Earth, Wind & Fire Gratitude Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Earth, Wind & Fire Gratitude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gratitude Country: Brazil Style: Soul, Funk, Disco MP3 version RAR size: 1596 mb FLAC version RAR size: 1718 mb WMA version RAR size: 1396 mb Rating: 4.3 Votes: 109 Other Formats: DMF AC3 MP4 WAV TTA ADX AIFF Tracklist Introduction (0:22) Medley (5:58) A1a Africano A1b Power A2 Yearnin' Learnin' 4:18 A3 Devotion 4:54 B1 Sun Goddess 7:57 B2 Reasons 8:27 B3 Sing A Message To You 1:21 C1 Shining Star 4:59 C2 New World Symphony 9:47 C3 Sunshine 4:18 D1 Singasong 3:25 D2 Gratitude 3:29 D3 Celebrate 3:09 D4 Can't Hide Love 4:12 Companies, etc. Copyright (c) – CBS Inc. Recorded At – Wally Heider Recording Studio, Los Angeles Recorded At – Hollywood Sound Recorders Recorded By – Haji Sound Recorded By – Wally Heider Recording Phonographic Copyright (p) – CBS Inc. Manufactured By – Columbia Records Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Mastered At – Customatrix Credits Arranged By [Live Show; Studio Tracks] – Earth, Wind & Fire Drums, Percussion – Fred White, Ralph Johnson Engineer – George Massenburg Guitar – Johnny Graham Guitar, Percussion – Al McKay Piano, Organ, Synthesizer [Moog] – Larry Dunn Producer [Live Show] – Joe Wissert Producer [Studio Tracks], Arranged By [Studio Tracks] – Charles Stepney Recorded By – Haji Sound, Wally Heider Recording Saxophone – Don Myrick Saxophone, Percussion – Andrew Woolfolk Trombone – Louis Satterfield Trumpet – Michael Harris Vocals, Bass, Percussion – Verdine White Vocals, Congas, Percussion – Philip Bailey Vocals, Kalimba, Drums, Timbales, Producer [Live Show; Studio Tracks], Liner Notes [Sleeve] – Maurice White Written-By – Al McKay (tracks: C3, D1), Charles Stepney (tracks: A2, B2, D3), Jon Lind (tracks: B1), Larry Dunn (tracks: A1 ["Africano"], C1, C3), Maurice White (tracks: A1 to D3), Philip Bailey (tracks: A2, A3, B2, C1, C3, D3), Skip Scarborough (tracks: D4), Verdine White (tracks: C2, D2) Notes CBS Double Play Other versions Category Artist Title (Format) Label Category Country Year Earth, Columbia, PG 33694, C Gratitude (2xLP, PG 33694, C Wind & Columbia, US 1975 33695, C 33696 Album, Gat) 33695, C 33696 Fire Columbia Earth, CBS 88160, Gratitude (2xLP, CBS 88160, Wind & CBS, CBS Europe Unknown 88160 Album, RE, Gat) 88160 Fire Earth, Gratitude (2xLP, FRM-33694 Wind & Friday Music FRM-33694 US 2015 Album, Ltd, Blu) Fire Earth, Gratitude (2xLP, CBS 88160 Wind & CBS CBS 88160 Greece 1975 Album) Fire Earth, CBS 22129, Gratitude (2xLP, CBS 22129, Wind & CBS, CBS UK Unknown 22129 Album, RE, Gat) 22129 Fire Related Music albums to Gratitude by Earth, Wind & Fire Earth, Wind & Fire - Reasons / Gratitude The Crusaders - The 2nd Crusade Bill Withers - Just As I Am Earth, Wind & Fire - Sing A Song / Love's Holiday The Eric Burdon Band - Sun Secrets The J.B.'s - Hustle With Speed Earth, Wind & Fire - The Best Of Earth Wind & Fire Vol. I Earth, Wind & Fire - That's The Way Of The World.

Copy Link

Recommended publications

Finding Aid to the Historymakers ® Video Oral History with Gene Barge
Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans.
