DOCSLIB.ORG

The Cramps Smell of Female Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Cramps Smell of Female Mp3, Flac, Wma The Cramps Smell Of Female mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Smell Of Female Country: UK & Europe Style: Rockabilly, Psychobilly MP3 version RAR size: 1443 mb FLAC version RAR size: 1612 mb WMA version RAR size: 1149 mb Rating: 4.1 Votes: 237 Other Formats: AA AUD MIDI AHX MP2 MP1 FLAC Tracklist Hide Credits Thee Most Exalted Potentate Of Love 1 3:09 Written-By – Rorschach*, Interior* You Got Good Taste 2 3:21 Written-By – Rorschach*, Interior* Call Of The Wighat 3 4:01 Written-By – Rorschach*, Interior* Faster Pussycat 4 2:33 Written-By – Bert Sheffer* I Ain't Nuthin' But A Gorehound 5 3:16 Written-By – Rorschach*, Interior* Psychotic Reaction 6 3:54 Written-By – Atkinson*, Byrne*, Michalski*, Ellner*, Chaney* Bonus Tracks: Beautiful Gardens 7 3:07 Written-By – Rorschach*, Interior* She Said 8 5:18 Written-By – H Adkins* Surfin' Dead 9 4:12 Written-By – Rorschach*, Interior* Companies, etc. Licensed To – Ace Records Ltd. Phonographic Copyright (p) – The Cramps Copyright (c) – The Cramps Pressed By – Sound Performance Published By – Warner Chappell Music Ltd. Published By – Copyright Control Published By – EMI United Partnership Ltd. Published By – Bugle Songs Ltd. Published By – Hasil Adkins Recorded At – The Peppermint Lounge Mixed At – A&M Studios Credits Cover – Da Lux* Design [Package Remix By] – Philip Barker Design Drums – Nick Knox Engineer – Paul McKenna Guitar – Congo Powers* Lead Guitar – Poison Ivy Presenter [Announcer] – Tom Goodkind Producer – The Cramps Vocals – Lux Interior Notes Recorded at The Peppermint Lounge, Feb 25 & 26 1983. Tracks 1 to 6 are from the original vinyl release of "Smell Of Female", tracks 7 to 9 are bonus tracks for the CD reissue. All tracks published by Warner Chappell Music Ltd except Track 4 by Copyright Control Track 6 by EMI United Partnership Ltd Track 7 by Bugle Songs Ltd Track 8 by Hasil Adkins The copyright in this sound recording is owned by The Cramps and is lincenced to Ace Records Ltd ℗ 1983 ecept tracks 7 - 9 ℗ 1990 The Cramps © 1990 The Cramps Made In The United Kingdom Barcode and Other Identifiers Barcode: 0 29667 40952 0 Mastering SID Code: IFPI LP76 Mould SID Code: IFPI 7321 Matrix / Runout: Sound Performance 020 8691 2121 CDWIKM 95 Rights Society: BIEM Label Code: LC 09797 Other versions Category Artist Title (Format) Label Category Country Year Smell Of Female (12", ENIGMA 21 The Cramps Enigma Records ENIGMA 21 US 1983 MiniAlbum) Smell Of Female (LP, DEI2005-1 The Cramps Enigma Records DEI2005-1 Canada 1990 MiniAlbum, RE) Smell Of Female (CD, Vengeance VEN670 The Cramps VEN670 US 2014 MiniAlbum, RE, Dig) Records Smell Of Female (12", NED 6 The Cramps Big Beat Records NED 6 UK 1983 MiniAlbum, Red) Smell Of Female (CD, TOCP-6475 The Cramps Enigma Records TOCP-6475 Japan 1990 MiniAlbum, Promo) Related Music albums to Smell Of Female by The Cramps The Cramps - Songs The Lord Taught Us The Cramps - I Ain't Nuthin' But A Gorehound Rorschach - Live In Italy 6/18/92 CHEjU - Rorschach EP Shunyata - Rorschach Tao Jones - Rorschach Sunset The Cramps - ...Off The Bone The Cramps - Eyeball In My Martini.
