Delhi Sultanate Pdf Download Delhi Sultanate Notes PDF Download |
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Chittorgarh (Chittaurgarh) Travel Guide
Chittorgarh Travel Guide - http://www.ixigo.com/travel-guide/chittorgarh page 1 Cold weather. Carry Heavy woollen, umbrella. When To Max: Min: Rain: 111.0mm Chittorgarh 22.89999961 18.29999923 8530273°C 7060547°C Perched atop a wide hill, the Aug sprawling fort of Chittorgarh is a VISIT Cold weather. Carry Heavy woollen, testimony to the grandeur of umbrella. http://www.ixigo.com/weather-in-chittorgarh-lp-1143785 Max: Min: 18.0°C Rain: 210.0mm Indian architecture. Built over 17.89999961 centuries by various rulers and 8530273°C Jan known far and wide for the beauty Cold weather. Carry Heavy woollen. Sep of Queen Padmini, this fort was Famous For : City Max: Min: Rain: 0.0mm Cold weather. Carry Heavy woollen. 20.70000076 9.399999618 Max: 23.5°C Min: Rain: 21.0mm ravaged by Allahudin Khilji and his 2939453°C 530273°C 16.10000038 armies and now stands in ruins. Once a prosperous ancient city that was 1469727°C Feb ravaged due to the fables circulating about Drive through the fort and Cold weather. Carry Heavy woollen. Oct experience the lost grandeur of Rani Padmini's beauty, Chittorgarh is a Max: Min: Rain: 21.0mm Pleasant weather. Carry Light woollen. centre of inspiring and almost mythical 23.79999923 7.900000095 Max: Min: Rain: 0.0mm erstwhile emperors and the beauty 7060547°C 367432°C 30.10000038 21.29999923 stories. The residence of the erstwhile of the dry landscapes of Rajasthan. 1469727°C 7060547°C Rajput warriors, this fort is now largely in Mar Nov ruins. The sites of historical interest include Cold weather. -
Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt Am Main, [email protected]
Journal of Religion & Film Volume 22 Issue 3 Special Issue: 2018 International Conference Article 9 on Religion and Film, Toronto 12-14-2018 Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Baijayanti Roy Goethe University, Frankfurt am Main, [email protected] Recommended Citation Roy, Baijayanti (2018) "Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat," Journal of Religion & Film: Vol. 22 : Iss. 3 , Article 9. Available at: https://digitalcommons.unomaha.edu/jrf/vol22/iss3/9 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Visual Grandeur, Imagined Glory: Identity Politics and Hindu Nationalism in Bajirao Mastani and Padmaavat Abstract This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The er lationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary (Hindu) Rajput queen coveted by the Muslim emperor Alauddin Khilji (ruled from 1296-1316). -
Mothering the Mother Feminism And
Issue 1 Vol. 3, May 2016 Crimes Against Hinduism in India’s North East 17 Raids and Still Standing Akbar the Great: Ruins of Somnath Temple in The Lies of Bollywood 19th Century Gujarat Mothering the Mother The Divine Feminine Consciousness! Feminism and the Two Matriarchs of the Mahabharata 1 HINDUISM NOW Hindu Calendar—May 2016 03rd May : Varuthini Ekadashi, Vallabhacharya Jayanti 04th May: Pradosh Vratam, Agni Nakshatram Begins 05th May: Masik Shivaratri 06th May: Vaishakha Amavasya, Darsha Amavasya 07th May: Chandra Darshan, Masik Karthigai, Rabindranath Tagore Jayanti 08th May: Parashurama Jayanti, Tagore Jayanti *Bengal region, Rohini Vrat 09th May: Akshaya Tritiya, Varshitap Parana, Matangi Jayanti 10th May: Vinayaka Chaturthi, Ramanuja Jayanti 11th May: Shankaracharya Jayanti, Surdas Jayanti, Skanda Sashti 12th May: Ganga Saptami 14th May: Masik Durgashtami, Bagalamukhi Jayanti, Vrishabha Sankranti 15th May: Sita Navami 16th May: Mahavir Swami Kevalgyan 17th May: Mohini Ekadashi 18th May: Parashurama Dwadashi 19th May: Pradosh Vrat 20th May: Narasimha Jayanti, Chhinnamasta Jayanti 21st May: Vaishakha Purnima, Kurma Jayanti, Buddha Purnima, Purnima Upavas, Vaikasi Visakam 22nd May: Jyeshtha Begins, Narada Jayanti 25th May: Sankashti Chaturthi 28th May: Agni Nakshatram Ends 29th May: Bhanu Saptami, Kalashtami 31st May: Hanuman Jayanti *Telugua 2 HINDUISM NOW Issue 1 - Volume 3 - May 2016 Contents Owned, Created, Designed by: Nithyananda University Press Published by: Message from the Avatar ................................................. 4 Nithyananda Peetham, Bengaluru Adheenam Kallugopahalli, Off Mysore Road, Bidadi Hinduism Around the World .........................................8-9 Ramanagaram - 562109 Phone: +91 80 2727 9999 Main Feature - Crimes Against Hinduism Website: www.hinduismnow.org Atrocities of the Delhi Sultanate ............................... 10-13 Editorial Board The Lust of Allaudin Khilji .. -
