Minnie Riperton Perfect Angel Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Minnie Riperton Perfect Angel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Perfect Angel Country: New Zealand Released: 1979 Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1769 mb FLAC version RAR size: 1993 mb WMA version RAR size: 1712 mb Rating: 4.2 Votes: 125 Other Formats: WAV ASF MPC DTS ADX MP1 MP3 Tracklist A1 Reasons 3:25 A2 It's So Nice (To See Old Friends) 4:47 A3 Take A Little Trip 4:11 A4 Seeing You This Way 2:51 A5 The Edge Of A Dream 4:20 B1 Perfect Angel 3:41 B2 Every Time He Comes Around 4:16 B3 Lovin' You 3:54 B4 Our Lives 5:56 Credits Producer – Scorbu Productions Notes Manufactured in New Zealand by EMI (NZ) Limited Other versions Category Artist Title (Format) Label Category Country Year Minnie Perfect Angel (LP, KE 32561 Epic KE 32561 US 1974 Riperton Album, San) Perfect Angel Capitol Minnie 00602557967852 (2xCD, Album, Records, 00602557967852 Europe 2017 Riperton Dlx, RE, RM) Universal Minnie Perfect Angel (LP, CS-10.201 CBS CS-10.201 Venezuela 1974 Riperton Album) Minnie Perfect Angel (CD, Capitol TOCP 3089 TOCP 3089 Japan 1995 Riperton Album, RE) Records Minnie Perfect Angel (CD, Capitol TOCP-3444 TOCP-3444 Japan 1998 Riperton Album, RE) Records Related Music albums to Perfect Angel by Minnie Riperton 1. Minnie Riperton - Inside My Love 2. Minnie Riperton - Stay In Love 3. Minnie Riperton - Stay In Love / Minnie 4. Minnie Riperton - Adventures In Paradise 5. Minnie Riperton - Lovin' You 6. Minnie Riperton - Minnie 7. Windsor For The Derby - Minnie Greutzfeldt / Metropolitan Then Poland 8. Minnie Riperton - Come To My Garden 9. Minnie Riperton - Capitol Gold: The Best Of Minnie Riperton 10. Katty E Sestetto Martelli - Tu Vieni Da Un Sogno (You Stepped Out Of A Dream) / Minnie Di Trinidad (Minnie From Trinidad).

Copy Link

Recommended publications

Pdf, 297.01 KB
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut.
[Show full text]
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer Is An
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer is an enigma to many. He seems to be a "different artist" to "different people" depending on which musical direction & time period of Klemmer's music they are attached to, are aware of & prefer. John Klemmer began playing guitar at age 5. After interests in graphics and visual art studying at The Art Institute of Chicago & with ambitions of being Dancer, Puppeteer, Painter, Sculptor, Writer, & Poet. He began Alto Sax at age 11, switching to Tenor Sax when entering High School. He spent years of extensive private lessons in Piano, Conducting, Harmony & Theory, Composition, Arranging, Clarinet, Flute, & Classical & Jazz Saxophone that continued through all his years in Chicago. He also attended Interlochen's National Music Camp immersed in the study of Classical Music & "Legitimate Classical" Saxophone etc. He turned down an offer of a four scholarship there to return to "study" in the jazz clubs etc. of Chicago. Immediately upon graduating from High School, noted jazz producer, Esmond Edwards, signed Klemmer to Cadet/Chess Records for five plus albums, his first 2 recordings being "straight ahead jazz", and then, abruptly & surprisingly if not confusing to many, of which would eventually become a trademark of his career, changed musical directions, recording the innovative hit album of the first, slightly preceding the release of Miles Davis "Bitches Brew", of the "jazz/rock fusion" genre, "Blowin Gold", co-produced by ex Rolling Stones Records producer, Marshall Chess, for the new Cadet Concept label on Chess Records. Here John introduced his use with electronics, primarily the "delay effect", which would become his life long "trademark sound", as well as, uses of the "wah wah" pedal & "ring modulator" etc.
