How the West Was Won and Where It Got Us: Compressing History in Silius’ Punica
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Some Devices of Drama Used in Aeneid 1—4 a Paper Read to the Virgil Society, February 1974, # by Jonathan Foster, M.A., B.Phil
Some Devices of Drama used in Aeneid 1—4 A paper read to the Virgil Society, February 1974, # by Jonathan Foster, M.A., B.Phil.' # That the episode of Dido (one might say the whole unit books 1 —4 of the Aeneid) is worked out very much in the spirit of Greek tragedy was remarked by Henry Nettleship ninety-nine years ago. * I cannot therefore lay claim to novelty in my choice of subject, nor yet do I intend simply to rearrange kaleidoscopically the many detailed discussions of this subject which can be found in various places, notably in what I like to think of as Pease’s Chrestomathy, that is to say his introduction to his massive commentary on book 4. 2 Austin’s and Williams’s commentaries on the individual books, Austin’s article on the Wooden Horse, 3 and Michael Wigodsky’s ‘Vergil and Early Latin Poetry,’4 (which has some helpful remarks on Virgil and Greek tragedy also) are all distinguished contributors in this field. At the same time, and with the greatest possible respect to one of our Vice- Presidents, Dr Michael Grant, I feel bound to protest in the strongest terms at the suggestion which he makes twice on one page of his recent book ‘Roman Myths’ 5, that there may have been some tragic play on the subject of Dido and Aeneas in existence when Virgil wrote: better to accept his reservation that such an hypothesis may well be an unfounded reflection on Virgil’s originality. True, we all recognize that the Aeneid is an inspired synthesis, and I shall presently make a suggestion of my own about Virgil’s relationship to contemporary Roman drama. -
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THE ABRUPTNESS OF THE END OF THE AENEID This article attempts to show that the abruptness of the end of the Aeneid contributes to its being, at least in part, an attack on Rome and the Augustan settlement, because it must have been very shocking to a Roman reader and seemed much more brutal to him than it does to us. 1 In order to prove this it is necessary to demonstrate a basic point about ancient Greek and Roman plot structure, which is very interesting and important in itself. It is that ancient literary works do not end with a violent or emphatic action. Instead, the climactic event is followed by episodes that resolve various problems, usually in a conciliatory manner, and often point forward to new events or considerations. Thus the impact of the climax of ancient literary works is diminished or dissolved and their endings are anti-climactic by modem standards. The combat between Aeneas and Turnus is modelled on that between Achilles and Hector in Iliad 22. That is also a climactic event. It is the last fight in the Iliad and the fulfilment of Achilles' furious desire for revenge on Hector. This theme is developed with much more consistency and prominence in the last part of the Iliad than Aeneas' desire for revenge against Turnus is developed in the last part of the Aeneid. But after it are the lamentations of Hector's family, the funeral of Patroclus, including the elaborately described contests, Priam's visit to Achilles, and finally Hector's funeral. In the last sentence, 'Thus they held the funeral of Hector', the particle yE before the pronominal subject creates the impression that something antithetical should follow. -
A New Perspective on the Early Roman Dictatorship, 501-300 B.C
A NEW PERSPECTIVE ON THE EARLY ROMAN DICTATORSHIP, 501-300 B.C. BY Jeffrey A. Easton Submitted to the graduate degree program in Classics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master’s of Arts. Anthony Corbeill Chairperson Committee Members Tara Welch Carolyn Nelson Date defended: April 26, 2010 The Thesis Committee for Jeffrey A. Easton certifies that this is the approved Version of the following thesis: A NEW PERSPECTIVE ON THE EARLY ROMAN DICTATORSHIP, 501-300 B.C. Committee: Anthony Corbeill Chairperson Tara Welch Carolyn Nelson Date approved: April 27, 2010 ii Page left intentionally blank. iii ABSTRACT According to sources writing during the late Republic, Roman dictators exercised supreme authority over all other magistrates in the Roman polity for the duration of their term. Modern scholars have followed this traditional paradigm. A close reading of narratives describing early dictatorships and an analysis of ancient epigraphic evidence, however, reveal inconsistencies in the traditional model. The purpose of this thesis is to introduce a new model of the early Roman dictatorship that is based upon a reexamination of the evidence for the nature of dictatorial imperium and the relationship between consuls and dictators in the period 501-300 BC. Originally, dictators functioned as ad hoc magistrates, were equipped with standard consular imperium, and, above all, were intended to supplement consuls. Furthermore, I demonstrate that Sulla’s dictatorship, a new and genuinely absolute form of the office introduced in the 80s BC, inspired subsequent late Republican perceptions of an autocratic dictatorship. -
