Billy Joel in Concert
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Stevie Wonder Presents Syreeta
Stevie Wonder Syreeta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Syreeta Country: UK Released: 1974 Style: Soul MP3 version RAR size: 1106 mb FLAC version RAR size: 1652 mb WMA version RAR size: 1567 mb Rating: 4.7 Votes: 776 Other Formats: AAC ASF APE AA WAV VOC VOX Tracklist Hide Credits A1 I'm Goin' Left A2 Spinnin' And Spinnin' A3 Your Kiss Is Sweet A4 Come And Get This Stuff A5 Heavy Day Cause We've Ended As Lovers B1 Guitar – Michael Sembello B2 Just A Little Piece Of You B3 Waitin' For The Postman When Your Daddy's Not Around B4 Vocals – Dennis Morrison I Wanna Be By Your Side B5 Vocals – G.C. Cameron B6 Universal Sound Of The World (Your Kiss Is Sweet) Companies, etc. Record Company – EMI Records Ltd. Made By – Garrod & Lofthouse Ltd. Printed By – Garrod & Lofthouse Ltd. Phonographic Copyright (p) – Motown Record Corporation Published By – Jobete London Pressed By – EMI Records Credits Arranged By [Strings] – Paul Riser Backing Vocals – Anita Sherman, Deniece Williams, Lani Groves, Minnie Riperton, Shirley Brewer Drums – Ollie Brown Guitar – Marlo Henderson Producer, Arranged By, Presenter – Stevie Wonder Tenor Saxophone – Dennis Morouse* Trumpet – Steven Madaio* Written-By – Stevie Wonder, Syreeta Wright (tracks: A1 to A3, A5, B2, B5) Barcode and Other Identifiers Matrix / Runout (Runout, A-side, stamped): STML 11268 A-3 GL 1 Matrix / Runout (Runout, B-side, stamped): STML 11268 B-4 DR 1 Other versions Category Artist Title (Format) Label Category Country Year Stevie Stevie Wonder Wonder M6-808S1 Presents -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s Permalink https://escholarship.org/uc/item/6x1960j0 Author Kilman, Sandra Marie Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African American Studies by Sandra Marie Kilman 2017 © Copyright by Sandra Marie Kilman 2017 ABSTRACT OF THE THESIS Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s by Sandra Marie Kilman Master of Arts in African American Studies University of California, Los Angeles, 2017 Professor Robin Davis Gibran Kelley, Chair The problem of racial injustice in the United States continued to plague the nation during the 1970s despite the gains made by the Civil Rights Movement during the preceding decades. Under Republican administrations during the 1970s and 1980s, working Americans encountered new financial challenges as the lion’s share of economic growth benefitted the wealthiest citizens. As socially and politically conscious popular music faded in popularity, Stevie Wonder continued to express his concerns about the obstacles to the promise of freedom and equality that many Americans continued to face. This paper examines four songs, written and performed by Wonder - “Living for the City,” “You Haven’t Done Nothing,” “Happy Birthday,” and “It’s Wrong,” - to track the trajectory of his commentary from local, community-based issues to national, political topics and, finally, to international causes. -
Monterey Jazz Festival Next Generation Orchestra
