DOCSLIB.ORG

Event Sound & Light Hire Price List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Event Sound & Light Hire Price List tel: 01245 863 863 email: [email protected] web: www.eventsoundandlight.com Hire prices 2018 sound : lighting : staging : video : effects : power hire : sales : install : events : service Event Sound & Light Ltd Unit 2, The Warren Estate, Lordship Road, Writtle, Chelmsford, Essex. CM1 3WT Event Sound & Light Ltd. Index Page 2 - Company information Page 16 - Architectural lighting Lighting control Page 3 - Amplifiers Mixing desks Page 17 - DJ/club lighting Special effects equipment Page 4 - Speakers Pyrotechnics Page 5 - Speaker rigging Page 18 - Smoke, Haze, Snow machines Tourguide systems Stands & Chairs Playback Page 19 - Truss Page 6 - Processing Motors & Rigging Noise monitoring Page 20 - Rigging continued Page 7 - Microphones Page 21 - Staging Page 8 - Radio microphones & IEM Systems Drapes & Tab Track Page 9 - Radio Microphones – CatchBox Page 22 - Pit Barrier Mic accessories Safety equipment Consumables Page 10 - Public address Portable sound Page 23 - Staff Induction loop systems Comms Page 24 - Audio cables Page 11 - DJ sound equipment Page 25 - Audio cables (cont …) Karaoke equipment Lighting cables AV cables Page 12 - PA packages Page 26 - Mains distribution Page 13 - AV equipment Page 27 - Mains distribution (cont …) Page 14 - AV equipment continued Socapex cabling Cable accessories Page 15 - Lighting equipment Theatrical lighting Page 28 - Terms & Conditions of Hire Intelligent lighting Page 29 - Contact details Hire Price List 2018 (V42) Page 1 of 29 T: 01245 863 863 email: [email protected] All prices shown are exclusive of VAT - E & O E Event Sound & Light Ltd. The Company: Event Sound & Light Ltd was formed in July 2003 following the merger of two established companies bringing together over 25 years of experience. The team, made up of entertainment industry personnel from differing backgrounds, offers sound, lighting, AV & staging equipment, services and associated products to the trade, organisations and individuals. From the outset we have kept close contact with suppliers, service providers and market trends to ensure that we keep abreast of all new technologies, services and ideas. This allows us to offer a quality service without compromise. The company has expanded hugely since the start which necessitated a move into larger premises at the beginning of 2009. Our new offices and warehouse are located just outside Chelmsford in Writtle and enable us to meet the increasing demand for our services. Sales: We are dealers for the majority of professional audio and lighting equipment manufacturers. We can offer a complete range of products and services to cover all areas of the entertainment, leisure, corporate and education sectors. Sales News – We are pleased to announce that we are now distributors for Rosco & Le Maitre. We have also recently be appointed am “Authorised Sennheiser Professional Audio Partner” Events: We have a great deal of experience in providing complete packages for event organisers. Let our team of professionals undertake the design, supply and realisation of your project. From concerts, tours, conferences, theatrical productions etc through to corporate entertainment our staff are here to help. Installations: We provide a comprehensive design and installation service, undertaking projects including, Schools, Theatres, Night Clubs, Churches, Factories, Community Buildings etc. All installations are offered as a bespoke package and can range from supply and final commissioning or a complete turn-key service. Service & Repairs: We offer a complete repair and maintenance service for the majority of manufacturer’s products. Most items can be repaired in-house by our own technicians, or alternatively they can be returned to the manufacturer if this would be more beneficial or cost effective. Additionally we can offer an on-site maintenance and repair