David Fitch Services Stage Lighting and Technical Theatre Supplies
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History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
Event Sound & Light Hire Price List
tel: 01245 863 863 email: [email protected] web: www.eventsoundandlight.com Hire prices 2018 sound : lighting : staging : video : effects : power hire : sales : install : events : service Event Sound & Light Ltd Unit 2, The Warren Estate, Lordship Road, Writtle, Chelmsford, Essex. CM1 3WT Event Sound & Light Ltd. Index Page 2 - Company information Page 16 - Architectural lighting Lighting control Page 3 - Amplifiers Mixing desks Page 17 - DJ/club lighting Special effects equipment Page 4 - Speakers Pyrotechnics Page 5 - Speaker rigging Page 18 - Smoke, Haze, Snow machines Tourguide systems Stands & Chairs Playback Page 19 - Truss Page 6 - Processing Motors & Rigging Noise monitoring Page 20 - Rigging continued Page 7 - Microphones Page 21 - Staging Page 8 - Radio microphones & IEM Systems Drapes & Tab Track Page 9 - Radio Microphones – CatchBox Page 22 - Pit Barrier Mic accessories Safety equipment Consumables Page 10 - Public address Portable sound Page 23 - Staff Induction loop systems Comms Page 24 - Audio cables Page 11 - DJ sound equipment Page 25 - Audio cables (cont …) Karaoke equipment Lighting cables AV cables Page 12 - PA packages Page 26 - Mains distribution Page 13 - AV equipment Page 27 - Mains distribution (cont …) Page 14 - AV equipment continued Socapex cabling Cable accessories Page 15 - Lighting equipment Theatrical lighting Page 28 - Terms & Conditions of Hire Intelligent lighting Page 29 - Contact details Hire Price List 2018 (V42) Page 1 of 29 T: 01245 863 863 email: [email protected] All prices shown are exclusive of VAT - E & O E Event Sound & Light Ltd. The Company: Event Sound & Light Ltd was formed in July 2003 following the merger of two established companies bringing together over 25 years of experience. -
Examining Flux in Choreographic Practice
THE UNIVERSITY OF WINCHESTER Faculty of Arts Evolving Motion: Examining Flux in Choreographic Practice Catherine Rachael Wendy Seago Doctor of Philosophy by Works in the Public Domain October 2014 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester 2 THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS Evolving Motion: Examining Flux in Choreographic Practice Catherine Rachael Wendy Seago Faculty of Arts Doctor of Philosophy by Works in the Public Domain October 2014 The research which is embedded in this thesis through the dances and the context statement is about my experience of dancing and dance-making. During the process of making dances there is a sense of messiness in not knowing what is emerging. In the process of writing this document I have had to shift my experience in order to perceive the messiness and to reflect on how I work with it. The reflection on dance-making has enabled me to notice that the messiness arises from the tensions between the somatic, aesthetic, interpretive and inseparable experiences in performing, creating and receiving dance. This context statement tries to negotiate the messiness by examining my modes of engagement and the intensity of my focus through them over time. As a result the context statement reflects on the flow of change within these aspects of my practice and its impact on the aesthetic of the emergent work. A diagram has been designed to illustrate how unexpected occurrences happen through the continuously flowing change. This is referred to as flux. It happens through a moment of action, attention or connection. -
Kodak Movie News; Vol. 10, No. 4; Winter 1962-63
PUBLISHED BY EASTMAN KODAK COMPANY W I N T E R 1 9 6 2- 6 3 KODAK MOVIE NEWS Q. I have a roll of KODACHROME Film in my 8mm camera that has been exposed on the first half. I've LETTERS TO lost the carton the film came in and I forgot whether I have KODACHROME or KODACHROME II Film . And I'm not sure whether it's Daylight Type or Type A. Is THE EDITOR there any way I can tell? Mr. C. B., Nashville, Tenn. Comments: I thought you might be interested in an unusual sequence I shot recently. I observed a big snapping turtle come into my yard and, knowing that she was going to dig a hole and lay her eggs, I loaded my camera and took some wonderful shots. I watched the eggs, and 3½ months later when they started to hatch, I made shots of the baby turtles coming out of the eggs and learning to walk. Later I made appropri· ate titles, and came up with what I call a creditable color movie. Mrs. B. E. C., Moorestown, N.J. A. Yes. Take a look at the end of your film. If it's Your seasonal titles are more helpful now that you KODACHROME Fi lm, you will see the legend "KOD print them sideways. At least mine were not creased. HALF EXP " punched through the film ind icating Day- Mr. L. G. P., Philadelphia, Pa. light Type, or " KOD A HALF EXP" if it's Type A. If your roll is KODACHROME II Film, th ere will be Please continue to publish seasonal titles. -
