Minnie Riperton Come to My Garden Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Minnie Riperton Come to My Garden Mp3, Flac, Wma Minnie Riperton Come To My Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Pop Album: Come To My Garden Country: UK Released: 2002 Style: Smooth Jazz, Soul MP3 version RAR size: 1926 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1425 mb Rating: 4.6 Votes: 885 Other Formats: DMF ASF DXD MMF AAC AU MP2 Tracklist Hide Credits Les Fleur A1 3:16 Written-By – C. Stepney*, R. Rudolph* Completeness A2 3:33 Written-By – C. Stepney*, R. Johnson* Come To My Garden A3 3:20 Written-By – R. Rudolph* Memory Band A4 4:05 Written-By – C. Stepney* Rainy Day In Centerville A5 5:24 Written-By – C. Stepney*, R. Rudolph* Close Your Eyes And Remember B1 3:42 Written-By – C. Stepney*, R. Rudolph* Oh, By The Way B2 3:01 Written-By – C. Stepney*, R. Rudolph* Expecting B3 3:55 Written-By – C. Stepney*, J. Stocklin* Only When I'm Dreaming B4 3:29 Written-By – C. Stepney*, S. Barnes* Whenever, Wherever B5 3:32 Written-By – C. Stepney*, R. Johnson* Companies, etc. Recorded At – Ter Mar Studios Produced For – GRT Corporation Credits Backing Vocals – Elsa Harris, Kitty Hayward Design [Album] – Dick Fowler Engineer – Gary Starr, Stu Black Photography By – Harold Johnson Piano, Leader – Ramsey Lewis Producer, Arranged By – Charles Stepney Supervised By – Dick LaPalm Vocals, Backing Vocals – Minnie Riperton Notes Recorded on November 24-26, 1969. Originally released 1971. Reissue with beige/brown labels and a label variation of this version, which has labels with a different layout and fonts used. Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Side 1 Runout): JXS 7011 A 1A FLICK Matrix / Runout (Side 2 Runout): JXS-7011-BX MAYFAIR.R.S AW Other versions Category Artist Title (Format) Label Category Country Year Minnie Come To My Garden GRT 30001 GRT GRT 30001 US 1971 Riperton (LP, Album, Pit) Minnie Wistful Memories (Cass, 4N-7205 Accord 4N-7205 US 1982 Riperton Album, RE) Minnie Classic World CWP 1173 Best Of (CD, Album, RE) CWP 1173 US 2005 Riperton Productions Inc. Minnie Come To My Garden JXS 7011 Janus Records JXS 7011 US 1974 Riperton (LP, Album, Promo, RE) Minnie Come To My Garden AIRAC-1244 Air Mail Archive AIRAC-1244 Japan 2006 Riperton (CD, Album, RE, car) Related Music albums to Come To My Garden by Minnie Riperton Gene Barge - Chippie The Hippie From Mississippi / Blowin' In The Wind 101 Strings, Rudolph Friml - 101 Strings Play The Sugar And Spice Of Rudolph Friml Earth, Wind & Fire - The Best Of Earth Wind & Fire Vol. I Earth, Wind & Fire - Open Our Eyes Jose Grande & His Orchestra - Rudolph Valentino Tangos Earth, Wind & Fire - Gratitude Bobby Limb And His Orchestra - Let's Do It Again / Rudolph The Red-Nosed Reindeer Ramsey Lewis - Maiden Voyage Rotary Connection - The Rotary Connection Céline Rudolph & Out Of Print - Paintings.
Recommended publications
  • Finding Aid to the Historymakers ® Video Oral History with Gene Barge
    Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans.
    [Show full text]
  • Pdf, 297.01 KB
    00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut.
    [Show full text]
  • Chicago Was a Key R&B and Blues
    By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au­ versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse­ gruff, exp lore voice of Mar­ verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem­ Dixon and Quincy Jones, singing back­ plate for every singing group that came grounds for Dinah Washington and Bar­ after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas­ Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg­ Dells had attained Hall of Fame merit by ends.
    [Show full text]
  • Biography and Film of His Life
    Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr.