service, with one of our technicians visiting your premises to carry out work as required. Event Sound & Light Ltd - Providing Solutions Hire Price List 2018 (V42) Page 2 of 29 T: 01245 863 863 email: [email protected] All prices shown are exclusive of VAT - E & O E Event Sound & Light Ltd. Item Description Daily £ Week £ Amplifiers QSC RMX1450 2 x 500 watts into 4 Ω, 2 x 700w into 2 Ω 20.00 60.00 QSC RMX2450 2 x 750 watts into 4, Ω 2 x 1200w into 2 Ω 20.00 60.00 QSC PLX2 3602 2 x 1250 watts into 4 Ω, 2 x 1800w into 2 Ω 30.00 90.00 KV2 EPAK 2500 4-way mono amp module for KV2 ES range 25.00 100.00 KV2 VHD 2000 3-way mono amp module inc. system controller 40.00 160.00 KV2 VHD 3200 2-channel mono sub bass amplifier 30.00 120.00 Nexo NUAR Universal Amp Rack 180.00 540.00 Australian Monitor IC30 3 input 30w, 100V Line, 12v/240V 20.00 60.00 Australian Monitor AMIS250 6 input, 100V line, 250 watts 35.00 105.00 Australian Monitor AMC120P 100V Line slave power amp, 2 x 120 watts 30.00 90.00 3 way amp rack 3-way amplifier rack with DBX Driverack PA 60.00 180.00 Mixing Desks (also see DJ section) Behringer Xenyx 302USB 5 input USB mixer 10.00 30.00 Behringer Xenyx 502 1 Mono with 2 band eq, 2 Stereo 10.00 30.00 Behringer MX602A 2 Mono, 2 Stereo, 3 band eq, 1 aux. 10.00 30.00 Alesis iMultimix 9R 8 Mono, 2 Stereo, eq, 2 Aux + iPod dock 15.00 45.00 Soundcraft M12 12 mono. 4 Stereo, 3 band eq, 4 aux. 25.00 75.00 Soundcraft EFX 12 12 mono. 2 Stereo, 3 band eq, 1 aux, FX. 25.00 75.00 APB Dynasonics H1020 12 mono. 4 St, 4 swept band eq, 6 aux, 4 Grp 40.00 120.00 Midas Venice 320 32:4:2, 4 band swept mid, 6 aux 75.00 225.00 Soundcraft MH2-48 48 Ch. + 4 St, 10 Aux, Matrix, VCA’s, FOH/Mon 200.00 600.00 Yamaha LS9-32 Digital desk, 32 input, 16 outputs (inc Dante cards) 125.00 375.00 Yamaha QL1 Digital desk, 32 input, 16 output (16/8 on local IO) 100.00 300.00 Yamaha CL3 Digital desk, 64 input, 32 output (needs Rio racks) 250.00 750.00 Yamaha CL5 Digital desk, 72 input, 32 output (needs Rio racks) 300.00 900.00 Yamaha MY16-AUD Dante card for LS9/M7CL/PM5D 20.00 60.00 Yamaha Rio1608-D I/O Rack, 16 input, 8 output for CL3/5 or LS9 15.00 45.00 Yamaha Rio3224-D I/O Rack, 32 input, 16 output for CL3/5 or LS9 25.00 75.00 Cisco SG300-10 Network switch, 8+2 port 10.00 30.00 Wireless desk control iPad, Cisco switch & Cisco Wireless Access Point 25.00 75.00 Yamaha Rio System 1 1 x Rio1608-D, 1 x Distro, 2 x 50m Cat6E Multi 40.00 120.00 Yamaha Rio System 2 1 x Rio3224-D, 1 x Distro, 2 x 50m Cat6E Multi 50.00 150.00 Yamaha Rio System 3 2 x Rio3224-D, 1 x Distro, 2 x 50m Cat6E Multi 75.00 225.00 Yamaha Rio System 4 1 x Rio3224-D, 1 x Distro, 2 x 80m Cat6E Multi 75.00 225.00 Yamaha Rio System 5 2 x Rio3224-D, 1 x Distro, 2 x 80m Cat6E Multi 100.00 300.00 Neutrik OpticalCon Duo Fibre multi-core + Powercon True 1, 100m 50.00 150.00 24/12 way snake 20m 24 send, 12 return multicore inc. FOH & Monitor desk splits 40.00 120.00 24 way snake 40m 24 send multicore inc. FOH & Monitor desk splits 45.00 135.00 24/12 way snake 40m 24 send, 12 return multicore inc. FOH & Monitor desk splits 50.00 150.00 24/12 way snake 50m 24 send, 12 return multicore inc. FOH & Monitor desk splits 55.00 165.00 24/12 way snake 70m 24 send, 12 return multicore inc. FOH & Monitor desk splits 65.00 195.00 24/12 way snake 100m 24 send, 12 return multicore inc. FOH & Monitor desk splits 75.00 225.00 48/12 way snake 100m 48 send, 12 return multicore inc. FOH & Monitor desk splits 125.00 375.00 Festival Patch system 32 way Patch + 1 off 16 way & 2 off 8 way remote boxes 75.00 225.00 Festival Patch system 64 way Patch + 4 x 16-way, 8 x 8-way remote box 150.00 450.00 other desks available on request Hire Price List 2018 (V42) Page 3 of 29 T: 01245 863 863 email: [email protected] All prices shown are exclusive of VAT - E & O E Event Sound & Light Ltd. Item Description Daily £ Week £ Speakers (Impedance 8Ω unless stated) Bose 101 60W, 4Ω, Compact Speaker 5.00 15.00 JBL Control 1 150W, 4Ω, Compact Speaker 5.00 