Title: a Few Notes on Hannibal in Silius Italicus's "Punica" Author
Title: A few notes on Hannibal in Silius Italicus's "Punica" Author: Patrycja Matusiak Citation style: Matusiak Patrycja. (2015). A few notes on Hannibal in Silius Italicus's "Punica". "Scripta Classica" (Vol. 12 (2015), s. 117-124). Patrycja Matusiak University of Silesia, Katowice Faculty of Philology A Few Notes on Hannibal in Silius Italicus’s Punica Abstract: The article is an attempt at studying the image of Hannibal as presented in Punica. The aim of the paper is to sketch a portrait of the Carthaginian in Punica (with the image preserved both in historiography and in poetic epithets in mind), which would be a literary realisation of historio- graphic matter, with variatio typical for poetry, which was extended, shortened and mixed by Silius. The following review also looks at the topic of cruelty, which was a feature attributed to Hannibal himself as well as to Carthaginians in general, and that of death – demonstrated by such actions as (not) burying the bodies of Roman consuls or utilising bodies of the dead to build a bridge. Key words: Hannibal, Silius Italicus, Punica, Punic, Carthaginian mong the many images of Hannibal in ancient literature the one presented Aby Silius Italicus is unique. It stands out because the ancient writer in creating his image of the Second Punic War employs licentia poetica as well as historical facts.1 It enabled him to develop, diminish, or even mix together certain historical facts.2 1 See: R.B. Steele: “Interrelation of the Latin Poets under Domitian.” CP 1930, Vol. 25, p. 331; A. K lotz: “Die Stellung des Silius Italicus unter den Quellen zur Geschichte des zweiten punischen Krieges.” RhM 1933, Vol. -
Exemplarity in Roman Culture: the Cases of Horatius Cocles and Cloelia Author(S): Matthew B
Exemplarity in Roman Culture: The Cases of Horatius Cocles and Cloelia Author(s): Matthew B. Roller Source: Classical Philology, Vol. 99, No. 1 (January 2004), pp. 1-56 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/423674 . Accessed: 08/04/2011 17:40 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Classical Philology. http://www.jstor.org EXEMPLARITY IN ROMAN CULTURE: THE CASES OF HORATIUS COCLES AND CLOELIA matthew b. -
Livy's Early History of Rome: the Horatii & Curiatii
Livy’s Early History of Rome: The Horatii & Curiatii (Book 1.24-26) Mary Sarah Schmidt University of Georgia Summer Institute 2016 [1] The Horatii and Curiatii This project is meant to highlight the story of the Horatii and Curiatii in Rome’s early history as told by Livy. It is intended for use with a Latin class that has learned the majority of their Latin grammar and has knowledge of Rome’s history surrounding Julius Caesar, the civil wars, and the rise of Augustus. The Latin text may be used alone or with the English text of preceding chapters in order to introduce and/or review the early history of Rome. This project can be used in many ways. It may be an opportunity to introduce a new Latin author to students or as a supplement to a history unit. The Latin text may be used on its own with an historical introduction provided by the instructor or the students may read and study the events leading up to the battle of the Horatii and Curiatii as told by Livy. Ideally, the students will read the preceding chapters, noting Livy’s intention of highlighting historical figures whose actions merit imitation or avoidance. This will allow students to develop an understanding of what, according to Livy and his contemporaries, constituted a morally good or bad Roman. Upon reaching the story of the Horatii and Curiatii, not only will students gain practice and understanding of Livy’s Latin literary style, but they will also be faced with the morally confusing Horatius. -
Elegy with Epic Consequences: Elegiac Themes in Statius' Thebaid