Load more

Recommended publications
  • Alt-Nation: Don’T Stay Home
    Alt-Nation: Don’t Stay Home Darklands Shoegaze rockers to their core, Darklands craft melody out of fuzz-ridden noise. Darklands’ sound owes much to the noise pop of My Bloody Valentine, Slowdive and that early ’90s English noise guitar scene. I’ve always dug that adventurous style of guitar playing where the sound drives the song. Badlands have an EP, St. Thaddeus, that came out a couple of years ago and hopefully there will be some new music coming from Darklands sometime in the not so distant future. Till then, check out Darklands at Aurora. Darklands, Sneeze, Black Beach, and Fault rock Aurora on February 3. Lux Lives This February marks the 8th anniversary of the passing of legendary Cramps vocalists, Lux Interior. Interior was one of the most dynamic frontmen in the history of rock ‘n’ roll. The Cramps took shaved- to-the-bone rock ‘n’ roll and whipped it up in a manic psychobilly frenzy that was as much of a spectacle as it was spectacular live. Lux Lives is an annual celebration of the life of Interior and goes down this year at POP. This year, in addition to the killer tunes from deejays Ty Jesso, Kogar the Swinging Ape, and DJ Hula Bomb, there will be an exhibition of rare Cramps memorabilia on display at POP. Once again, the bands will be Providence garage rock granddaddies Thee Fabulous Itchies and the surf horror downbeat of The Evil Streaks. All proceeds will go to Lux and his wife’s (guitarist Poison Ivy) favorite charity, Best Friends Animal Society.
    [Show full text]
  • The Cramps Gravest Hits Mp3, Flac, Wma
    The Cramps Gravest Hits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gravest Hits Country: UK Released: 1979 Style: Psychobilly, Rockabilly, Punk, Garage Rock MP3 version RAR size: 1276 mb FLAC version RAR size: 1656 mb WMA version RAR size: 1141 mb Rating: 4.4 Votes: 713 Other Formats: RA MP4 MPC DXD AC3 XM WMA Tracklist Hide Credits Human Fly A1 2:12 Written-By – Rorschach*, Interior* The Way I Walk A2 2:38 Written-By – J. Scott* Domino A3 3:05 Written-By – Sam Phillips Surfin' Bird B1 5:03 Written-By – Wahrer* Lonesome Town B2 2:55 Written-By – B. Knight* Companies, etc. Published By – Willong Published By – Eric Music Published By – Knox Music Published By – Starfire Music Published By – Mediogre Music Recorded At – Ardent Studios Distributed By – Faulty Products Manufactured By – Faulty Products Mastered At – Gedmal Galvanic Ltd. Credits Drums – Nick Knox Guitar – Bryan Gregory, Poison Ivy Lacquer Cut By – Porky Photography By – Stephanie Chernikowski Producer – Alex Chilton Sleeve Notes – Dr. J.H. Sasfy* Vocals – Lux Interior Notes Black vinyl version of the blue transparent Porky cut in a black & white half-tone printed spineless sleeve. Later repressed in black vinyl with a spined picture sleeve and the same catalogue number of ILS 12013. Recorded at Ardent Studio, Memphis, Tennessee, October 1977. This record manufactured and distributed for Illegal Records by Faulty Products, 41b, Blenheim Crescent, London W11. England. June 1979. B1 credited to Long Music on label. Barcode and Other Identifiers Matrix / Runout (Side A, hand-etched): ILS 12013 A₂ SECOND WIND. GG A PORKY PRIME CUT.
    [Show full text]
  • Tuition Raised to $4011 Jresidence, Prices Are Also Ris­ M.S
    Tuition raised to $4011 jResidence, prices are also ris­ M.S. with its focus on ings and specifications are be­ Dr. Dov Jaron, Professor of Tuition is going up again, it ing $10. Price increases for the technical and science com­ ing reviewed by the Ad­ Biomedical Engineering. was announced at the April Annex are the same as for Van munication. Students entering ministration at this time, and 15th Board of Trustees Ren. the program will have a bac­ the Committee will review the College of Humanities and meeting (see chart on page 3). Beginning July 1st, term calaureate in a scientific field project in detail at its next Social Sciences The price hike goes across the parking passes will go up $10, (or in communication). All meeting. board, affecting all programs from 60 to 70 dollars. Parking must have sound prior training The architect of the new Dr. Stephen Mandell, in all colleges. tokens are going up in price by or experience in writing.” library was also recently in­ Associate Professor of 10 cents (to 75 cents) and park­ vited to tour the Drexel English. Prices Soar ing meter rates per hour are 11 Mill. For Library Museum collection in order to Dr. Raymond Brebach, Assis­ going up by 5 cents. look at possible relics to be tant Professor of Humanities. Also due for a raise in prices The Buildings and Property placed in the new library. Dr. Michael Markel, Assistant are dormitory contracts, MS in Hum-Soc Committee announced that Professor of Humanities and reported the Tuition and the Kling partnership, with its Faculty Communications.
