DOCSLIB.ORG

Edgecliff Student Newspaper

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edgecliff Student Newspaper Xavier University Exhibit Journals, Publications, Conferences, and Edgecliff oC llege Newspaper Proceedings 1947-02-26 Edgecliff tudeS nt Newspaper Edgecliff olC lege - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/edgecliff_newspaper Recommended Citation Edgecliff oC llege - Cincinnati, "Edgecliff tudeS nt Newspaper" (1947). Edgecliff College Newspaper. Book 54. http://www.exhibit.xavier.edu/edgecliff_newspaper/54 This Book is brought to you for free and open access by the Journals, Publications, Conferences, and Proceedings at Exhibit. It has been accepted for inclusion in Edgecliff oC llege Newspaper by an authorized administrator of Exhibit. For more information, please contact [email protected]. = Edg~cliff Greets T. Chang, ~ d New Student From China to By Mary Ellen O'Connor The Edgecliff idioms but she is puzzled by the ~d various shades of meaning we 'Ir "Oh, I have a Chinese dress Volume XII Walnut Hills, Cincinnati, Ohio, February 26, 1947 No. 4 give to the omnipresent adjec­ ns on," was the first thing Theresa Chang, our new fellow-student tive "cute." told three of the girls who met "Everyone says everything is her at the Union Terminal on 'cute'. Just what does 'cute' Jan. 25. But Miss Chang soon mean?" she asks. Directors Chosen For Play Conte.St; learned that the American girls Some have noted that our new like her attire and like even student reads her prayerbook more the beautiful materials of backwards. No doubt she finds Walter Kerr Ntimed Sole Judge which her Chinese dresses and that we all read ours backward robes are made. too! Miss Chapg will probably al­ 11- Miss Chang left Peiping, China, ways remember Jan. 27, 1947, as on Dec. 22 and was very sea­ a significant date. "I had my sick for 14 dayg. of her 33-day first hamburger and· it was very trip, she said. good," she excitingly told every­ She has a master's degree in one that day. She says that science fr.om the University of American food is fine ibut a little Peiping, but her main objective sweet. in coming to Our Lady of Cin­ She applies the same terms cinnati college is to learn Eng­ (without the conjunction) in giv­ lish. But since she speaks and ing her estimate of American and understands English very girls. She likes American girls well already, it would be more because "they are kind and seem correct to ,say that she hopes to to be so happy." acquire a better command of Asked how she likes it here, the language. our new friend replied, "I enjoy 0 Miss Chang doesn't ask many going to college here and like l­ questions about our American what you have." al Joseph V. Laderoute To Sing ' s tr At Choral Spring Concert Here h The Choral group of Our Lady Dr. Pattee Speaks of Cincinnati college will have the distinguished Canadian­ On Latin America American tenor, Joseph V. Lad­ eroute, as guest soloist for its Instructo1•, lecturer, and au­ annual spring concert Sunday, thor of wo~k s on Latin Ameri­ April 20. ca, Dr. Richard Pattee, discuss­ Mr. Laderoute, 1945 award ·ed "A Catholic Looks at Latin winner Of the Metropolitan Op­ America" at a student assembly era auditions of the air, has of Our Lady of Cincinnati col­ been soloist also with the NBC lege today, Feb. 26. He was in­ Symphony orchestra under the troduced by Monsignor William direction of Arturo Toscanini, J. Gauche, head of the History the New York City Center sym­ department at the college. phony, directed by Leopold Educated in the Catholic uni­ h Stokowski, and the Toronto ·t versity of America, the Univer ­ Symphony orchestra under the sity of Louvain in Belgium, and baton of Eugene Ormandy. Mr. r the University of Coimbra, Port­ Laderoute has sung for a num­ ugal, Dr. Pattee has traveled ex­ ber of years with the New York .,> tensively in Central and South City Opera Company, and has America and has taught for a made numerous radio appear­ n number of years in several ances on CBS, NBC, and ABC Latin American universities. H e mutual networks. e has written many books on Mr. Laderoute's accompanist g Ibero-American subjects and h as for the concert will be Mr. John contributed articles on these Quincy Bass, pianist with the subjects to t he Catholic press. Cincinnati Symphony orchestra. In 1946 Dr. Pattee served as Directors of the One-Act play contest are shown in a less hectic moment during their search for s that winning play. They are, left to right, Patricia McCarthy, freshman, Magdalen Janz, junior, Ruth co-president of the second Inter­ f Gratsch, senior, and Helen Mary Elias, sophomore. s B. Greet Players American Catholic Conference f on Social action . held in Ha­ Director of the School of Dra­ cia McCarthy, of the freshman The One-Act Play contest is To Give 'Macbeth' vana, Cuba. At present, he is ma at the Catholic University of class has been chosen this year. entirely a student production. consultant on international af­ America, Mr. Walter K err, will Ruth Gratsch, senior, Magdalen The choice of play is made by The Ben Greet Players, Henry fairs for the National Catholic be the judge of the seventh an­ Janz, j unior, and Helen Mary the class director who chooses Joyner and Daisy Vivian, will Welfare Conference in Washing­ nual One-Act play contest of Elias, sophomore, have been her own cast and stage crew. give scenes from "Macbeth" at ton, D. C. Our Lady of Cincinnati college elected again to direct the play The tournament is under the di­ a college assembly Wednesday, After the lecture, Dr. Pattee to be held in the college audito­ of their respective classes. No rection of Sister Mary Hilde­ April 16. By a new and author­ was guest of the Pan-Amer­ rium Thursday evening, March permanent selection of a play garde, R.S.M., pead of the Dra­ itative method of production, ican club at a dinner in Emery 27. has been made as yet by any of matic department of Our Lady Mr. Joyner and Miss Vivian will hall. Only one new director, Patri- the directors. of Cincinnati. present the Shakespearean drama without the aid of a supporting cast. A running narrative, am­ Stars Of 'Ol{lahoma!' Are Well Pleased With plified Qver a loud speaker, will A Word carry the continuity of the story, while the scenes which Reception By Large Cincinnati Audiences constitute the essence of the From Tl1e are lavishly furnished and fully play will be acted by the two By Helen Joering uous show twice a day they an­ equipped with little apartments players. Skipping over the few little swered that Cincinnatians had were completely shattered. Cos­ Wise Henry Joyner and Daisy Viv­ obstacles that we encountered in proved a marvelously receptive tumes hung on the back of the ian are the last remammg trying to get backstage of the audience and that to actors is By Mr. Leslie G. Irwin door and lay over chairs; coats, one of the biggest incentives for players of the famous English Emery auditorium after a per­ Is June the month you are hats, and street dresses hung on giving a top performance. group to carry on in the Ben formance of "Oklahoma!," we waiting for? If so, and if you hooks on the wall; straight Greet tradition. shall get at once to the business Rehearsals are spared them don't look out, by August your chairs and glaring, naked light at hand of relating our most while on the road (understudies new choice for "month of the bu)bs finished the glamorous ef­ pleasant interview with leading rehearse with the orchestra once year" will be September, with fect. Post Reporter lady Peggy Engel, who takes a week on Tuesday) except when its attendant resumption of class­ the part of "Laurey," and Patri­ The girls didn't seem to mind the director comes from New ls Staff Guest a bit, though, as they undressed, es. Come to think of it, maybe cia Shay, who just a few min­ YQrk to check up or when new it would be just as well for sum­ utes before our entrance played took off make-up, arranged their members join the cast. The hair, and (bless 'em!) talked in­ mer conditions to be such that A member of the staff of the the part of Ado Annie Carnes latter contingency takes place cessantly. the students at OLC would be Cincinnati Post, Betty Donovan, to a packed house. quite often, we were informed, frantic for classes to begin . Se­ was guest speaker at a supper After being admitted quite Like Cincinnatians as most of the boys and girls riously, though, n o student meeting given by the Edgecliff graciously to the dressing room They had done a matinee that sign contracts only for a certain should dread the approach of staff Feb. 11. Miss Donovan dis­ which the two girls shared, all afternoon plus the evening per­ period and have opportunities September if it is to OLC that cussed "The Place of Women in allusions (instilled by the mov­ formance and when asked how awaiting them elsewhere. she is to return. How many Newspaper Work." ies) that theater dressing rooms they managed to do such a stren- (Continued on Page 3) (Continued on Page 3) 2 THE EDGECLIFF Britain: Partner For Peace The Reading Lamp By Percy E. Corbett On the Aisle By Mary Lou Sauer In keeping with its policy of ing research and t raining in the themselves, their friends, and publishing worthwhile and com­ field of international relations.
Load more