[Show full text]
The Daily Egyptian, August 02, 1977
Southern Illinois University Carbondale OpenSIUC August 1977 Daily Egyptian 1977 8-2-1977 The aiD ly Egyptian, August 02, 1977 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_August1977 Volume 58, Issue 193 Recommended Citation , . "The aiD ly Egyptian, August 02, 1977." (Aug 1977). This Article is brought to you for free and open access by the Daily Egyptian 1977 at OpenSIUC. It has been accepted for inclusion in August 1977 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ..... " 101t/\ I At'l -1 lie mao gunman ..... VE'rythlng known '0 neurosurgeon... J,IC,u ..... t:' ~IJ't:l UdO :.dt.U'dU.'J flormatl • who calls himself Son of Sam claImed a :::::~n done in an attempt to save calm nei~hborhnod.. !'iow. poh~'.· said. sIxth life whfon a young woman died of a thev have to worn' that Sam mil, stnk.· massive gunshot wound in the skull. Kept alive oniy by a respirator. her anywhere 1ft the' city of Pight 'mllilOn :\Ionday naght. heart intt'rmittE'ntly faltering. her blood people Stac\' ~IO!;kowitz. a 2O-vt'ar-old pressure E'bbang, the allracllve But police now han' a vlcllm Who saw blonde: was fatallv wounded' at 2: JO Brooklyn girl \'18..'1 dE'scnbed as Iivin~ the gunman. deSCribed as belOlZ white. a.m Sunday while 'she sat In a parked minute to minute beforE' she succumbed about 5 foot 7. about ISO pound... bet· Woman dies: :ar undt'T a bnght stl't'et light with to brain dama(le cau.o;e-d bv the bullet ween 25 and 30 )Iears old and carrYing a nobt>rt \'iolante.
[Show full text]
Stevie Wonder Presents Syreeta
Stevie Wonder Syreeta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Syreeta Country: UK Released: 1974 Style: Soul MP3 version RAR size: 1106 mb FLAC version RAR size: 1652 mb WMA version RAR size: 1567 mb Rating: 4.7 Votes: 776 Other Formats: AAC ASF APE AA WAV VOC VOX Tracklist Hide Credits A1 I'm Goin' Left A2 Spinnin' And Spinnin' A3 Your Kiss Is Sweet A4 Come And Get This Stuff A5 Heavy Day Cause We've Ended As Lovers B1 Guitar – Michael Sembello B2 Just A Little Piece Of You B3 Waitin' For The Postman When Your Daddy's Not Around B4 Vocals – Dennis Morrison I Wanna Be By Your Side B5 Vocals – G.C. Cameron B6 Universal Sound Of The World (Your Kiss Is Sweet) Companies, etc. Record Company – EMI Records Ltd. Made By – Garrod & Lofthouse Ltd. Printed By – Garrod & Lofthouse Ltd. Phonographic Copyright (p) – Motown Record Corporation Published By – Jobete London Pressed By – EMI Records Credits Arranged By [Strings] – Paul Riser Backing Vocals – Anita Sherman, Deniece Williams, Lani Groves, Minnie Riperton, Shirley Brewer Drums – Ollie Brown Guitar – Marlo Henderson Producer, Arranged By, Presenter – Stevie Wonder Tenor Saxophone – Dennis Morouse* Trumpet – Steven Madaio* Written-By – Stevie Wonder, Syreeta Wright (tracks: A1 to A3, A5, B2, B5) Barcode and Other Identifiers Matrix / Runout (Runout, A-side, stamped): STML 11268 A-3 GL 1 Matrix / Runout (Runout, B-side, stamped): STML 11268 B-4 DR 1 Other versions Category Artist Title (Format) Label Category Country Year Stevie Stevie Wonder Wonder M6-808S1 Presents
[Show full text]
Minnie Riperton Come to My Garden Mp3, Flac, Wma
Minnie Riperton Come To My Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Pop Album: Come To My Garden Country: UK Released: 2002 Style: Smooth Jazz, Soul MP3 version RAR size: 1926 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1425 mb Rating: 4.6 Votes: 885 Other Formats: DMF ASF DXD MMF AAC AU MP2 Tracklist Hide Credits Les Fleur A1 3:16 Written-By – C. Stepney*, R. Rudolph* Completeness A2 3:33 Written-By – C. Stepney*, R. Johnson* Come To My Garden A3 3:20 Written-By – R. Rudolph* Memory Band A4 4:05 Written-By – C. Stepney* Rainy Day In Centerville A5 5:24 Written-By – C. Stepney*, R. Rudolph* Close Your Eyes And Remember B1 3:42 Written-By – C. Stepney*, R. Rudolph* Oh, By The Way B2 3:01 Written-By – C. Stepney*, R. Rudolph* Expecting B3 3:55 Written-By – C. Stepney*, J. Stocklin* Only When I'm Dreaming B4 3:29 Written-By – C. Stepney*, S. Barnes* Whenever, Wherever B5 3:32 Written-By – C. Stepney*, R. Johnson* Companies, etc. Recorded At – Ter Mar Studios Produced For – GRT Corporation Credits Backing Vocals – Elsa Harris, Kitty Hayward Design [Album] – Dick Fowler Engineer – Gary Starr, Stu Black Photography By – Harold Johnson Piano, Leader – Ramsey Lewis Producer, Arranged By – Charles Stepney Supervised By – Dick LaPalm Vocals, Backing Vocals – Minnie Riperton Notes Recorded on November 24-26, 1969. Originally released 1971. Reissue with beige/brown labels and a label variation of this version, which has labels with a different layout and fonts used.
