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Godsheroes Childrens Lettersize
Dear Friends, In the 17th century, the notion began to develop in England and other European countries that knowledge of classical antiquity was essential to a child’s education in order to understand the roots of Western civilization. The need to travel to the lands that gave rise to Western traditions is as strong today as it was 300 years ago. We are pleased to inform you of this program offered by Thalassa Journeys for families to explore the most important ancient centers of Greece, places that have contributed so much to the formation of our civilization. Thalassa Journeys has hosted similar programs for members and friends of the Chamber Music Society of Lincoln Center, and other prestigious organizations. The tour, solely sponsored and operated by Thalassa Journeys, will provide a joyful learning experience for the entire family – children, parents, and grandparents. Please note: children must be age 5 and above to participate in the programs. The itinerary is designed to enlighten the senses and inflame the imagination of people of all ages and to awaken their minds to the wonders of classical antiquity including the Acropolis and its glorious past. Young explorers and adults will delve into the Bronze Age Mycenaean civilization and the world of Homer. They will discover the citadel of Mycenae, home of Agamemnon. At the magnificent 4th century BC Theater of Epidaurus, families will learn about ancient Greek drama and consider the connections between theatrical performances and healing; in Nemea, one of the four places where in antiquity athletic contests were held, children will compete in mock races in the original ancient stadium. -
United Nations Educational, Scientific and Cultural Organization (UNESCO)
United Nations Educational, Scientific and Cultural Organization UNESCO 2016 Cover The recent large-scale, systematic destruction and looting of cultural heritage has been the dominant theme at UNESCO throughout 2016. One of the Organization’s responses to these attacks on cultural heritage and cultural pluralism is the #Unite4Heritage campaign, a global movement that calls on everyone to harvest the power of culture to bring people together and to celebrate the places, objects and cultural traditions that make the world such a rich and vibrant place. This image produced for the campaign combines past and present, with the head of Buddha Shakyamuni and the face of an Erbore tribe warrior from Ethiopia. © Public Domain LACMA - Los Angeles County Museum of Art/Rod Waddington Published in 2017 by the United Nations Educational, Scientific and Cultural Organization (UNESCO). 7, place de Fontenoy, 75352 Paris 07 SP, France © UNESCO 2017 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). The present license applies exclusively to the text content of this publication and to images whose copyright belongs to UNESCO. By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. -
The Contest Between Athena and Poseidon. Myth, History and Art
ANDRÁS PATAY-HORVÁTH The Contest between Athena and Poseidon. Myth, History and Art The myth was a well-known one in antiquity, and it is well-known even to- day. There are many versions in various extant literary sources1 and even some depictions in sculpture, vase painting and minor arts2. Surprisingly enough, the famous myth has not attracted much scholarly interest3. The modern commen- taries simply list the relevant passages, but hardly attempt a thorough comparative analysis4. The present paper (an updated, revised and abbreviated version of Patay-Horváth 2002a) would like to present a study, suggesting strong intercon- nections between Athenian history and the evolution of the myth. Beside the many familiar texts and works of art, I will also introduce a new piece of evidence, which has never been considered in this context and hope that it will become ap- parent, that the role of Poseidon and the sea is much more important in this myth than has generally been acknowledged. It is appropriate to begin with a fairly detailed version of the myth from the mythological textbook of Apollodorus (Bibl. III 14). It can serve as a very practi- cal introduction to the subject because it contains not only one version but some alternatives as well. Cecrops, a son of the soil, with a body compounded of man and serpent, was the first king of Attica, and the country which was formerly called Acte he named Cecropia after himself. In his time, they say, the gods resolved to take possession of cities in which each of them should receive his own peculiar wor- ship. -
