Digitisation 2010

Total Page:16

File Type:pdf, Size:1020Kb

Digitisation 2010 Digitisation 2010 Broadcasting gearing up for the internet the changing face of structures and actors Digitisation 2010 Broadcasting gearing up for the internet the changing face of structures and actors published by Kommission für Zulassung und Aufsicht (ZAK) der Landesmedienanstalten Commission on Licensing and Supervision (ZAK) of the German media authorities Preface 5 Thomas Langheinrich Chairman of the Commission on Dr. Hans Hege Licensing and Supervision (ZAK) ZAK Representative for platform of the German media authorities regulation and digital access The sixth digitisation report of the media authorities provides on the initiative of the media authorities. Over the next few evidence of the positive development digitisation is taking in months, the ”klardigital 2012“ initiative will inform the satel- Germany. Since 2005, the number of digital TV households lite households affected and will provide advice to the special- has trebled and now stands at 23 million, allowing digital ac- ist trade, craftsmen, the housing industry and cable network cess to the media in 61 per cent of all homes. Even cable operators, thus accompanying switchover. This impulse could which has been the problem child of distribution platforms lend momentum to the digitisation of cable. during this period is now beginning to speed up digitisa- The data collected by TNS Infratest during the period tion, and DSL-TV is also gaining ground, even if penetration May – June also point to developments presenting new chal- is still at a low level. HDTV is a definite driver for digiti- lenges for users, distributers, platforms, the receiver industry sation: the rising number of offers is good reason for users and, not least, content providers. The market has undoubtedly to switch to digital reception, especially since they can now become more dynamic, competition has grown considerably see the benefits with their own eyes. The new flat screens and open and closed systems vie for market shares, click rates with integrated receivers also pave the way for digitisation as and paying customers. Behind the scenes, sustainable business services and features can now be easily accessed with a sin- models for the time after the heyday of traditional TV adver- gle remote control, making TV consumption child’s play for tising, necessitating new addressable services to compensate even the technically most ignorant viewers. In addition, new any loss in revenue, have been looked at for a long time. The promising developments will soon make internet applications direct connection to the customer will become absolutely es- visible on the TV screen in a user-friendly way thanks to the sential; for this reason, platforms, network operators and the new HbbTV standard. Consumers can therefore now more receiver industry are currently all defining their respective and more appreciate the added value digitisation has to offer, claims. As a consequence, technical progress regarding digiti- which thus loses the blemish of only providing countless new sation is increasingly slowed down since the new options and offers. And convincing arguments for digitisation are needed technical choices are not necessarily welcomed by all players. as more than 14 million German households are still firmly locked in the analogue world. The digitisation report shows up all these developments; it provides not just the relevant facts and figures but also offers In this respect it was an important step that ARD, RTL expert analyses and opinions, raises the right issues and points Deutschland group, ProSiebenSat.1 and ZDF agreed on the to potential developments in the digital world. switch-off of analogue satellite transmission in Germany to- gether with the commercial broadcasters’ association, VPRT, CONTENT 7 Content Broadcasting gearing up for the internet the changing face of structures and actors. 3 Platforms 2.0: Broadcasting platform meets internet platform . 13 Dr. Hans Hege Traditional broadcasting platforms: can they get away from the transport model?. 14 Internet platforms. 16 Open worlds – closed worlds. 18 Effects on the broadcasting world. 20 Infrastructure providers and platforms. 21 Challenges for regulation. 22 Securing basic access to television and the internet . 22 Specific rules for broadcasting platforms . 