT.01 RW.05 Gendang Besar/Kecil, Golok (untuk atraksi) 25 Orang Tidak Ada 2010 RT Gendang, Rabab, Bonang, Goong, Kecrek, 7 Arum Gumelar Jaipongan I n d r a Cinangka RT.02 RW.05 30 Orang Tidak Ada 2006 Rumah Terompet 8 R e o g E m u l Cinangka RT.03 RW.05 Dog-dog, Goong, Gendang 9 Elektone Dangdut E m u l Cinangka RT.03 RW.05 Organ, Gendang Suling Gitar, Kecrex 7 Orang Tidak Ada 2010 Rumah Sakeburuy RT.01 RW 10 Dwi Shinta Rock Dangdut Dede Dadan Kibord, Gitar, Gendang, Suling, Kecrex 9 Orang Ada 1993 Gedung 06 Gendang, Goong, Bedug, Terompet, Toa, Ampli, 11 Pusaka Wargi Benjang Didi / Ono Ranca RT.01 RW.06 25 Orang Ada 1930 Hal.
    [Show full text]
  • 2477-6866, P-ISSN: 2527-9416 Vol. 6, No.2, July 2021, Pp
    International Review of Humanities Studies www.irhs.ui.ac.id, e-ISSN: 2477-6866, p-ISSN: 2527-9416 Vol. 6, No.2, July 2021, pp. 917-931 ABANG-NONE AS AN ATTEMPT OF THE GOVERNMENT TO INTRODUCE THE BETAWI CULTURE TO THE WORLD Bariq Mughniy Waliyyayasi Depok, West Java, Indonesia [email protected] ABSTRACT The Abang and None Competition is a media of the DKI Jakarta Tourism Office to introduce Betawi culture to the world. Betawi culture is the pride of the people of Jakarta, namely as the identity of the main area within the scope of its society. The competition has various functions, not only as entertainment but also as a medium for promoting Jakarta tourism. This has various problems, including the lack of knowledge about Jakarta. Most people outside Jakarta only know Jakarta to be the capital of Indonesia. They do not have any knowledge about the authentic and unique culture of Jakarta that emerged because the interaction of people from various regions living there. With the presence of the Abang and None Competition, it is hoped that they will be able to raise the slogan "Enjoy Jakarta" to become increasingly popular and can attract outsiders to want to visit Jakarta. So what does the government expect to achieve through the competition? How does the government plan to use the Competition to promote Betawi culture internationally? This article will discuss those efforts and how effective they are. Qualitative descriptive methods will be the key in this research. KEYWORDS : Abang-None, Betawi Culture, Enjoy Jakarta, Jakarta Tourism INTRODUCTION Jakarta is not only the capital city of Indonesia, but it is also a tourist destination.
    [Show full text]
  • A Case Study of Topeng Tua Dance)
    HARMONIA : Journal of Arts Research and Education 15 (2) (2015), 107-112 p-ISSN 1411-5115 Available online at http://journal.unnes.ac.id/nju/index.php/harmonia e-ISSN 2355-3820 DOI: 10.15294/harmonia.v15i2.4557 TAKSU AND PANGUS AS AN AESTHETIC CONCEPT ENTITY OF BALI DANCE (A Case Study of Topeng Tua Dance) I Nengah Mariasa Department of Drama, Dance, and Music, State University of Surabaya Lidah Wetan Surabaya, Surabaya 61177, Indonesia E-mail: [email protected] Received: November 28, 2015. Revised: November 30, 2015. Accepted: December 4, 2015 Abstract There are two types of topeng drama performance (topeng is Bahasa Indonesia for mask) in Bali, Topeng Pajegan and Topeng Panca. Topeng Pajegan is a masked drama performance that is danced by a dancer by playing various tapel, while Topeng Panca is danced by five dancers. Generally, there are three or four stages on topeng performance, i.e. panglembar, petangkilan, bebondresan, and/or pesiat. On panglembar stage, there is one dance represented the character of old people. The dance is then known as Topeng Tua (Old Mask). The costume, tapel, as well as hair worn by the dancer have been considered as one of the precious or noble artworks. The question comes up here, is the aesthetics of topeng only depended on its high aesthetic value costume and tapel? Topeng Tua performance technique is considerably not easy to be done by a beginner dancer. On the other words, it implicitly tells that the aesthetics of the dance depends closely to the dancers’ techniques. A good Topeng Tua dancer will be able to dance by using the technique of ngigelang topeng.
