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'Judas Priest-On Tour' Violators Attacked
MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor to anyway? ror Picture Show and working over It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Download Al Stewart: Like Timeless Wine: the Track-By-Track Review of the Songs of Al Stewart Or Free Read Online? If Yes You Visit a Website That Really True
Download: Al Stewart: Like Timeless Wine: The Track-By-Track Review Of The Songs Of Al Stewart PDF Free [526.Book] Download Al Stewart: Like Timeless Wine: The Track- By-Track Review Of The Songs Of Al Stewart PDF By Rick Martyn Al Stewart: Like Timeless Wine: The Track-By-Track Review Of The Songs Of Al Stewart you can download free book and read Al Stewart: Like Timeless Wine: The Track-By-Track Review Of The Songs Of Al Stewart for free here. Do you want to search free download Al Stewart: Like Timeless Wine: The Track-By-Track Review Of The Songs Of Al Stewart or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Al Stewart: Like Timeless Wine: The Track-By-Track Review Of The Songs Of Al Stewart | #1241266 in eBooks | 2014-07-07 | 2014-07-07 | File type: PDF | |2 of 2 people found the following review helpful.| One glaring example of the authors poor interpretation is evident in "Nostradamus" where he interprets the ... | By Dwight |This book was not what I expected. I was mistakenly under the impression that the author had contacted Al Stewart and discussed his music at some point and that Stewart had provided insight into his songs. Sadly, this is not the case. One glaring example o Al Stewart is probably the most successful singer/songwriter from the British folk scene of the 1960s, but there has never been a complete and in-depth review of all his songs.. -
Hitler's Doubles
Hitler’s Doubles By Peter Fotis Kapnistos Fully-Illustrated Hitler’s Doubles Hitler’s Doubles: Fully-Illustrated By Peter Fotis Kapnistos [email protected] FOT K KAPNISTOS, ICARIAN SEA, GR, 83300 Copyright © April, 2015 – Cold War II Revision (Trump–Putin Summit) © August, 2018 Athens, Greece ISBN: 1496071468 ISBN-13: 978-1496071460 ii Hitler’s Doubles Hitler’s Doubles By Peter Fotis Kapnistos © 2015 - 2018 This is dedicated to the remote exploration initiatives of the Stargate Project from the 1970s up until now, and to my family and friends who endured hard times to help make this book available. All images and items are copyright by their respective copyright owners and are displayed only for historical, analytical, scholarship, or review purposes. Any use by this report is done so in good faith and with respect to the “Fair Use” doctrine of U.S. Copyright law. The research, opinions, and views expressed herein are the personal viewpoints of the original writers. Portions and brief quotes of this book may be reproduced in connection with reviews and for personal, educational and public non-commercial use, but you must attribute the work to the source. You are not allowed to put self-printed copies of this document up for sale. Copyright © 2015 - 2018 ALL RIGHTS RESERVED iii Hitler’s Doubles The Cold War II Revision : Trump–Putin Summit [2018] is a reworked and updated account of the original 2015 “Hitler’s Doubles” with an improved Index. Ascertaining that Hitler made use of political decoys, the chronological order of this book shows how a Shadow Government of crisis actors and fake outcomes operated through the years following Hitler’s death –– until our time, together with pop culture memes such as “Wunderwaffe” climate change weapons, Brexit Britain, and Trump’s America. -
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer Is An