23 Selection through internet platforms. 24 Provisions concerning vertical integration. 24 Data protection and copyright – the key funding issue. 25 Uniform regulation – is the protection of minors an appropriate example?. 25 Digitisation of the German television market: Facts and figures Current state of digitisation in German TV households, June 2010. 28 Andreas Hamann Continuous increase in digital households. 28 Slight shift in the shares of transmission routes. 28 Upwards trend of digital continues. 29 Satellite to switch over in 2012 . 30 Cable continually on the road to digital . 32 Rate of digitisation on the up with the number of sets . 33 Terrestrial reception stable. 34 TV reception on the PC and the laptop on the up . 34 Watching TV online: reach and acceptance of web TV . .36 Johannes Kors Types of offer and developments . 36 IP-TV . 36 Web-TV . 36 Audience reach and acceptance of IP-TV and web TV. 38 Hybrid-TV. 42 8 CONTENT Digitisation in Europe on the move. 44 Mario Hubert Methodology. 48 Defining cable and satellite reception. 48 Establishing transmission platforms and transmission technologies . 48 Regulating platforms and securing digital access: the remit of the regulatory authorities . 51 Regulating platforms. 51 Digital access . 52 Analogue-digital switchover. 52 Tools of regulation and convergence of the media. 52 The authors . 53 Glossary. .54 Imprint . 58 11 Broadcasting gearing up for the internet the changing face of structures and actors 13 Platforms 2.0: Broadcasting platform meets internet platform Dr. Hans Hege Two terms or concepts currently dominate the Will the network operators put particular efforts Net neutrality in doubt debate: platforms and net neutrality. Apple, Google into promoting those uses of the internet which due to new platform developments and Facebook make good ground as regards me- earn them the lion share of their income, and thus dia consumption. The extension of broadband cause constraints for others? Do broadband infra- provides the basis for distributing audiovisual me- structure operators have to be permitted some- dia in the internet while offering new options of thing which was granted to broadcasting platforms collecting and utilizing user data. According to by the legislator a long time ago: the decision on estimates by experts, the available capacities will the use of the capacity they have built up includ- increase ten-fold by 2014; by then, 90 per cent of ing the selection of media content, but exclusive the capacities will be used up by video consump- of minimum obligations for the benefit of public- tion in the internet. This raises a lot of questions: service channels and regional services? Asked in Who will pay for this? Who will gain control of reverse: Can trade privileges of network operators the particularly attractive content which will con- be put into question, e.g. that users cannot choose tinue to be in scarce supply in the future? Who the cable network operator providing the majority will control the receivers? Who will obtain data on of TV services they want to watch but have to ac- user behaviour which form the basis for financing cept the provider selected by the landlord, or that and expanding services? Will the internet be pre- users have no influence on what channels they served in what represents its open character so far receive which is basically the opposite of what – the enigmatic catchword being ”net neutrality“, would ideally constitute and is demanded as net i.e. the possibility of the direct and uncontrolled neutrality? connection between content providers and their This article aims at outlining and comparing de- users, but also among users exchanging videos and velopments of traditional platforms in the world of music? The term ”net neutrality“ comprises many broadcasting and the new platform world in the issues, and the solutions to them are almost always internet. Answers found to questions in this context linked to platforms which operate networks, con- will be outnumbered by questions remaining unan- trol receivers, aggregate content, assist with navi- swered. The article would like to contribute to the gation and collect data for funding activities. contexts being better understood, thus providing a first basis for solving the question which public in- terests command which form of regulation. 