Elegy with Epic Consequences: Elegiac Themes in Statius’ Thebaid A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy In the Department of Classics of the College of Arts and Sciences by Carina Moss B.A. Bucknell University April 2020 Committee Chairs: Lauren D. Ginsberg, Ph.D., Kathryn J. Gutzwiller, Ph.D. Abstract This dissertation examines the role of elegy in the Thebaid by Statius, from allusion at the level of words or phrases to broad thematic resonance. It argues that Statius attributes elegiac language and themes to characters throughout the epic, especially women. Statius thus activates certain women in the epic as disruptors, emphasizing the ideological conflict between the genres of Latin love elegy and epic poetry. While previous scholarship has emphasized the importance of Statius’ epic predecessors, or the prominence of tragic allusion in the plot, my dissertation centers the role of elegy in this epic. First, I argue that Statius relies on allusion to the genre of elegy to signal the true divine agent of the civil war at Thebes: Vulcan. Vulcan’s erotic jealousy over Venus’ affair with Mars leads him to create the Necklace of Harmonia. Imbued with elegiac resonance, the necklace comes to Argia with corrupted elegiac imagery. Statius characterizes Argia within the dynamic of the elegiac relicta puella and uses this framework to explain Argia’s gift of the necklace to Eriphyle and her advocacy for Argos’ involvement in the war. By observing the full weight of the elegiac imagery in these scenes, I show that Argia mistakenly causes the death of Polynices and the devastation at Thebes as the result of Vulcan’s elegiac curse. -
Romana Stasolla, Stefano Tortorella Direttore Responsabile: Domenico Palombi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository NUOVA SERIE Rivista del Dipartimento di Scienze dell’antichità Sezione di Archeologia Fondatore: GIULIO Q. GIGLIOLI Direzione Scientifica MARIA CRISTINA BIELLA, ENZO LIPPOLIS, LAURA MICHETTI, GLORIA OLCESE, DOMENICO PALOMBI, MASSIMILIANO PAPINI, MARIA GRAZIA PICOZZI, FRANCESCA ROMANA STASOLLA, STEFANO TORTORELLA Direttore responsabile: DOMENICO PALOMBI Redazione: FABRIZIO SANTI, FRANCA TAGLIETTI Vol. LXVIII - n.s. II, 7 2017 «L’ERMA» di BRETSCHNEIDER - ROMA Comitato Scientifico PIERRE GROS, SYBILLE HAYNES, TONIO HÖLSCHER, METTE MOLTESEN, STÉPHANE VERGER Il Periodico adotta un sistema di Peer-Review Archeologia classica : rivista dell’Istituto di archeologia dell’Università di Roma. - Vol. 1 (1949). - Roma : Istituto di archeologia, 1949. - Ill.; 24 cm. - Annuale. - Il complemento del titolo varia. - Dal 1972: Roma: «L’ERMA» di Bretschneider. ISSN 0391-8165 (1989) CDD 20. 930.l’05 ISBN CARTACEO 978-88-913-1563-2 ISBN DIGITALE 978-88-913-1567-0 ISSN 0391-8165 © COPYRIGHT 2017 - SAPIENZA - UNIVERSITÀ DI ROMA Aut. del Trib. di Roma n. 104 del 4 aprile 2011 Volume stampato con contributo di Sapienza - Università di Roma INDICE DEL VOLUME LXVIII ARTICOLI AMBROGI A. (con un’appendice di FERRO C.), Un rilievo figurato di età tardo- repubblicana da un sepolcro dell’Appia antica ............................................... p. 143 BALDASSARRI P., Lusso privato nella tarda antichità: le piccole terme di Palazzo Valentini e un pavimento in opus sectile con motivi complessi...................... » 245 BARATTA G., Falere tardo-antiche ispaniche con quattro passanti angolari: aggiornamenti e ipotesi sulla funzionalità del tipo ......................................... » 289 BARBERA M., Prime ipotesi su una placchetta d’avorio dal Foro Romano ......... -
Roman History
CORNELL UNIVERSITY LIBRARY Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028270894 Cornell University Library DG 207.L5F85 1899 Roman histor 3 1924 028 270 894 Titus Livius Roman History The World's TITUS LIVIUS. Photogravure from an engraving in a seventeenth-century edition of Livy's History. Roman History By Titus Livius Translated by John Henry Freese, Alfred John Church, and William Jackson Brodribb With a Critical and Biographical Introduction and Notes by Duffield Osborne Illustrated New York D. Appleton and Company 1899 LIVY'S HISTORY the lost treasures of classical literature, it is doubtful OFwhether any are more to be regretted than the missing books of Livy. That they existed in approximate en- tirety down to the fifth century, and possibly even so late as the fifteenth, adds to this regret. At the same time it leaves in a few sanguine minds a lingering hope that some un- visited convent or forgotten library may yet give to the world a work that must always be regarded as one of the greatest of Roman masterpieces. The story that the destruction of Livy was effected by order of Pope Gregory I, on the score of the superstitions contained in the historian's pages, never has been fairly substantiated, and therefore I prefer to acquit that pontiff of the less pardonable superstition involved in such an act of fanatical vandalism. That the books preserved to us would be by far the most objectionable from Gregory's alleged point of view may be noted for what it is worth in favour of the theory of destruction by chance rather than by design. -
Parentum Dedecus: Hannibal’S Hatred and Memories of Defeat in Silius Italicus’ Punica