    [Show full text]
  • Eksistensi Kesenian Masyarakat Transmigran Di Kabupaten Pringsewu Lampung Studi Kasus Kesenian Kuda Kepang Turonggo Mudo Putro Wijoyo
    Volume 10 No 2 Oktober 2017 ISSN: 1858-3989 P565-576 EKSISTENSI KESENIAN MASYARAKAT TRANSMIGRAN DI KABUPATEN PRINGSEWU LAMPUNG STUDI KASUS KESENIAN KUDA KEPANG TURONGGO MUDO PUTRO WIJOYO Oleh: Mutiara Dini Primastri (Pembimbing Tugas Akhir: Dra. Budi Astuti M.Hum dan Indah Nuraini, S.S.T., M.Sn) Jurusan Tari Fakultas Seni Pertunjukan, Institut Seni Indoonesia Yogyakarta Alamat Email: [email protected] RINGKASAN Penelitian ini merupakan sebuah analisis deskriptif yang menggunakan pendekatan sosiologi dan antropologi untuk membedah tentang eksistensi kesenian masyarakat transmigran berupa kesenian kuda kepang di Kabupaten Pringsewu Lampung. Kesenian kuda kepang yang eksis di Kabupaten Pringsewu yaitu komunitas seni Turonggo Mudo Putro Wijoyo (TMPW). Eksistensi adalah adanya sebuah keberadaan yang tidak hanya sebagai sesuatu yang “diam” akan tetapi menjadi sesuatu yang aktif dan memiliki peran di dalam lingkungannya. Melalui kajian sinkronik, kesenian kuda kepang TMPW tetap eksis saat ini karena memiliki fungsi sebagai seni pertunjukan yang menghibur (presentasi estetis), memuat nilai-nilai budaya, serta dapat menjadi identitas orang Jawa di Pringsewu. Kajian sinkronik didukung oleh kajian diakronik, yaitu kemunculan kesenian kuda kepang TMPW merupakan hasil dari rangkaian sejarah berupa eksistensi orang-orang yang bertransmigrasi di Pringsewu, melalui tahap eksistensi yaitu eksistensi estetis, etis dan religius. Eksistensi kesenian kuda kepang TMPW tidak lepas dari faktor-faktor pendukungnya. Komunitas TMPW terus menunjukkan eksistensinya
    [Show full text]
  • The Legitimacy of Classical Dance Gagrag Ngayogyakarta
    The Legitimacy of Classical Dance Gagrag Ngayogyakarta Y. Sumandiyo Hadi Institut Seni Indonesia (ISI) Yogyakarta Jalan Parangtritis Km 6,5, Sewon, Bantul Yogyakarta ABSTRACT The aim of this article is to reveal the existence of classical dance style of Yogyakarta, since the government of Sultan Hamengku Buwono I, which began in 1756 until now in the era the government of Sultan Hamengku Buwono X. The legitimation of classical dance is considered as “Gagrag Ngayogyakarta”. Furthermore, the dance is not only preserved in the palace, but living and growing outside the palace, and possible to be examined by the general public. The dance was fi rst considered as a source of classical dance “Gagrag Ngayogyakarta”, created by Sultan Hamengku Buwono I, i.e. Beksan Lawung Gagah, or Beksan Trunajaya, Wayang Wong or dance drama, and Bedaya dance. The three dances can be categorized as a sacred dance, in which the performances strongly related to traditional ceremonies or rituals. Three types of dance later was developed into other types of classical dance “Gagrag Ngayogyakarta”, which is categorized as a secular dance for entertainment performance. Keywords: Sultan Hamengku Buwono, classical dance, “gagrag”, Yogyakarta style, legitimacy, sacred, ritual dance, secular dance INTRODUCTION value because it is produced by qualifi ed Yogyakarta as one of the regions in the artists from the upper-middle-class society, archipelago, which has various designa- and not from the proletarians or low class. tions, including a student city, a tourism The term of tradition is a genre from the city, and a cultural city. As a cultural city, past, which is hereditary from one gene- there are diff erent types of artwork.
    [Show full text]
  • Television, Nation, and Culture in Indonesia
    Philip Kitley Political Science/Media Studies Kitley “T in Indonesia is that of a country invent- T elevision, Nation, and Culture in Indonesia ing itself by promoting a national cultural identity. Philip Kitley, who is not only a media scholar but has also worked as a diplomat in Indonesia, shows how important television has been to both the official and popular imagination since its beginnings in the early s. It’s a fascinating tale, with implications going well beyond re- gional specialists, since the use of popular media to promote nation, citizenship, and identity is common to many countries, new and old. “As Indonesia attracts increasing international attention in the post-Soeharto era, it is important to understand the cultural as well as political issues that have led to the current turbulent situation. Kitley’s book is a well-researched, wise, and elegantly written ac- count of the forces, dreams, and policies that link public and private life in and after ‘New Order’ Indonesia.” —John Hartley, Dean of Arts, Queensland University of Technology Philip Kitley is Senior Lecturer in the Department of Humanities and International Studies, University of Southern Queensland. Research in International Studies Southeast Asia Series No. elevision, Nation, and Culture in Indonesia ISBN 0-89680-212-4 T ,!7IA8J6-iacbce! Television, Nation, and Culture in Indonesia This series of publications on Africa, Latin America, and Southeast Asia is designed to present significant research, translation, and opinion to area specialists and to a wide community of persons interested in world affairs. The editor seeks manu- scripts of quality on any subject and can generally make a decision regarding publi- cation within three months of receipt of the original work.