14 Broadcasting GEARING UP FOR THE INTERNET Traditional broadcasting platforms: can they Satellite copied the cable transport model and get away from the transport model? also reaches a large audience; marketing does not, Broadcasting platforms serve for transporting and however, take place. Satellite could attain its large – where possible – marketing television in closed audience share because, unlike in almost all other networks. The operators decide on the content to countries, no payment is charged for programme be distributed; in so doing, they have to pay re- reception. In Germany, households invest in a sat- gard to some minimum provisions. Even in dig- ellite receiver, but do not have to pay any monthly ital networks, capacities are limited. Unlike in the fees in return. This corresponds to the old – and, analogue world, however, this no longer results in following switchover,
Recommended publications
  • Weaponized Humor: the Cultural Politics Of
    WEAPONIZED HUMOR: THE CULTURAL POLITICS OF TURKISH-GERMAN ETHNO-COMEDY by TIM HÖLLERING B.A. Georg-August Universität Göttingen, 2008 M.Ed., Georg-August Universität Göttingen, 2010 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2016 © Tim Höllering, 2016 Abstract My thesis aims to show how the humor of Turkish-German ethno-comedians fulfills a double purpose of entertaining its audience while advancing a cultural political agenda that Kathrin Bower called “transnational humanism.” It includes notions of human rights consensus, critical self-reflection, respect, tolerance, and openness to cultural diversity. Promoting these values through comedy, the artists hope to contribute to abating prejudice and discrimination in Germany’s multi-ethnic society. Fusing the traditional theatrical principle of “prodesse et delectare” with contemporary cultural politics, these comedians produce something of political relevance: making their audience aware of its conceptions of “self” and “other” and fostering a sense of community across diverse cultural identifications. My thesis builds mainly on the works of Kathrin Bower, Maha El Hissy, Erol Boran, Deniz Göktürk, and Christie Davies. Whereas Davies denies humor’s potential for cultural impact, Göktürk elucidates its destabilizing power in immigrant films. Boran elaborates this function for Turkish-German Kabarett. El Hissy connects Kabarett, film, and theater of polycultural artists and ties them to Bakhtin’s concept of the carnivalesque and the medieval jester. Bower published several essays on the works of ethno-comedians as humorous catalysts for advancing a multiethnic Germany.
    [Show full text]
  • Broadcast Television in Europe Mobile Broadcast Television in Europe Televisionin Broadcast Mobile
    MobileBroadcast Television in Europe Mobile Broadcast in Television Europe European Broadcasting Union Strategic Information Service (SIS) January 2008 L’Ancienne-Route 17A CH-1218 Grand-Saconnex Switzerland Phone +41 (0) 22 717 21 11 Fax +41 (0)22 747 40 00 www.ebu.ch/en/sis DigiTAG c/o European Broadcasting Union L’Ancienne-Route 17A CH-1218 Grand-Saconnex Switzerland Phone +41 (0) 22 717 27 35 Fax +41 (0)22 717 24 62 www.digitag.org Strategic Information Service l DigiTAG Mobile Broadcast Television in Europe January 2008 The Report Staff This report was produced by the Strategic Information Service of the EBU in collaboration with DigiTAG. Editor: Alexander Shulzycki Production Editor: Anna-Sara Stalvik Contributors: Alice Enders, François Godard, Will Harris and Adam Rumley, Enders Analysis Gareth Owen, Eureka Research Ltd. Nathalie Mouyal, DigiTAG Cover Design: Philippe Juttens European Broadcasting Union Telephone: +41 22 717 2111 Address: L'Ancienne-Route 17A, 1218 Geneva, Switzerland SIS web-site: www.ebu.ch/en/sis SIS contact e-mail: [email protected] Table of contents Introduction ............................................................................................................................1 Overview .......................................................................................................................................... 1 Global standards available .............................................................................................................. 1 Spectrum issues and results of the WRC-07..................................................................................