Tectonic Control on 10Be-Derived Erosion Rates in the Garhwal Himalaya, India Dirk Scherler,1,2 Bodo Bookhagen,3 and Manfred R
JOURNAL OF GEOPHYSICAL RESEARCH: EARTH SURFACE, VOL. 119, 1–23, doi:10.1002/2013JF002955, 2014 Tectonic control on 10Be-derived erosion rates in the Garhwal Himalaya, India Dirk Scherler,1,2 Bodo Bookhagen,3 and Manfred R. Strecker 1 Received 28 August 2013; revised 13 November 2013; accepted 26 November 2013. [1] Erosion in the Himalaya is responsible for one of the greatest mass redistributions on Earth and has fueled models of feedback loops between climate and tectonics. Although the general trends of erosion across the Himalaya are reasonably well known, the relative importance of factors controlling erosion is less well constrained. Here we present 25 10Be-derived catchment-averaged erosion rates from the Yamuna catchment in the Garhwal Himalaya, 1 northern India. Tributary erosion rates range between ~0.1 and 0.5 mm yrÀ in the Lesser 1 Himalaya and ~1 and 2 mm yrÀ in the High Himalaya, despite uniform hillslope angles. The erosion-rate data correlate with catchment-averaged values of 5 km radius relief, channel steepness indices, and specific stream power but to varying degrees of nonlinearity. Similar nonlinear relationships and coefficients of determination suggest that topographic steepness is the major control on the spatial variability of erosion and that twofold to threefold differences in annual runoff are of minor importance in this area. Instead, the spatial distribution of erosion in the study area is consistent with a tectonic model in which the rock uplift pattern is largely controlled by the shortening rate and the geometry of the Main Himalayan Thrust fault (MHT). Our data support a shallow dip of the MHT underneath the Lesser Himalaya, followed by a midcrustal ramp underneath the High Himalaya, as indicated by geophysical data. -
My Life and Stryper Revealed
HONESTLY My life and Stryper revealed. By Michael Sweet Founding member, singer, songwriter, and guitarist of the pioneering Christian rock band Stryper tells his life story…. Honestly. with Dave Rose and Doug Van Pelt © 2014 Big3 Records ONE I drink. Occasionally I smoke. If you ask my wife, my kids, my tech, my agent or my manager they'll all tell you that I curse more than I should. I've fooled around with women on tour buses. I’ve been arrested for indecent exposure. I've been reckless with money to the point of bankruptcy. My favorite bands are The Beatles, Van Halen and Judas Priest. I was pissed at God when my wife died of cancer and I despise religion. I am a Christian. I'm Michael Sweet. I’m a singer, guitarist, songwriter, producer and a founding member of the pioneering Christian rock band Stryper. We've sold almost 10 million records to date and were the first Christian band to air on MTV, and to have four #1 videos. We even had two top-10 videos at the same time, back when MTV actually played music videos. We've played soccer stadiums and biker bars, sometimes in the same week. Despite having done all of that, I'm still often known as the Bible-Tossing- Yellow & Black-Bumble-Bee guy. The Jesus guy. The 80's hair/glam Christian metal guy. An irrelevant joke. Or, even worse-- sometimes I'm not known at all. So who am I? I'm a guy that grew up in Southern California – sort of a surf punk kind of guy who absolutely loved music. -
Revenge of the Sea God
REVENGE OF THE SEA GOD Stories from Homer’s Odyssey dramatised for performance by young people Neil Rathmell REVENGE OF THE SEA GOD CAST in order of appearance Sailors Odysseus Lotus Eaters Sheep Poseidon Hermes Zeus Circe Ghosts Teiresias Athene 2 REVENGE OF THE SEA GOD SCENE 1 Sound of the sea. Sailors 1-19 enter one by one and take up position on board ship until they have created a still picture of Odysseus’s ship at sea. Enter Odysseus, when the picture is complete. He walks among the Sailors, speaking quietly. ODYSSEUS Thalassa! Thalassa! Thalassa! Thalassa! Thalassa! One by one, the Sailors respond by bringing the still picture to life and repeating the word thalassa (the Greek word for ‘sea’) until the stage is full of movement and sound. Suddenly, the movement stops and there is a brief silence. SAILORS 1-19 Crescendo The sea! The sea! THE SEA ! Pause SAILORS 1-10 Odysseus sailed across the sea from Troy. SAILORS 11-19 A crafty captain and a skilful crew. SAILORS 7-13 After the victory, sailing for home. SAILORS 1-6 Beneath the waves the sea god saw them go. SAILORS 14-19 He saw them riding on the sea-saw swell. SAILORS 4-9 Poseidon, sea god, saw the ships go by. SAILOR 11-16 Odysseus and his men just saw the sea. 3 REVENGE OF THE SEA GOD Cast make a new picture of sailors looking disconsolately out to sea. Odysseus studies a chart. SAILOR 1 How much longer? SAILOR 2 We’ve been at sea for weeks! SAILOR 3 And no sign of land. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Spring Summer