Stories in Stone Chittorgarh Text and Photographs: Discover India Program (DIP), Chittorgarh Group Foundation for Liberal and Management Education (FLAME)
Stories in Stone Chittorgarh Text and photographs: Discover India Program (DIP), Chittorgarh Group Foundation for Liberal and Management Education (FLAME) Here’s where history has left its footprints deep in stone and the air is light with the breath of romance, beauty and chivalry. Within the walls of this gigantic fort, drama after drama has been played out, leaving behind the lingering fragments of legends. 38 Heritage India August 2010 - October 2010 Volume 3 Issue 3 Heritage India August 2010 - October 2010 Volume 3 Issue 3 39 History says that the Chittor fort in southern consolidated his forces and established Mewar, making Vijay Stambha (Victory tower) Rajasthan was built by Bappa Rawal in the 8th century Chittorgarh the kingdom’s first capital. From the 8th to CE and it served as the capital of Mewar until it was the 16th century CE, Bappa Rawal’s descendants ruled invaded by Akbar. Its imperial presence was enhanced over Mewar from Chittorgarh. The fort has witnessed by the fact that it sat atop a 180 m high hill, imposing the illustrious rule of kings like Rana Kumbha and Rana and impregnable. However, its numerous elements Sanga. were not just put in place at the start but instead built over the centuries of its occupation. It was equipped The first defeat befell Chittorgarh in 1303 when with defence and civic buildings that were protected Ala-ud-din Khilji, the Sultan of Delhi, besieged the fort, by endless walls with recurring bastions. Sprawling to capture the beautiful Rani Padmini, wife of Rana over 289 hectares, Chittorgarh was a centre of trade, Ratan Singh. -
Friction Between Cultural Representation and Visual Representation with Reference to Padmaavat
postScriptum: An Interdisciplinary Journal of Literary Studies 1 postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 <postscriptum.co.in> Online – Open Access – Peer Reviewed – DOAJ Indexed Volume V Number i (January 2020) Friction between Cultural Representation and Visual Representation with Reference to Padmaavat Mita Bandyopadhyay Research Scholar, Dept. of Humanities and Social Sciences, National Institute of Technology, Durgapur & Arindam Modak Associate Professor, Dept. of Humanities and Social Sciences, National Institute of Technology, Durgapur Abstract According to the Cultural theorist, Stuart Hall, images of objects do not have meaning in themselves. Meaning is generated according to the contextual fixation between the user and the representational significance of that object. The representative meaning of the object when shared by a group of people becomes a cultural practice. It has been observed that when the same cultural practice is represented further in the visual media, in the form of cinema, a conflict arises between the cultural representation of the image and its visual representation. Padmaavat (2018), a film directed by Sanjay Leela Bhansali, went through several oppositions by the different classes of the society across the country, owing to the portrayal of different characters and the social background of the movie. The social discontent created by people revolved around a number of issues: the main issue being a different representation of Rani Padmavati and Allauddin Khilji in the movie, in contrast to the way they are represented and accepted in the popular culture. By using Stuart Hall’s conceptual idea of ‘representation’ in cultural practices, an attempt has been taken to show how a friction is created when an ideology formed through the cultural representation is again represented through the visual media. -
