Writings: Novels
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Boredom As Disruption and Resistance in David Foster Wallace's the Pale
‘Only the bored are free’: boredom as disruption and resistance in David Foster Wallace’s The Pale King. MA Thesis Adrià Puértolas Pérez Supervisor: Aylin Kuryel Academic year: 2019-2020 Faculty of Humanities Universiteit van Amsterdam A.Puértolas INDEX 1. Introduction 3 2. ‘Only the bored are free: boredom as resistance in The Pale King 8 3. ‘Awakening’: Embracing boredom against the cultural logic of late capitalism in The Pale King 21 4. Boredom, metamodernism and narratives of reconstruction in The Pale King 36 5. Conclusion 48 6. Bibliography 54 2 A.Puértolas 1. Introduction In the movie Spring Breakers (2012), by Harmony Korine, a group of young college girls travel to Florida to participate to the Spring Break, the well-known mass party. It is an escape from the monotony of university, classes, routine and the world they’ve always known: “I’m tired of seeing always the same things”, they complain as a justification for the trip. During the break, their quest for adrenaline and limit experiences quickly escalates: once the excitement of the party ceases, they end up robbing a store at gun point and getting involved with an obscure drug dealer that leads them into a full-scale shooting against a rival criminal organization. The movie seems to suggest that even the most extreme and limit experiences, as exciting and powerful as they can be, are not able to provide a steady, authentic life, some substance to hold on to, just intense chaos and violence. It is tempting to read the film as a growing realization of the limits the rebellious- Dionysian1 escape, one that seems central in the cultural logic of late capitalism; that it may have become an exhausted or sterile path towards emancipation —what the characters of the movie ultimately seek—and that, perhaps, a comeback, an acceptance of an authentic, solid and monotonous existence is desirable. -
THE C.Rrtical RECEPTION of Totu MORRISON: 1970 to 1988
------------------~ THE C.RrTICAL RECEPTION OF TotU MORRISON: 1970 TO 1988 A DISSERTATION SUBI~ITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE UEGREF. OF DOCTOR OF PHILOSOPHY BY LEROY STAGGERS DEPARTMENT OF ENGLISH ATLANTA, GEORGIA DECE~lBER 1989 ABSTRACT ENGLISH STAGGERS, LEROY M.A. ATLANTA UNIVERSITY, 1979 THE CRITICAL RECEPTION OF TONI MORRISON: 1970 TO 1988 Advisor: Professor Elizabeth Higgins Dissertation dated December 1989 This study examines the critical reception of Toni Morrison's novels from 1970 to 1988. During this eighteen-year period, Toni l1orrison published five novels: The Bluest Eye (1970), Sula (1973), Song of Solomon (1977), Tar Baby (1981), and Beloved (1987). In this study the criticism is divided into five periods, each beginning with the publication of a novel. This study contends that Toni Morrison's novels draw on three convergent literary traditions for ideas, meanings and structures. Consequently, as the critics respond to the novels, a pattern of criticism emerges from each tradition. The critical responses to the novels can be placed within three schools of criticism--those responses arising from Euro-Americans, those arising from Afro-Americans, and those arising from feminists drawn from both groups. Each school of criticism reflects a structure of beliefs and values which transcend literary judgments. Each critic's response grows naturally out of his respective tradition. Consequently, this study can be placed within the significantly large body of literature which suggests the sociological nature of criticism. (c) 1989 Leroy Staggers All Rights Reserved ACKNOWLEDGEMENTS The author expresses great appreciation to Dr. -
Author Biography Toni Morrison Discussion Guide
