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Duke Ellington Kyle Etges Signature Recordings Cottontail
Duke Ellington Kyle Etges Signature Recordings Cottontail. Cottontail stands as a fine example of Ellington’s “Blanton-Webster” years, where the band was at its peak in performance and popularity. The “Blanton-Webster” moniker refers to bassist Jimmy Blanton and tenor saxophonist Ben Webster, who recorded Cottontail on May 4th, 1940 alongside Johnny Hodges, Barney Bigard, Chauncey Haughton, and Harry Carney on saxophone; Cootie Williams, Wallace Jones, and Ray Nance on trumpet; Rex Stewart on cornet; Juan Tizol, Joe Nanton, and Lawrence Brown on trombone; Fred Guy on guitar, Duke on piano, and Sonny Greer on drums. John Hasse, author of The Life and Genius of Duke Ellington, states that Cottontail “opened a window on the future, predicting elements to come in jazz.” Indeed, Jimmy Blanton’s driving quarter-note feel throughout the piece predicts a collective gravitation away from the traditional two feel amongst modern bassists. Webster’s solo on this record is so iconic that audiences would insist on note-for-note renditions of it in live performances. Even now, it stands as a testament to Webster’s mastery of expression, predicting techniques and patterns that John Coltrane would use decades later. Ellington also shows off his Harlem stride credentials in a quick solo before going into an orchestrated sax soli, one of the first of its kind. After a blaring shout chorus, the piece recalls the A section before Harry Carney caps everything off with the droning tonic. Diminuendo & Crescendo in Blue. This piece is remarkable for two reasons: Diminuendo & Crescendo in Blue exemplifies Duke’s classical influence, and his desire to write more grandiose pieces with more extended forms. -
The Arts Page 8, the Retriever, April 28, 1975 / Cummings Laments on a Decade of 'Guess Who'
,.. The Arts Page 8, The Retriever, April 28, 1975 / Cummings laments on a decade of 'Guess Who' BY NEAL McGARITY Burton Cummings is the last original member writing better, more honest songs; of The Guess Who which began in the early whereas before we were writing songs 1960's. The band first came to prominence geared to the market more specifically. in 1965, when their song "Shakin' All Over" RETRIEVER: When the band first hit the Billboard top 20, Unable to follow formed, were there any intended goals? the latter songs' success, the band under· CUMMINGS: Well, I joined this group went some personnel changes, and toured when I was seventeen, and all I wanted throughout Canada widely, tightening them selves in the process_ The group re-appeared was a gold recoFd. Now I have a whole at the top of the charts in 1967 when house full of them. But I like going on the Cummings teamed with guitarist Rand~ Bach road and playing. There's a buzz that you man to write "These Eyes". After the success get from playing a really good gig that you of "These Eyes". Cummings found that every can't buy; and you can't get it from chicks song he touched turned to gold. "American or drugs or alcohol. Woman", "No Sugar Tonight", "No Time", RETRIEVER: Did you get a good buzz "Share the Land" and "Laughing" were just tonight? a few of the hits that followed. CUMMINGS: Oh yeah, definitely. We The band chugged easily "7Ilong on the played to twice as many as this last night, combination of Cummings' driving vocals and and they were just as receptive here Bachman) searing guitar work. -
Burton Cummings Mccallum Theatre Monday – February 24 – 7:00Pm
FOR IMMEDIATE RELEASE January 29, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Burton Cummings McCallum Theatre Monday – February 24 – 7:00pm Palm Desert, CA – Burton Cummings, one of the most successful music artists in Canadian history, will head down south to the McCallum Theatre for a special performance at 7:00pm, Monday, Feb. 24. Cummings is best known as the former lead singer of and songwriter for The Guess Who. He is a member of the Canadian Music Hall of Fame, Canadian Songwriters Hall of Fame, Canadian Music Industry Hall of Fame, Canadian Walk of Fame, Canadian Music Industry Hall of Fame and the Prairie Music Hall of