    [Show full text]
  • Kid Congo Powers Double Record Release Party
    KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.).
    [Show full text]
  • Psychobilly Psychosis and the Garage Disease in Athens
    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
    [Show full text]
  • Paula Guerra
    Paula Guerra Lou Reed: rock and roll is so genial in its conception that some people would be willing to die for it (…). Music gives a pulse that allows you to dream. It’s an entire generation walking to the sound of a Fender bass. It’s necessary that people be willing to die for music, that is all. People die no matter what, so why not music? Die for it. Isn’t it pretty? To want to die for beauty? (McNeil & McCain, 2006: 45). The 1960’s, from an music aesthetic and expression point of view, were marked by an intense creativity that spread throughout all artistic and cultural mediums. We associate this era with a revolutionary mark, be in cultural, moral or social terms, with the importance of figures such as Rimbaud, north American black blues, rock pioneers, beat generation, Henry Miller, Malraux, Baudelaire, Marcuse, Indian gurus, Marx, Trotsky, Mao Tse Tung… (Paraire, 1992: 75-77). In the USA, rock acquired an institutionalization close to that of the traditional star system, with the role of the English pop movement, in particular that of the Beatles, one of the most remarkable in this respect. It will not, then, be out of place to consider that rock music throughout the -------- 1 This text was first published in Portuguese with the following reference: Guerra, P., 2010. A instável leveza do rock. Génese, dinâmica e consolidação do rock alternativo em Portugal. The unstable lightness of rock. Genesis, dynamics and consolidation of alternative rock in Portugal (1980-2010). Faculty of Arts of University of Porto, Porto.
    [Show full text]
  • Catalogue a ‐ Z
    Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I.
    [Show full text]
  • This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
    THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.
    [Show full text]
  • Kid Congo Powers
    KID CONGO POWERS The gigantic tone of Kid Congo Powers’ open-tuned guitar is one of the more readily identifiable sounds in the history of underground rock. Best known for his contribution to the development of the contemporary noise guitar with The Gun Club, The Cramps, and Nick Cave and the Bad Seeds in the 1980s, Kid’s spent the last fifteen years as a sideman (Make-Up, Mark Eitzel, Angels of Light, etc.), as a partner in Congo Norvell and Kid and Khan, a member of garage rock supergroup Knoxville Girls, and, most recently, the leader of Kid Congo Powers and the Pink Monkey Birds. What’s important about Kid’s resume isn’t only that he played with some of the best bands of all time, but that he did so during their finest hours, from The Cramps’ Psychedelic Jungle to Nick Cave’s Tender Prey to Angels of Light’s How I Loved You, Kid’s always had a knack for being with the right people at the right place at the right time. The last five years however, Kid’s gradually quit relying on his luck and taken matters into his own hands, emerged as a world-class songwriter and a distinctive vocalist. Jump-starting his career when he and Jeffrey Lee Pierce formed The Gun Club in 1979, Kid Congo Powers left the obscure new band in late 1980 when he was offered the universally coveted gig replacing Bryan Gregory in The Cramps. Though Kid was already a Cramp when The Gun Club recorded their classic debut Fire of Love (1981), a number of songs that he helped write and develop appear on the record.