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • RW-1970-10-31.Pdf
    Dedi-rated To Serving The Needs Of The Musi- & Record Industry October 31, 1910 15c In the opinion of the editors, this week the following records are the WHO SLVG11t /'/('KS OF THE 11 "/: /: K VAN IN THE MORRISON WORLD Ringo Starr's C&W warb- Neil Diamond has never "Domino" (V a n Jan/WB, According to Clarence Car- lings will not go unnoticed been hotter. His waxing of ASCAP) is a fantastically ter "It's All in Your Mind" in either the country or "He Ain't Heavy . He's intense hit offering from (Fame, BMI) which, come pop fields as he laments My Brother" (Harrison, incredible Van Morrison. to think of it, is probably "Beaucoups of Blues" ASCAP), t h e Hollies' h i t He just keeps coming up true. "Patches" follow-up (Window, BMI). Same guy should keep him just that with amazing songs time is certainly more than a sang "Act Naturally" and way (Uni 55264). after time (Warner Bros. sure bet (Atantic 2774). "Honey Don't" (Apple 7434). 2969). .S'LF'F:/'ER /'/('K.S' OF THE 1I'FFK Betty Everett's debut for "Ah Feel She Really "Back Home" (Dayglow/ There's nothing strange the label has got what it Doesn't Wanna Do It" (Dou- Popdraw, ASCAP) is Hol- about "Right On" (Doraflo- takes to take off both R & ble Diamond, BMI) claims land for the group called Greyhound, BMI) by the B and pop. She sounds bet- Grover Mitchell. He does it Golden Earring. That's Strange Bros. Show. The ter than ever singing "I with lots of drive and grit where this one has been former Strangeloves (with Got to Tell Somebody" to give this one a head number one for over six a little help from their (Wally Raker, BMI) (Fan- start to success (Vanguard weeks and they could do friends) create a great tasy 652).
    [Show full text]
  • Ramsey Lewis Maiden Voyage Mp3, Flac, Wma
    Ramsey Lewis Maiden Voyage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Maiden Voyage Country: Japan Released: 1976 Style: Soul-Jazz, Jazz-Funk MP3 version RAR size: 1866 mb FLAC version RAR size: 1680 mb WMA version RAR size: 1655 mb Rating: 4.9 Votes: 868 Other Formats: MMF AC3 AA AUD AU AHX ASF Tracklist Hide Credits Maiden Voyage A1 Written-By – Herbert Hancock* Mighty Quinn A2 Written-By – Bob Dylan Sweet Rain A3 Written-By – Mike Gibbs* Lady Madonna A4 Written-By – Lennon & McCartney* Do You Know The Way To San Jose A5 Written-By – Bacharach & David* Ode A6 Written-By – Charles Stepney Les Fleur B1 Written-By – Charles Stepney Since You've Been Gone B2 Written-By – Aretha Franklin, Ted White In The Heat Of The Night B3 Written-By – Quincy Jones Afro-Boogaloo Twist B4 Written-By – Cleveland Eaton Only When I'm Dreaming B5 Written-By – Alex Dino, Charles Stepney Eternal Journey B6 Written-By – Charles Stepney, Ramsey Lewis Companies, etc. Copyright (c) – Cadet Records Manufactured By – Nippon Phonogram Co., Ltd. Credits Arranged By – Charles Stepney, Cleveland J. Eaton II* Bass – Cleveland J. Eaton II* Design [Album] – Jerry Griffith Drums – Maurice White Engineer – Doug Brand Photography By – Ruyell Ho Piano – Ramsey Lewis Producer – Charles Stepney Supervised By – Richard Evans Notes Recorded at Universal Studios, Chicago, April 1968. Yellow (light brown) labels, with silver text. Barcode and Other Identifiers Matrix / Runout (A side): CYM-31 Matrix / Runout (B side): CYM-32 Other versions Category Artist Title (Format)
    [Show full text]
  • Ramsey Lewis Salongo Mp3, Flac, Wma