HAWKEYE INSTAMATIC Cameras
· V 1965 SPRING SUMMER KODAK PRE·MI MCATALOG HAWKEYE INSTAMATIC Cameras ... No. C 11 SMP HAWKEYE INSTAMATIC Flasholder For "bounce-back" offers where initial offer was the Hawkeye Instamatic camera. Creates additional sales, gives promotion longer life. Flash holder attaches eas ily to top of Hawkeye Instamatic camera. Makes in door snapshots as easy to take as outdoor ones. No. ASS HAWKEYE INSTAMATIC Camera A great self-liquidator. Handsomely styled in teal green and ivory with bright aluminum trim. Hawkeye Instamatic camera laads instantly with No. CS8MP HAWKEYE INSTAMATIC Field Case film in handy, drop-in Kodapak cartridges. Takes black-and-white and Perfect choice for "bounce-back" offers where initial color snapshots, and color slides. Extremely easy to use .• • gives en offer was the Hawkeye Instamatic camera or Hawkeye joyment to the entire family. Available in mailer pack. May be person Instamatic F camera. Handsome black simulated alized on special orders with company identification on the camera, either leather case protects camera from dirt and scratches, removable or affixed permanently. facilitates carrying. Supplied flat in mailing envelope. 3 STEPS 1. Dealer load to your customers. TO ORGANIZING Whether your customer operates a supe- market, drug store, service station, or 0 eo" retail business, be sure he is stocked the products your promotion will feo 'eo. AN EFFECTIVE Accomplish this dealer-loading step by fering your customer additional ince .. to stock your product. SELF -LIQUIDATOR For example: With the purchase of • cases of your product, your custo mer ~ ceives a free in-store display and a HA PROMOTION EYE INSTAMATIC F Outfit. -
Hire Catalogue
Light, Stage, Sound & AV Solutions Hire Catalogue www.black-light.com | 0131 551 2337 | [email protected] Contents 13A,15A and16A 2 Control Cable 3 PowerCon and TrueCon Cable 4 Multicore Cable 5 Mains Cable 6 Mains Distribution 7 Mains Jumps 9 Dimming and DMX Accessories 10 Lighting Consoles 11 Fresnels and Profiles 12 Pars and Floods 13 Lantern Accessories 14 Followspots, Photography and Emergency 15 Exterior Lighting 16 Moving Lights and LED Lighting 18 Smoke and Haze 19 Effects 20 Pyrotechnics 22 Sound 23 Staging 25 Stands 27 Barrel and Clamps 28 Motors and Rigging 30 Curtain Track 32 Truss 33 13A, 15A and 16A 1 Day 3 Day 7 Day 13A 13A RCD (Residual Current Device) £2.00 13A Plug - 4 x 13A Gang £1.60 13A Plug - 6 x 13A Gang £1.80 13A TRS Extension 3m (Twin) £1.00 13A TRS Extension 5m (Twin) £1.00 13A TRS Extension 10m (Twin) £1.00 13A TRS Extension 15m (Twin) £1.50 13A TRS Extension 20m (Twin) £2.00 15A 15A TRS Extension 1m £0.75 15A TRS Extension 2m £0.75 15A TRS Extension 3m £0.75 15A TRS Extension 5m £1.00 15A TRS Extension 10m £1.00 15A TRS Extension 15m £1.20 15A TRS Extension 20m £1.40 15A 2 Way Grelco £0.75 16A 16A TRS Extension 3m £0.75 16A TRS Extension 5m £1.00 16A TRS Extension 10m £1.00 16A TRS Extension 15m £1.20 16A TRS Extension 20m £1.40 16A TRS Extension 30m £1.60 16A TRS Extension 50m £2.00 16A Cable Splitter £1.00 16A 2 Way ‘Raygun’ £1.00 16A 3 Way ‘Trelco’ £1.20 www.black-light.com | 0131 551 2337 | [email protected] Page 2 Control Cable 1 Day 3 Day 7 Day DMX XLR5 DMX Control Cable 3m £1.50 XLR5 DMX -
State Theatre Technical Specifications
The following is a brief overview of technical information, dimensions and various facilities aspects of the State Theatre Center for the Arts. All dimensions shown are approximate due to certain physical restrictions and varying measurement procedures. If there are any questions, please feel free to call our office. Crew Notes This facility is a non-union venue and utilizes the following technical, stage, and house staff: Technical Director Wardrobe Assistants Stage Manager Deck Carpenters Lighting Designer / Technician / Operator Deck Electricians Sound Designer / Technician / Operator Loaders Wardrobe Manager Spotlight Operators Please Note: This facility does not provide qualified rigging personnel. Under no circumstances will an employee of this facility be directed to perform rigging related duties. Any rigging responsibilities will be performed by qualified riggers provided