March / April 2017 Issue 371 now in our 43rd year jazz &blues report MONTEREY JAZZ FESTIVAL NEXT GENERATION ORCHESTRA March • April 2017 • Issue 371 MONTEREY JAZZ FESTIVAL jazz NEXT GENERATION ORCHESTRA &blues report Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially from our early years back to 1974. 47th Annual Next Generation Jazz Festival Presented by Monterey Jazz Festival Hosts Comments...billwahl@ jazz-blues.com Web www.jazz-blues.com America’s Top Student Jazz Musicians, Copyright © 2017 Jazz & Blues Report March 31-April 2 in Monterey CA No portion of this publication may be re- Monterey, Calif., March 1, 2017; The 47th Annual Next Generation Jazz produced without written permission from Festival Presented by Monterey Jazz Festival takes place March 31- April 2, the publisher. All rights Reserved. 2017 in downtown Monterey. The weekend-long event includes big bands, Founded in Buffalo New York in March of combos, vocal ensembles, and individual musicians vying for a spot on the 1974; began our Cleveland edition in April of 1978. -
Nathan Lamar Watts
Nathan Lamar Watts (Approfondimento sul bassista di Stevie Wonder a cura di Claudio De Cesaris) 2016/2017 Pagina 2 di 33 Sommario/Indice Prefazione ..………………………………………………………………………………………………………… Pag. 4 Chi sono ….………………………………………………………………………………………………………….. Pag. 5 Inizio / Biografia ..……………………………………………………………………………………………….. Pag. 6/ 7 Detroit: Il motore musicale della città, ed un piccolo Watts ……………………………….. Pag. 8 Stevie Wonder (breve accenno) ……………………………………….…………………………………. Pag. 9 Una chiamata da Stevie Wonder .……………………………………………………………………….. Pag. 10/11 Direttore musicale della Band di Stevie Wonder ..……………………………………………….. Pag. 11 Influenze ..…………………………………………………………………………………………………………… Pag. 12 L’avvicinamento a James Jamerson ..…………………………………………………………………… Pag. 13 Premi ..………………………………………………………………………………………………………………… Pag. 13 Altre collaborazioni ..…………………………………………………………………………………………… Pag. 14 Equipaggio bassistico ..………………………………………………………………………………………… Pag. 15 Tecnica e sviluppo dello stile ..……………………………………………………………………………… Pag. 16/17 Analisi stilistica ….……………………………………………………………………………………………….. Pag. 18 a 30 Stevie Wonder – I Wish ..………………………………………………………………………….. Pag. 18/19 Stevie Wonder – Sir Duke ..……………………………………………………………………….. Pag. 20/21/22 Stevie Wonder – Master Blaster (Jammin) ..……………………………………………… Pag. 23/24 Stevie Wonder – Do I do ..…………………………………………………………………………. Pag. 25/26 Stevie Wonder – Isn’t She Lovely .…………………………………………………………….. Pag. 27/28 The Jacksons – All Night Dancin' ………………………………………………………..…… Pag. 29/30 Discografia ..…………………………………………………………………………………………………………. -
Stevie Wonder's Musical Politics During the 1970S and 1980S a Thesis
UNIVERSITY OF CALIFORNIA Los Angeles Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in African American Studies by Sandra Marie Kilman 2017 © Copyright by Sandra Marie Kilman 2017 ABSTRACT OF THE THESIS Wonderful Words: Stevie Wonder’s Musical Politics During the 1970s and 1980s by Sandra Marie Kilman Master of Arts in African American Studies University of California, Los Angeles, 2017 Professor Robin Davis Gibran Kelley, Chair The problem of racial injustice in the United States continued to plague the nation during the 1970s despite the gains made by the Civil Rights Movement during the preceding decades. Under Republican administrations during the 1970s and 1980s, working Americans encountered new financial challenges as the lion’s share of economic growth benefitted the wealthiest citizens. As socially and politically conscious popular music faded in popularity, Stevie Wonder continued to express his concerns about the obstacles to the promise of freedom and equality that many Americans continued to face. This paper examines four songs, written and performed by Wonder - “Living for the City,” “You Haven’t Done Nothing,” “Happy Birthday,” and “It’s Wrong,” - to track the trajectory of his commentary from local, community-based issues to national, political topics and, finally, to international causes. ii The thesis of Sandra Marie Kilman is approved. Richard Yarborough Shana Redmond Robin Davis Gibran Kelley, Committee Chair University of California, Los Angeles 2017 iii Acknowledgments This paper is dedicated to my family, whose love has sustained me throughout my life. -