[Show full text]
Complete Resume As Printable
Art Phillips Music Design Tel: +61 2 9810-6611 Fax: +61 2 9810-6511 Cell: +61 (0) 407 225 811 Email: [email protected] Internet: www.artphillips.com Art Phillips Music Composer Television Drama Ironman 2012 Port Macquarie, NSW (Australian documentary) / 2012 Ironman 2011 Bussleton, WA (Australian documentary) / 2011 Ironman 2011 Port Macquarie, NSW (Australian documentary) / 2011 Ironman 2010 Bussleton, WA (Australian documentary) / 2010 Missing Persons Unit (series 1 ~ 5) / Nine Network Australia / 2006 ~ 2009 Dead Tired (2 X 1 hour documentary / National Geographic & SBS) / 2009 Catalyst (Science TV series - ABC) / 2008 ~ 2010 Made In China - series / (Seven Network) / 2008 Pirate Islands: The Lost Treasure of Fiji (13-part series & 90 min. telemovie) / 2006 • APRA/AGSC SCREEN MUSIC AWARDS nomination /2007 “Best Music In a Children’s Television Series” The Secret Lives Of Sleepwalkers (documentary – Australian) / 2006 Outback House (8-part series/ABC TV) / 2005 – • ARIA AWARDS nomination / 2005 “Best Original Soundtrack Album” • APRA/AGSC SCREEN MUSIC AWARDS nomination /2005 “Best Music In a Television Series or Serial” The Witness (documentary - USA) / 2000 “Best Documentary Award” Brooklyn Film Festival & Canyonlands Film Festival (USA) Reprisal (telemovie - Australian) / 1997 The Flying Vet (series-Australian) / 1995 - "Best Soundtrack Album" / AGSC awards Rap City (telemovie - USA) / 1995 Guiding Light (series - USA) / 1993 ~ 1994 Neighbours (series - Australian) / 1990 ~ 1993 Santa Barbara (series - USA) / 1984 ~ 1991 • Emmy Awards 1987 & 1988 "Outstanding Music Direction and Composition for a Drama Series". As The World Turns (series - USA) / 1990 ~ 1992 Secrets (series - USA) / 1991 Total Exposure (telemovie - USA) / 1992 The Love Boat – underscore (series - USA) / 1978 Feature Films Signal One - Bullet Down Under / 1993 The Fatal Bond / 1991 Sher Mountain Killing Mystery / 1990 • Australian Film Institute nomination for "Best Original Music in a Feature Film".
[Show full text]
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),
[Show full text]
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13.
[Show full text]
RW-1970-10-31.Pdf
Dedi-rated To Serving The Needs Of The Musi- & Record Industry October 31, 1910 15c In the opinion of the editors, this week the following records are the WHO SLVG11t /'/('KS OF THE 11 "/: /: K VAN IN THE MORRISON WORLD Ringo Starr's C&W warb- Neil Diamond has never "Domino" (V a n Jan/WB, According to Clarence Car- lings will not go unnoticed been hotter. His waxing of ASCAP) is a fantastically ter "It's All in Your Mind" in either the country or "He Ain't Heavy . He's intense hit offering from (Fame, BMI) which, come pop fields as he laments My Brother" (Harrison, incredible Van Morrison. to think of it, is probably "Beaucoups of Blues" ASCAP), t h e Hollies' h i t He just keeps coming up true. "Patches" follow-up (Window, BMI). Same guy should keep him just that with amazing songs time is certainly more than a sang "Act Naturally" and way (Uni 55264). after time (Warner Bros. sure bet (Atantic 2774). "Honey Don't" (Apple 7434). 2969). .S'LF'F:/'ER /'/('K.S' OF THE 1I'FFK Betty Everett's debut for "Ah Feel She Really "Back Home" (Dayglow/ There's nothing strange the label has got what it Doesn't Wanna Do It" (Dou- Popdraw, ASCAP) is Hol- about "Right On" (Doraflo- takes to take off both R & ble Diamond, BMI) claims land for the group called Greyhound, BMI) by the B and pop. She sounds bet- Grover Mitchell. He does it Golden Earring. That's Strange Bros. Show. The ter than ever singing "I with lots of drive and grit where this one has been former Strangeloves (with Got to Tell Somebody" to give this one a head number one for over six a little help from their (Wally Raker, BMI) (Fan- start to success (Vanguard weeks and they could do friends) create a great tasy 652).