    [Show full text]
  • Systematic Scoping Review on Social Media Monitoring Methods and Interventions Relating to Vaccine Hesitancy
    TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy www.ecdc.europa.eu ECDC TECHNICAL REPORT Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy This report was commissioned by the European Centre for Disease Prevention and Control (ECDC) and coordinated by Kate Olsson with the support of Judit Takács. The scoping review was performed by researchers from the Vaccine Confidence Project, at the London School of Hygiene & Tropical Medicine (contract number ECD8894). Authors: Emilie Karafillakis, Clarissa Simas, Sam Martin, Sara Dada, Heidi Larson. Acknowledgements ECDC would like to acknowledge contributions to the project from the expert reviewers: Dan Arthus, University College London; Maged N Kamel Boulos, University of the Highlands and Islands, Sandra Alexiu, GP Association Bucharest and Franklin Apfel and Sabrina Cecconi, World Health Communication Associates. ECDC would also like to acknowledge ECDC colleagues who reviewed and contributed to the document: John Kinsman, Andrea Würz and Marybelle Stryk. Suggested citation: European Centre for Disease Prevention and Control. Systematic scoping review on social media monitoring methods and interventions relating to vaccine hesitancy. Stockholm: ECDC; 2020. Stockholm, February 2020 ISBN 978-92-9498-452-4 doi: 10.2900/260624 Catalogue number TQ-04-20-076-EN-N © European Centre for Disease Prevention and Control, 2020 Reproduction is authorised, provided the
    [Show full text]
  • Anticipated Acquisition by BT Group Plc of EE Limited
    Anticipated acquisition by BT Group plc of EE Limited Appendices and glossary Appendix A: Terms of reference and conduct of the inquiry Appendix B: Industry background Appendix C: Financial performance of companies Appendix D: Regulation Appendix E: Transaction and merger rationale Appendix F: Retail mobile Appendix G: Spectrum, capacity, and speed Appendix H: Fixed-mobile bundles Appendix I: Wholesale mobile: total foreclosure analysis Appendix J: Wholesale mobile: partial foreclosure analysis Appendix K: Mobile backhaul: input foreclosure Appendix L: Retail fixed broadband: Market A Appendix M: Retail broadband: superfast broadband Glossary APPENDIX A Terms of reference and conduct of the inquiry Terms of reference 1. In exercise of its duty under section 33(1) of the Enterprise Act 2002 (the Act) the Competition and Markets Authority (CMA) believes that it is or may be the case that: (a) arrangements are in progress or in contemplation which, if carried into effect, will result in the creation of a relevant merger situation in that: (i) enterprises carried on by, or under the control of, BT Group plc will cease to be distinct from enterprises currently carried on by, or under the control of, EE Limited; and (ii) section 23(1)(b) of the Act is satisfied; and (b) the creation of that situation may be expected to result in a substantial lessening of competition within a market or markets in the United Kingdom (the UK) for goods or services, including the supply of: (i) wholesale access and call origination services to mobile virtual network operators; and (ii) fibre mobile backhaul services to mobile network operators.
    [Show full text]
  • Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16
    Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 1 of 137 Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 2 of 137 Exhibit A Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 3 of 137 Exhibit A1 Served via Overnight Mail Name Attention Address 1 Address 2 City State Zip Country Aastha Broadcasting Network Limited Attn: Legal Unit213 MezzanineFl Morya LandMark1 Off Link Road, Andheri (West) Mumbai 400053 IN Abs Global LTD Attn: Legal O'Hara House 3 Bermudiana Road Hamilton HM08 BM Abs-Cbn Global Limited Attn: Legal Mother Ignacia Quezon City Manila PH Aditya Jain S/O Sudhir Kumar Jain Attn: Legal 12, Printing Press Area behind Punjab Kesari Wazirpur Delhi 110035 IN AdminNacinl TelecomunicacionUruguay Complejo Torre De Telecomuniciones Guatemala 1075. Nivel 22 HojaDeEntrada 1000007292 5000009660 Montevideo CP 11800 UY Advert Bereau Company Limited Attn: Legal East Legon Ars Obojo Road Asafoatse Accra GH Africa Digital Network Limited c/o Nation Media Group Nation Centre 7th Floor Kimathi St PO Box 28753-00100 Nairobi KE Africa Media Group Limited Attn: Legal Jamhuri/Zaramo Streets Dar Es Salaam TZ Africa Mobile Network Communication Attn: Legal 2 Jide Close, Idimu Council Alimosho Lagos NG Africa Mobile Networks Cameroon Attn: Legal 131Rue1221 Entree Des Hydrocarbures Derriere Star Land Hotel Bonapriso-Douala Douala CM Africa Mobile Networks Cameroon Attn: Legal BP12153 Bonapriso Douala CM Africa Mobile Networks Gb,
    [Show full text]
  • The Complete Guide to Social Media from the Social Media Guys