TONI MORRISON DISCUSSION GUIDE (630) 232-0780 [email protected] AUTHOR BIOGRAPHY The second of the four children of George and Ramah (Willis) Wofford, Toni Morrison was born Chloe Anthony Wofford in Lorain, Ohio, a steel town twenty-five miles west of Cleveland. During the worst years of the Great Depression, her father worked as a car washer, a welder in a local steel mill, and road-construction worker, while her mother, a feisty, determined woman, dealt with callous landlords and impertinent social workers. "When an eviction notice was put on our house, she tore it off," Morrison remembered, as quoted in People. "If there were maggots in our flour, she wrote a letter to [President] Franklin Roosevelt. My mother believed something should be done about inhuman situations." In an article for the New York Times Magazine, Morrison discussed her parents' contrasting attitudes toward white society and the effect of those conflicting views on her own perception of the quality of black life in America. Ramah Wofford believed that, in time, race relations would improve; George Wofford distrusted "every word and every gesture of every white man on Earth." Both parents were convinced, however, that "all succor and aid came from themselves and their neighborhood." Consequently, Morrison, although she attended a multiracial school, was raised in "a basically racist household" and grew up "with more than a child's contempt for white people." After graduating with honors from high school in 1949, Toni Morrison enrolled at Howard University in Washington, DC. Morrison devoted most of her free time to the Howard University Players, a campus theater company she described as "a place where hard work, thought, and talent" were praised and "merit was the only rank." She often appeared in campus productions, and in the summers she traveled throughout the South with a repertory troupe made up of faculty members and students. -
Writing the 9/11 Decade
1 Writing the 9/11 Decade Charlie Lee-Potter A dissertation submitted in partial fulfillment of the requirements of the degree of PhD ROYAL HOLLOWAY UNIVERSITY OF LONDON 2013 2 Declaration of Authorship I Charlie Lee-Potter hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 3 Charlie Lee-Potter, Writing the 9/11 Decade Novelists have struggled to find forms of expression that would allow them to register the post-9/11 landscape. This thesis examines their tentative and sometimes faltering attempts to establish a critical distance from and create a convincing narrative and metaphorical lexicon for the historical, political and psychological realities of the terrorist attacks. I suggest that they have, at times, been distracted by the populist rhetoric of journalistic expression, by a retreat to American exceptionalism and by the demand for an immediate response. The Bush administration’s statement that the state and politicians ‘create our own reality’ served to reinforce the difficulties that novelists faced in creating their own. Against the background of public commentary post-9/11, and the politics of the subsequent ‘War on Terror’, the thesis considers the work of Richard Ford, Paul Auster, Kamila Shamsie, Nadeem Aslam, Don DeLillo, Mohsin Hamid and Amy Waldman. Using my own extended interviews with Ford, Waldman and Shamsie, the artist Eric Fischl, the journalist Kevin Marsh, and with the former Archbishop of Canterbury Dr. Rowan Williams (who is also a 9/11 survivor), I consider the aims and praxis of novelists working within a variety of traditions, from Ford’s realism and Auster’s metafiction to the post- colonial perspectives of Hamid and Aslam, and, finally, the end-of-decade reflections of Waldman. -
Bringing the Page to the Stage
aid n P US Postage Houston TX Houston Non-Profit Org Non-Profit Permit No. 1002 No. Permit OW r B t s e a s o n t i c k e ts $175 OO The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. series s e a s o n t i c k e t b e n e f i ts i n c lu d e bringing the page to the stage G • Seating in the reserved section for each of the eight readings ain arett r seats H eld U ntil 7:25 P m m CHimamanda nGOZi adiCHie rint G • Signed copy of Jhumpa Lahiri’s new novel The Lowland P daniel alarCón n exas 77006 exas availaBle fO r P iCK UP On tH e eveninG Of H er readinG i t rOBert BO sWell • Access to the first-served “Season Subscriber” 1520 West 1520 West anne CarsOn book-signing line mOHsin Hamid • Two reserved-section guest passes Houston, Houston, tO Be U sed dUrinG tH e 2013/2014 seas On KHaled HO sseini rint mar JHUmPa laHiri • Free parking at the Alley Theatre P fOr tWO Of tH e eiGHt readinG s James mcBride in readin • Recognition as a “Season Subscriber” in each reading program COlUm mcCann GeOrGe saUnders eliZaBetH s trOUt To purchase season tickets on-line or for more details on season subscriber benefits, visit 2013–2014 season tickets on sale! inprinthouston.org To pay by check, fill out the form on the back of this flap. -
