Eastern Progress 1980-1981 Eastern Progress
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Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
The Genesis Discography
TTHHEE GGEENNEESSIISS DDIISSCCOOGGRRAAPPHHYY “The scattered pages of a book by the sea…” 1967-1996 Page 2 The Genesis Discography The Genesis Discography January 1998 Edition Copyright © 1998 Scott McMahan, All Rights Reserved The Genesis Discography Page 3 THE EXODUS ENDS “And then there was the time she sang her song, and nobody cried for more…” “I think that in the end, if all else is conqured, Bombadil will fall, Last as he was First, and then Night will come.” … from the Council of Elrond, in Lord of the Rings Indeed, since its beginning in 1993, The Genesis Discography has been a fixture on the Internet much like Tom Bombadil was in Middle Earth. It has endured in the face of the changing times, without itself changing much, isolated off in its own world. Glorfindel had the opinion that Bombadil would be the last to fall, after all else was lost, last as he was first. In Tolkien’s story, that opinion was never tested. Good triumphed over evil, and everyone lived happily ever after. Not true on the Internet. Since 1993, the forces of evil have created a desolation and oppression that Sauron even with the help of his ruling ring could not imagine perpetrating. From the days of the Internet as an academic research network until today’s Internet I have witnessed ruination unbelieveable. The decay, corruption, and runiation of the Internet boggles my mind. Like Tom Bombadil in his carefully demarcated borders, The Genesis Discography has been an island in the storm, surrounded on all sides but never giving in. -
IFC Passes Reorganization Plan
Vol. 105. No. 9 University of Delaware. Newark , DE Tuesday. Feb. 24 . 1981 'Soft sciences' bear brunt Res-earch funds may be reduced By RICHARD BRANDT Even the hard sciences, however, were af fected by the cuts. Science magazine reported The $41 billion in budget cuts that President that the 1982 budget prop_osed by former presi Ronald Reagan proposed to Congress last dent Carter increased the National Science Wednesday will significantly reduce the funds Foundation (NSF) budJ!et by 23 percent ($257 that support universities and faculty million). The Reagan budget would remove research. $241 million of that increase which translates It is still too early to determine which of to a loss in spending power after inflation, ac these cuts will survive the scrutiny of Con cording to the Chronicle of Higher Education. gress and how they will affect U.D. Some ad Federal agencies support about 60 percent ministrators cautiously predict, however, that of the science research at this university. Of the so-called 'soft sciences' (social sciences that federal support, the National Science and humanities) will suffer, but they remain Foundation (NSF) is the principal con optimistic about the future of 'hard sciences.' tributor, Varrin said. If the Reagan proposals are adopted, the Both Varrin and Thomas White, the director National Endowments for the Arts and of Contracts and Grants, are optimistic that scientific research will not suffer here, in spite of the proposed cuts. analysis . "For the size of the University of Delaware lllld the research we're doing here, the cuts Humanities stand to lose 60 percent of $365 will not affect us as they will, say at MIT million of its federal support in 1982, ac ,(Massachusetts Institute of Technology) or cording to the Philadelphia Inquirer. -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski ppedDancing MyQueen Rating ABBA LocationBenny Andersson/Björn Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3715072 231 1 1 1 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 1Knowing Dancing me, Queen.mp3 knowing you ABBA Benny Andersson/Björn Ulvaeus/Stig Anderson ABBA Forever Gold I Rock 3885158 241 1 1 2 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 2Take Knowing a chance me, knowingon me you.