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Notre Dame Collegiate Jazz Festival Program, 1963

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Archives of the University of Notre Dame I xnarch as&30 university of notre dame Archives of the University of Notre Dame 1963 i~ \\ fJ'he :dtt(od~'tn dound " a full hou't of iazz I!.fJl!.'ty d11onday, CO llfB IAIE Wedni!.1.d2'j, and 9tida'j night at ~efJl!.n on JAZZ ffSTlVAl LJ.J~NC:>~F="~ presents ~~THE NEW STREAM IN COLLEGE JAZZ" JUDGES ADVISORS I:hi~ 9'tom 7:00 until 8:00 'j0u. czan hea't the be~t in iazz on Manny Albam Steve Allen Lawrence Berk Leonard Feather Willis Conover \lIlIddV:b c40tt and 90tt dimuLcza~1: Terry Gibbs Don DeMicheal Robert Share Quincy Jones Herman Kenin Charles Suber Stan Kenton Henry Mancini Kenneth Morris Fred Williamson AM 640 PM 88.9 Archives of the University of Notre Dame S.\\II·: ~ R,o ~ Welcome to Notre Dime's 1963 ~~ The New Stream in Uollege Jazz" I Collegiate Jazz Festival! CJF is again presenting to you is flowing; it is streaking from the mainstream of jazz as the the twenty-two finest college jazz groups in the United "'63 splotch" signifies on the program cover. Ever since the S states. They have been auditioned and selected from the stream of college jazz began to trickle from the mainstream of largest number of applicants in our five year history. They jazz in 1948 when North Texas state University under Dr. Eugene are free to compete, to play their best, and to win! It is Hall's direction offered credit for Stage Band or Dance Band, S this competitive nature that distinguishes this festival jazz began to flow into the educational atmosphere of the col­ from any other that you have been to. From the start to the leges and universities in the United States. E finish, every note that is played will be heard and evaluated by our distinguished panel of judges who will select winners School jazz was waved on in the 50's due to the efforts of y­ and award prizes valued at some $5000 . Charles Suber, at that time publisher of DOWN BEAT, and the S.\'·J·: music instrument companies of Selmer, Conn, and LeBlanc who It is only with the cooperation of DOWN BEAT, Associated sponsored workshop clinic directed by professional musicians. Booking Corporation, National stage Band Camps, Berklee The stream of college jazz in the late '50s built up momentum School of Music, and the instrument companies of Selmer, in 1959 with South Bend's Ken Morris airing the National Stage Conn, Harmony, Zildjian, Kay, and Getzen that CJF can pre­ Band Camps with Stan Kenton--one week summer camp for 14-21 :a:: sent this two-day college jazz festival. We thank all these year old students headed by music educators and professional DISC RECORD SHOPS 21 organizations as well as our Board of Advisors, and all those jazzmen. Berklee School of Music then whirled into the recog­ 4 So. Nichi~an Street .A whose patronage is mentioned in their donations and support. nized graduate school of jazz. (Next to State Theater) We would like to thank you the festival goer for supporting Teaching college jazz and stage band techniques had brought L the musicians with your presence and applaues. Your atten­ student musicians to be keenly aware of the traditions, trends, dance through the years has guaranteed that there will always techniques in music so to better create, and develop their own La be another festival. Thank you for this because we have very new ideas. This sharp creative awareness on the part of the much enjoyed making them possible for you. college jazz musicians was easily seen with the success and re­ cognition given the participants of the Georgetown, Villanova, We wish to take this op­ Each of the groups is different, each has its own style of play­ and Notre Dame college jazz festivals in the last five years. portunity to thank the ing and its own mood, and they are all trying to win. We hope students of Notre Dame HOME OF THE that you will gain something from them. Please enjoy your­ This year the 1963 Collegiate Jazz Festival in bringing together for their patronage and selves. Until the 1964 CJF, thank you all. the largest array of college jazz talent in the U.S. hopefully tremendous acceptance pf attempts with its student-professional contact--the competitive our new store here in Charlie Murphy format, exclusive JAM SESSION, and the JAZZ FORUM--to move the South Bend. LEy General Chairman '63 college stream of jazz to streak onward to a greater horizon. Like moving out in a more creative, educated, disciplined, and vibrant but free flowing, dynamic, swingin' current--The New Stream TERMEN in College Jazz. Dave Paliganoff Executive Chairman '63 