15.00 JBL Control 1AT 100V Line version of above 5.00 15.00 RCF Monitor 5S 175w, 4Ω, Compact Speaker 7.50 22.50 Canford PS 10w, powered speaker – 1 x 5” 10.00 10.00 DAS DS-108A 150w, powered speaker – 1 x 8” + 1 x 1” HF 15.00 45.00 ESL-CS200 Passive Full Range cabinet @ 16Ω, 200w 15.00 45.00 Conference/Theatre speaker, Pole mount or fly Tannoy T12 Passive, Dual Concentric, 200w, 15.00 45.00 Pole mount or wedge Monitor ESL-MP400 Passive, 12” + 1”, 400W 15.00 45.00 Pole mount, fly or wedge monitor EV Deltamax DML1152 Bi-amp 15”+2” CD Horn, 400W+75W 15.00 45.00 Pole mount, stack or fly ASS BS500 1 x 15” 500W folded horn bass cabinet 15.00 45.00 RCF Art 312A Active 400w 12” + 1” Powered Speaker/Wedge 22.50 67.50 RCF Art 705-AS Active 800w Dual Ch.
Load more

Recommended publications
  • Examining Flux in Choreographic Practice
    THE UNIVERSITY OF WINCHESTER Faculty of Arts Evolving Motion: Examining Flux in Choreographic Practice Catherine Rachael Wendy Seago Doctor of Philosophy by Works in the Public Domain October 2014 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester 2 THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS Evolving Motion: Examining Flux in Choreographic Practice Catherine Rachael Wendy Seago Faculty of Arts Doctor of Philosophy by Works in the Public Domain October 2014 The research which is embedded in this thesis through the dances and the context statement is about my experience of dancing and dance-making. During the process of making dances there is a sense of messiness in not knowing what is emerging. In the process of writing this document I have had to shift my experience in order to perceive the messiness and to reflect on how I work with it. The reflection on dance-making has enabled me to notice that the messiness arises from the tensions between the somatic, aesthetic, interpretive and inseparable experiences in performing, creating and receiving dance. This context statement tries to negotiate the messiness by examining my modes of engagement and the intensity of my focus through them over time. As a result the context statement reflects on the flow of change within these aspects of my practice and its impact on the aesthetic of the emergent work. A diagram has been designed to illustrate how unexpected occurrences happen through the continuously flowing change. This is referred to as flux. It happens through a moment of action, attention or connection.
    [Show full text]
  • DAVID FITCH SERVICES Ltd
    DAVID FITCH SERVICES ltd UNITS 5 & 5A NORTHEND TRADING ESTATE, TELEPHONE 01322 350 351 NORTHEND ROAD, FAX 01322 350 354 ERITH, email [email protected] KENT. DA8 3PP web site www.davidfitchservices.com The following guide is reproduced by kind permission of strand lighting ltd WHY NOT HIRE …. ILLUMINATED MUSIC STANDS, IT’S MUCH BETTER THAN THIS! notes ALL I SAID WAS “ IT WILL LOOK ALRIGHT WHEN IT’S LIT “ …AND FRANK SENT THIS… DAVID FITCH SERVICES ltd UNITS 5 & 5A NORTHEND TRADING ESTATE, TELEPHONE 01322 350 351 NORTHEND ROAD, FAX 01322 350 354 ERITH, email [email protected] KENT. DA8 3PP web site www.davidfitchservices.com These notes are just a brief guide to stage lighting and there are many books on the subject, some of which are listed at the end as suggested further reading. 1 MECHANICS - Some definitions 1.1 Profile Spot This lantern has a parabolic reflector and a plano convex lens and is capable of providing a shaped, sharply focused beam. Some, such as the Source four junior zoom 250/500 have two lenses to give a variable spread. Profile spots are used normally for front-of-house positions or on stage where precision positioning or gobos are required. The beam is inverted and reversed (upside down and back to front). you may have other lanterns such as prelude 16/30 , minuette 17/35 or the good old patt 23. Fresnel The Fresnel lantern is so called because it uses a Fresnel lens. This is a stepped prismatic lens designed by the 19th century French physicist Augustine Fresnel.