    Ramsey Lewis Salongo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Salongo Country: Japan Released: 1994 Style: Soul-Jazz, Jazz-Funk, Rhythm & Blues MP3 version RAR size: 1150 mb FLAC version RAR size: 1490 mb WMA version RAR size: 1901 mb Rating: 4.7 Votes: 127 Other Formats: AU MPC VOX MMF FLAC AHX MIDI Tracklist 1 Slick 6:03 2 Aufu Oodu 4:52 3 Rubato 0:41 4 Salongo 4:31 5 Brazilica 7:16 6 Nicole 3:48 7 Seventh Fold 7:14 Companies, etc. Manufactured By – Sony Music Entertainment (Japan) Inc. Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Produced For – Kalimba Productions Remixed At – Kendun Recorders Recorded At – Wally Heider Recording Studio, Los Angeles Credits Acoustic Guitar, Electric Guitar – Byron Gregory Arranged By – Charles Stepney, Jerry Peters, Maurice White Bass – Ron Harris Clavinet – Jimmy Bryant Drums, Vocals – Steve Cobb Engineer – George Massenburg Engineer [Remix Engineering] – Gary Starr, George Massenburg, Paul Serrano Percussion, Vocals, Flute – Derf Reklaw Raheem* Piano [Acoustic], Electric Piano – Ramsey Lewis Producer – Charles Stepney, Maurice White Vocals – Tang Notes ℗ © 1976 Sony Music Entertainment Inc. Manufactured by Sony Music Entertainment (Japan) Inc. Produced for Kalima Productions Recorded at Wally Heider Recording, LA - The Burbank Studios Remixed at Kendun Recorders, Hollywood Sound Recorders SALONGO - An expression from Zaire - "We come together to create something beautiful out of love" Barcode and Other Identifiers
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Ramsey Lewis
    Finding Aid to The HistoryMakers ® Video Oral History with Ramsey Lewis Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Lewis, Ramsey Title: The HistoryMakers® Video Oral History Interview with Ramsey Lewis, Dates: December 12, 2001, December 20, 2004 and June 29, 2004 Bulk Dates: 2001 and 2004 Physical 10 Betacame SP videocasettes (4:37:28). Description: Abstract: Jazz pianist Ramsey Lewis (1935 - ) formed the Ramsey Lewis Trio in 1956. The Trio, composed of Eldee Young and Red Holt, played in famous New York jazz clubs and toured as full-time jazz musicians. Lewis has a daily radio show, 'The Ramsey Lewis Morning Show' in Chicago and a weekly syndicated jazz show. He was named artistic director of the Ravinia Jazz Festival in 1992. Lewis was interviewed by The HistoryMakers® on December 12, 2001, December 20, 2004 and June 29, 2004, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2001_040 Language: The interview and records are in English. Biographical Note by The HistoryMakers® World-famous jazz musician and composer Ramsey Emmanuel Lewis, Jr. was first given piano lessons at age four. He was born in Chicago on May 27, 1935, to hard-working, self-educated Southern farm workers who met in church. Lewis attended Chicago Music College Preparatory School from 1947 to 1954. He Lewis attended Chicago Music College Preparatory School from 1947 to 1954. He credits his music teacher, Dorothy Mendelsohn, with teaching him how to listen with his inner ear.
    [Show full text]
  • Marlena Shaw the Spice of Life Mp3, Flac, Wma
    Marlena Shaw The Spice Of Life mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Spice Of Life Country: US Released: 1969 Style: Soul, Funk MP3 version RAR size: 1119 mb FLAC version RAR size: 1190 mb WMA version RAR size: 1736 mb Rating: 4.3 Votes: 643 Other Formats: XM AU MIDI DTS MPC WMA MP1 Tracklist Hide Credits Woman Of The Ghetto A1 6:02 Written-By – Miller*, Shaw*, Evans* Call It Stormy Monday A2 3:01 Written-By – Walker* Where Can I Go A3 2:21 Written-By – Fuld*, Berland*, Miller* I'm Satisfied A4 2:48 Written-By – Dollison* I Wish I Knew (How It Would Feel To Be Free) A5 3:12 Written-By – Taylor*, Dallas* Liberation Conversation B1 2:03 Written-By – Miller*, Shaw* California Soul B2 2:59 Written-By – Ashford & Simpson Go Away Little Boy B3 2:45 Written-By – Goffin & King* Looking Thru The Eyes Of Love B4 3:00 Written-By – Mann & Weil* Anyone Can Move A Mountain B5 3:03 Written-By – Marks* Companies, etc. Record Company – Cadet Records Manufactured By – Chess Producing Corp. Recorded At – Ter Mar Studios Published By – Chevis Music Published By – Gregmark Music Published By – Shapiro Bernstein Published By – Arc Music Published By – Duane Music Published By – Jobete Music Published By – Screen Gems-Columbia Published By – Screen Gems Published By – St. Nicholas Music Credits Arranged By, Producer – Charles Stepney, Richard Evans Design – Jerry Griffith Engineer – Dave Purple, Stu Black Liner Notes – Loonis McGlohon Photography By – Bob Crawford Supervised By – Bobby Miller Barcode and Other Identifiers Matrix