CD 64 Motion Poet Peter Erskine Erskoman (P. Erskine) Not a Word (P
Prairie View A&M University Henry Music Library 5/23/2011 JAZZ CD 64 Motion Poet Peter Erskine Erskoman (P. Erskine) Not a Word (P. Erskine) Hero with a Thousand Faces (V. Mendoza) Dream Clock (J. Zawinul) Exit up Right (P. Erskine) A New Regalia (V. Mendoza) Boulez (V. Mendoza) The Mystery Man (B. Mintzer) In Walked Maya (P. Erskine) CD 65 Real Life Hits Gary Burton Quartet Syndrome (Carla Bley) The Beatles (John Scofield) Fleurette Africaine (Duke Ellington) Ladies in Mercedes (Steve Swallow) Real Life Hits (Carla Bley) I Need You Here (Makoto Ozone) Ivanushka Durachok (German Lukyanov) CD 66 Tachoir Vision (Marlene Tachoir) Jerry Tachoir The Woods The Trace Erica’s Dream Township Square Ville de la Baie Root 5th South Infraction Gibbiance A Child’s Game CD 68 All Pass By (Bill Molenhof) Bill Molenhof PB Island Stretch Motorcycle Boys All Pass By New York Showtune Precision An American Sound Wave Motion CD 69 In Any Language Arthur Lipner & The Any Language Band Some Uptown Hip-Hop (Arthur Lipner) Mr. Bubble (Lipner) In Any Language (Lipner) Reflection (Lipner) Second Wind (Lipner) City Soca (Lipner) Pramantha (Jack DeSalvo) Free Ride (Lipner) CD 70 Ten Degrees North 2 Dave Samuels White Nile (Dave Samuels) Ten Degrees North (Samuels) Real World (Julia Fernandez) Para Pastorius (Alex Acuna) Rendezvous (Samuels) Ivory Coast (Samuels) Walking on the Moon (Sting) Freetown (Samuels) Angel Falls (Samuels) Footpath (Samuels) CD 71 Marian McPartland Plays the Music of Mary Lou Williams Marian McPartland, piano Scratchin’ in the Gravel Lonely Moments What’s Your Story, Morning Glory? Easy Blues Threnody (A Lament) It’s a Grand Night for Swingin’ In the Land of Oo Bla Dee Dirge Blues Koolbonga Walkin’ and Swingin’ Cloudy My Blue Heaven Mary’s Waltz St. -
Sing It All Away Torrent Download ""Sing It All Away"" Torrent Download
sing it all away torrent download ""sing it all away"" torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67dac240bccd05f5 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. ""sing it all away"" torrent download. A complete concert by Stevie Wonder from 31 January 1974. It was recorded at the Rainbow Theatre in London, halfway between the release of the classic albums "Innervisions and "Fulfillingness' First Finale" The sound quality is excellent, perhaps only needing a final mix before release, which had been the intention. The nature of the performance is sprawling, meandering and at times unfocused but never less than fascinating. Stevie and his band relax on stage, away from the tight discipline and time schedule of the recording studio. He is accompanied by guitarist Michael Sembello, the rhythm section of Reggie McBride (bass) and Ollie Brown (drums) and Wonderlove's female backing vocalists. Stevie Wonder - "Funkafied Rainbow" Live in London January, 1974 (from the "Big-Fro Discs" release (BF-001/2), 2005) Rainbow Theatre, London 31 January 1974. -
Minnie Riperton Perfect Angel Mp3, Flac, Wma