    [Show full text]
  • 2015 Signature
    STUDENT TECHNOLOGY GRANT PROPOSAL # 2.0 S.Q\l 2014- 2015 TRACY BROWN : ACCEPTED _______ COMMENTS: NIPc SIGNATURE: ~~-- HEATH FITIS: ACCEPTED------- OPPOSED:----------- COMMENTS: DATE: _________________ SIGNATURE:------------ SHAWN PARR: ACCEPTED _______ OPPOSED: ----------- COMMENTS: DATE: _________________________ SIGNATURE:------------ CHRIS PARISH : ACCEPTED _______ OPPOSED:----------- COMMENTS: SIGNATURE:------------ DATE:------------- BRANDON CRAIG : ACCEPTED ______ OPPOSED:----------- COMMENTS: DATE: ________________________ SIGNATURE:------------ RON WRIGHT: ACCEPTED ______ OPPOSED: _ _____:::::..__ ______ COMMENTS: SIGNATURE: ----:f-'J..,._.~bc.-·........._J ....c.~,.................-=----- DATE: __!<-= ?:.......;_. ~. /--L.L.t_.,7,_1_- _______ / 0 ao\~.ot\ Student Technology Fee r~~ ~Lr Grant Proposal Request Form Fiscal Year 2014-15 Northwestern State University of Louisiana ALL BLANKS MUST BE FILLED COMPLETELY Prepared by: __Paul Pharris______ _ For:_Dept. Of Theatre and Dane Department!U nit: Theatre/Capa College: _ALGS__ _ Campus:Natchitoches Which NSTEP Goals/Objectives does this project meet?_1 ,2,3,6,8 ___________ Requested equipment will be located/installed/housed? Building __25 --- Room 100-1 Does the department requesting funding receive lab fees? (circle one) YES/ NO Are department property policies and procedures in place for requested equipment?__ Y es--- Which individual will be responsible for property control of the requested equipment? Paul Pharris Date: ---11/30114-------- Proposal Requested Amount:$_~-'"/3,"~-._c-_o_o_____
    [Show full text]
  • Hire Catalogue
    Light, Stage, Sound & AV Solutions Hire Catalogue www.black-light.com | 0131 551 2337 | [email protected] Contents 13A,15A and16A 2 Control Cable 3 PowerCon and TrueCon Cable 4 Multicore Cable 5 Mains Cable 6 Mains Distribution 7 Mains Jumps 9 Dimming and DMX Accessories 10 Lighting Consoles 11 Fresnels and Profiles 12 Pars and Floods 13 Lantern Accessories 14 Followspots, Photography and Emergency 15 Exterior Lighting 16 Moving Lights and LED Lighting 18 Smoke and Haze 19 Effects 20 Pyrotechnics 22 Sound 23 Staging 25 Stands 27 Barrel and Clamps 28 Motors and Rigging 30 Curtain Track 32 Truss 33 13A, 15A and 16A 1 Day 3 Day 7 Day 13A 13A RCD (Residual Current Device) £2.00 13A Plug - 4 x 13A Gang £1.60 13A Plug - 6 x 13A Gang £1.80 13A TRS Extension 3m (Twin) £1.00 13A TRS Extension 5m (Twin) £1.00 13A TRS Extension 10m (Twin) £1.00 13A TRS Extension 15m (Twin) £1.50 13A TRS Extension 20m (Twin) £2.00 15A 15A TRS Extension 1m £0.75 15A TRS Extension 2m £0.75 15A TRS Extension 3m £0.75 15A TRS Extension 5m £1.00 15A TRS Extension 10m £1.00 15A TRS Extension 15m £1.20 15A TRS Extension 20m £1.40 15A 2 Way Grelco £0.75 16A 16A TRS Extension 3m £0.75 16A TRS Extension 5m £1.00 16A TRS Extension 10m £1.00 16A TRS Extension 15m £1.20 16A TRS Extension 20m £1.40 16A TRS Extension 30m £1.60 16A TRS Extension 50m £2.00 16A Cable Splitter £1.00 16A 2 Way ‘Raygun’ £1.00 16A 3 Way ‘Trelco’ £1.20 www.black-light.com | 0131 551 2337 | [email protected] Page 2 Control Cable 1 Day 3 Day 7 Day DMX XLR5 DMX Control Cable 3m £1.50 XLR5 DMX
    [Show full text]
  • State Theatre Technical Specifications