    The Complete Guide to Social Media From The Social Media Guys PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 08 Nov 2010 19:01:07 UTC Contents Articles Social media 1 Social web 6 Social media measurement 8 Social media marketing 9 Social media optimization 11 Social network service 12 Digg 24 Facebook 33 LinkedIn 48 MySpace 52 Newsvine 70 Reddit 74 StumbleUpon 80 Twitter 84 YouTube 98 XING 112 References Article Sources and Contributors 115 Image Sources, Licenses and Contributors 123 Article Licenses License 125 Social media 1 Social media Social media are media for social interaction, using highly accessible and scalable publishing techniques. Social media uses web-based technologies to turn communication into interactive dialogues. Andreas Kaplan and Michael Haenlein define social media as "a group of Internet-based applications that build on the ideological and technological foundations of Web 2.0, which allows the creation and exchange of user-generated content."[1] Businesses also refer to social media as consumer-generated media (CGM). Social media utilization is believed to be a driving force in defining the current time period as the Attention Age. A common thread running through all definitions of social media is a blending of technology and social interaction for the co-creation of value. Distinction from industrial media People gain information, education, news, etc., by electronic media and print media. Social media are distinct from industrial or traditional media, such as newspapers, television, and film. They are relatively inexpensive and accessible to enable anyone (even private individuals) to publish or access information, compared to industrial media, which generally require significant resources to publish information.
    [Show full text]
  • Estudio De Derecho Comparado Sobre La Responsabilidad De Los Intermediarios En Internet Por Violaciones De Derechos De Autor
    COMPARATIVE ANALYSIS ON NATIONAL APPROACHES TO THE LIABILITY OF INTERNET INTERMEDIARIES FOR INFRINGEMENT OF COPYRIGHT AND RELATED RIGHTS Ignacio GARROTE FERNÁNDEZ-DÍEZ1 Associate Professor of Civil Law Autonomous University of Madrid 1 The author would like to thank Prof. Juan José Marín López, Professor of Civil Law at the University of Castile-La Mancha (Spain), for his generosity when it came to providing a good part of the material used in the research that led to the drafting of this paper. Thanks for their collaboration must also go to Carlos Castro (Colombia), Adriana Mauleón (Mexico), Anastasia Amosova (Russia) and Federico Mastrolilli (Italy). Any possible errors committed in this paper are the author's exclusive responsibility. TABLE OF CONTENTS I. INTRODUCTION .................................................................... 3 II. ARGENTINA ......................................................................... 5 III. BELGIUM ......................................................................... 7 IV. BRAZIL ......................................................................... 14 V. CHILE ......................................................................... 17 VI. FINLAND ......................................................................... 21 VII. FRANCE ......................................................................... 24 VIII. GERMANY ......................................................................... 32 IX. ITALY ......................................................................... 41
    [Show full text]
  • INTELSAT SA, Et Al.1 Debto
    Case 20-32299-KLP Doc 1697 Filed 03/19/21 Entered 03/19/21 16:03:44 Desc Main Document Page 1 of 150 IN the UNITED STATES BANKRUPTCY COURT FOR the EASTERN DISTRICT of VIRGINIA RICHMOND DIVISION ) In re: ) Chapter 11 ) INTELSAT S.A., et al.1 ) Case No. 20-32299 (KLP) ) Debtors. ) (Jointly Administered) ) AFFIDAVIT of SERVICE I, Victoria X. Tran, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On February 26, 2021, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, and via electronic mail on the service list attached hereto as Exhibit B: • Notice of Motions and Notice of Hearing (Docket No. 1470) Furthermore, on March 11, 2021, at my direction under my supervision, employees of Stretto caused the following document to be served via first-class mail on Jean Alex Hippolyte at a redacted address: • Notice of Motions and Notice of Hearing (Docket No. 1470) Furthermore, on March 11, 2021, at my direction and under my supervision, employees of Stretto caused the following documents to be served via first-class mail on the service list attached hereto as Exhibit C: • Notice of Adjourned Hearing on Disclosure Statement and Motion to Approve Exclusivity (Docket No. 1570) Furthermore, on March 12, 2021, at my direction and under my supervision, employees of Stretto caused the following document to be served via overnight mail on the service list attached hereto as Exhibit D, via first-class mail on the service list attached hereto as Exhibit E and via electronic mail on the service list attached hereto as Exhibit B: • Notice of Adjourned Hearing on Disclosure Statement and Motion to Approve Exclusivity (Docket No.