Minnie Riperton Perfect Angel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Perfect Angel Country: US Released: 1974 Style: Soul-Jazz, Soul, Funk MP3 version RAR size: 1634 mb FLAC version RAR size: 1778 mb WMA version RAR size: 1284 mb Rating: 4.2 Votes: 341 Other Formats: MP2 MOD ASF MIDI AC3 VQF WAV Tracklist Hide Credits Reasons A1 3:25 Drums – El Toro Negro A2 It's So Nice (To See Old Friends) 4:47 A3 Take A Little Trip 4:11 Seeing You This Way A4 2:51 Cymbal [Cymbals], Bass Drum – El Toro Negro The Edge Of A Dream A5 4:20 Backing Vocals – Denise Williams*, Lani Groves, Shirley Brewer, Yvonne Wright Perfect Angel B1 3:41 Backing Vocals – Denise Williams*, Lani Groves Every Time He Comes Around B2 4:16 Backing Vocals – Denise Williams* Lovin' You B3 3:54 Guitar – Richard Rudolph Our Lives B4 5:56 Harmonica – El Toro Negro Companies, etc. Recorded At – Record Plant, Los Angeles Remixed At – Westlake Audio Mastered At – Kendun Recorders Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Manufactured By – CBS Inc. Manufactured By – Epic Records Pressed By – Columbia Records Pressing Plant, Santa Maria Mastered At – Customatrix Credits Arranged By – Wonderlove Bass – Reggie McBride (tracks: A1 to B2, B4) Congas – Rocki Dzidzornu (tracks: A5, B4) Design – Anne Garner* Drums – Ollie E. Brown* (tracks: A2, A3, B1, B2, B4) Engineer [Assistant] – Gary Olazabal Engineer, Producer [Associate] – Malcolm Cecil, Robert Margouleff Guitar – Marlo Henderson (tracks: A1 to A3, A5 to B2) Lead Guitar – Michael Sembello (tracks: A3, A4, B4) Mastered By – Kent Duncan Photography By [Cover] – Barry Feinstein Piano – El Toro Negro (tracks: A2 to B4) Producer – Scorbu Productions Remix, Engineer [Assistant Remix Engineer] – Baker Bigsby Songwriter – Richard Rudolph (tracks: A1, A2, A4, A5, B2 to B4), Stevie Wonder (tracks: A3, B1) Songwriter, Liner Notes – Minnie Riperton (tracks: A1, A2, A4, A5, B2 to B4) Vocals – Minnie* Notes Columbia, Santa Maria pressing denoted by "S" etches in runouts. -
JOHN NEMETH MEMPHIS S O U L 2 - Blues Music Magazine - DEC 2015 DEC 2015 - Blues Music Magazine - 3 from All of Us, to All of You, Happy Holidays
JOHN NEMETH MEMPHIS S O U L 2 - Blues Music Magazine - DEC 2015 DEC 2015 - Blues Music Magazine - 3 From all of us, to all of you, Happy Holidays... 6 JOHN NEMETH 5 RIFFS & GROOVES Memphis Soul From The Editor-In-Chief by Tom Hyslop by Art Tipaldi 10 ROY ROGERS 24 DELTA JOURNEYS Still Slidin’ Life In Hell by Phil Reser by Roger Stolle 12 KIRK FLETCHER 26 AROUND THE WORLD California’s In-Demand Guitarist Young And Old Blues by Pete Sardon by Bob Margolin 14 DOUG DEMING & 28 REVIEWS DENNIS GRUENLING Over 65 CD, DVD, And Book Reviews Making Music Together Available At BluesMusicStore.com by Mark Thompson 30 SAMPLER EIGHT 16 ANTHONY GOMES 15 Songs To Download Celebrating Blues-Rock by Various Artists by Don Wilcock 57 DAHL’S DIGS 18 SUGAR BLUE 12 Re-issue And Box Sets No Longer Alone by Bill Dahl by Matt MacDonald 58 Music Store 20 MIKE WELCH CDs, Box Sets, DVDs, Books, And More... Monster Mike Grows Up by BluesMusicStore.com by Karen Nugent 62 UPCOMING 22 ALBERT CUMMINGS Festivals, Tours, CD Releases, And Events Workin’ Man Mark Your Calendars by Art Tipaldi 4 COVER PHOTOGRAPHY © Mike Shea PUBLISHER: MojoWax Media Inc. Been re-alphabetizing CDs for the past few months. Where do you file Lil’ Ed PRESIDENT: Jack Sullivan and the Blues Imperials? Is it under Lil’, Ed, or Blues Imperials? Ditto Sonny Boy EDITOR-IN-CHIEF: Art Tipaldi Williamson. Sonny Boy or Williamson? LEGAL: Eric Hatten The best part of this seemingly impossible task has been to play records that made an impact on my blues but with the glut of new music filling my mailbox CONTRIBUTING EDITORS in the 21st century have become as distant to me as my old 33 and 45s. -