Parentum dedecus: Hannibal’s Hatred and Memories of Defeat in Silius Italicus’ Punica Silius’ Punica depicts the rise and fall of Hannibal, but the shadow of Rome’s first conflict with Carthage still looms large. Hannibal’s hatred for Rome is tied to the impact of the First Punic War, while the war’s explicit emergence in Book 6 suggests the futility of the Carthaginian invasion. Moreover, it is within these moments of the epic that Silius engages with the legacy of that war as the primary narrative of Latin epic poetry, stretching back to Naevius’ Bellum Punicum (late third century BCE). Although the Republic’s most renowned epicist to tackle the Second Punic War, Quintus Ennius, takes the field of battle at Punica 12.387-414 (Casali 2006), I suggest that Silius engages with the First Punic War’s epic legacy in a more diffuse and subtle program of allusion. A Carthaginian war cry shaped by the First Punic War is felt as early as Silius’ first characterization of Hannibal. At 1.60-63, he relates that Hannibal is inspired and tormented by Juno and the shame of his father’s loss in the earlier war (for Hannibal, see Stocks 2014). Silius even adds the explicit resonance of the First Punic War to this marked scene of martial motivation: …his super, aevi / flore virens, avet Aegates abolere, parentum / dedecus, ac Siculo demergere foedera ponto. The Aegates Islands were the site of the final Carthaginian defeat at sea during the earlier war, and they stand throughout the epic as a symbol for Carthage’s new mission – damnatio memoriae (cf. -
Loeb Classical Library
LOEB CLASSICAL LIBRARY 2017–2018 Founded by JAMES LOEB 1911 Edited by JEFFREY HENDERSON NEW TITLES FRAGMENTARY GALEN REPUBLICAN LATIN Hygiene Ennius EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY IAN JOHNSTON • SANDER M. GOLDBERG Galen of Pergamum (129–?199/216), physician GESINE MANUWALD to the court of the emperor Marcus Aurelius, Quintus Ennius (239–169 BC), widely was a philosopher, scientist, medical historian, regarded as the father of Roman literature, theoretician, and practitioner who wrote on an was instrumental in creating a new Roman astonishing range of subjects and whose literary identity and inspired major impact on later eras rivaled that of Aristotle. developments in Roman religion, His treatise Hygiene, also known social organization, and popular as “On the Preservation of Health” culture. This two-volume edition (De sanitate tuenda), was written of Ennius, which inaugurates during one of Galen’s most prolific the Loeb series Fragmentary periods (170–180) and ranks among Republican Latin, replaces that his most important and influential of Warmington in Remains of Old works, providing a comprehensive Latin, Volume I and offers fresh account of the practice of texts, translations, and annotation preventive medicine that still that are fully current with modern has relevance today. scholarship. L535 Vol. I: Books 1–4 2018 515 pp. L294 Vol. I: Ennius, Testimonia. L536 Vol. II: Books 5–6. Thrasybulus. Epic Fragments 2018 475 pp. On Exercise with a Small Ball L537 Vol. II: Ennius, Dramatic 2018 401 pp. Fragments. Minor Works 2018 450 pp. APULEIUS LIVY Apologia. Florida. De Deo Socratis History of Rome EDITED AND TRANSLATED BY EDITED AND TRANSLATED BY CHRISTOPHER P. -
Hannibal's Gaze and Ekphrasis in the Punica Of
VISIONS OF GRANDEUR: HANNIBAL’S GAZE AND EKPHRASIS IN THE PUNICA OF SILIUS ITALICUS by SEAN MATHIS (Under the Direction of Mario Erasmo) ABSTRACT This is a thesis about Silius Italicus, a Latin poet, who wrote his epic poem, the Punica, during the reign of the emperor Domitian. Silius wrote his epic poem in the period after Vergil’s Aeneid, and, like his literary contemporaries, was forced to contend with his poetic forebears in order to insert his own poem into the Latin epic tradition. Thus, the poet looks back to Vergil, his principal poetic predecessor, through his use of allusion, metaphor, and other poetic imagery. The poem is also historical in nature, covering the period leading up to the Second Punic War, and Silius necessarily looks back to his historical predecessors, notably the Latin historian Livy. Silius creates, within the Punica, an interesting allusive technique that allows for a literary dialogue between the historical and epic genres, thus guaranteeing his position as a successor to both Vergil and Livy. INDEX WORDS: Silius Italicus, Punica, Second Punic War, Ekphrasis, Silver Age Latin, Silver Epic, Imperial Epic, Hannibal, Saguntum, Allusion, Successors of Vergil VISIONS OF GRANDEUR: HANNIBAL’S GAZE AND EKPHRASIS IN THE PUNICA OF SILIUS ITALICUS by SEAN MATHIS A.B., Baylor University, 2002 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 Sean Mathis All Rights Reserved VISIONS OF GRANDEUR: HANNIBAL’S GAZE AND EKPHRASIS IN THE PUNICA OF SILIUS ITALICUS by SEAN MATHIS Major Professor: Mario Erasmo Committee: Robert Curtis Keith Dix Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2004 DEDICATION This being my first publication to have the honor of being bound in a hard cover, I dedicate it to you, my loving wife, Amanda.