    The following is a brief overview of technical information, dimensions and various facilities aspects of the State Theatre Center for the Arts. All dimensions shown are approximate due to certain physical restrictions and varying measurement procedures. If there are any questions, please feel free to call our office. Crew Notes This facility is a non-union venue and utilizes the following technical, stage, and house staff: Technical Director Wardrobe Assistants Stage Manager Deck Carpenters Lighting Designer / Technician / Operator Deck Electricians Sound Designer / Technician / Operator Loaders Wardrobe Manager Spotlight Operators Please Note: This facility does not provide qualified rigging personnel. Under no circumstances will an employee of this facility be directed to perform rigging related duties. Any rigging responsibilities will be performed by qualified riggers provided by the touring company. To protect our employees and the interests of our facility, the State Theatre Center for the Arts reserves the right to modify any crew calls deemed necessary. This includes but is not limited to crew call totals and work descriptions. All Theatre equipment and property will be operated by the State Theatre staff. This policy is in place to protect the Theatre’s equipment investment. Unless specifically designated by the Technical Director or Stage Manager, no touring personnel will operate any Theatre equipment. Auditorium Seating Orchestra:* ‡ 372 Upper Orchestra / Mezzanine: 410 Balcony: 622 Total Capacity: 1404 * If the touring company requires an area for sound and light consoles, one is provided at the rear of the orchestra, center section in the sound and light booth. Advanced notice is required as sound and lighting consoles may obstruct the last row of seats.
    [Show full text]
  • LIGHTING DESIGN I Fall 2019 (Subject to Change)
    1 THEA 3342 LIGHTING DESIGN I Fall 2019 (Subject to Change) Instructor: Hideaki Tsutsui Class Time: TUE & THU 10:30am - 11:50am in Fox Fine Arts FOXD 075 Office: Fox Fine Arts D172 Phone: 747-7851 Email: [email protected] Office Hours: By appointment Required Text: Scene Design and Stage Lighting By W. Oren Parker, R. Craig Wolf, Dick Block Publisher: Wadsworth Publishing; 10th edition ISBN-13: 978-1111344436 ISBN-10: 1111344434 Required Material: *Please allow yourself enough time to buy these materials below. 1. 1 x Scale ruler: Must be Standard (Architectural) **DO NOT BUY METRIC!! (Engineering) 2. 1 x Protractor 3. Drawing materials can be purchased at local craft stores, Wal-Mart etc. • Drawing papers (minimum 10 sheets) • Color Medium (watercolor or color pencils, markers etc.) *Copier/printer paper will not be accepted. 4. Light Plot Template – *Cannot buy this at local stores Choose one from below for the Template – • 1/4" Plan Lite Field Templates are $7.00 + shipping • 1/4" Stage Plan Field Templates are $16.00 + shipping (Suggested for Majors only) Company: Barbizon Contact: Mark Orosz [email protected] ext.7114 Jared grohs< [email protected]> Phone: 303-394-9875 ** if you order three or more, they will take care the shipping** Also on Amazon $9.95 + $4.00 shipping & handling Stage Spot $8.50 + $10 shipping & handling 2 5. Drafting paper (Vellum: Size 19.5 in x 25.5 in or larger) *You can purchase drafting paper at o Art Center 3101 E Yandell Dr El Paso, TX 79903 o Local Hobby Lobby store (19.5” x 25.5” - $2.99) 6.