01 007-024 GAINES Cl.Indd
The Japanese Journal of American Studies, No. 22 (2011) Stevie Wonder’s Songs in the Key of Life and the “Long Civil Rights Movement” Kevin GAINES* Stevie Wonder’s 1976 album Songs in the Key of Life is an enduring mas- terpiece of popular music that refl ects what U.S. historians have recently called the “long civil rights movement.” That concept, as Jacquelyn Hall and others have argued, challenges the master narrative of a “short” civil rights movement beginning with the 1954 Brown v. Board of Education decision and ending by the mid-1960s with the passage of federal civil and voting rights legislation. More important, for Hall the “long civil rights movement” is a corrective against distortions of the movement’s meaning and legacy that have developed over the last generation. Perhaps the most common of such distortions is the appropriation of Dr. Martin Luther King, Jr.’s dream of a color-blind America by conservative opponents of civil rights.1 King’s little-remembered words of 1967 are just as relevant for our time as they were when he wrote them: “We must rapidly begin the shift from a ‘thing’– oriented society to a ‘person’–oriented society. When machines and comput- ers, profi t motive and property rights are considered more important than people, the giant triplets of racism, materialism and militarism are incapable of being conquered. A civilization can fl ounder as readily in the face of moral and spiritual bankruptcy as it can through fi nancial bankruptcy.”2 Americans often forget that Dr. King was once reviled by a majority of his fellow citizens for his unpopular stand in opposition to the war in Vietnam and his advocacy of economic justice.3 Copyright © 2011 Kevin Gaines. -
Copyrighted Material
Index NOTE: Page numbers in italics refer to photos. Abdul-Jabbar, 266 Anthony, Marc, 305 Abner, Ewart, 173, 175, 195–196, 205, Apollo Theater, 80, 84, 85, 86, 102, 209, 226, 254, 255, 258, 272, 295 121, 247 “Abraham, Martin and John,” 167 Motortown Revue (1962), 87 Accra’s National Theater, 297 Motortown Revue (1963), 100, 101 Adantes, 75 A&R (artists and repertoire), 44 “Ai No, Sono,” 271 Arkoff, Samuel Z., 105, 108 “Ain’t That Asking for Trouble” Armstrong, Louis, 16, 84, 121 (Wonder), 141 Ashford, Jack, 160 “Ain’t That Love” (Charles), 75 “Ask the Lonely,” 170 “Aint That Peculiar,” 100 “As” (Wonder), 264, 268, 300 Ales, Barney, 172 Atkins, Cholly, 125 Aletti, Vince, 191–192, 206, 226, 267, 268 Atlantic Records, 163 “Alfi e” (Wonder as “Eivets Rednow”), At the Close of a Century (Wonder), 300 169–170 Avalon, Frankie, 105 “All Day Sucker,” 263 “All In Love Is Fair” (Wonder), 231, “Baby Don’t Do It,” 56 253, 305 Babyface, 300 Allmusic Internet database, 68 “Baby Love,” 120, 121 America: Tribute to the Heroes Bacharach, Burt, 169 (album), 304 “Bad Girl” (Gordy-Robinson), 36, 44 “American Pie”COPYRIGHTED (McLean), 267 Bagley MATERIALElementary School, 30 “America the Beautiful,” 302 Baird, Tom, 184 Andrews, Stephanie, 309 Baker, Anita, 298 “Angie Girl” (Wonder-Moy-Cosby), “Ballad of the Green Berets,” 140 172, 176 Ballard, Florence, 19, 51, 60, 71, Anka, Paul, 248 123–124, 161, 176 Anna Records, 36, 38 Ballard, Hank, 32 “Another Star” (Wonder), 264, 268 “Bam” (Gordy), 65, 68 Anthology (Wonder), 143 Band, 264 321 bbindex.inddindex.indd 332121