CHAPTER NEWS ICAROS #7 X PITTSBURGH We are pleased to announce the marriage of Smaro Karakatsanis, daughter of Perry and Titika (Kouknas) Karakatsanis, of Verona, PA, to Dimitri Tzamaras, son of Evangelos and Areti Tzamaras, of Silver Spring, MD, on November 1, 2003. The marriage took place at Holy Dormition Greek Orthodox Church in Oakmont, PA. The bride’s mother is from Xrysostomos, Ikaria, and her father is from Kalamaria, Thessaloniki. The groom’s parents are from Karpenisi. Wedding party included Angela Karakatsanis as Maid-of-Honor; Angie and Tina Kouknas, Stamatina The Mini Convention Dance back row standing, L to R: Mousetis, Ioanna Dr. Themis Speis, Centennial Convention keynote speaker; (Chiotis) Payne, George Halvas, Chapter Icaros President; Nicholas Tsalis, Supreme Vice President; Mike Aivaliotis, Supreme Secretary; Despina (Chiotis) Marino Moraitis, Chapter Christ Aivaliotis President. Front row Insogna, and standing, L to R: Nickolas Manolis, District 3 Governor; Petros Tsantes, PSP; Anthony Kayafas, Foundation Director; Peter Theologos Facaros; Calaboyias, well-known Pan-Icarian artist. Kneeling front, L to R: The Koumbaro was George Horiaties, Supreme President; George Achedafty, PSP. Dimitri’s brother, Pantelis. Smaro is a gradu- ate of Penn State University and American Univer- sity in Washington, DC, and is currently employed by the U.S. Export-Import Bank financing exports. Dimitri is a graduate of the University of Maryland, where he is also currently pursuing an education degree. He is an accountant at a law firm in Rockville, MD. The newlyweds honeymooned in sunny Aruba. They currently reside in Silver Spring, Maryland. Chapter Icaros Wiffle Ball and Soccer Tournament May 15, 2004. -
Report on Transformation: a Leaner NDHQ?
• INDEPENDENT AND INFORMED • AUTONOME ET RENSEIGNÉ ON TRACK The Conference of Defence Associations Institute • L’Institut de la Conférence des Associations de la Défense Autumn 2011 • Volume 16, Number 3 Automne 2011 • Volume 16, Numéro 3 REPORT ON TRANSFORMATION: A leaner NDHQ? Afghanistan: Combat Mission Closure Reflecting on Remembrance ON TRACK VOLUME 16 NUMBER 3: AUTUMN / AUTOMNE 2011 PRESIDENT / PRÉSIDENT Dr. John Scott Cowan, BSc, MSc, PhD VICE PRESIDENT / VICE PRÉSIDENT Général (Ret’d) Raymond Henault, CMM, CD CDA INSTITUTE BOARD OF DIRECTORS LE CONSEIL D’ADMINISTRATION DE L’INSTITUT DE LA CAD EXECUTIVE DIRECTOR / DIRECTEUR EXÉCUTIF Colonel (Ret) Alain M. Pellerin, OMM, CD, MA Admiral (Ret’d) John Anderson SECRETARY-TREASURER / SECRÉTAIRE TRÉSORIER Mr. Thomas d’Aquino Lieutenant-Colonel (Ret’d) Gordon D. Metcalfe, CD Dr. David Bercuson HONOURARY COUNSEL / AVOCAT-CONSEIL HONORAIRE Dr. Douglas Bland Mr. Robert T. Booth, QC, B Eng, LL B Colonel (Ret’d) Brett Boudreau DIRECTOR OF RESEARCH / Dr. Ian Brodie DIRECTEUR DE LA RECHERCHE Mr. Paul Chapin, MA Mr. Thomas S. Caldwell Mr. Mel Cappe PUBLIC AFFAIRS / RELATIONS PUBLIQUES Captain (Ret’d) Peter Forsberg, CD Mr. Jamie Carroll Dr. Jim Carruthers DEFENCE POLICY ANALYSTS / ANALYSTES DES POLITIQUES DE DÉFENSE Mr. Paul H. Chapin Ms. Meghan Spilka O’Keefe, MA Mr. Terry Colfer Mr. Arnav Manchanda, MA M. Jocelyn Coulon Mr. Dave Perry, MA Dr. John Scott Cowan PROJECT OFFICER / AGENT DE PROJET Mr. Dan Donovan Mr. Paul Hillier, MA Lieutenant-général (Ret) Richard Evraire Conference of Defence Associations Institute Honourary Lieutenant-Colonel Justin Fogarty 151 Slater Street, Suite 412A Ottawa ON K1P 5H3 Colonel, The Hon. -
Channel Morphology and Bedrock River Incision: Theory, Experiments, and Application to the Eastern Himalaya