Archives of the University of Notre Dame eJF '63 JUDGES CHARLES SUpER--Chairman of the Judges since CJF's incep­ tion. Mr. Suber is General Manager of the Music Journal, and President of the National Educational Services with BEST WISHES offices in Evanston, II~inois. He has been one of the or­ iginators of the stage band movement in schools throughout the United States. Formerly he was publisher of DOWN BEAT Magazine. to the collegiate jazz festival '63 ROBERT SHARE--Administrator of the Berklee School of Music in Newbury, Massachusetts. Mr. Share has served on CJF's board of judges in previous years. In his position at Berklee he stands out as one of the leading educators in promoting the teaching of jazz music. Pangborn Hall TERRY GIBBS-- "The New King of Swing". Recently entitled by the nation's music press when Mr. Gibbs and his 16 piece band copped the No. 1 spot as the .. New Star Big Band" of 1962 in the 10th Annual International Jazz Critics Poll pub­ lished by DOWN BEAT. Born in Brooklyn in 1924 he has since acquired in the vibraharp category recognition as a five time winner of DOWN BEAT Readers Poll and an exciting re­ cording artist for Mercury Records with "Explosion" his latest release. LEONARD FEATHER--The most internationally celebrated of con­ temporary jazz critics. London-born but long active in the U.S., he became prominent through contributions to Look, the New York Sunday Times, Red Book, Metronome, Playboy, and Es­ 1 quire. He is the author of the monumental book The Ency­ Compliments C!.omplimenlS clopedia of Jazz which has grossed over $200,000 making it BES1 WISHES of I .f the biggest jazz book ever published. The Blindfold Test and Feather's Nest are familiar features in DOWN BEAT's ma­ EDDIEtS RESTAURANT gazine contributed by Mr. Feather. In 1962 he was the only to Indiana Cab I jazz critic from the U.S. to attend Benny Goodman's Moscow opening. ~63 1345 CJ F and I No. IronwooJ Drive MANNY ALBAM--Jazz composer and arranger, who was born in the Dominican Republic. He is now writing for Impulse (I'om Records, of ABC Paramount. "The Blues is Everybody's SOUTH BEND YELLOW VAB business", a 35 minute jazz suite and his "West Side Story" arrangement on Brunswick label have been widely acclaimed. Mr. Albam is busily organizing a series of ZAHM HALL I CE 3-9333 I CE 2-5861 stage band arrangements and 10 original pieces for re­ lease this summer Ius a new music series with National Education T.V. An album with Joe Morello on RCA will soon be released. He is a member of the famous arrangers club, which includes such men as Billy May, Henry Mancini, and Quincy Jones. Archives of the University of Notre Dame Order of appearance _ ADJUDICATION SHEET Class _ No. of playing musicians __ Name of Band -------------~----'-__:_----_____:c_.,_--''--­Director _ .l-.• ..; .. School City _ State _ KOOL KLOTHES FOR KATS Selections (1) (3) _ (2) (4) _ 1963 SENIOR BALL (J udges check evaluation of entire performance. Number one is highest) J ERR I "TARA" First Ticket Sales: Standards 1 2 3 4 5 General Remarks Thursday, April 4th, 6:30-10:00 P.M. III West Jefferson Boulevard 2A-2B Student Center BLEND (Quality of ensemble sound CEntral 4-9111 Second Ticket Sales: or tone) April 30th INTONATION (Instruments in tune Third Ticket Sales: with each other) May 6th Tuxedo Rentals from Gingiss Brothers: BALANCE (Balanced dynamic levels April 4th, 11 :00 A.M. - 5 :30 P.M. of individual instruments and sections) 2D Student Center Later Rentals: RHYTHM (Does band maintain accurate rhythmic pulsation?) April 30 - May 6, 8, 13 PRECISION (Do sections and band Camp l iments play together precisely?) of DYNAMICS (Does band make most & shadings?) of dynamic contrasts C~~~ ~ $ • INTERPRETAnON (Phrasing of the ~• of EW';'.!:.lf. II S ~ music in proper style) ~-", 121 Washin~ton ARRANGEMENTS (Are they well W. suited to band capabilities?) Fill out form below to be eligible for free Berklee CE 4 - 1311 School records and Webcor Record Player, PRESENTATION (Does band courtesy of communicate well with & to an audience?) RODIN'S RECORD SHOP Total Points (9-15, Div. I; 16-27, Div. II; 28-45, Div. III) 136 NORTH MICHIGAN STREET SOUTH BEND, INDIANA Comments on individual musicians: _ Radios • Records • Stereos • Service NAME Suggestions for improvement of band's performance: _ SMIITY'S ADDRESS Hamburger Shop CITY & STATE 327 North Michigan Rating: South Bend, Indiana Division (I, II, or Ill) _ Name of Festival/Clinic _ Place standing (optional) _ Judge's Signature _ open 24 hou~ a day Prepared by Berklee School of Music, Boston, Mass. in association with National Educational Services, Inc.
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