    [Show full text]
  • Youtube at a Glance
    Viacom International, Inc. v. Youtube, Inc. Doc. 395 10-3270 10-3342 IN THE UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT VIACOM INTERNATIONAL INC., COMEDY PARTNERS, COUNTRY MUSIC TELEVISION, INC., PARAMOUNT PICTURES CORPORATION, BLACK ENTERTAINMENT TELEVISION LLC, Plaintiffs-Appellants, (caption continued on inside cover) ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK SUPPLEMENTAL JOINT APPENDIX VOLUME VIII OF IX (Pages SJA-1788 to SJA-2085) – PUBLIC VERSION Paul M. Smith Theodore B. Olson William M. Hohengarten Matthew D. McGill Scott B. Wilkens GIBSON, DUNN & CRUTCHER LLP Matthew S. Hellman 1050 Connecticut Avenue, NW JENNER & BLOCK LLP Washington, DC 20036 1099 New York Avenue, NW (202) 955-8500 Washington, DC 20001 (202) 639-6000 Attorneys for Plaintiffs-Appellants (10-3270) (Counsel continued on inside cover) Dockets.Justia.com v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees. THE FOOTBALL ASSOCIATION PREMIER LEAGUE LIMITED, on behalf of themselves and all others similarly situated, BOURNE CO., CAL IV ENTERTAINMENT, LLC, CHERRY LANE MUSIC PUBLISHING COMPANY, INC., NATIONAL MUSIC PUBLISHERS’ ASSOCIATION, THE RODGERS & HAMMERSTEIN ORGANIZATION, EDWARD B. MARKS MUSIC COMPANY, FREDDY BIENSTOCK MUSIC COMPANY, dba Bienstock Publishing Company, ALLEY MUSIC CORPORATION, X-RAY DOG MUSIC, INC., FEDERATION FRANCAISE DE TENNIS, THE MUSIC FORCE MEDIA GROUP LLC, SIN-DROME RECORDS, LTD., on behalf of themselves and all others similarly situated, MURBO MUSIC PUBLISHING, INC., STAGE THREE MUSIC (US), INC., THE MUSIC FORCE, LLC, Plaintiffs-Appellants, ROBERT TUR, dba Los Angeles News Service, THE SCOTTISH PREMIER LEAGUE LIMITED, Plaintiffs, v. YOUTUBE, INC., YOUTUBE, LLC, GOOGLE INC., Defendants-Appellees.
    [Show full text]
  • Strong Regularities in Growth and Decline of Popularity of Social Media Services
    Strong Regularities in Growth and Decline of Popularity of Social Media Services Christian Bauckhage Kristian Kersting University of Bonn, TU Dortmund University, Fraunhofer IAIS Fraunhofer IAIS Bonn, Germany Dortmund, Germany ABSTRACT Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz 80 80 We analyze general trends and pattern in time series that 60 60 40 40 characterize the dynamics of collective attention to social 20 20 media services and Web-based businesses. Our study is 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 based on search frequency data available from Google Trends (a) buzznet (b) failblog and considers 175 different services. For each service, we collect data from 45 different countries as well as global av- Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz erages. This way, we obtain more than 8,000 time series 80 80 60 60 which we analyze using diffusion models from the economic 40 40 20 20 sciences. We find that these models accurately characterize 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 the empirical data and our analysis reveals that collective (c) flickr (d) librarything attention to social media grows and subsides in a highly regular and predictable manner. Regularities persist across Google Trends Google Trends 100 shifted Gompertz 100 shifted Gompertz regions, cultures, and topics and thus hint at general mech- 80 80 60 60 anisms that govern the adoption of Web-based services. We 40 40 discuss several cases in detail to highlight interesting find- 20 20 ings.