    [Show full text]
  • Bandem, I Made Dada Mauraxa Danandjaja, James Durverger
    DAFTAR PUSTAKA Bandem, I Made 1996 Etnologi Tari Bali. Yogyakarta; Kanisius Dada Mauraxa 1973 Sejarah Kebudayaan Suku-suku Di Sumatera Utara. Medan; t.p Danandjaja, James 1986 Folklor Indonesia.Jakarta: Graviti Press Durverger, Maurice 1985 Sosiologi Politik. Terj. Naniel Dhakidae. Jakarta; C.V. Rajawali Erikson, Erik H 1989 Identitas Dan Siklus Hidup Manusia. Terj. Agus Cremers. Jakarta; Gramedia Geertz, Clifford 1983 Abangan, Santri, Priyayi Dalam Masyarakat Jawa. Terj. Aswab Mahasin. Jakarta; Pustaka Jaya Hadiningrat, K 1982 Kesenian Tradisional Debus. Jakarta; Departemen Pendidikan Dan Kebudayaan Hamengku Buwono XII 1994 Konsep Nusantara Dalam Fialsafah Jawa Kaitannya Dengan Transmigrasi. Budaya Kepeloporan Dalam Mobilitas Penduduk (1997). Rofiq Ahmad (ed). Jakarta; Peneba Swadaya Haviland, William A 1985 Antropologijilid 2. Terj. R.G. Soekadijo. Jakarta; Erlangga Haviland, William A 1975 Cultural Anthropology. New York: Holt Rinehart and Winston, Inc 100 Heristina Dewi 1992 "Jaran Kepang Pada Masyarakat Desa Cengkeh Turi, Sumatera Utara: Suatu Studi Kasus Musik dan Trance dalam Konteks Sosio Budaya". Skripsi untuk mendapat kan gelar satjana sastra (SS) Universitas Sumatera Utara Herusatoto, Budiono 2000 Simbolisme Dalam Budaya Jawa. Y ogyakarta; Hanindita Holt, Claire 1967 Art In Indonesia: Contiuties and Change. Ithaca, New York; Cornell University Press Kayam, Umar ( ed) 1987 Kebudayaan dan Pembangunan: Sebuah Pendekatan terhadap Antropologi Terapandi Indonesia. Jakarta; Yayasan Obor Indonesia Lincoln, Yvonna & Egon G Guba 1985 Naturalistik Inquiry. Beverly Hills; Sage Publications Lull, James 1998 Media, Komunikasi, Kebudayaan. Suatu Pendekatan Global. Jakarta; Yayasan Obor Indonesia Moleong, Lexy J 1994 Metodologi Penelitian Kualitatif. Bandung; Remaja Rosdakarya Murgiyanto, Sal 1970 Ketika Cahaya Memudar. Jakarta; Deviri Ganan Pamungkas, Ragil 2006 Lelaku dan Tirakat. Cara Orang Jawa Menggapai Kesempumaan Hidup.
    [Show full text]
  • Performance in Bali
    Performance in Bali Performance in Bali brings to the attention of students and practitioners in the twenty-first century a dynamic performance tradition that has fasci- nated observers for generations. Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: • Wayang shadow-puppet theatre • Sanghyang ritual trance performance • Gambuh classical dance-drama • the virtuoso art of Topeng masked theatre. The book is a guide to current practice, with detailed analyses of recent theatrical performances looking at all aspects of performance, production and reception. There is a focus on the examination and description of the actual techniques used in the training of performers, and how some of these techniques can be applied to Western training in drama and dance. The book also explores the relationship between improvisation and rigid dramatic structure, and the changing relationships between contemporary approaches to performance and traditional heritage. These culturally unique and beautiful theatrical events are contextualised within religious, intel- lectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer. Leon Rubin is Director of East 15 Acting School, University of Essex. I Nyoman Sedana is Professor at the Indonesian Arts Institute (ISI) in Bali, Indonesia. Theatres of the World Series editor: John Russell Brown Series advisors: Alison Hodge, Royal Holloway, University of London; Osita Okagbue, Goldsmiths College, University of London Theatres of the World is a series that will bring close and instructive contact with makers of performances from around the world.