Fame. He’s won multiple Juno Awards, and is a recipient of the Order of Canada, the Order of Manitoba, the Governor- General’s Performance Arts Award, and several BMI (Broadcast Music Industry) awards for more than 1 million airplays of his songs. With Canada’s original rock ’n’ roll superstars The Guess Who, Burton scored an unprecedented string of international hit singles, including “These Eyes,” “Laughing,” “No Time,” “American Woman,” “Share the Land,” “Hang on to Your Life,” “Albert Flasher,” “Sour Suite,” “Glamour Boy,” “Star Baby,” “Clap for the Wolfman” and “Dancin’ Fool”—all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined to that point, and the band’s achievements remain unparalleled. The group notched up a long list of firsts, including being the first Canadian group to reach No. -
Trumpeter Scotty Barnhart Appointed New Director of the Count Basie Orchestra
September 23, 2013 To: Listings/Critics/Features From: Jazz Promo Services Press Contact: Jim Eigo, [email protected] www.jazzpromoservices.com Trumpeter Scotty Barnhart Appointed New Director of The Count Basie Orchestra For Immediate Release The Count Basie Orchestra and All That Music Productions, LLC, is pleased to announce the appointment of Scotty Barnhart as the new Director of The Legendary Count Basie Orchestra. He follows Thad Jones, Frank Foster, Grover Mitchell, Bill Hughes, and Dennis Mackrel in leading one of the greatest and most important jazz orchestras in history. Founded in 1935 by pianist William James Basie (1904-1984), the orchestra still tours the world today and is presently ending a two-week tour in Japan. The orchestra has released hundreds of recordings, won every respected jazz poll in the world at least once, has appeared in movies, television shows and commercials, Presidential Inaugurals, and has won 18 Grammy Awards, the most for any jazz orchestra. Many of its former members are some of the most important soloists, vocalists, composers, and arrangers in jazz history. That list includes Lester Young, Billie Holiday, Harry “Sweets” Edison, Jo Jones, Frank Foster, Frank Wess, Thad Jones, Joe Williams, Sonny Payne, Snooky Young, Al Grey, John Clayton, Dennis Mackrel and others. Mr. Barnhart, born in 1964, is a native of Atlanta, Georgia. He discovered his passion for music at an early age while being raised in Atlanta's historic Ebenezer Baptist Church where he was christened by Dr. Martin Luther King, Jr.He has been a featured trumpet soloist with the Count Basie Orchestra for the last 20 years, and has also performed and recorded with such artists as Wynton Marsalis, Marcus Roberts, Frank Sinatra, Diana Krall, Clark Terry, Freddie Hubbard, The Duke Ellington Orchestra, Nat Adderley, Quincy Jones, Barbara Streisand, Natalie Cole, Joe Williams, and many others. -
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00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut. -
Fundamentos Da Ciências Da Computação.Indd
Ernane Rosa Martins (Organizador) Fundamentos da Ciência da Computação 2 Atena Editora 2019 2019 by Atena Editora Copyright © Atena Editora Copyright do Texto © 2019 Os Autores Copyright da Edição © 2019 Atena Editora Editora Executiva: Profª Drª Antonella Carvalho de Oliveira Diagramação: Lorena Prestes Edição de Arte: Lorena Prestes Revisão: Os Autores O conteúdo dos artigos e seus dados em sua forma, correção e confiabilidade são de responsabilidade exclusiva dos autores. Permitido o download da obra e o compartilhamento desde que sejam atribuídos créditos aos autores, mas sem a possibilidade de alterá-la de nenhuma forma ou utilizá-la para fins comerciais. Conselho Editorial Ciências Humanas e Sociais Aplicadas Prof. Dr. Álvaro Augusto de Borba Barreto – Universidade Federal de Pelotas Prof. Dr. Antonio Carlos Frasson – Universidade Tecnológica Federal do Paraná Prof. Dr. Antonio Isidro-Filho – Universidade de Brasília Prof. Dr. Constantino Ribeiro de Oliveira Junior – Universidade Estadual de Ponta Grossa Profª Drª Cristina Gaio – Universidade de Lisboa Prof. Dr. Deyvison de Lima Oliveira – Universidade Federal de Rondônia Prof. Dr. Gilmei Fleck – Universidade Estadual do Oeste do Paraná Profª Drª Ivone Goulart Lopes – Istituto Internazionele delle Figlie de Maria Ausiliatrice Prof. Dr. Julio Candido de Meirelles Junior – Universidade Federal Fluminense Profª Drª Lina Maria Gonçalves – Universidade Federal do Tocantins Profª Drª Natiéli Piovesan – Instituto Federal do Rio Grande do Norte Profª Drª Paola Andressa Scortegagna – Universidade Estadual de Ponta Grossa Prof. Dr. Urandi João Rodrigues Junior – Universidade Federal do Oeste do Pará Profª Drª Vanessa Bordin Viera – Universidade Federal de Campina Grande Prof. Dr. Willian Douglas Guilherme – Universidade Federal do Tocantins Ciências Agrárias e Multidisciplinar Prof. -