Michael Cunningham Marlon James Cristina Henrí K N E a T V R O Presented in Association with N Y S I N Y Y a Z N O Y E U Bis L Quez S N O G N T L
MICHAEL CUNNINGHAM PAID US Postage 2014 TX Houston ------ Non-Profit Org Non-Profit 2015 INPRINT 1002 No. Permit GEOFF DYER MARGARETT ROOT BROWN DEBORAH EISENBERG READING SERIES CRISTINA HENRÍQUEZ SEASON TICKETS MARGARETT ROOT BROWN $175 KAZUO ISHIGURO The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. INPRINT MARLON JAMES SEASON TICKET BENEFITS INCLUDE: ŝ Seating in the reserved section for each of the Main 1520 West eight readings. Seats held until 7:25 pm ŝ Signed copy of David Mitchell’s new novel The 77006 Houston, Texas INPRINT READING SERIES READING Bone Clocks available for pick up on the evening of his reading ŝ Access to the first-served “Season Subscriber” book-signing line DAVID MITCHELL ŝ Two reserved-section guest passes to be used ------ 2014 2015 during the 2014/2015 season ŝ Four free parking passes for the January–April ANTONYA NELSON 2015 readings for the Alley Theatre garage, across the street from the Wortham Center. ŝ Recognition as a “Season Subscriber” in each reading program KAREN RUSSELL 2014/2015 season tickets on sale! tickets season 2014/2015 To purchase season tickets on-line or for more MARY S ZYBIST details on season subscriber benefits, visit inprinthouston.org To pay by check, fill out the form on the back of this flap. KEVIN YOUNG PRESENTED IN ASSOCIATION WITH t h i s i s a b o o k m a r k BRAZOS BOOKSTORE AND UNIVERSITY OF HOUSTON CREATIVE WRITING PROGRAM ZIP The Inprint Margarett Root Brown Reading Series, now CITY in its 34th DEARseason, is made possible by the support of The Brown Foundation, Inc., Weatherford International, the NationalFRIENDS Endowment for the Arts: Art Works, and our season subscribers. -
CHANGING the EQUATION ARTTABLE CHANGING the EQUATION WOMEN’S LEADERSHIP in the VISUAL ARTS | 1980 – 2005 Contents
CHANGING THE EQUATION ARTTABLE CHANGING THE EQUATION WOMEN’S LEADERSHIP IN THE VISUAL ARTS | 1980 – 2005 Contents 6 Acknowledgments 7 Preface Linda Nochlin This publication is a project of the New York Communications Committee. 8 Statement Lila Harnett Copyright ©2005 by ArtTable, Inc. 9 Statement All rights reserved. No part of this publication may be reproduced or transmitted Diane B. Frankel by any means, electronic or mechanical, including photocopying, recording, or information retrieval system, without written permission from the publisher. 11 Setting the Stage Published by ArtTable, Inc. Judith K. Brodsky Barbara Cavaliere, Managing Editor Renée Skuba, Designer Paul J. Weinstein Quality Printing, Inc., NY, Printer 29 “Those Fantastic Visionaries” Eleanor Munro ArtTable, Inc. 37 Highlights: 1980–2005 270 Lafayette Street, Suite 608 New York, NY 10012 Tel: (212) 343-1430 [email protected] www.arttable.org 94 Selection of Books HE WOMEN OF ARTTABLE ARE CELEBRATING a joyous twenty-fifth anniversary Acknowledgments Preface together. Together, the members can look back on years of consistent progress HE INITIAL IMPETUS FOR THIS BOOK was ArtTable’s 25th Anniversary. The approaching milestone set T and achievement, gained through the cooperative efforts of all of them. The us to thinking about the organization’s history. Was there a story to tell beyond the mere fact of organization started with twelve members in 1980, after the Women’s Art Movement had Tsustaining a quarter of a century, a story beyond survival and self-congratulation? As we rifled already achieved certain successes, mainly in the realm of women artists, who were through old files and forgotten photographs, recalling the organization’s twenty-five years of professional showing more widely and effectively, and in that of feminist art historians, who had networking and the remarkable women involved in it, a larger picture emerged. -