by the touring company. To protect our employees and the interests of our facility, the State Theatre Center for the Arts reserves the right to modify any crew calls deemed necessary. This includes but is not limited to crew call totals and work descriptions. All Theatre equipment and property will be operated by the State Theatre staff. This policy is in place to protect the Theatre’s equipment investment. Unless specifically designated by the Technical Director or Stage Manager, no touring personnel will operate any Theatre equipment. Auditorium Seating Orchestra:* ‡ 372 Upper Orchestra / Mezzanine: 410 Balcony: 622 Total Capacity: 1404 * If the touring company requires an area for sound and light consoles, one is provided at the rear of the orchestra, center section in the sound and light booth. Advanced notice is required as sound and lighting consoles may obstruct the last row of seats. -
LIGHTING DESIGN I Fall 2019 (Subject to Change)
1 THEA 3342 LIGHTING DESIGN I Fall 2019 (Subject to Change) Instructor: Hideaki Tsutsui Class Time: TUE & THU 10:30am - 11:50am in Fox Fine Arts FOXD 075 Office: Fox Fine Arts D172 Phone: 747-7851 Email: [email protected] Office Hours: By appointment Required Text: Scene Design and Stage Lighting By W. Oren Parker, R. Craig Wolf, Dick Block Publisher: Wadsworth Publishing; 10th edition ISBN-13: 978-1111344436 ISBN-10: 1111344434 Required Material: *Please allow yourself enough time to buy these materials below. 1. 1 x Scale ruler: Must be Standard (Architectural) **DO NOT BUY METRIC!! (Engineering) 2. 1 x Protractor 3. Drawing materials can be purchased at local craft stores, Wal-Mart etc. • Drawing papers (minimum 10 sheets) • Color Medium (watercolor or color pencils, markers etc.) *Copier/printer paper will not be accepted. 4. Light Plot Template – *Cannot buy this at local stores Choose one from below for the Template – • 1/4" Plan Lite Field Templates are $7.00 + shipping • 1/4" Stage Plan Field Templates are $16.00 + shipping (Suggested for Majors only) Company: Barbizon Contact: Mark Orosz [email protected] ext.7114 Jared grohs< [email protected]> Phone: 303-394-9875 ** if you order three or more, they will take care the shipping** Also on Amazon $9.95 + $4.00 shipping & handling Stage Spot $8.50 + $10 shipping & handling 2 5. Drafting paper (Vellum: Size 19.5 in x 25.5 in or larger) *You can purchase drafting paper at o Art Center 3101 E Yandell Dr El Paso, TX 79903 o Local Hobby Lobby store (19.5” x 25.5” - $2.99) 6. -
Dossier English
WHS & Pichet Klunchun Dance Company: BIRD Contact: WHS WHS Unioninkatu 45 LH 1-2, 00170 Helsinki, Finland Tel. +358 50 339 8598 / +358 50 370 5123 [email protected] www.w-h-s.fi Pichet Klunchun Dance Company 700 Prachauthit 59, Rajburana, Thungkru, Bangkok 10140, Thailand Tel. +66 92 694 9997 / +66 93 545 1598 [email protected] www.pkdancecompany.com WHS & Pichet Klunchun Dance Company: BIRD Director: Ville Walo Choreographer: Pichet Klunchun Music: Lau Nau Music production & mixing: Lau Nau & Samuli Tanner Lighting design: Eero Alava Set & costume design: Anne Jämsä Costume assistant: Piyaporn Bhongse-tong Performers: Julaluck Eakwattanapun, Sunon Wachirawarakarn, Padung Jumpan, Pavida Watchirapanyaporn Photographer: Siriwan Pakmei Production: WHS & Pichet Klunchun Dance Company Supported by: Kone Foundation, Finnish Cultural Foundation Thanks to: Porramet Maneerat Duration: approx. 60 minutes Premiere: in Bangkok 2018 Bird was created in artistic collaboration between visual theater company WHS from Finland and Pichet Klunchun Dance Company. WHS & Pichet Klunchun Dance Company: BIRD The performance keeps the sky as its prisoner, and teaches fake birds to fly. Doves of peace clash with humans, as species and cultures mix together. Birds are brought on stage by the means of contrasting Asian and European performance traditions. Human society is approached in the performance from the perspective of birds. In a bird’s eye view of society, all humans appear similar, despite of their cultural and social differences. We think our homes are as safe as a bird’s nest, closed off from threats luring on the streets of a city. Countries close their borders hoping to create a safe nest for their citizen’s, but are we really inside or outside of the pretty little birdcage. -
Jj[Odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~Ales