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 3924028 244 1 1 3 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:56 PM Audio:ABBA:ABBA ForeverMamma mia Gold I:03 ABBA Take a Bennychance Andersson/Björn on me.mp3 Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3428328 213 1 1 4 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:59 PM Audio:ABBA:ABBA ForeverLay all Goldyour I:04love Mammaon me mia.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 4401337 274 1 1 5 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 5Super Lay alltrouper your love ABBA on me.mp3 Benny Andersson/Björn Ulvaeus ABBA Forever Gold I Rock 4081599 254 1 1 6 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBAI -
EARTH, WIND & FIRE -‐ Bio XRIJF JUNE 20-‐28, 2014 During the 1970S
EARTH, WIND & FIRE - Bio During the 1970s, a new brand of pop music was born - one that was steeped in African and African- American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music...which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force- feeding listeners' spiritual content." Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs. -
[B]Original Studio Albums[/B] 1981 - Face Value (Atlantic, 299 143) 01
[b]Original Studio Albums[/b] 1981 - Face Value (Atlantic, 299 143) 01. In The Air Tonight 02. This Must Be Love 03. Behind The Lines 04. The Roof Is Leaking 05. Droned 06. Hand In Hand 07. I Missed Again 08. You Know What I Mean 09. Thunder And Lightning 10. I'm Not Moving 11. If Leaving Me Is Easy 12. Tomorrow Never Knows 1982 - Hello, I Must Be Going! (WEA, 299 263) 01. I Don't Care Anymore 02. I Cannot Believe It's True 03. Like China 04. Do You Know, Do You Care 05. You Can't Hurry Love 06. It Don't Matter To Me 07. Thru These Walls 08. Don't Let Him Steal Your Heart Away 09. The West Side 10. Why Can't It Wait 'til Morning 1985 - No Jacket Required (WEA, 251 699-2) 01. Sussudio 02. Only You Know & I Know 03. Long Long Way To Go 04. I Don't Wanna Know 05. One More Night 06. Don't Lose My Number 07. Who Said I Would 08. Doesn't Anybody Stay Together Anymore 09. Inside Out 10. Take Me Home 11. We Said Hello Goodbye 1989 - But Seriously (WEA, 2292-56984-2) 01. Hang In Long Enough 02. That's Just The Way It Is 03. Do You Remember 04. Something Happened On The Way To Heaven 05. Colours 06. I Wish It Would Rain Down 07. Another Day In Paradise 08. Heat On The Street 09. All Of My Life 10. Saturday Night And Sunday Morning 11. -
“Take a Look at Me Now”
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] “TAKE A LOOK AT ME NOW” Große Retrospektive mit Re-Issues aller Soloalben ab 29.Januar 2016: Ab dem 29. Januar 2016 wird PHIL COLLINS auf eine Karriere zurückblicken können, die mit Verkaufszahlen von weit über 100 Millionen und mehreren Alben, die weltweit die Nummer-1-Positionen erreichten, zu den außergewöhnlichsten Erfolgsgeschichten überhaupt gehört. Im Rahmen der retrospektiven Re-Issue-Reihe „Take A Look At Me Now“ werden alle acht Soloalben von PHIL COLLINS in erweiterten und remasterten Editionen veröffentlicht werden. Die Kampagne beginnt mit zwei Jahrhundert-Alben – dem 1981er Debüt-Album Face Value und dem Album Both Sides aus dem Jahr 1993. PHIL COLLINS kuratiert die Reihe selbst und stellte persönlich das Repertoire der Editionen zusammen. Seine Idee für das Konzept von „Take A Look At Me Now“ besteht darin zu untersuchen, wie sich die Songs über die Jahre hinweg weiterentwickelt haben. Daher konzentrierte er sich bei der Zusammenstellung des zusätzlichen Materials vor allem auf Live-Versionen der jeweiligen Album-Songs. Indem er den Originalen der Studioversionen das Material aus späteren Performances gegenüberstellte, zeigt die Serie, wie die Songs im Laufe der Jahre ein Eigenleben entwickelten, sobald sie die gepflegte Enge des Studios verlassen hatten. Aber auch einige sorgsam ausgesuchte Demos und B-Seiten werden auf den Extended Versions der Alben zu finden sein. „Ich bin immer sehr stolz auf meine Demos gewesen und habe sie oft als B-Seiten auch veröffentlicht. Aber bis auf wenige Ausnahmen habe ich es vermieden, sie in diese Reihe mit aufzunehmen“, so COLLINS. -