    [Show full text]
  • CHANNEL GUIDE Starzencore Ondemand and 82/482 HD Net Movieshd DO YOU RENT a SET-TOP BOX OR DVR? Starz App Mobile Viewing
    ADD CHOICE TV PREMIUM CHANNELS It’s easy to add variety to your CFU TV package. Subscribe to premium channel groups to Add one or more of the Choice TV groups below add the latest movies and original TV shows to Basic Plus TV. A set-top box, DVR or EZ HD to your TV package. tuner is required for all services on this page. STARZ & ENCORE CINEMAX FAMILY CHOICE VARIETY CHOICE 186 Starz Cinema 210 Cinemax 100 Disney XDHD HD 131 ES.tv 187 Starz Comedy 211 More Max 101 INSP 132 FYIHD 188 Starz Kids & Family 213 Thriller Max 102 Discovery Family HD 133 Viceland 189 StarzHD 214 Movie Max 103 The Works (20.2) HD 134 Sundance 190 Starz 215 Action Max 104 Nat Geo WildHD 135 Military History 191 Starz Edge 216 5 Star Max 105 Discovery Life 136 Crime & Invest 192 Starz in Black 217 Outer Max 106 Charge TV (28.2) HD 137 RetroPlex 193 StarzEncore 218 CinemaxHD 107 This TV (20.1) 138 IndiePlexHD 194 StarzEncore Black Cinemax subscription 108 IPTV Learns (32.2) 139 Comedy.tvHD 195 StarzEncore Action includes Cinemax On 109 KCRG 2 (9.2) 140 Chiller 196 StarzEncore Westerns Demand and Max Go 110 Boomerang 141 TBD mobile viewing. 197 StarzEncore Classics 111 LAFFHD 143 Ovation 198 StarzEncore Suspense 112 TBD TV (28.3) 144 Life Real Women 199 StarzEncoreHD SHOWTIME 113 Antenna TV (9.3) HD 145 IFC Starz & Encore subscription 219 ShowtimeHD 114 American Heroes HD 146 FX Movies includes On Demand and 2220 Showtime 115 Cars.tvHD (2.2) 147 GetTV Starz app mobile viewing.
    [Show full text]
  • Unclassified DSTI/ICCP/IE(2006)7/FINAL
    Unclassified DSTI/ICCP/IE(2006)7/FINAL Organisation de Coopération et de Développement Economiques Organisation for Economic Co-operation and Development 12-Apr-2007 ___________________________________________________________________________________________ English - Or. English DIRECTORATE FOR SCIENCE, TECHNOLOGY AND INDUSTRY COMMITTEE FOR INFORMATION, COMPUTER AND COMMUNICATIONS POLICY Unclassified DSTI/ICCP/IE(2006)7/FINAL Working Party on the Information Economy PARTICIPATIVE WEB: USER-CREATED CONTENT English - Or. English JT03225396 Document complet disponible sur OLIS dans son format d'origine Complete document available on OLIS in its original format DSTI/ICCP/IE(2006)7/FINAL FOREWORD This report was presented to the Working Party on the Information Economy (WPIE) in December 2006 and declassified by the Committee for Information, Computer and Communications Policy in March 2007. The report was prepared by Sacha Wunsch-Vincent and Graham Vickery of the OECD's Directorate for Science, Technology and Industry as part of the WPIE work on Digital Content (www.oecd.org/sti/digitalcontent). It is published on the responsibility of the Secretary-General of the OECD. © OECD/OCDE 2007 2 DSTI/ICCP/IE(2006)7/FINAL TABLE OF CONTENTS SUMMARY.................................................................................................................................................. 4 PARTICIPATIVE WEB: USER-CREATED CONTENT (UCC) ............................................................... 7 INTRODUCTION .......................................................................................................................................
    [Show full text]