[Show full text]
Ramsey Lewis Maiden Voyage Mp3, Flac, Wma
Ramsey Lewis Maiden Voyage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Maiden Voyage Country: Japan Released: 1976 Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1866 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1655 mb Rating: 4.9 Votes: 868 Other Formats: MMF AC3 AA AUD AU AHX ASF Tracklist Hide Credits Maiden Voyage A1 Written-By – Herbert Hancock* Mighty Quinn A2 Written-By – Bob Dylan Sweet Rain A3 Written-By – Mike Gibbs* Lady Madonna A4 Written-By – Lennon & McCartney* Do You Know The Way To San Jose A5 Written-By – Bacharach & David* Ode A6 Written-By – Charles Stepney Les Fleur B1 Written-By – Charles Stepney Since You've Been Gone B2 Written-By – Aretha Franklin, Ted White In The Heat Of The Night B3 Written-By – Quincy Jones Afro-Boogaloo Twist B4 Written-By – Cleveland Eaton Only When I'm Dreaming B5 Written-By – Alex Dino, Charles Stepney Eternal Journey B6 Written-By – Charles Stepney, Ramsey Lewis Companies, etc. Copyright (c) – Cadet Records Manufactured By – Nippon Phonogram Co., Ltd. Credits Arranged By – Charles Stepney, Cleveland J. Eaton II* Bass – Cleveland J. Eaton II* Design [Album] – Jerry Griffith Drums – Maurice White Engineer – Doug Brand Photography By – Ruyell Ho Piano – Ramsey Lewis Producer – Charles Stepney Supervised By – Richard Evans Notes Recorded at Universal Studios, Chicago, April 1968. Yellow (light brown) labels, with silver text. Barcode and Other Identifiers Matrix / Runout (A side): CYM-31 Matrix / Runout (B side): CYM-32 Other versions Category Artist Title (Format)
[Show full text]
The Disco Files Template
THE DISCO F ILES 1973-78 New York’s Underground, Week by Week by Vince Aletti xxx xxx Rolling Stone August 28, 1975 Dancing Madness By Vince Aletti NEW YORK – It’s not easy to pin down the disco craze with figures. As one independent mixer of disco singles explained, “The numbers are growing so fast. Every day I get four or five invitations to grand openings of new clubs.” But even the rough estimates of disco scene observers are revealing: 2000 discos from coast to coast, 200 to 300 in New York alone – the uncrowned capital of dancing madness, where an estimated 200,000 dancers make the weekly club pilgrimage. And when disco people like a record, it can become a hit-regardless of radio play. Take Consumer Rapport’s “Ease On down The Road.” Released on tiny Wing and a Prayer Records, it sold more than 100,000 copies in New York in its first two weeks before it was picked up on the radio. Discos and what has come to be known as disco music have turned out to be, if not the Next Big Thing everyone in the music business was waiting for, then the closest thing to it in years. Discos have opened in old warehouses, steak restaurants, unused hotel ballrooms and singles bars... any place you could stick a ceiling full of flashing, colored lights, a mirrored ball, two turntables, a battery of speakers, a mixer and a DJ. In a recession economy, they’re a bargain both for the club owner – who has few expenses after his initial setup investment and an average $50-a-night salary to the DJ – and the patrons, who can dance nonstop all night for a fraction of the cost of a concert ticket.
[Show full text]
February 2019 February 2019 | Soulvisionmagazine.Com
February 2019 February 2019 | soulvisionmagazine.com EDITORS NOTE BK Fulton “Start where you are, use what you have and do what you can!” We stand on the shoulders of many unsung heroes and sheroes that survived on faith, hope and love so that one day we could manifest the promise of our creation. This month, we’ve asked some of the best in the music business to share their stories and inspirations with our readers. In each case, a humility comes through that is tangible. It’s as if a divine serendipity unfolded in our pages. We pray that this issue of SoulVision Magazine brings you into proximity with the person you were made to be. When we draw on the lessons and courage of others to do what was necessary in their times, we often find blueprints and guidance to push through the trials of our times. Last, while it’s true that we stand on the shoulders of giants, we must remember that we are standing here, not to be seen, but instead to see the way forward for the next generation. Our lives must reflect who we should be; who we are blessed to be; and who we were made to be. Go forward unafraid with SoulVision. 2 February 2019 | soulvisionmagazine.com INTERVIEW Raheem DeVaughn: A Changed Man “Believe in yourself. Take every lesson and turn it into a blessing.” Raheem DeVaughn just wants to be the best man that he can be. The prolific R&B singer recently released his intimate sixth album, Decade of a Love King, a testimony to monogamy.
[Show full text]