Notre Dame Collegiate Jazz Festival Program, 1963
Archives of the University of Notre Dame I xnarch as&30 university of notre dame Archives of the University of Notre Dame 1963 i~ \\ fJ'he :dtt(od~'tn dound " a full hou't of iazz I!.fJl!.'ty d11onday, CO llfB IAIE Wedni!.1.d2'j, and 9tida'j night at ~efJl!.n on JAZZ ffSTlVAl LJ.J~NC:>~F="~ presents ~~THE NEW STREAM IN COLLEGE JAZZ" JUDGES ADVISORS I:hi~ 9'tom 7:00 until 8:00 'j0u. czan hea't the be~t in iazz on Manny Albam Steve Allen Lawrence Berk Leonard Feather Willis Conover \lIlIddV:b c40tt and 90tt dimuLcza~1: Terry Gibbs Don DeMicheal Robert Share Quincy Jones Herman Kenin Charles Suber Stan Kenton Henry Mancini Kenneth Morris Fred Williamson AM 640 PM 88.9 Archives of the University of Notre Dame S.\\II·: ~ R,o ~ Welcome to Notre Dime's 1963 ~~ The New Stream in Uollege Jazz" I Collegiate Jazz Festival! CJF is again presenting to you is flowing; it is streaking from the mainstream of jazz as the the twenty-two finest college jazz groups in the United "'63 splotch" signifies on the program cover. Ever since the S states. They have been auditioned and selected from the stream of college jazz began to trickle from the mainstream of largest number of applicants in our five year history. They jazz in 1948 when North Texas state University under Dr. Eugene are free to compete, to play their best, and to win! It is Hall's direction offered credit for Stage Band or Dance Band, S this competitive nature that distinguishes this festival jazz began to flow into the educational atmosphere of the col from any other that you have been to. -
Chart-Chronology PHIL COLLINS
www.chart-history.net vdw56 PDF-file with all chart-entries plus covers on https://chart-history.net/cc/cc-phil-collins.pdf PHIL COLLINS Chart-Chronology Singles and Albums Germany United Kingdom From the 1950ies U S A to the current charts compiled by Volker Dörken Chart - Chronology The Top-100 Singles and Albums from Germany, the United Kingdom and the USA Phil Collins Philip David Charles Collins LVO (born 30 January 1951) is an English drummer, singer, songwriter, multi-instrumentalist, record producer, and actor. He was the drummer and singer of the rock band Genesis, and is also a solo artist. Singles 49 32 19 10 34 Longplay 23 20 15 8 81 B P Top 100 Top 40 Top 10 # 1 B P Top 100 Top 40 Top 10 # 1 1 11 37 21 11 2 1 45 22 18 14 5 1 8 36 27 13 3 1 26 16 14 12 6 1 15 27 21 14 7 1 10 14 11 6 2 Singles D G B U S A 1 In The Air Tonight 03/1981 1 1 01/1981 2 05/1981 19 2 I Missed Again 05/1981 23 03/1981 14 03/1981 19 3 If Leaving Me Is Easy 08/1981 61 05/1981 17 4 Thru' These Walls 10/1982 56 5 You Can't Hurry Love 01/1983 3 12/1982 1 2 11/1982 10 6 I Don't Care Anymore 02/1983 39 7 Don't Let Him Steal Your Heart Away 03/1983 45 8 I Cannot Believe It's True 05/1983 79 9 Why Can't It Wait 'Till Morning 05/1983 89 10 Against All Odds 05/1984 9 04/1984 2 02/1984 1 3 11 Easy Lover ►Philip Bailey & Phil Colins◄ 01/1985 5 03/1985 1 4 11/1984 2 12 Sussudio 02/1985 17 01/1985 12 05/1985 1 1 13 One More Night 04/1985 10 04/1985 4 02/1985 1 2 14 Don't Lose My Number 07/1985 4 15 Take Me Home 07/1985 19 03/1986 7 16 Separate Lives (Theme From "White -
KA HA NFIRE D UPF Oroißy Sellsvi Records! New Research Proves It!