[Show full text]
Eastern Progress 1980-1981 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1980-1981 Eastern Progress 4-30-1981 Eastern Progress - 30 Apr 1981 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1980-81 Recommended Citation Eastern Kentucky University, "Eastern Progress - 30 Apr 1981" (1981). Eastern Progress 1980-1981. Paper 31. http://encompass.eku.edu/progress_1980-81/31 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1980-1981 by an authorized administrator of Encompass. For more information, please contact [email protected]. Survey determines Regent no personnel run-off today exposed to toxics By BETTY MAI.KIN By ROBIN PATEK irritation, burning of the nose and News Editor Mttr throat, chest pains, loss of coordination, Because none of the seven candidates A toxic gas survey conducted last a decreased ability to concentrate and received a majority of the total vote In semester from Nov. 21 through Dec 9 in drowsiness. Tuesday's Student Regent election, a the Hewlett Building concluded that Rex Baker, of the Division of In- special run-off election is being held "there are no personnel presently being structional Media, which handles the today between Tim C'rawley and exposed to toxic levels of nitrogen repair work for the projectors, Clayburn Trowel I, the two Regent dioxide, chlorine, ozone and carbon suggested that the nature of the candidates who received the most monoxide tested in the Row Id i problem with the malfunctioning pro- votes. Building." jectors in Hewlett could be one "in A Student Regent must receive 51 The survey, conducted Jointly by Dr.
[Show full text]
Con Funk Shun Loveshine Mp3, Flac, Wma
Con Funk Shun Loveshine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Loveshine Country: UK Released: 1978 Style: Funk, Disco MP3 version RAR size: 1418 mb FLAC version RAR size: 1776 mb WMA version RAR size: 1112 mb Rating: 4.2 Votes: 962 Other Formats: WAV MIDI MP4 MP1 MPC AU MP3 Tracklist Hide Credits So Easy A1 Arranged By [Horn] – Con Funk ShunWritten-By – Ffun Int'l.Written-By, Arranged By 4:30 [Rhythm, Horn] – M. Cooper* Magic Woman A2 Arranged By [Rhythm] – S. Scarborough*Written By – D. CooperWritten-By – Ffun 4:14 Int'l.Written-By, Arranged By [Rhythm] – M. Cooper* Shake And Dance With Me A3 3:49 Written-By – Ffun Int'l.Written-By, Arranged By [Rhythm, Horn] – M. Cooper* Make It Last A4 5:02 Backing Vocals – Tammie Gibson*Written-By, Arranged By [Rhythm] – F. Pilate* Loveshine A5 4:45 Arranged By [Horn] – S. Scarborough*Written-By, Arranged By [Rhythm, Horn] – F. Pilate* When The Feeling's Right B1 Arranged By [Rhythm] – Con Funk ShunBacking Vocals – Tammie Gibson*Written-By – 5:35 Ffun Int'l.Written-By, Arranged By [Rhythm, Horn] – M. Cooper* I Think I Found The Answer Arranged By [Rhythm] – Con Funk Shun, S. Scarborough*Electric Piano [Fender Rhodes] – B2 4:30 Skip ScarboroughWritten-By – L. L. McCall*Written-By, Arranged By [Rhythm] – D. Thomas*, L. McCall* Wanna Be There B3 Arranged By [Rhythm, Horn] – S. Scarborough*Arranged By [Rhythm] – Con Funk 4:21 ShunWritten-By, Arranged By [Rhythm, Horn] – F. Pilate* Can't Go Away B4 Arranged By [Rhythm] – F.
[Show full text]
03-26-13 (The Liberty Champion, Volume 30 Issue 18)
Scholars Crossing 2012 – 2013 Liberty University School Newspaper 3-26-2013 03-26-13 (The Liberty Champion, volume 30 issue 18) Champion Liberty University Follow this and additional works at: https://digitalcommons.liberty.edu/paper_12_13 Recommended Citation Champion, "03-26-13 (The Liberty Champion, volume 30 issue 18)" (2013). 2012 – 2013. 5. https://digitalcommons.liberty.edu/paper_12_13/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2012 – 2013 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. j Today: Sunfly 50/31 Tomorrow: Sunny 48/31 - , ol..... :- ' Tuesday, March 26, 2013 libertychampibn.com Volume 30 • Issue 78 . I spring? . ' Proposed budget ' ' Laure~ Creelonor~ lcre,[email protected] . Lynchburg City Manager Kimball Payne announced the City of Lynch bµrg's proposed budget for 2014 on March 12. The budget includes funding for many different areas in the city, ac rcording to Payne's proposal. I "We've had a number of difficult bud gets over the last four years, especially January of 2009," Payne said. "We've made a number of adjustments, such as cutting spending and erasing tax increas es in the new budget and including a pay raise." According to Payne, th~ proposed bud get includes money for the general, capi tal, airport, water, sewer and storm water funds, among others. Without the begin I ning funds and transfers between them, the total amounts to $318.1 million. The 2014 budget is different than pre l.