N.K. Jemisin in the City We Became, the Award-Winning Science Fiction Writer Keeps Breaking New Ground P
Featuring 407 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 6 | 15 MARCH 2020 REVIEWS N.K. Jemisin In The City We Became, the award-winning science fiction writer keeps breaking new ground p. 14 Also in the issue: Kevin Nguyen, Victoria James, Jessica Kim, and more from the editor’s desk: Great Escapes Through Reading Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # March is the dreariest month. We know that spring is around the cor- Chief Executive Officer ner, but…it can be a long time coming. If you’re fortunate, you might escape MEG LABORDE KUEHN [email protected] to a Florida beach or some other far-flung destination for rejuvenation. For Editor-in-Chief the rest of us, spring break may come in the form of a book that transports TOM BEER [email protected] us elsewhere, indelibly rendered through prose. Here are five titles, new or Vice President of Marketing coming soon, that the travel agent in me would like to recommend. But be SARAH KALINA [email protected] forewarned: There is frequently trouble in paradise. Managing/Nonfiction Editor ERIC LIEBETRAU Saint X by Alexis Schaitkin (Celadon Books, Feb. 18): The title refers [email protected] to the fictional Caribbean island where the Thomas family is on a vacation Fiction Editor LAURIE MUCHNICK at an evocatively described resort—“the long drive lined with perfectly ver- [email protected] Tom Beer tical palm trees,” “the beach where lounge chairs are arranged in a parab- Children’s Editor VICKY SMITH ola,” the scents of “frangipani and coconut sunscreen and the mild saline of [email protected] equatorial ocean.” Alas, this family vacation does not end well, forever altering the lives of Claire Young Adult Editor LAURA SIMEON Thomas, age 7 at the time, and Clive Richardson, an employee at the resort. -
Minnie Riperton Come to My Garden Mp3, Flac, Wma
Minnie Riperton Come To My Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Pop Album: Come To My Garden Country: UK Released: 2002 Style: Smooth Jazz, Soul MP3 version RAR size: 1926 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1425 mb Rating: 4.6 Votes: 885 Other Formats: DMF ASF DXD MMF AAC AU MP2 Tracklist Hide Credits Les Fleur A1 3:16 Written-By – C. Stepney*, R. Rudolph* Completeness A2 3:33 Written-By – C. Stepney*, R. Johnson* Come To My Garden A3 3:20 Written-By – R. Rudolph* Memory Band A4 4:05 Written-By – C. Stepney* Rainy Day In Centerville A5 5:24 Written-By – C. Stepney*, R. Rudolph* Close Your Eyes And Remember B1 3:42 Written-By – C. Stepney*, R. Rudolph* Oh, By The Way B2 3:01 Written-By – C. Stepney*, R. Rudolph* Expecting B3 3:55 Written-By – C. Stepney*, J. Stocklin* Only When I'm Dreaming B4 3:29 Written-By – C. Stepney*, S. Barnes* Whenever, Wherever B5 3:32 Written-By – C. Stepney*, R. Johnson* Companies, etc. Recorded At – Ter Mar Studios Produced For – GRT Corporation Credits Backing Vocals – Elsa Harris, Kitty Hayward Design [Album] – Dick Fowler Engineer – Gary Starr, Stu Black Photography By – Harold Johnson Piano, Leader – Ramsey Lewis Producer, Arranged By – Charles Stepney Supervised By – Dick LaPalm Vocals, Backing Vocals – Minnie Riperton Notes Recorded on November 24-26, 1969. Originally released 1971. Reissue with beige/brown labels and a label variation of this version, which has labels with a different layout and fonts used. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
From Soul Syndicate to Super Scholar: Portia K. Maultsby