    [Show full text]
  • Ramsey Lewis Hot Dawgit Mp3, Flac, Wma
    Ramsey Lewis Hot Dawgit mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Hot Dawgit Country: US Released: 1974 Style: Jazz-Funk MP3 version RAR size: 1127 mb FLAC version RAR size: 1695 mb WMA version RAR size: 1806 mb Rating: 4.1 Votes: 901 Other Formats: AA MP4 AIFF AC3 AU MP1 DTS Tracklist Hide Credits Hot Dawgit –Ramsey Lewis And Earth, A Producer – Maurice WhiteWritten-By – Charles Stepney, 3:01 Wind & Fire Maurice White Tambura B –Ramsey Lewis 2:50 Producer – Teo MaceroWritten-By – Ramsey Lewis Other versions Category Artist Title (Format) Label Category Country Year Ramsey Lewis Ramsey Lewis And Earth, S 2863 And Earth, Wind Wind & Fire - Hot Dawgit / CBS S 2863 Germany 1974 & Fire Tambura (7", Single) Ramsey Lewis Ramsey Lewis And Earth, S 2863 And Earth, Wind Wind & Fire - Hot Dawgit / CBS S 2863 Germany 1974 & Fire Tambura (7", Single, Promo) Ramsey Lewis Ramsey Lewis And Earth, S CBS 3033 And Earth, Wind Wind & Fire - Hot Dawgit (7", CBS S CBS 3033 UK 1975 & Fire Single) Ramsey Lewis Ramsey Lewis And Earth, 3-10056 And Earth, Wind Wind & Fire - Hot Dawgit / Columbia 3-10056 US 1974 & Fire Tambura (7", Single, Promo) Ramsey Lewis Ramsey Lewis And Earth, CBS 3033 And Earth, Wind Wind & Fire - Hot Dawgit (7", CBS CBS 3033 Spain 1975 & Fire Single) Related Music albums to Hot Dawgit by Ramsey Lewis Earth, Wind And Fire - Earth, Wind And Fire Earth, Wind & Fire - Collector's Edition Ramsey Lewis - Legends Of Jazz Showcase With Ramsey Lewis Ramsey Lewis - Spring High Earth, Wind & Fire - Earth, Wind & Fire Ramsey Lewis And Earth, Wind & Fire - Sun Goddess / Jungle Strut Earth, Wind & Fire - The Essential Earth, Wind & Fire Earth, Wind & Fire - Powerlight Earth, Wind & Fire - The Best Of Earth, Wind & Fire Vol.
    [Show full text]
  • Earth Wind and Fire Getaway
    Earth wind and fire getaway Continue So you say you've tried But you just can't find the fun People around you givin' you pressure Try to resist all the hurt that everyone around you, if you try it, it will haunt you So come, take my hand, We leave this restless ground I know we can, I know we can, I know we can, I know we can get away to look at the signs that lead in the right direction is not to insert a bad reflection In them they will show you the way In what you were looking to ignore them you are only cheating So come, take my hand, We will leave this restless earth, I know that we can rest Getaway Lay woke up every night until the sun rises in the morning Nothing exciting, it all seems boring Make your mind which way to go about it on your way, you just have no doubt about it. So come, take my hand, we'll leave this troubled land, I know what we can, I know we can, I know we can run away, zindin zidan, quincy Promes , take me by the hand, We'll leave this troubled land I know we can, I know what we can, I know we can, I know we can, I know we can, I know we can keep out the signs. that you were looking to ignore them, you only cheat So come, take my hand , We leave this troubled land I know that we can run Go Wake Up every night Until the sun appears in the morning Nothing interesting, it all seems boring Think of what way it is needed.
    [Show full text]