    [Show full text]
  • Lights and Lasers May Be Used As a Visual Effect
    PURPOSE 1 Stage lighting has multiple functions, including: • Selective visibility: The ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters, unless this is the explicit intent. • Revelation of form: Altering the perception of shapes onstage, particularly three- dimensional stage elements. • Focus: Directing the audience's attention to an area of the stage or distracting them from another. • Mood: Setting the tone of a scene. Harsh red light has a different effect than soft lavender light. • Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of mechanical filters ("gobos") to project sky scenes, the Moon, etc. • Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage. • Plot (script): A lighting event may trigger or advance the action onstage and off. • Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".[4][5] • Effect: In pop and rock concerts or DJ shows or raves, colored lights and lasers may be used as a visual effect. Lighting design is an art form, and thus no one way is the "correct" way. There is a modern movement that states that the lighting design helps to create the environment in which the action takes place while supporting the style of the piece. "Mood" is arguable while the environment is essential. 1) Selective visiblity: The #1 function of light is to see, to illuminate, to make visible to the nake human eye.
    [Show full text]
  • Dossier English
    WHS & Pichet Klunchun Dance Company: BIRD Contact: WHS WHS Unioninkatu 45 LH 1-2, 00170 Helsinki, Finland Tel. +358 50 339 8598 / +358 50 370 5123 [email protected] www.w-h-s.fi Pichet Klunchun Dance Company 700 Prachauthit 59, Rajburana, Thungkru, Bangkok 10140, Thailand Tel. +66 92 694 9997 / +66 93 545 1598 [email protected] www.pkdancecompany.com WHS & Pichet Klunchun Dance Company: BIRD Director: Ville Walo Choreographer: Pichet Klunchun Music: Lau Nau Music production & mixing: Lau Nau & Samuli Tanner Lighting design: Eero Alava Set & costume design: Anne Jämsä Costume assistant: Piyaporn Bhongse-tong Performers: Julaluck Eakwattanapun, Sunon Wachirawarakarn, Padung Jumpan, Pavida Watchirapanyaporn Photographer: Siriwan Pakmei Production: WHS & Pichet Klunchun Dance Company Supported by: Kone Foundation, Finnish Cultural Foundation Thanks to: Porramet Maneerat Duration: approx. 60 minutes Premiere: in Bangkok 2018 Bird was created in artistic collaboration between visual theater company WHS from Finland and Pichet Klunchun Dance Company. WHS & Pichet Klunchun Dance Company: BIRD The performance keeps the sky as its prisoner, and teaches fake birds to fly. Doves of peace clash with humans, as species and cultures mix together. Birds are brought on stage by the means of contrasting Asian and European performance traditions. Human society is approached in the performance from the perspective of birds. In a bird’s eye view of society, all humans appear similar, despite of their cultural and social differences. We think our homes are as safe as a bird’s nest, closed off from threats luring on the streets of a city. Countries close their borders hoping to create a safe nest for their citizen’s, but are we really inside or outside of the pretty little birdcage.
    [Show full text]
  • Theatre Royal Nelson Technical Specifications Version : August 2018
    Theatre Royal Nelson Technical Specifications Version : August 2018 Technical Manager Theatre Manager JR Richardson 027 461 6458 (03) 548 3840 (ext 1) [email protected] [email protected] www.theatreroyalnelson.co.nz Stage Dimensions Setting line is the upstage edge of the proscenium Stage Surface Flat painted ply-wood, non-sprung Stage height 890mm from auditorium floor Proscenium arch 8100mm wide x 4900mm high Stage depth 1230mm - front edge to setting line 8540mm - setting line upstage wall Stage weight loading max 500kg per square metre Wing-space and gallery dimensions Wing-space PS 2000mm - offstage leg edge to fly rail Wing-space OP 6500mm - offstage leg edge to wall Wing height 5000mm - Stage floor to underside of gallery walkway Stage floor to gallery handrail 6800mm PS Gallery rail from centre 5720mm OP Gallery rail from centre 6190mm Pan bar to gallery PS 180mm Pan bar to gallery OP 560mm Dock / Stage Access Dimensions Loading dock door 2750mm wide x 2800mm high Upstage scene door 3300mm wide x 2700mm high Dock is set 1250mm up, and 2300mm back from closest sealed vehicle access, due to a 300mm high landing for the adjoining pedestrian entrance. Vehicle Access & Parking Vehicle access is via Vanguard Street. Driveway is on the north side of Cory’s Electrical. Our dock space is shared with an adjacent business. Advanced notice is requested for truck access to be uninhibited. There is only 1 standard vehicle parking space, and no truck parking on-site, except for 1 day in/out shows. Except during times of un/loading, trucks will need to be pulled forward to provide stage door pedestrian and emergency vehicle access.