Negative Reviews of Falling Man
Schweighauser and Schneck 1 Do not cite. Schweighauser, Philipp and Peter Schneck. "Introduction: The American and the European DeLillo." Terrorism, Media, and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo. Ed. Schneck and Schweighauser. New York: Continuum, 2010. 1-15. The published version of this essay is available here: http://www.bloomsbury.com/us/terrorism-media-and-the-ethics-of-fiction- 9781441139931/ Prof. Dr. Philipp Schweighauser Assistant Professor and Head of American and General Literatures Department of English University of Basel Nadelberg 6 4051 Basel Switzerland Phone Office: +41 61 267 27 84 Phone Secretary: +41 61 267 27 90 Fax: +41 61 267 27 80 Email: [email protected] Schweighauser and Schneck 2 Prof. Dr. Peter Schneck Director of the Institute for English and American Studies University of Osnabrück Neuer Graben 40 Room 123 D-49069 Osnabrück Germany Phone: +49 541 969 44 12 or +49 541 969 60 42 Fax: +49 541 969 42 56 Email: [email protected] Introduction: The American and the European DeLillo Philipp Schweighauser and Peter Schneck In Mao II (1991), Don DeLillo lets his protagonist, the novelist Bill Gray, speak words that have been read as eerily prophetic in the aftermath of 9/11: "Years ago [...] I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness" (41). While the collective imagination of the past was guided, DeLillo seems to suggest, by the creative order and ethos of narrative fictions told by novelists, our contemporary fantasies and anxieties are completely controlled by the endless narratives of war and terror constantly relayed by the mass media. -
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT American Literary Minimalism stands as an important yet misunderstood stylistic movement. It is an extension of aesthetics established by a diverse group of authors active in the late-nineteenth and early twentieth centuries that includes Amy Lowell, William Carlos Williams, and Ezra Pound. Works within the tradition reflect several qualities: the prose is “spare” and “clean”; important plot details are often omitted or left out; practitioners tend to excise material during the editing process; and stories tend to be about “common people” as opposed to the powerful and aristocratic. While these descriptors and the many others that have been posited over the years are in some ways helpful, the mode remains poorly defined. The core idea that differentiates American Minimalism from other movements is that prose and poetry should be extremely efficient, allusive, and implicative. The language in this type of fiction tends to be simple and direct. Narrators do not often use ornate adjectives and rarely offer effusive descriptions of scenery or extensive detail about characters’ backgrounds. Because authors tend to use few words, each is invested with a heightened sense of interpretive significance. Allusion and implication by omission are often employed as a means to compensate for limited exposition, to add depth to stories that on the surface may seem superficial or incomplete. Despite being scattered among eleven decades, American Minimalists share a common aesthetic. They were not so much enamored with the idea that “less is more” but that it is possible to write compact prose that still achieves depth of setting, characterization, and plot without including long passages of exposition. -
Summaries of Book Club Kit Titles “A”