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notesNO. 18 / 2013-2014 From Soul Syndicate to Super Scholar: Portia K. Maultsby aaamc liner notes 18 0214.indd 1 2/24/14 2:58 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and study of African American music and culture. www.indiana.edu/~aaamc Table of Contents From the Desk of the Director .....................2 In the Vault: Recent Donations .................3 Portia Maultsby and Mellonee Burnim. Photo by Chris Meyer, courtesy of Indiana University. Featured Collection: Black Gospel Music in the Today I write my last director’s column Advisory Board, who have donated Netherlands .........................4 for Liner Notes as I prepare to retire materials and promoted the work of after a forty-two-year career at Indiana the archives, assisted in identifying and IU Embarks on 5-Year University. One of my most rewarding acquiring collections, offered ideas for Media Digitization and activities during this long residency has programs and development projects, Preservation Initiative ...........6 been my work as founding director of and provided general counsel. I take this the Archives of African American Music opportunity to publicly thank them for From Soul Syndicate and Culture. From the outset, my goal their unwavering support over the years. to Super Scholar: was to establish an archives with a focus I also acknowledge the archives’ Portia K. Maultsby ................7 on black musical and cultural traditions, superb and dedicated full-time and including popular and religious music, student staff, who offered many creative The AAAMC Welcomes personality radio of the post-World War II ideas for collection development, public Incoming Director era, and the musical legacy of Indiana, that Mellonee Burnim ................15 programs, and marketing activities largely had been excluded (jazz being the over the past twenty-two years. -
Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International Jazz News Jazz Stories Remembering Bert Wilson
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International jazz news jazz stories Remembering bert wilson Volume 39 Number 3 July Aug Sept 2013 romhog records presents random access a retrospective BARRY ROMBERG’S RANDOM ACCESS parts 1 & 2 “FULL CIRCLE” coming soon www.barryromberg.com www.itunes “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself. “Leslie Lewis & Gerard Hagen in New York” featuring their vocal/piano duo is the result those sessions. www.surfcovejazz.com Release date August 10, 2013. Surf Cove Jazz Productions ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. -
Ramsey Lewis Maiden Voyage Mp3, Flac, Wma
Ramsey Lewis Maiden Voyage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Maiden Voyage Country: Japan Released: 1976 Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1866 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1655 mb Rating: 4.9 Votes: 868 Other Formats: MMF AC3 AA AUD AU AHX ASF Tracklist Hide Credits Maiden Voyage A1 Written-By – Herbert Hancock* Mighty Quinn A2 Written-By – Bob Dylan Sweet Rain A3 Written-By – Mike Gibbs* Lady Madonna A4 Written-By – Lennon & McCartney* Do You Know The Way To San Jose A5 Written-By – Bacharach & David* Ode A6 Written-By – Charles Stepney Les Fleur B1 Written-By – Charles Stepney Since You've Been Gone B2 Written-By – Aretha Franklin, Ted White In The Heat Of The Night B3 Written-By – Quincy Jones Afro-Boogaloo Twist B4 Written-By – Cleveland Eaton Only When I'm Dreaming B5 Written-By – Alex Dino, Charles Stepney Eternal Journey B6 Written-By – Charles Stepney, Ramsey Lewis Companies, etc. Copyright (c) – Cadet Records Manufactured By – Nippon Phonogram Co., Ltd. Credits Arranged By – Charles Stepney, Cleveland J. Eaton II* Bass – Cleveland J. Eaton II* Design [Album] – Jerry Griffith Drums – Maurice White Engineer – Doug Brand Photography By – Ruyell Ho Piano – Ramsey Lewis Producer – Charles Stepney Supervised By – Richard Evans Notes Recorded at Universal Studios, Chicago, April 1968. Yellow (light brown) labels, with silver text. Barcode and Other Identifiers Matrix / Runout (A side): CYM-31 Matrix / Runout (B side): CYM-32 Other versions Category Artist Title (Format)