[Show full text]
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience.
[Show full text]
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T.
[Show full text]
Score Preview
2 For the Missouri State University Multicultural Ensemble LOVELY DAY for S.A.T.B. divisi voices and piano with optional electric bass, drumset, and SoundTrax* Performance time: approx. 4:00 Arranged by Words and Music by ROBERT T. GIBSON BILL WITHERS and SKIP SCARBOROUGH Funk groove (q = ca. 100) EŒ„Š7 C©‹9 # # # # 4 ≈ ≈ Œ ≈ j≈ Œ & 4 j œ œ œ œ PIANO œ œ œ œ œ œ œ œ mp . y j ?# # 4 œ j # # 4 œ œ≈œ ≈ œ ‰ œ œ œ ≈ œ ≈ œ. ‰ œ œ œ œ œ œ. 3 AŒ„Š9 A‹7 CŒ„Š7 B‹7 # # # {# ≈ j ≈ Œ ≈ ≈ . & j . œœ œœ œœ œœ nœ œ œ œ œ œ œ œ œ œ œ. n œ œ œ œ œ œ œ # ?## # ≈ j ≈ ‰. r ≈ j ≈ œn œ . œ œ œ œ. œ œ œ œ œ œ 5 TENOR & BASS mp {°?# # œ œ œ œ œ œ œ œ œ œ # Œ‰ œ ŒÓ # ¢ When I wake up in the morn - ing, love PREVIEW PREVIEW PREVIEW PREVIEW PREVIEWEŒ„Š7 PREVIEW PREVIEWC©‹9 # # # # ≈ ≈ Œ ≈ j≈ Œ & j #œ œ œ œ œ œ œ œ . PREVIEW PREVIEW PREVIEW PREVIEW# PREVIEWj PREVIEW PREVIEWj ?## # œ œ≈œ ≈ œ ‰ œ œ œ œ ≈ œ ≈ œ ‰ œ œ œ œ œ . œ . * SoundTrax CD available (48842). Visit alfred.com/choralparts to download parts for electric bass and drumset. NOTE:Preview Improvisation by the singers and pianist is stylistically appropriate andOnl encouraged, at the director’s discretion. PREVIEW PREVIEW PREVIEW{ PREVIEW PREVIEW PREVIEW PREVIEW Legal© 1977 (Renewed) Use RELANA RequiresDENETTE FLORES PUB DESIGNEE, Purchase CANDACE ELIZABETH SCARBOROUGH PUB DESIGNEE, PLAID FLOWERS MUSIC, SWEET COOKIE MUSIC, and GOLDEN WITHERS MUSIC All Rights for RELANA DENETTE FLORES PUB DESIGNEE, CANDACE ELIZABETH SCARBOROUGH PUB DESIGNEE, PREVIEW PREVIEW PREVIEW PREVIEWPLAID FLOWERS MUSIC, PREVIEW and SWEET COOKIE MUSIC PREVIEW PREVIEW Administered by WARNER-TAMERLANE PUBLISHING CORP.
[Show full text]
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends.
[Show full text]
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in.
[Show full text]
Biography and Film of His Life
Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr.