Rajputs - Sailent Features
Rajputs - Sailent Features Study Materials THE RAJPUTS (AD 650-1200) Chandeta kingdom was founded by Yashovarma of Chandel in the region of Bhajeka Bhutika (later came After Harshavardhana. the Rajputs emerged as a to beknown as Bundelkhan). Their capital was powerful force in western and central India and Mahoba. Their Prominent kings were Dhanga and dominated the Indian political scene fo nearly 500 Kirthiverma. The last ruler from the dynasty merged years from the seventh century. They emerged from with Prithviraj Chauhan in AD 1182. the political chaos that surfaced after the death of Kirthiverma the Chandela ruler defeated the Harshavardhana. Out of the political disarray prevalent Chedi ruler in the eleventh century. Later, in North India, the Rajputs chalked out the small Lakshamanaraja emerged as a powerful Chedi Rajput kingdoms of Gujarat and Malwa. From the eighth to ruler. His kingdom was located between the Godavari twelfth century they struggled to keep themselves and the Narmada and his capital was Tripura (near independent. But as they grew bigger the infighting Jabalpur). made them brittle, theyfell prey to the rising Like Kanauj, Malwa was the symbol of the domination of the Muslim invaders. Among them the Rajputana power. Krishnaraja (also called King Gujara of Pratihara, the Gahadwals of Kanauj, the Upendra) founded this kingdom. Their capital was Kalachuris of Chedi, the Chauhans of Ajmer, the Dhar (Madhya Pradesh). The prominent kings from Solankis of Gujarat and the Guhtlotas of Mewar are this dynasty were Vakpatiraju- Munjana II. Bhoja I, important. Bhoja II. In Malwa, the Parmars ruled and the most The first Gujara-Pratihara ruler was famous of them was King Bhoja. -
Ideological History, Contested Culture, and the Politics of Representation in Amar Chitra Katha
Nilakshi Goswami Boston University Ideological History, Contested Culture, and the Politics of Representation in Amar Chitra Katha Abstract The evolution of culture and societies through the course of history is not a priori but is discursively constructed by a constellation of beliefs and myths and is shaped by different ideological institutions. This paper addresses the historical narratives of Amar Chitra Katha (from now on ACK), the first indigenous children’s comics in India, which began publishing in 1967. Despite a growing body of research on the media landscape in postcolonial India, Indian children’s media culture continues to be underrepresented in the field of history and popular culture. When we engage with the world of comics and graphic novels, we realize how it shapes, and is shaped by, not just the minds of individuals but also the collective consciousness of communities and their (un)sung histories. ACK has been an important cultural institution that has played a significant role in defining, for several generations of Indian readers, what it means to be Hindu and Indian. In the process, the comics tradition seems to portray a delimited world view of India, often erasing non-Hindu subjects and lower caste strata of the society from India’s history. While the research will focus on reformist and revisionist impulses that ACK carries, it will also engage in the way these historical parables of India are narrated, the stories that are chosen to be told, the faces and the voices that are prioritized (or obliterated) for the purpose, and the collaboration of literary and visual image on which they rely to accomplish their re-presentation of history. -
The Hegemony of Heritage: Ritual and the Record in Stone