    [Show full text]
  • Esetterms-Rigging.Pdf
    Rigging 1 A A Track See also: Guide Rail Add-a-link See also: Quick Link Adjustable Lanyard See also: Lanyard Aerial Lift See also: Personnel Lift Aerial Rigger Person responsible for rigging of flying performers Aircraft Cable See also: Wire Rope Arbor See also: Counterweight Arbor Arbor Guide See also: Guide Rail Arbor Heavy See also: Out of Balance Arbor Pit Opening in the stage floor under the arbors that allows counterweight arbors to travel below stage level Synonym: Arbor Well, Counterweight Pit, Well Arbor Rod Vertical, round metal members of a Counterweight arbor Arbor Spreader Plate See also: Spreader Plate Arbor Well See also: Arbor Pit eSET: Rigging 2 Asbestos (obsolete term) See also: Fire Safety Curtain Auto Locking Carabiner Hardware clip with a self locking mechanism used for quick connections; may be load rated B Balance When counterweight arbor load equally compensates the suspended load Synonym: In Balance Batten Horizontal pipe, tube, or other structural shape 1) for hanging scenery, lighting, curtains, etc.; 2) in a pocket of or attached to a fire safety curtain Synonym: Pipe Batten Clamp Two pieces of metal bolted around a batten or pipe and having a hole for the attachment of a hanging chain, turnbuckle assembly, or rope Synonym: Pipe Clamp Batten Heavy See also: Out of Balance Biner See also: Carabiner Bitter End See also: Dead End Block An assembly of one or more sheaves in a housing designed to support one or more lines Block & Fall Rope and sheave assembly creating a mechanical advantage eSET: Rigging 3 Body
    [Show full text]
  • The Actor in the Space: the Influence of Space on The
    THE ACTOR IN THE SPACE: THE INFLUENCE OF SPACE ON THE CONSTRUCTION AND CREATION OF THE ROLE OF MACBETH A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts David M. Obney December, 2007 THE ACTOR IN THE SPACE: THE INFLUENCE OF SPACE ON THE CONSTRUCTION AND CREATION OF THE ROLE OF MACBETH David M. Obney Thesis Approved: Accepted: _________________________________ _________________________________ School Director Dean of the College Mr. Neil Sapienza Dr. James Lynn _________________________________ _________________________________ Advisor Dean of the Graduate School Mr. James Slowiak Dr. George R. Newkome _________________________________ _________________________________ Committee Member Date Mr. Chris Hariasz ii TABLE OF CONTENTS Page LIST OF FIGURES ........................................................................................................... vi CHAPTER I. INTRODUCTION............................................................................................................1 II. RULES OF SPACE: REHEARSAL BEHAVIOR AND THE ACTOR’S TOOLS.......5 Thinking about Space ..............................................................................................5 Connection: Using the Senses..................................................................................6 Rules are Necessary ...............................................................................................10 Meeting the Stage Space........................................................................................14
    [Show full text]
  • Eight Plays for Theatre 1St Edition Ebook Free Download
    EIGHT PLAYS FOR THEATRE 1ST EDITION PDF, EPUB, EBOOK Robert Cohen | 9780874848502 | | | | | Eight Plays For Theatre 1st edition PDF Book The book lovers' limited edition of 1, numbered sets, of which this is number Theatre productions that use humour as a vehicle to tell a story qualify as comedies. Seller Image. Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. Not her friends. JavaScript seems to be disabled in your browser. A Midsommer Nights Dreame. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Just learing to express love in your spouse's language. There are many modern theatre movements which go about producing theatre in a variety of ways. Namespaces Article Talk. Download as PDF Printable version. History of the Theatre Ninth, International ed. Court transcripts are brought to life with re-enactments. Disempower the triggers hijacking your emotions by embracing the two necessary parts of forgiveness. Beam projector Ellipsoidal reflector spotlight Fresnel lantern Intelligent lighting Parabolic aluminized reflector light Scoop Striplight Spotlight Accessories. A notice in The Gentleman s Magazine Vol. Except that when Dan arrives, he finds that the usual summer housing has been closed, forcing students to stay in the crumbling Brookline Dorm. A Tragedy. Woodfall, J. John will then connect with the other- side delivering messages to the audience from family, friends, pets and loved one.
    [Show full text]