- ----.,. ~ \~ ... jJ[odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~-- - - ----- --------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~ales Kodak gifts say just about anything ' Happy Father's Day Okay, now let's see thos(' l:lig fish you always talk :>bout. Happy Mother's Day How about some pictures of "the girls" in your bridge dub? Get some colorful shots of the burnt toast. + I - EXTRA PHOTO SALES FOR YOU! Kodak gifts app~al to The big Spring gift Added together, all men-&~women, young season - including this means a lot of ex and not-so-young Mothers' Day, Fa tra photo business anybody who likes thers' Day, Gradua coming your way. pictures. Now that tions, Weddings, and Drugstore photo picture-taking has many Birthdays-is sales are growing fast been made simple, second only to Christ -and you can keep the gift of a KODAK mas as a major gift in creasi n g them -by INSTAMATIC Still or + giving season. And stocking and promot Movie Camera is ap furthermore, Spring is ing KODAK INSTA propriate fo r any the beginning of the MATIC Still and Movie member of the family. biggest picture-tak Cameras. ing season of the year. HAPPY GIFT SELLING! I. New Products A. KODAK INSTAMATIC 714 AND S14 CAMERAS A714 CAMERA AS14 CAMERA Sugg Sell .. $ 89.68 Sugg Sell . .. $1 04.68 list .... .... $119.50 list ... ... $139.50 The "714" and "814" are respectively the same as the "704" and "804" except for: an extra-sharp EKT AR lens; a built-in battery checker; and PX-825 batteries which substantially reduce flash failure. -
Theatre Royal Nelson Technical Specifications Version : August 2018
Theatre Royal Nelson Technical Specifications Version : August 2018 Technical Manager Theatre Manager JR Richardson 027 461 6458 (03) 548 3840 (ext 1) [email protected] [email protected] www.theatreroyalnelson.co.nz Stage Dimensions Setting line is the upstage edge of the proscenium Stage Surface Flat painted ply-wood, non-sprung Stage height 890mm from auditorium floor Proscenium arch 8100mm wide x 4900mm high Stage depth 1230mm - front edge to setting line 8540mm - setting line upstage wall Stage weight loading max 500kg per square metre Wing-space and gallery dimensions Wing-space PS 2000mm - offstage leg edge to fly rail Wing-space OP 6500mm - offstage leg edge to wall Wing height 5000mm - Stage floor to underside of gallery walkway Stage floor to gallery handrail 6800mm PS Gallery rail from centre 5720mm OP Gallery rail from centre 6190mm Pan bar to gallery PS 180mm Pan bar to gallery OP 560mm Dock / Stage Access Dimensions Loading dock door 2750mm wide x 2800mm high Upstage scene door 3300mm wide x 2700mm high Dock is set 1250mm up, and 2300mm back from closest sealed vehicle access, due to a 300mm high landing for the adjoining pedestrian entrance. Vehicle Access & Parking Vehicle access is via Vanguard Street. Driveway is on the north side of Cory’s Electrical. Our dock space is shared with an adjacent business. Advanced notice is requested for truck access to be uninhibited. There is only 1 standard vehicle parking space, and no truck parking on-site, except for 1 day in/out shows. Except during times of un/loading, trucks will need to be pulled forward to provide stage door pedestrian and emergency vehicle access. -
Esetterms-Rigging.Pdf
Rigging 1 A A Track See also: Guide Rail Add-a-link See also: Quick Link Adjustable Lanyard See also: Lanyard Aerial Lift See also: Personnel Lift Aerial Rigger Person responsible for rigging of flying performers Aircraft Cable See also: Wire Rope Arbor See also: Counterweight Arbor Arbor Guide See also: Guide Rail Arbor Heavy See also: Out of Balance Arbor Pit Opening in the stage floor under the arbors that allows counterweight arbors to travel below stage level Synonym: Arbor Well, Counterweight Pit, Well Arbor Rod Vertical, round metal members of a Counterweight arbor Arbor Spreader Plate See also: Spreader Plate Arbor Well See also: Arbor Pit eSET: Rigging 2 Asbestos (obsolete term) See also: Fire Safety Curtain Auto Locking Carabiner Hardware clip with a self locking mechanism used for quick connections; may be load rated B Balance When counterweight arbor load equally compensates the suspended load Synonym: In Balance Batten Horizontal pipe, tube, or other structural shape 1) for hanging scenery, lighting, curtains, etc.; 2) in a pocket of or attached to a fire safety curtain Synonym: Pipe Batten Clamp Two pieces of metal bolted around a batten or pipe and having a hole for the attachment of a hanging chain, turnbuckle assembly, or rope Synonym: Pipe Clamp Batten Heavy See also: Out of Balance Biner See also: Carabiner Bitter End See also: Dead End Block An assembly of one or more sheaves in a housing designed to support one or more lines Block & Fall Rope and sheave assembly creating a mechanical advantage eSET: Rigging 3 Body