Channel morphology and bedrock river incision: Theory, experiments, and application to the eastern Himalaya Noah J. Finnegan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2007 Program Authorized to Offer Degree: Department of Earth and Space Sciences University of Washington Graduate School This is to certify that I have examined this copy of a doctoral dissertation by Noah J. Finnegan and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Co-Chairs of the Supervisory Committee: ___________________________________________________________ Bernard Hallet ___________________________________________________________ David R. Montgomery Reading Committee: ____________________________________________________________ Bernard Hallet ____________________________________________________________ David R. Montgomery ____________________________________________________________ Gerard Roe Date:________________________ In presenting this dissertation in partial fulfillment of the requirements for the doctoral degree at the University of Washington, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of the dissertation is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for copying or reproduction of this dissertation may be referred -
2018 DG Report on the Safety of Journalists and the Danger of Impunity
CI-18/COUNCIL-31/6/REV 2 2018 DG Report on the Safety of Journalists and the Danger of Impunity INTRODUCTION This report is submitted to the Intergovernmental Council of the International Programme for the Development of Communication (IPDC) in line with the Decision on the Safety of Journalists and the issue of Impunity adopted by the Council at its 26th session on 27 March 2008, and renewed at subsequent sessions in 2010, 2012, 2014 and 2016. In its latest Decision, adopted in November 2016, the IPDC Council urged Member States to “continue to inform the Director-General of UNESCO, on a voluntary basis, on the status of the judicial inquiries conducted on each of the killings condemned by the Director-General”. The present report provides an analysis of the cases of killings of journalists and associated media personnel that were condemned by the Director-General in 2016 and 2017. It also takes stock of the status of judicial enquiries conducted on each of the killings recorded by UNESCO between 2006 and 2017, based on information provided by Member States. TABLE OF CONTENTS 1. Executive Summary 2 2. Background and Context 2 3. Journalists’ killings in 2016 and 2017: key findings 7 3.1 Most dangerous regions 8 3.2 Rise in number of women journalists among fatalities 9 3.3 Highest number of killings among TV journalists 11 3.4 Majority of victims are local journalists 11 3.5 Freelance and staff journalists 12 3.6 More killings occurring in countries with no armed conflict 12 4. Member States’ responses: status of the judicial enquiries on cases of journalists killed from 2006 to end 2017 13 4.1 Decrease in Member State response rate to Director-General’s request 18 4.2 Slight reduction in impunity rate, but 89% of cases remain unresolved 19 4.3 Member States reporting on measures to promote safety of journalists and to combat impunity 22 5. -
Climate, Tectonics, and the Morphology of the Andes
Climate, tectonics, and the morphology of the Andes David R. Montgomery Greg Balco Sean D. Willett Department of Geological Sciences, University of Washington, Seattle 98195-1310, USA ABSTRACT Large-scale topographic analyses show that hemisphere-scale climate variations are a ®rst-order control on the morphology of the Andes. Zonal atmospheric circulation in the Southern Hemisphere creates strong latitudinal precipitation gradients that, when incor- porated in a generalized index of erosion intensity, predict strong gradients in erosion rates both along and across the Andes. Cross-range asymmetry, width, hypsometry, and maximum elevation re¯ect gradients in both the erosion index and the relative dominance of ¯uvial, glacial, and tectonic processes, and show that major morphologic features cor- relate with climatic regimes. Latitudinal gradients in inferred crustal thickening and struc- tural shortening correspond to variations in predicted erosion potential, indicating that, like tectonics, nonuniform erosion due to large-scale climate patterns is a ®rst-order con- trol on the topographic evolution of the Andes. Keywords: geomorphology, erosion, tectonics, climate, Andes. INTRODUCTION we argue for the ®rst-order importance of earthquake cycle. Some studies have attribut- The presence or absence of mountain rang- large-scale climate zonations and resulting dif- ed local variations in structural, metamorphic, es at the global scale is determined by the lo- ferences in geomorphic processes to the mor- and geomorphic characteristics of the central cation and type of plate boundaries. Other fac- phology of mountain ranges. Andes to erosion (Gephart, 1994; Masek et al., tors become important in the evolution of 1994; Horton, 1999), but none has considered individual mountain systems.