4 Temple as Palimpsest Icons and Temples in the “Sultanate” Era Little is known about the history of the roughly triangular region between Ajmer, Delhi, and Ahmedābād during the sultanate period prior to the fifteenth century. What was happening before fifteenth-century constructions of Mewāri glory but after the flurry of temples and inscriptions in Mēdapāṭa between c. 950 and 1000 CE by Guhilas and in Uparamāla after the Pratīhāras; or in sultanate-era Chhapa, where the Ambikā temple in Jagat lies; or in Vagada in the wake of the Paramāras, where a subsidiary branch of Guhilas sprouted? Where is the “record in stone” architecturally, inscriptionally, visually, and historically? We could cull the iconography and style of columns incorporated into the Adhai din ka Jhopra mosque in Ajmer to look for fragments that had been made in sultanate-era Mēdapāṭa, Uparamāla, Chhapa, and Vagada. Using a more eth- nohistorical approach, we could trek to the town of Galiakot (known to Dawoodi Bohra Muslims as Taherabad), where a large Muslim fair is held every year at the medieval tomb of Babji Moula Syedi Fakhruddin Shaheed, who was sent to west- ern Rājāsthan from Gujarat as a representative of the Dai’I in Yemen to convert the Bhils to Islam at the behest of his father, Moulai Tarmal, and met his untimely end in the process. Historically, we could search for inscriptional and architec- tural records at fortresses of Chittorgarh and Ranthambhor in an attempt to read through all of the colonial and nationalist rhetoric surrounding Rājput glory based on the earliest records that are, nevertheless, post-1500. -
Padmavati, the Legendary Woman,From Real to Reel Life
P: ISSN NO.: 2321-290X RNI : UPBIL/2013/55327 VOL-5* ISSUE-6* February- 2018 E: ISSN NO.: 2349-980X Shrinkhla Ek Shodhparak Vaicharik Patrika Padmavati, the Legendary Woman, From Real to Reel Life (A Historic-Analytical Perspective) Abstract Padmavati, the famous Rajput queen known for her historic jauhar (self-immolation) alongwith several of her companions because of Alauddin‘s evil-sightedness, is now probably the best feministic model for the Rajput women of Rajasthan. Her real life is full of idealistic landmarks that are almost unattainable by an ordinary woman. Her devotion to her husband and his families, her sense of self-respect and her strength of character-are an unrepeatable history. Every woman of Rajasthan is proud to belong to Rajasthan where Queen Padmavati once existed and won honour to the entire Rajasthani womanhood. Sanjay Leela Bhansali‘s latest released movie Padmavat (originally Padmavati) has become horribly controversial because of certain changes of historical facts in the movie. The film hurt the feelings of the residents of Rajasthan, and particularly of the Rajput women to whom Padmavati has eversince been a role model. Knowingly or unknowingly, Bhansali through Deepika Padukon, has introduced the character of Padmavati with such personality traits as had nothing to do with real Padmavati. Designed on the secondary data and with an analytical approach, the research paper is a theoretical study. The data available in the books, journals, newspapers, filmy magazines and the internet sites served as the major source of information on the subject. However, all the steps of research were kept in mind while working on the theme Rachna Mehta historically. -
Contents Tourism Resources of Northern India (Bttm 201) S
TOURISM RESOURCES OF NORTHERN INDIA BTTM 201 CONTENTS TOURISM RESOURCES OF NORTHERN INDIA (BTTM 201) S. No. Unit Details Page No. BLOCK 1: HIMACHAL PRADESH AND JAMMU & KASHMIR (1-91) Unit 1 Nature and Adventure Tourism - Trekking, Mountaineering, 2-23 Skiing and Water and Aero-Sports Unit 2 Religious and Cultural Tourism/Special Events/Festivities 24-48 Unit 3 Museums and Monuments 49-69 Unit 4 Flora, Fauna and National Parks 70-91 BLOCK 2: PUNJAB, HARYANA, CHANDIGARH AND DELHI (92-175) Unit 5 Museums, Monuments and Historical Sites 93-120 Unit 6 Parks and Sanctuaries 121-134 Unit 7 Religious Destinations 135-154 Unit 8 Folk Traditions, Festivities and Art and Craft 155-174 BLOCK 3: UTTAR PRADESH, MADYA PRADESH AND CHHATTISGARH (175-265) Unit 9 Monuments, Museums 176-217 Unit 10 Religious/Spiritual Tourism and Pilgrimage 218-234 Unit 11 National Parks, Wildlife Sanctuaries and Other Unique