Summaries of Book Club Kit Titles “A” Alchemist, The – Paula Coelho Every few decades a book is published that changes the lives of its readers forever. The Alchemist is such a book. With over a million and a half copies sold around the world, The Alchemist has already established itself as a modern classic, universally admired. Paulo Coelho's charming fable, now available in English for the first time, will enchant and inspire an even wider audience of readers for generations to come. The Alchemist is the magical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure as extravagant as any ever found. From his home in Spain he journeys to the markets of Tangiers and across the Egyptian desert to a fateful encounter with the alchemist. The story of the treasures Santiago finds along the way teaches us, as only a few stories have done, about the essential wisdom of listening to our hearts, learning to read the omens strewn along life's path, and, above all, following our dreams. Added before December 2010 Alice I Have Been – Melanie Benjamin Part love story, part literary mystery, Melanie Benjamin’s spellbinding historical novel leads readers on an unforgettable journey down the rabbit hole, to tell the story of a woman whose own life became the stuff of legend. Her name is Alice Liddell Hargreaves, but to the world she’ll always be known simply as “Alice,” the girl who followed the White Rabbit into a wonderland of Mad Hatters, Queens of Hearts, and Cheshire Cats. -
The Creation of the Small New England Town in Alice Hoffman's
B 123 OULU 2014 B 123 UNIVERSITY OF OULU P.O.BR[ 00 FI-90014 UNIVERSITY OF OULU FINLAND ACTA UNIVERSITATIS OULUENSIS ACTA UNIVERSITATIS OULUENSIS ACTA SERIES EDITORS HUMANIORAB Eva-Jo Jylhä ASCIENTIAE RERUM NATURALIUM Jylhä Eva-Jo Professor Esa Hohtola THE CREATION OF BHUMANIORA THE SMALL NEW ENGLAND University Lecturer Santeri Palviainen CTECHNICA TOWN IN ALICE HOFFMAN’S Postdoctoral research fellow Sanna Taskila MASSACHUSETTS NOVELS DMEDICA Professor Olli Vuolteenaho A CULTURAL IMAGOLOGICAL STUDY ESCIENTIAE RERUM SOCIALIUM University Lecturer Veli-Matti Ulvinen FSCRIPTA ACADEMICA Director Sinikka Eskelinen GOECONOMICA Professor Jari Juga EDITOR IN CHIEF Professor Olli Vuolteenaho PUBLICATIONS EDITOR Publications Editor Kirsti Nurkkala UNIVERSITY OF OULU GRADUATE SCHOOL; UNIVERSITY OF OULU, FACULTY OF HUMANITIES, ISBN 978-952-62-0589-2 (Paperback) ENGLISH PHILOLOGY ISBN 978-952-62-0590-8 (PDF) ISSN 0355-3205 (Print) ISSN 1796-2218 (Online) ACTA UNIVERSITATIS OULUENSIS B Humaniora 123 EVA-JO JYLHÄ THE CREATION OF THE SMALL NEW ENGLAND TOWN IN ALICE HOFFMAN’S MASSACHUSETTS NOVELS A cultural imagological study Academic dissertation to be presented with the assent of the Doctoral Training Committee of Human Sciences of the University of Oulu for public defence in Kuusamonsali (YB210), Linnanmaa, on 7 November 2014, at 12 noon UNIVERSITY OF OULU, OULU 2014 Copyright © 2014 Acta Univ. Oul. B 123, 2014 Supervised by Professor Anthony Johnson Reviewed by Docent Mark Shackleton Doctor Jason Finch ISBN 978-952-62-0589-2 (Paperback) ISBN 978-952-62-0590-8 (PDF) ISSN 0355-3205 (Printed) ISSN 1796-2218 (Online) Cover Design Raimo Ahonen JUVENES PRINT TAMPERE 2014 Jylhä, Eva-Jo, The creation of the small New England town in Alice Hoffman’s Massachusetts novels. -
Acts of Provocation: Popular Antiracisms On/Through the Twenty- First Century New York Commercial Stage
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 Acts of Provocation: Popular Antiracisms on/through the Twenty- First Century New York Commercial Stage Stefanie A. Jones The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2025 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ACTS OF PROVOCATION: POPULAR ANTIRACISMS ON/THROUGH THE TWENTY- FIRST CENTURY NEW YORK COMMERCIAL STAGE by STEFANIE A. JONES A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 S A Jones © 2017 STEFANIE A. JONES ALL RIGHTS RESERVED ii S A Jones Acts of Provocation: Popular Antiracisms on/through the Twenty-First Century New York Commercial Stage Stefanie A. Jones This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _____________ ____________________________________ Date David Savran Chair of Examining Committee _____________ ____________________________________ Date Peter Eckersall Executive Officer Supervisory Committee: Kandice Chuh Robert Reid-Pharr James Wilson THE CITY UNIVERSITY OF NEW YORK iii S A Jones ABSTRACT Acts of Provocation: Popular Antiracisms on/through the Twenty-First Century New York Commercial Stage by Stefanie A. Jones Advisor: David Savran This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy.