Petitioner, V

Total Page:16

File Type:pdf, Size:1020Kb

Petitioner, V No. 18-____ IN THE Supreme Court of the United States ———— MARICOPA COUNTY, ARIZONA, Petitioner, v. MANUEL DE JESUS, ORTEGA MELENDRES, et al., Respondents. ———— On Petition for a Writ of Certiorari to the United States Court of Appeals for the Ninth Circuit ———— PETITION FOR A WRIT OF CERTIORARI ———— RICHARD K. WALKER Counsel of Record WALKER & PESKIND, PLLC 16100 N. 71st Street, Suite 140 Scottsdale, AZ 85254 (480) 483-6336 [email protected] Counsel for Petitioner December 6, 2018 WILSON-EPES PRINTING CO., INC. – (202) 789-0096 – WASHINGTON, D. C. 20002 QUESTIONS PRESENTED In the Ninth Circuit, the precepts of federalism often count for very little. They are, at most, but minor hurdles to be vaulted over by federal courts on their way to superimposing on State and local governmental institutions the courts’ preferences as to how those institutions should be structured and run. Here, the Ninth Circuit and the District Court have disregarded and misapplied Arizona law and this Court’s precedents to find Arizona’s sheriffs to be “final policymakers” for their respective counties and hold Maricopa County, Arizona (“the County”) responsible for law enforcement actions over which the County had no control. The courts below have saddled the County with substantial cost and other burdens for conduct of former Sheriff Joseph M. Arpaio (“the Sheriff”) and his deputies found to have been contumacious, without regard to limitations on the County’s authority to provide such funding and without regard to legally condoned processes by which such funding could be obtained. Further, massive usurpations of the prerogatives of the Sheriff have been engineered and imposed, apparently on the theory that constitutional constraints on federal judicial disappear whenever the courts exercise their contempt powers. The questions presented are: 1. Applying the analytical mandates of McMillian v. Monroe County, Alabama, 520 U.S. 781 (1997), to county-level governmental institutions established under Arizona law, are sheriffs “final policymakers” under 42 U.S.C. § ii 1983 for their counties with regard to the conduct of law enforcement matters? 2. May federal courts, consistent with the Guarantee Clause and the Tenth Amendment, compel local governmental institutions to do things they are not authorized to do under State law? 3. Are federal courts at liberty, in exercising their contempt powers, to ignore the precepts of federalism, notwithstanding this Court’s decision in Rizzo v. Goode, 432 U.S. 362 (1976)? PARTIES TO THE PROCEEDINGS Defendants below were former Sheriff Joseph M. Arpaio (later replaced by Sheriff Paul Penzone), and Maricopa County, Arizona. Plaintiffs below were Manuel de Jesus Ortega Melendres; David and Jessica Rodriguez; Velia Meraz and Manuel Nieto, Jr.; Somos America/We Are America, a non-profit membership organization; and a class of individuals described as “[a]ll Latino persons who, since January, 2007, have been or will be in the future, stopped, detained, questioned or searched by [Maricopa County Sheriff’s Office] agents while driving or sitting in a vehicle on a public roadway or parking area in Maricopa County, Arizona.” Ortega-Melendres v. Arpaio, 836 F. Supp. 2d 959, 969 (D. Ariz. 2011), aff’d sub nom. Melendres v. Arpaio, 695 F.3d 990 (9th Cir. 2012) (hereinafter “Melendres I”). iii TABLE OF CONTENTS QUESTIONS PRESENTED…………………………….ii PARTIES TO THE PROCEEDINGS ………..……….iii TABLE OF CONTENTS………………………………..iv TABLE OF AUTHORITIES…………………………..viii PETITION FOR A WRIT OF CERTIORARI…………1 OPINIONS BELOW……………………………………...1 JURISDICTION…………………………………………..1 CONSTITUTIONAL AND STATUTORY PROVISIONS INVOLVED……………………………...2 STATEMENT OF THE CASE………………………….3 A. Procedural History……………………………3 1. The District Court’s Preliminary Injunction…………………………………..3 2. The District Court’s Initial Permanent Injunction and Supplemental Injunction…………………………………..4 3. The Contempt Proceeding……………….7 iv 4. The District Court’s Second Supplemental Injunction………………...9 5. The District Court’s Order re Victim Compensation……………………………12 B. Criminal Contempt Proceedings and Sheriff Arpaio’s Defeat At The Polls……………....13 C. The Ninth Circuit’s Decision……………….14 REASONS FOR GRANTING PETITION………..….18 I. The Ninth Circuit’s Conclusion That Sheriffs Are Final Policymakers For Arizona Counties With Respect To Law Enforcement Flouts This Court’s Decision In McMillian, Conflicts With The Decisions Of Other Circuits, And Infringes States’ Sovereign Rights……18 A. The Ninth Circuit’s Failure To Construe And Apply Arizona Law Concerning The Structure And Functions Of County-Level Government Institutions…………...19 B. The Ninth Circuit’s Decision Cannot Be Reconciled With McMillian…....21 C. The Ninth Circuit’s Decision Conflicts With Rulings In Other Circuits………………………………..27 v II. The Ninth Circuit’s Decision Sustains District Court Orders That Fail To Respect Limits On The County’s Authority Under State Law……………28 III. The Ninth Circuit’s Decision Condones District Court Orders That Massively Intrude Upon Arizona’s Sovereign Prerogatives And Ignore Boundaries Mandated By The Precepts Of Federalism………………………………..32 CONCLUSION…………………………………………..36 APPENDIX A – U.S. Court of Appeals for the Ninth Circuit, Melendres v. Maricopa County, 897 F.3d 1217 (9th Cir. 2018).……………………………………….…….4 APPENDIX B – U.S. Court of Appeals for the Ninth Circuit, Opinion Denying Petition for Panel Rehearing and En Banc Determination (September 7, 2018)….16 APPENDIX C – U.S. Court of Appeals for the Ninth Circuit, Order Granting Motion to Stay Mandate (September 17, 2018)...………………………………….18 APPENDIX D – U.S. District Court for the District of Arizona, Findings of Facts and Order Setting A Hearing for May 31, 2016, 2016 WL 2783715 (May 13, 2016)………….……………………………………….20 vi APPENDIX E – U.S. District Court for the District of Arizona, Second Amended Second Supplemental Permanent Injunction/Judgment Order (July 26, 2016)……………………..….…………………………...237 APPENDIX F – U.S. District Court for the District of Arizona, Order re Victim Compensation, 2016 WL 4415038 (August 19, 2016)….………………………...319 APPENDIX G – U.S. District Court for the District of Arizona, Order re Maricopa County’s Recognition of Rights as a Party Litigant (February 26, 2016)...…337 APPENDIX H – U.S. District Court for the District of Arizona, Amended Order re review of Monitor invoices (May 8, 2015).………………………………..340 APPENDIX I – U.S. Court of Appeals for the Ninth Circuit, Melendres v. Arpaio (“Melendres III”), 815 F.3d 645 (9th Cir. 2016)……..…………………………342 APPENDIX J – U.S. Court of Appeals for the Ninth Circuit, United States v County of Maricopa, Arizona, 889 F.3d 648 (9th Cir. 2018)….….……………………352 APPENDIX K – Relevant provisions from the U.S. Constitution, the Arizona Constitution and applicable Federal and Arizona statutes….………………….....364 vii TABLE OF AUTHORITIES CASES Bell v. Wolfish, 441 U.S. 520 (1979)…………………..33 Bryant v. Ford Motor Co., 886 F.2d 1526 (9th Cir. 1989)……………………………………………………….24 City of St. Louis v. Praprotnik, 485 U.S. 112 (1988)………………………………………………….20, 36 Claiborne Co. v. Brooks, 111 U.S. 400 (1884)………..32 Clayton v. State, 38 Ariz. 135 (1931)………………….20 Dimmig v. Pima County, 2009 WL 3465744 (Az. App. Oct. 27, 2009)…………………………………………….26 Flanders v. Maricopa County, 203 Ariz. 368 (App. 2002)…………………………………………………..24, 25 Franklin v. Zaruba, 150 F.3d 682 (7th Cir. 1998), cert. denied, 525 U.S. 1141 (1999)………………………27, 28 Fridena v. Maricopa County, 18 Ariz. App. 527 (1972)………………………………………………… 21, 26 Grech v. Clayton County, Georgia, 335 F.3d 1326 (11th Cir. 2003)………………………………………………….27 Goldstein v. City of Long Beach, 715 F.3d 750 (9th Cir. 2013)……………………………………………………….26 Gluth v. Kangas, 951 F.2d 1504 (9th Cir. 1991)……….6 viii Hartford Accident & Indemnity Co. v. Wainscott, 41 Ariz. 439 (1933)………………………………….19, 29, 31 Hook v. Ariz. Dept. of Corrections, 107 F.3d 1397 (9th Cir. 1997)………………………………………………….30 Hounshell v. White, 220 Ariz. 1 (App. 2008)………….22 Int’l Union, United Mine Workers of America v. Bagwell, 512 U.S. 821 (1994)…………………………..16 Kelly v. Metropolitan Count Bd. of Education, 836 F.2d 986 (6th Cir. 1987)………………………………………..32 Kloberdanz v. Arpaio, 2014 WL 309078 (D. Ariz. 2014)………………………………………………21, 22, 24 Knight v. C.D. Vernon, 214 F.3d 544 (4th Cir. 2000)……………………………………………………….28 Lewis v. Casey, 518 U.S. 343 (1996)…………………..33 Luhrs v City of Phoenix, 52 Ariz. 438 (1938)………….20 Maricopa County v. Melendres, 136 S.Ct. 799 (2016)……………………………………………………….7 McMillian v. Monroe County, Alabama, 520 U.S. 781 (1997)………ii, 16, 18, 21, 22, 23, 24, 25, 26, 27, 28, 36 Melendres v. Arpaio, 989 F.Supp.2d 822 (D. Ariz. 2013)……………………………………………………...…5 Melendres v. Arpaio, 2013 WL 5498218 (D. Ariz. 2013)………………………………………………………...5 ix Melendres v. Arpaio, 784 F.3d 1254 (9th Cir. 2015) (“Melendres II”)……………………………………..6, 7, 14 Melendres v. Maricopa County, 815 F.3d 645 (9th Cir. 2016) (“Melendres III”)…………………………..7, 17, 24 Melendres v. Maricopa County, 897 F.3d 1217 (9th Cir. 2018…………………………………………………………1 Merrill v. Phelps, 52 Ariz. 526 (1938)…………………23 Milliken v. Bradley, 433 U.S. 267………………6, 14, 15 Mohave County v. Mohave-Ingman Estates, Inc., 120 Ariz. 417 (1978)…………………………………………..30 Monell v. Dept. of Social Services, 436 U.S. 658 (1978)……………………………………………………...21 Ochser v. Maricopa County, 2007 WL 1577910 (D. Ariz. 2007)……………………………………………………….21 Ortega-Melendres v. Arpaio, 836 F.Supp.2d 959 (D. Ariz. 2011), aff’d sub nom. Melendres v. Arpaio, 695 F.3d 990 (9th Cir. 2012) (“Melendres I”)…………iii, 3, 4 Puente Arizona v. Arpaio, 2017 WL 1133012 (D. Ariz. Mar. 27, 2017)……………………………………………24 Rizzo v. Goode, 423 U.S. 362 (1976)…………………………………iii, 15, 16, 34, 35, 36 Ryan v. County of DuPage, 45 F.3d 1090 (7th Cir. 1995)……………………………………………….………28 State v. Jaastad, 43 Ariz. 458 (1934)………………….20 x Turquitt v. Jefferson County, Alabama, 137 F.3d 1285 (11th Cir. 1998), cert. denied, 525 U.S. 874 (1998)…..27 United Bank v. Mesa N. O. Nelson Co., Inc., 121 Ariz. 438 (1979)………………………………………………...23 United States v. Arpaio, 2:16-CR-01012-PHX-SRB (D. Ariz. Dec. 13, 2016)………………………………………14 United States v. Arpaio, 887 F.3d 979 (9th Cir.
Recommended publications
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films
    Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films May 7, 2019 Longtime president of HBO Documentary Films to shepherd new generation of documentary filmmakers exploring issues that impact youth NEW YORK--(BUSINESS WIRE)--May 7, 2019-- MTV, a unit of Viacom (NASDAQ:VIAB), today announced that Sheila Nevins — the legendary producer who redefined modern documentary storytelling and won dozens of Emmy® and Peabody® Awards as President of HBO Documentary Films — will joinMTV to launch MTV Documentary Films. As part of MTV Studios, the new division will develop documentary films and specials for third-party streaming services, premium networks and MTV platforms. Under Nevins’ leadership, MTV Documentary Films will embrace a new generation of filmmakers exploring the social, political and cultural trends and stories important to young people. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190507005987/en/ “MTV has always been at the forefront of youth culture, and the generation that is growing up now will change the world in ways we can’t even imagine,” said Nevins. “I’m excited to join MTV with electrifying stories that explore the crises and commitments that young people face every day.” “Throughout her stellar career, Sheila has elevated documentaries into one of the most compelling, culturally influentially forms of modern storytelling,” said Chris McCarthy, President of MTV. “As we grow and expand MTV, we’re excited for Sheila to bring a new generation of filmmakers to the forefront and continue to extend our creativity and cultural impact.” Nina L. Diaz, President of Entertainment for MTV, added, “What we started two decades ago with MTV News and Docs continues to inspire today.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]
  • 1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
    Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study.
    [Show full text]
  • HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected]
    Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2012 Public Service Entertainment: HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Recommended Citation Pepper, Shayne, "Public Service Entertainment: HBO's Interventions in Popular Culture" (2012). Communication, Media and Theatre Faculty Publications. 2. https://neiudc.neiu.edu/cmt-pub/2 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. CHAP TER 6 } Public Service Entertainment HBO’s Interventions in Politics and Culture Shayne Pepper When one thinks of “public service,” HBO is not typically the media entity that comes to mind. However, in examining HBO’s forty-year history, one notices an extensive list of socially conscious, politically engaged, and even outright public service programs. Over the years, HBO has brought a great deal of thoughtful (and sometimes controversial) cultural programming into American households. This group of films explores topics such as poverty, AIDS, women’s rights, and global injustice, often fiercely critiquing systems of inequality and oppression. Sometimes these programs even provide potential solutions and avenues of hope for some of today’s most important social problems. For example, the documen- tary Pandemic: Facing AIDS () and the romantic comedy The Girl in the Café () come in two very different forms but are clearly meant to be direct inter- ventions in efforts to fight AIDS and global poverty.
    [Show full text]
  • Rebalancing Resources and Incentives in Federal Student Aid
    January 2013 REBALANCING RESOURCES AND INCENTIVES IN FEDERAL STUDENT AID Stephen Burd, Kevin Carey, Jason Delisle, Rachel Fishman, Alex Holt, Amy Laitinen, and Clare McCann education policy program New America Foundation This paper was developed with the support of the Bill & Melinda Gates Foundation through the Reimagining Aid Design and Delivery (RADD) project. © 2013 New America Foundation This report carries a Creative Commons license, which permits non- commercial re-use of New America content when proper attribution is provided. This means you are free to copy, display and distribute New America’s work, or include our content in derivative works, under the following conditions: • Attribution. You must clearly attribute the work to the New America Foundation, and provide a link back to www.Newamerica.net. • Noncommercial. You may not use this work for commercial purposes without explicit prior permission from New America. • Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For the full legal code of this Creative Commons license, please visit www.creativecommons.org. If you have any questions about citing or re- using New America content, please contact us. Contents EXECUTIVE SUMMARY ...................................................ii End Parent PLUS Loans .............................................. 23 INTRODUCTION .............................................................. 1 Limit Loans to 150% of Program Length ...................
    [Show full text]
  • Réalisé Par TODD PHILLIPS
    WARNER BROS. PICTURES présente En Association avec VILLAGE ROADSHOW PICTURES et BRON CREATIVE Une production A JOINT EFFORT Réalisé par TODD PHILLIPS Avec JOAQUIN PHOENIX, ROBERT DE NIRO, ZAZIE BEETZ Scénario de TODD PHILLIPS et SCOTT SILVER Inspiré de l’univers DC Un film produit par TODD PHILLIPS p.g.a., BRADLEY COOPER p.g.a., EMMA TILLINGER KOSKOFF p.g.a Directeur de la Photographie : LAWRENCE SHER ASC Décors : MARK FRIEDBERG Montage : JEFF GROTH Costumes : MARK BRIDGES Musique : HILDUR GUĐNADÓTTIR SORTIE LE 9 OCTOBRE 2019 Durée : 2h01 CONTACT PRESSE DISTRIBUTION Servane Magnan Warner Bros. France Carole Chomand 115-123 avenue Charles de Gaulle Go-Oun Jung 92200 Neuilly sur Seine NEWSROOM: https://newsroom.warnerbros.fr/ TELECHARGEMENT MATERIEL : https://mediapass.warnerbros.com/ 1 SYNOPSIS Constamment seul parmi la foule, Arthur Fleck voudrait aller vers les autres. Pourtant, tandis qu'il arpente les rues sales de Gotham City et emprunte les rames de métro couvertes de graffiti, dans une ville où monte une colère de plus en plus palpable, Arthur porte deux masques. C'est lui qui peint le premier po ur son boulot de clown publicitaire. Mais il ne peut jamais ôter le second : c'est le visage qu'il présente aux autres dans sa tentative futile d'appartenir au monde qui l'entoure – loin de l'homme incompris systématiquement malmené. S'il n'a jamais connu son père, Arthur a une mère fragile, sans doute sa meilleure amie, qui l'a rebaptisé "Happy" – surnom qui explique ce sourire sur ses lèvres qui, chez lui, dissimule une souffrance morale. Mais quand il est brutalisé par des adolescents dans la rue, raillé par des types en costard-cravate dans le métro et moqué par ses collègues clowns au travail, ce paria social se retranche de plus en plus de son entourage … JOKER de Todd Phillips s'attache au personnage maléfique légendaire et s'affirme comme un récit original et indépendant de toute saga, inédit au cinéma.
    [Show full text]
  • Master Streaming List 06112021
    Heat Index Personal Star IMDb Rating Netflix Prime PBS Peacock/ IMDb 5=Intense/Dark Acorn Brit Box Hulu HBO Sundance Starz SHO ROKU Cinemax BBC America Disney+ EPIX USA Rating 1 to 5 Genre Notes (Out of 10) Streaming Video Passport NBC Freedive 1="Cozie" (best) Breaking Bad 5 9.5 ● 5 drama Game of Thrones 5 9.5 ● 5 action/thriller Chernobyl 9.4 ● docudrama The Wire 9.3 ● policing Sherlock (Benedict Cumberbatch) 3 9.2 ● ● 4 private detective The Sopranos 5 9.2 ● 5 heists/organized crme True Detective 5 9.0 ● 5 police detective Fargo 8.9 ● crime drama Only Fools & Horses 8.9 ● comedy Aranyelet 8.8 ● general mystery/crime English subtitles Dark 8.8 ● mystery English subtitles House of Cards (Netflix production) 4 8.8 ● political satire Narcos 8.8 ● organized crime Peaky Blinders 8.8 ● heists/organized crime The Sandbaggers 3 8.8 ● 4 espionage Umbre 8.8 ● organized crime English subtitles Better Call Saul 8.7 ● drama Breaking Bad prequel Brideshead Revisited 2 8.7 ● ● 5 period drama Danger UXB 8.7 ● drama Deadwood 8.7 ● drama Dexter 8.7 ● ● general mystery/crime Downton Abbey 1 8.7 ● ● period drama Fleabag 8.7 ● comedy Gomorrah 8.7 ● organized crime Italian with subtitles Rake 8.7 ● 2 legal Sacred Games 8.7 ● police detective Sherlock Holmes (Jeremy Brett) 2 8.7 ● 5 private detective The Bureau 8.7 ● police detective English subtitles The Marvelous Mrs. Maisel 8.7 ● drama The Shield 8.7 ● police detective The Thick of It 8.7 ● political drama Westworld 8.7 ● sci fi Poirot (David Suchet series) 1 8.6 ● ● 5 private detective Inspector Morse
    [Show full text]
  • Petitioners, V
    No. 18-____ IN THE Supreme Court of the United States ———— MARICOPA, COUNTY OF, et al., Petitioners, v. UNITED STATES OF AMERICA, Respondent. ———— On Petition for a Writ of Certiorari to the United States Court of Appeals for the Ninth Circuit ———— PETITION FOR A WRIT OF CERTIORARI ———— RICHARD K. WALKER Counsel of Record WALKER & PESKIND, PLLC LAW FIRM NAME 16100 N. 71st Street, Suite 140 Scottsdale, AZ 85254 (480) 483-6336 [email protected] Counsel for Petitioners October 15, 2018 WILSON-EPES PRINTING CO., INC. – (202) 789-0096 – WASHINGTON, D. C. 20002 QUESTION PRESENTED In McMillian v. Monroe County, Alabama, 520 U.S. 781 (1997), this Court held that counties cannot be liable in actions brought under 42 U.S.C. § 1983 for the actions of sheriffs acting in their law enforcement capacities, unless the sheriffs are found to have been acting as “policymakers” for the counties within the meaning of Monell v. Dept. of Social Services of the City of New York, 436 U.S. 658 (1978). Here, the Ninth Circuit has misconstrued Arizona law to find sheriffs to be policymakers for Arizona’s counties in the area of law enforcement, took the unprecedented step of applying that concept to claims arising under Title VI of the Civil Rights Act of 1964, 42 U.S.C. § 2000d, and the Violent Crime Control and Law Enforcement Act of 1994, 34 U.S.C. § 12601, and the held Maricopa County (“the County”) bound by findings in a collateral case from which the County had been dismissed years before trial and entry of judgment in that case.
    [Show full text]
  • Television Listings
    INSIDE n Crossword 2 n Sports Zone 3 SUNDAY ELEVISION n T MoviesOn 4-5 Sunday, November 11, 2018 March 18, 2018 WEEKLY TELEVISION LISTINGS More CMA Award chances await Keith Urban Keith Urban has three nominations in The 52nd Annual CMA Awards, airing Wednesday on ABC. See back page Shop of this Local Gis ✤ Home TELEVISION Entertain & Dine 5 x 2" ad WEEKLY TELEVISION LISTINGS tex appeal crossword puzzle Solution is on page 5. ACROSS 2. Maya Rudolph’s “Up All 1. Actor on “Young Sheldon” (2) Night” role 10. “Resident __: The Final 3. Word with pick or wit Chapter”; 2016 Milla Jovovich 4. 150 film 5. Most famous Lucille 11. Luxury Honda 6. Play opener (2) 12. Cereal grain 7. Urich’s initials 13. Sandwich letters 8. __ oneself; prepare for im- 14. “__ of Valor”; 2012 Alex pact Veadov movie 9. “__ __ I Die”; James Cagney 16. “Big Brother” host (2) 18. Sitcom alien movie 20. __ Garrett; Charlotte Rae’s 13. Initials for actor “The Facts of Life” role Underwood 21. Run __; go into a frenzy 15. Became uptight 22. “__ Wednesday”; 1973 Liz 16. 1991 Kevin Costner film Taylor film 17. Slangy refusals 23. Grand Cherokee or Explorer 18. Voodoo medallion 24. Female animals 19. “The __ __”; series for Gavin 25. Begged MacLeod 27. “__ of Watch”; 2012 Jake Gyllenhaal movie 21. Deadly vipers 28. __ Lund; “NCIS: New Or- 24. Suffix for eight or velvet leans” role 26. “World of __” 32. Heavy weight 29. Fanny 33. “McFarland, __”; Kevin Cost- 30.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Single-Camera Picture Editing For A Drama Series The Alienist: Angel Of Darkness Better Angels While Sara, Moore and Kreizler struggle with decisions about their future paths, New York is in the grips of an all-out manhunt for the killer, and the team must overcome the wrath of the police and an underworld gang on the rampage. Cheryl Potter, Editor The Alienist: Angel Of Darkness Ex Ore Infantium Sara Howard has opened a pioneering private detective agency. She reunites with formidable alienist Dr. Laszlo Kreizler and New York Times journalist John Moore to find the kidnapped infant daughter of a Spanish dignitary. Dermot Diskin, Editor American Gods The Lake Effect Shadow has to decide the price he's willing to pay for his idyllic Lakeside life. As Laura and her new ally close in on her target, Wednesday has to persuade Czernobog that it's time to make peace with their enemies. Wendy Hallam Martin, ACE, Editor American Gods Sister Rising Shadow explores notions of purpose, destiny and identity with a newly enlightened Bilquis. Elsewhere, Technical Boy struggles with an identity crisis of his own. In his efforts to free Demeter, Wednesday asks a reluctant Shadow to assist in a new con. Christopher Donaldson, CCE, Editor American Gods Tears Of The Wrath-Bearing Tree Teetering on the edge of war and peace, the gods gather to mourn a loss. Bilquis' divine journey brings her to an unexpected revelation, while Shadow finally embraces a destiny that could bring him either greatness or death. Andrew Coutts, CCE, Editor Away Half The Sky A staff change at Mission Control upsets the usually unflappable Lu, and the fallout undermines Emma's command.
    [Show full text]
  • Moving Toward the Future of Policing
    CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that EDUCATION AND THE ARTS helps improve policy and decisionmaking through ENERGY AND ENVIRONMENT research and analysis. HEALTH AND HEALTH CARE This electronic document was made available from INFRASTRUCTURE AND www.rand.org as a public service of the RAND TRANSPORTATION Corporation. INTERNATIONAL AFFAIRS LAW AND BUSINESS NATIONAL SECURITY Skip all front matter: Jump to Page 16 POPULATION AND AGING PUBLIC SAFETY SCIENCE AND TECHNOLOGY Support RAND Purchase this document TERRORISM AND HOMELAND SECURITY Browse Reports & Bookstore Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND National Security Research Division View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND mono- graphs undergo rigorous peer review to ensure high standards for research quality and objectivity. Moving Toward the Future of Policing Gregory F. Treverton, Matt Wollman, Elizabeth Wilke, Deborah Lai NATIONAL SECURITY RESEARCH DIVISION The research described in this report was conducted within the RAND Center for Global Risk and Security under the auspices of the International Programs of the RAND Corporation.
    [Show full text]