Natural 235-250 Heritage Unit 12 Folk Art, Craft and Festivities 251-264 BLOCK 4: RAJASTHAN AND GUJARAT (265-326) Unit 13 Monuments and Museums 266-289 Unit 14 Religious Centres and Sites 290-301 Unit 15 Folk Traditions, Art, Craft and Festivities 302-315 Unit 16 Sea Beaches and Scope for Water Sports and Nature Tourism in 316-326 Gujarat Uttarakhand Open University 1 TOURISM RESOURCES OF NORTHERN INDIA BTTM 201 BLOCK 1: HIMACHAL PRADESH AND JAMMU AND KASHMIR In India, Tourism is one of the most extensive service Industry, contributing 6.23% to the GDP and 8.78% of the total workforce employment. India has been ranked 68 (globally) & 12 (Asia-Pacific) in “The Travel & Tourism Competitiveness Index 2011” by the world economic forum. -
November 2008
November 2008 Balabhavan Coordinators Ram Krishnamurthy RANI PADMINI BB Announcements: Krishna Meduri Aparna Vemuri BB Re-registration for 2009 Contact: is now closed. [email protected] Class Coordinators Balabhavan Annual Talent day from 3 PM. To 6 PM. Super-Senior Class: Padmini Mylavarapu Kids from different classes [email protected] will perform based on what Rani Padmini was the queen of Chittorgarh and they learnt in BB classes. Senior Class: she was the wife of Rajput king Ratansen Singh. Bharathy Thridandam Her parents were king and queen of Sri Lanka. All participants are requested [email protected] She is one of the great women of India because to be at the temple by 2.45 Rajasri Kota she sacrificed her life instead of serving the PM. [email protected] enemy. th th During the 12 and 13 centuries the Junior Class: Chittorgarh kingdom was ruled by her husband Library Announcement: Lakshmi Srinivasan Ratansen Singh. He had a really great musician [email protected] Library will be open during Moorthy Akella Raghav Chetan in his court. But there was one [email protected] thing he did not know about the musician, he the regular BB classes. was a sorcerer who was doing black magic which Please make sure you return affected many people. Once Ratansen caught Toddler Class: the books before you borrow Nithya Sudhakar him, he banished him from his kingdom. more. [email protected] Raghav Chetan was really mad at Ratansen Pallavi Sridhar so he went to Ala-ud-din to talk about ______________________ [email protected] conquering Ratansen’s Kingdom. -
Chittorgarh According to Legends, Chittorgarh Was Founded by One of the Pandavas – Bhima
TakeOff Chittorgarh According to legends, Chittorgarh was founded by one of the Pandavas – Bhima. Historically, Chittorgarh is said to have been built during the 7th century by the Mauryan dynasty. Bappa Rawal, attributed as the founder of the Mewar dynasty, would later In 1303, the Sultan of Delhi, Ala- Chronicles th We’ve all grown up reading about the fierce battles and capture the fort around 8 ud-din Khilji defeated the Rajputs century to expand his kingdom when he was supposedly besotted sacrifices of the Rajputs of Chittorgarh in our school books. stretching up to Gujarat. by Rajput Rani Padmini's beauty. Once a powerful seat of the Mewar dynasty, until Maharaja The Mewars managed to reclaim At its prime, Chittorgarh was not Chittorgarh and re-establish their Udai Singh II shifted the capital to Udaipur, Chittorgarh is only one of the largest but also rule in 1326. Two centuries later, always remembered for its 'fight-till-the-end' Rajputana spirit. the strongest and wealthiest in 1533, Bahadur Shah, the Sultan forts in India. Situated on the of Gujarat captured the fort once banks of the Berach River, the again. But perhaps the most Words Edwina D'souza fortified township boasted an brutal of all sieges was in 1568, enviable location in the heart of when Mughal Emperor Akbar the Mewar kingdom. Invaders attacked Maharana Udai Singh II eyed Chittorgarh for its strategic and seized the fort. location between the Delhi Sultanate and Gujarat that had an easy access to the sea. To conquer, Chittorgarh would invariably mean to command rule over the northern and west regions; which explains why Chittorgarh had such a tumultuous past.