    [Show full text]
  • Horror Hosts in the News
    HORROR HOSTS IN THE NEWS The following article about The Cramps mentions classic Cleveland horror host “Ghoulardi” and then NY’s current favorite hipsters, “Ghoul A Go Go” in the Summer of 2003. GRAVEYARD SMASH The Cramps creep into town with fiendish tunes and attitude Article By JOHN CHANDLER Portland Tribune; Fri, Jun 6, 2003 Most normal, God-fearing folks take one look at the Cramps and head for the nearest exit, muttering hasty excuses about picking up the kids from 4-H. The band's ghoulish makeup, tattoos and leather duds are more than just rock 'n' roll accouterments: They are talismans meant to ward off normal, God-fearing folks. The Cramps mean business, bub. Born in 1976 -- in Sacramento, Calif.; Akron, Ohio; or New York City, depending on what biography you're reading -- the Cramps were conceived by skeletal singer Lux Interior -- now somewhere in his middle 50s -- and his fishnet-sporting, guitar-slinging soul mate, "Poison" Ivy Rohrschach. Since their humble beginnings, the Cramps have hatched several cracked classic albums such as "Songs the Lord Taught Us" and "Gravest Hits." They became huge, iconic figures in Europe and played outrageous shows at such legendary New York dives as CBGB's, the Peppermint Lounge and Max's Kansas City. One of their most memorable early shows -- captured on videotape in 1979 -- took place at a rather different venue. "Yeah, it was the Napa State Mental Hospital," Lux recalls. "It was really fun playing there. We were kind of wondering if the patients would all be, like, comatose or crying.
    [Show full text]
  • Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
    Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy
    [Show full text]
  • Discos Internacionales
    ARTISTA DISCO DESCRIPCIÓN 2ND GRADE HIT TO HIT A GIRL CALLED EDDY BEEN AROUND AC/DC POWERAGE AIDAN KNIGHT´S AIDAN KNIGHT´S CLEAR/BLACK VINYL AL GREEN IM STILL IN LOVE WITH YOU ALABAMA SHAKES SOUND AND COLOR CLEAR VINYL ALEX CHILTON FREE AGAIN: THE 1970 SESSIONS VINILO ROJO TRANSLÚCIDO ALGIERS THE UNDERSIDE OF POWER ED. LMITADA. CREAM VINYL ALGIERS THERE IS NO YEAR ED. LIMITADA CLEAR VINYL + FLEXI ALICE COOPER KILLER ALICE COOPER ZIPPER CATCHES SKIN CLEAR/BLACK SWIRL VINYL ALL NIGHT LONG NOTHERN SOUL FLOOR FILLERS RECOPILATORIO ALL THEM WITCHES ALL THEM WITCHES VINYL COLOR ALLAH LAS CALICO REVIEW ALLAH LAS DEVENDRA ALLAH LAS LAHS VINYL ORANGE ALLAH LAS WORSHIP THE SUN ALLIE X CAPE GOD ALT-J REDUXER ALT-J THIS IS ALL YOURS COLOUR-SHUFFLED VINYL (RED, YELLOW, BLUE, GREEN) AMNESIA SCANNER TEARLESS AMOK ATOMS FOR PEACE AMY WINEHOUSE FRANK AMYL AND THE SNIFFERS LIVE AT THE CROXTON SINGLE 7" ANDREW BIRD ARE YOU SERIOUS ANGEL OLSEN ALL MIRRORS ANGEL OLSEN BURN YOUR FIRE FOR NO WITNESS ANGEL OLSEN MY WOMAN ANGEL OLSEN PHASES ANGEL OLSEN WHOLE NEW MESS ANGELUS APATRIDA CABARET DE LA GUILLOTINE ANGELUS APATRIDA GIVE 'EM WAR ANGUS & JULIA STONE ANGUS & JULIA STONE ANGUS & JULIA STONE A BOOK LIKE THIS ANGUS & JULIA STONE SNOW ANNA CALVI HUNTED RED VINYL ANTIFLAG AMERICAN FALL ANTIFLAG AMERICAN RECKONING ANTIFLAG AMERICAN SPRING ARCA KICK´I ARCA MUTANT DOUBLE RED VINYL ARCADE FIRE FUNERAL ARCADE FIRE NEON BIBLE ARCTIC MONKEYS AM ARCTIC MONKEYS FAVOURITE WORST NIGHTMARE ARCTIC MONKEYS SUCK IT AND SEE ARCTIC MONKEYS TRANQUILITY BASE HOTEL+ CASINO ARETHA
    [Show full text]