    [Show full text]
  • Rasinah: Maestro Tari Topeng Indramayu
    Rasinah : Maestro Tari Topeng… (Lasmiyati)) 475 RASINAH: MAESTRO TARI TOPENG INDRAMAYU RASINAH: MAESTRO OF TOPENG DANCE OF INDRAMAYU Lasmiyati Balai Pelestarian Nilai Budaya Bandung, Jl. Cinambo 136 Ujungberung Bandung e-mail: [email protected] Naskah Diterima: 21 Juni 2013 Naskah Direvisi: 22 Juli 2013 Naskah Disetujui: 1 Agustus 2013 Abstrak Rasinah adalah maestro yang peduli pada kesenian tradisional Topeng Indramayu. Ia lahir dari keluarga seniman, ayahnya seorang dalang wayang kulit dan ibunya seniman ronggeng. Ia penari topeng yang handal. Kiprahnya di dunia topeng dikenal ke mancanegara. Penelitian ini dilakukan untuk mengetahui siapakah Rasinah dan bagaimana kiprahnya sebagai penari topeng di Indramayu. Metode yang digunakan adalah metode sejarah yang meliputi heuristik, kritik, interpretasi, dan historiografi. Dari hasil penelitian yang dilakukan, diperoleh informasi bahwa Rasinah lahir di Pamayahan Lohbener Indramayu tanggal 5 Januari 1929. Ia dalang topeng turunan dari neneknya. Ayahnya merupakan dalang wayang kulit dan dalang topeng, ibunya seniman ronggeng. Ia belajar menari topeng sejak usia tiga tahun. Tahun 1960-an Rasinah mengalami masa kejayaan, namun tahun 1970-an, ia mengalami masa surut seiring penggemar tari topeng beralih ke jenis kesenian organ tunggal dan tarling. Tahun 1994 ia bertemu Endo Suanda, kiprahnya sebagai penari topeng kembali bangkit. Ia dipromosikan tampil di beberapa negara. Sabtu 15 Maret 2008 Rasinah mewariskan Topengnya kepada cucunya, Aerli Rasinah. Tanggal 7 Agustus 2010 Rasinah meninggal dunia. Ia mendapat penghargaan sebagai penari dan pelestari Topeng Indramayu, di antaranya Lifetime Achievement dalam Festival Topeng Nusantara 2010. Kata kunci: Rasinah, maestro topeng, Indramayu. Abstract Rasinah was a maestro who has great concern about Indramayu traditional arts of Tari Topeng or the Mask Dance.
    [Show full text]
  • ISI LAPORAN Rev 14022020
    LAPORAN KINERJA 2019 Direktorat Kepercayaan Terhadap Tuhan YME & Tradisi Direktorat Jenderal Kebudayaan Kementerian Pendidikan Dan Kebudayaan Kata Penganta Direktur Kepercayaan Terhadap Tuhan YME dan Tradisi Puji syukur kami panjatkan kehadiran Tantangan gelombang perubahan Allah, Tuhan Yang Maha Esa atas berkat teknologi yang arusnya semakin deras dalam rahmatnya, kami mampu menyelesaikan era Revolusi Industri 4.0 telah menyebabkan Laporan Kinerja tahun 2019 ini dengan tepat adanya perubahan dalam gaya hidup serta waktu Berdasarkan amanat Peraturan pandangan hidup generasi muda penghayat Pemerintah Nomor 8 Tahun 2006 tentang kepercayaan dan masyarakat adat selaku Pelaporan Keuangan dan Kinerja Instansi pelestari tradisi. Kedepannya, terpaan Pemerintah serta Peraturan Presiden Nomor 29 gelombang tersebut akan semakin kuat Tahun 2014 tentang Sistem Akuntabilitas membawa perubahan sosial-budaya dan sulit Kinerja Instansi Pemerintah mewajibkan bagi rasanya untuk menghindar dari proses instansi pemerintah untuk menyusun laporan perubahan tersebut. Berbagai kegiatan kinerja seLap tahun. Direktorat Kepercayaan terhadap Tuhan YME Laporan kinerja yang telah kami susun dan Tradisi sampai saat ini belum mencoba ini menyajikan capaian kinerja Direktorat menggunakan pendekatan inovaf dalam Kepercayaan terhadap Tuhan YME dan Tradisi bidang teknologi informasi dan komunikasi dengan merefleksikan rencana target kinerja Melalui laporan kinerja ini diharapkan yang telah ditetapkan dalam perjanjian kinerja. dapat memberikan gambaran objekLf tentang Perlu kami sampaikan bahwa pada tahun ini kinerja yang dihasilkan Direktorat kami telah menetapkan 4 (empat) sasaran Kepercayaan terhadap Tuhan YME dan Tradisi kegiatan dengan 10 (sepuluh) indikator kinerja pada tahun 2019. Semoga laporan kinerja ini kegiatan dalam Perjanjian Kinerja Direktur dapat dimanfaatkan sebagai bahan evaluasi Kepercayaan terhadap Tuhan YME dan Tradisi perencanaan program/kegiatan dan anggaran, tahun 2019.
    [Show full text]