ICD08120 01066048024BE MAR86 10 MONTY GREENLY 03 USA For Africa album 3740 ELM UCY LONG BEACH CA 90807 debuts at No. 9; single holds at No. i See pages 70, 74 Black up, metal down in RIAA certifications See page 4 "Gone With The Wind" tops Video Sales chart See page 32 APRIL 20, 1985/$3.50 (U.S.) VOLUME 97 NO. 16 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT Despite Some Complaints About Fill Top RCA/Columbia Videos DEALERS CHEER `WORLD' ALBUM Return at $29.95 list This story prepared by Earl Paige even know the songs or the artists At CBS, sources verify the rush in Los Angeles and Kip Kirby in [on 'We Are The World']." for product, reporting that both the "Stripes" and "Kramer" for $89.95 Nashville. Sam Ginsburg, City One -Stop Carrollton, Ga. and Pitman, N.J. BY TONY SEIDEMAN each. LOS ANGELES USA For Africa's manager in Los Angeles, says inde- manufacturing plants are working NEW YORK RCA /Columbia Pic- The RCA /Columbia move comes "We Are The World" album has pendent stores of all types are sell- overtime to press and duplicate LPs tures Home Video is going to re -re- at a time when some studies con- generated dramatic consumer de- ing the album in Southern Califor- and cassettes. The company is said lease some of its top titles at $29.95, clude that sell- through efforts have mand since its release at the begin- nia: "They're r &b stores, heavy to have shipped approximately 2.7 in a promotion that will see list been less effective than had been ning of the month, report retailers metal, all kinds." As for supply, million units of the album on re- prices on some features drop by as believed in getting consumers into and wholesalers nationwide. -
Earth, Wind & Fire Gratitude Mp3, Flac
Earth, Wind & Fire Gratitude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gratitude Country: Brazil Style: Soul, Funk, Disco MP3 version RAR size: 1596 mb FLAC version RAR size: 1718 mb WMA version RAR size: 1396 mb Rating: 4.3 Votes: 109 Other Formats: DMF AC3 MP4 WAV TTA ADX AIFF Tracklist Introduction (0:22) Medley (5:58) A1a Africano A1b Power A2 Yearnin' Learnin' 4:18 A3 Devotion 4:54 B1 Sun Goddess 7:57 B2 Reasons 8:27 B3 Sing A Message To You 1:21 C1 Shining Star 4:59 C2 New World Symphony 9:47 C3 Sunshine 4:18 D1 Singasong 3:25 D2 Gratitude 3:29 D3 Celebrate 3:09 D4 Can't Hide Love 4:12 Companies, etc. Copyright (c) – CBS Inc. Recorded At – Wally Heider Recording Studio, Los Angeles Recorded At – Hollywood Sound Recorders Recorded By – Haji Sound Recorded By – Wally Heider Recording Phonographic Copyright (p) – CBS Inc. Manufactured By – Columbia Records Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Mastered At – Customatrix Credits Arranged By [Live Show; Studio Tracks] – Earth, Wind & Fire Drums, Percussion – Fred White, Ralph Johnson Engineer – George Massenburg Guitar – Johnny Graham Guitar, Percussion – Al McKay Piano, Organ, Synthesizer [Moog] – Larry Dunn Producer [Live Show] – Joe Wissert Producer [Studio Tracks], Arranged By [Studio Tracks] – Charles Stepney Recorded By – Haji Sound, Wally Heider Recording Saxophone – Don Myrick Saxophone, Percussion – Andrew Woolfolk Trombone – Louis Satterfield Trumpet – Michael Harris Vocals, Bass, Percussion – Verdine