"JOHN KLEMMER BIOGRAPHY" (& Addendum) John Klemmer is an enigma to many. He seems to be a "different artist" to "different people" depending on which musical direction & time period of Klemmer's music they are attached to, are aware of & prefer. John Klemmer began playing guitar at age 5. After interests in graphics and visual art studying at The Art Institute of Chicago & with ambitions of being Dancer, Puppeteer, Painter, Sculptor, Writer, & Poet. He began Alto Sax at age 11, switching to Tenor Sax when entering High School. He spent years of extensive private lessons in Piano, Conducting, Harmony & Theory, Composition, Arranging, Clarinet, Flute, & Classical & Jazz Saxophone that continued through all his years in Chicago. He also attended Interlochen's National Music Camp immersed in the study of Classical Music & "Legitimate Classical" Saxophone etc. He turned down an offer of a four scholarship there to return to "study" in the jazz clubs etc. of Chicago. Immediately upon graduating from High School, noted jazz producer, Esmond Edwards, signed Klemmer to Cadet/Chess Records for five plus albums, his first 2 recordings being "straight ahead jazz", and then, abruptly & surprisingly if not confusing to many, of which would eventually become a trademark of his career, changed musical directions, recording the innovative hit album of the first, slightly preceding the release of Miles Davis "Bitches Brew", of the "jazz/rock fusion" genre, "Blowin Gold", co-produced by ex Rolling Stones Records producer, Marshall Chess, for the new Cadet Concept label on Chess Records. Here John introduced his use with electronics, primarily the "delay effect", which would become his life long "trademark sound", as well as, uses of the "wah wah" pedal & "ring modulator" etc. -
The Daily Egyptian, August 02, 1977
Southern Illinois University Carbondale OpenSIUC August 1977 Daily Egyptian 1977 8-2-1977 The aiD ly Egyptian, August 02, 1977 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_August1977 Volume 58, Issue 193 Recommended Citation , . "The aiD ly Egyptian, August 02, 1977." (Aug 1977). This Article is brought to you for free and open access by the Daily Egyptian 1977 at OpenSIUC. It has been accepted for inclusion in August 1977 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ..... " 101t/\ I At'l -1 lie mao gunman ..... VE'rythlng known '0 neurosurgeon... J,IC,u ..... t:' ~IJ't:l UdO :.dt.U'dU.'J flormatl • who calls himself Son of Sam claImed a :::::~n done in an attempt to save calm nei~hborhnod.. !'iow. poh~'.· said. sIxth life whfon a young woman died of a thev have to worn' that Sam mil, stnk.· massive gunshot wound in the skull. Kept alive oniy by a respirator. her anywhere 1ft the' city of Pight 'mllilOn :\Ionday naght. heart intt'rmittE'ntly faltering. her blood people Stac\' ~IO!;kowitz. a 2O-vt'ar-old pressure E'bbang, the allracllve But police now han' a vlcllm Who saw blonde: was fatallv wounded' at 2: JO Brooklyn girl \'18..'1 dE'scnbed as Iivin~ the gunman. deSCribed as belOlZ white. a.m Sunday while 'she sat In a parked minute to minute beforE' she succumbed about 5 foot 7. about ISO pound... bet· Woman dies: :ar undt'T a bnght stl't'et light with to brain dama(le cau.o;e-d bv the bullet ween 25 and 30 )Iears old and carrYing a nobt>rt \'iolante. -
Complete Resume As Printable
Art Phillips Music Design Tel: +61 2 9810-6611 Fax: +61 2 9810-6511 Cell: +61 (0) 407 225 811 Email: [email protected] Internet: www.artphillips.com Art Phillips Music Composer Television Drama Ironman 2012 Port Macquarie, NSW (Australian documentary) / 2012 Ironman 2011 Bussleton, WA (Australian documentary) / 2011 Ironman 2011 Port Macquarie, NSW (Australian documentary) / 2011 Ironman 2010 Bussleton, WA (Australian documentary) / 2010 Missing Persons Unit (series 1 ~ 5) / Nine Network Australia / 2006 ~ 2009 Dead Tired (2 X 1 hour documentary / National Geographic & SBS) / 2009 Catalyst (Science TV series - ABC) / 2008 ~ 2010 Made In China - series / (Seven Network) / 2008 Pirate Islands: The Lost Treasure of Fiji (13-part series & 90 min. telemovie) / 2006 • APRA/AGSC SCREEN MUSIC AWARDS nomination /2007 “Best Music In a Children’s Television Series” The Secret Lives Of Sleepwalkers (documentary – Australian) / 2006 Outback House (8-part series/ABC TV) / 2005 – • ARIA AWARDS nomination / 2005 “Best Original Soundtrack Album” • APRA/AGSC SCREEN MUSIC AWARDS nomination /2005 “Best Music In a Television Series or Serial” The Witness (documentary - USA) / 2000 “Best Documentary Award” Brooklyn Film Festival & Canyonlands Film Festival (USA) Reprisal (telemovie - Australian) / 1997 The Flying Vet (series-Australian) / 1995 - "Best Soundtrack Album" / AGSC awards Rap City (telemovie - USA) / 1995 Guiding Light (series - USA) / 1993 ~ 1994 Neighbours (series - Australian) / 1990 ~ 1993 Santa Barbara (series - USA) / 1984 ~ 1991 • Emmy Awards 1987 & 1988 "Outstanding Music Direction and Composition for a Drama Series". As The World Turns (series - USA) / 1990 ~ 1992 Secrets (series - USA) / 1991 Total Exposure (telemovie - USA) / 1992 The Love Boat – underscore (series - USA) / 1978 Feature Films Signal One - Bullet Down Under / 1993 The Fatal Bond / 1991 Sher Mountain Killing Mystery / 1990 • Australian Film Institute nomination for "Best Original Music in a Feature Film". -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13. -
The Managers Talenton Stage
THE MANAGERS TALENTON STAGE Peter Frampton O’Reilly’s Challenge: MADISON SQUARE GARDEN, NYC — At and Frampton played an acoustic duet on last summer’s home for the Democrats, the song “Penny For Your Thoughts.” Dur- Expand Al Stewart’s Image Peter Frampton reconfirmed the notion ing the number “Do You Feel," Frampton that he is the current prince of rock and roll. demonstrated a different ability by taking by Paul Simmons The crowd of teenage rockers loudly over the drums. Another highlight was come off without a hitch. There were times LOS ANGELES If Luke O’Reilly’s demonstrated that for them Frampton Frampton’s fine rock transition of a Motown American visa had not run out in 73, he when they spent days sitting in the New ranks higher than, say, Elton John or Led medley of “Roadrunner”/“Signed, Sealed, York Holiday Inn, just trying to get concert probably wouldn’t be Al Stewart’s manager Zeppelin. It might take a year before he can Delivered.” The band was in top form, today. Back then Stewart was without an dates. More recently, they’ve been able to sell out the Garden for a week, but that task never missing a beat. Itseemstheiryearsof turn American contract. He had a cult following down dates. A year ago November, is clearly within his reach. Three weekend practice have paid off. Included in the con- among the English college crowd. The mo- Stewart played the Tower Theatre in shows sold out with a bare minimum of ad- cert were songs from the first two Frampton ment had arrived, however, to move Philadelphia for a week to soldout vertising. -
The Disco Files Template
THE DISCO F ILES 1973-78 New York’s Underground, Week by Week by Vince Aletti xxx xxx Rolling Stone August 28, 1975 Dancing Madness By Vince Aletti NEW YORK – It’s not easy to pin down the disco craze with figures. As one independent mixer of disco singles explained, “The numbers are growing so fast. Every day I get four or five invitations to grand openings of new clubs.” But even the rough estimates of disco scene observers are revealing: 2000 discos from coast to coast, 200 to 300 in New York alone – the uncrowned capital of dancing madness, where an estimated 200,000 dancers make the weekly club pilgrimage. And when disco people like a record, it can become a hit-regardless of radio play. Take Consumer Rapport’s “Ease On down The Road.” Released on tiny Wing and a Prayer Records, it sold more than 100,000 copies in New York in its first two weeks before it was picked up on the radio. Discos and what has come to be known as disco music have turned out to be, if not the Next Big Thing everyone in the music business was waiting for, then the closest thing to it in years. Discos have opened in old warehouses, steak restaurants, unused hotel ballrooms and singles bars... any place you could stick a ceiling full of flashing, colored lights, a mirrored ball, two turntables, a battery of speakers, a mixer and a DJ. In a recession economy, they’re a bargain both for the club owner – who has few expenses after his initial setup investment and an average $50-a-night salary to the DJ – and the patrons, who can dance nonstop all night for a fraction of the cost of a concert ticket.