[Show full text]
Two School Candidates QEC Endorsement
Grosse Pointe ews Vol. 44 - No. 22 Grosse POinte, Michigan, Thursday, June 2, 1983 30 cents 40 Pages Two school candidates • Wln QEC endorsement By Joanne Gouleche about educatIn~ the commumty on Each candIdate was allowed A group of local parents keepmg the school clOSIng plan We realize three-mInute openIng remarks B'Stilia Blues a close eye on the June 13 school we have a lot of work cut out for and a two-mlllute closing speech board electIOn threw Its support to us, but we're WIlling to go the dIS- WhIle several residents posed Good news for all you Grosse tance," Mrs Nutter said POInte Blues Band fans Shak- two contenders followmg a League questIOns on Supt Brummel's ey, ChiP, Flip, SkIP, DIp and of Women Voters candidate forum Also seekmg two four-year spots school consolidation plan, o~iJt:r the rest of the preppy players last week at the War MemOrIal. on the Board of Education are In- concerns Included education 10 the 21st century» the rcc~;:t ::.~ti:::~::! will i.Je puttIng It to the estab- Thomas Peters and Frank Stel- cumbent Dorothy Kennel, VIncent lIshment at B'StIlla's grand LoCicero, DaVId Russell, Anthony study of education, hIgh school lingwerf receIved endorsements curriculum and the current teach- opemng Friday evemng, June from the QualIty EducatIOn Coal- Skomski and Sharon Vasher 17 er negotiations Ition, (QEC) formed last month by Those candIdates, along WIth Actually, the restaurant isn't parents to urge Supt Kenneth Stelhngwerf and Peters, answered really opemng It's more of a Brummel to halt his plan to con-
[Show full text]
Code Title Artists Composer 8664 (Just Like) Starting Over John Lennon John Lennon (Shake, Shake, Shake) Shake Your K.C
CODE TITLE ARTISTS COMPOSER 8664 (JUST LIKE) STARTING OVER JOHN LENNON JOHN LENNON (SHAKE, SHAKE, SHAKE) SHAKE YOUR K.C. & THE SUNSHINE 8699 CASEY / FINCH BOOTY BAND 8094 10,000 PROMISES BACKSTREET BOYS SANDBERG 8001 100 YEARS FIVE FOR FIGHTING ONDRASIK, JOHN 8563 1-2-3 GLORIA ESTEFAN G. ESTEFAN/ E. GARCIA 8572 19-2000 GORILLAZ ALBARN/HEWLETT 8642 2 BECOME 1 JEWEL KILCHER/MENDEZ 9058 20 YEARS OF SNOW REGINA SPEKTOR SPEKTOR MICHAEL LEARNS TO 8865 25 MINUTES JASCHA RICHTER ROCK WATKINS/GAZE/RICHARDSO 8767 4 AM FOREVER LOSTPROPHETS N/OLIVER/LEWIS JAMES HARRIS/TERRY 8208 4 SEASONS OF LONELINESS BOYZ II MEN LEWIS 9154 5, 6, 7, 8 STEPS LIPTON AND CROSBY 9370 5:15 THE WHO PETE TOWNSHEND 9005 500 MILES PETER, PAUL & MARY HEDY WEST 8140 52ND STREET BILLY JOEL BILLY JOEL JOEM FAHRENKROG- 8927 99 RED BALLOONS NENA PETERSON/CARLOS KARGES 8674 A CERTAIN SMILE JOHNNY MATHIS WEBSTER/FAIN 8554 A FIRE I CAN'T PUT OUT GEORGE STRAIT DARRELL STAEDTLER 8594 A FOOL IN LOVE IKE & TINA TURNER TURNER 8455 A FOOL SUCH AS I ELVIS PRESLEY BILL TRADER 9224 A HARD DAY'S NIGHT THE BEATLES LENNON/ MCCARTNEY 8054 A HORSE WITH NO NAME AMERICA DEWEY BUNNEL 9468 A LIFE ON THE OCEAN WAVE P.D. 9469 A LITTLE MORE CIDER TOO P.D. DURITZ/BRYSON/MALLY/MIZ 8320 A LONG DECEMBER COUNTING CROWS E/GILLINGHAM/VICKREY 9112 A LOVER'S CONCERTO SARAH VAUGHAN LINZER / RANDEL 9470 A MAIDENS WISH P.D. ENGELBERT LIVRAGHI/MASON/PACE/MA 8481 A MAN WITHOUT LOVE HUMPERDINCK RIO 9183 A MILLION LOVE SONGS TAKE THAT GARY BARLOW GERRY GOFFIN/CAROLE 8073 A NATURAL WOMAN ARETHA FRANKLIN KING/JERRY WEXLER 9157 A PLACE IN THE SUN STEVIE WONDER RON MILLER/BRYAN WELLS 9471 A THOUSAND LEAGUES AWAY P.D.
[Show full text]