Recommended publications
  • The Ensouled Violin by Helena P
    The Ensouled Violin By Helena P. Blavatsky I In the year 1828, an old German, a music teacher, came to Paris with his pupil and settled unostentatiously in one of the quiet faubourgs of the metropolis. The first rejoiced in the name of Samuel Klaus; the second answered to the more poetical appellation of Franz Stenio. The younger man was a violinist, gifted, as rumor went, with extraordinary, almost miraculous talent. Yet as he was poor and had not hitherto made a name for himself in Europe, he remained for several years in the capital of France—the heart and pulse of capricious continental fashion— unknown and unappreciated. Franz was a Styrian by birth, and, at the time of the event to be presently described, he was a young man considerably under thirty. A philosopher and a dreamer by nature, imbued with all the mystic oddities of true genius, he reminded one of some of the heroes in Hoffmann’s Contes Fantastiques. His earlier existence had been a very unusual, in fact, quite an eccentric one, and its history must be briefly told—for the better understanding of the present story. Born of very pious country people, in a quiet burg among the Styrian Alps; nursed “by the native gnomes who watched over his cradle”; growing up in the weird atmosphere of the ghouls and vampires who play such a prominent part in the household of every Styrian and Slavonian in Southern Austria; educated later, as a student, in the shadow of the old Rhenish castles of Germany; Franz from his childhood had passed through every emotional stage on the plane of the so-called “supernatural.” He had also studied at one the the “occult arts” with an enthusiastic disciple of Paracelsus and Khunrath; alchemy had few theoretical secrets for him; and he had dabbled in “ceremonial magic” and “sorcery” with some Hungarian Tziganes.
    [Show full text]
  • Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
    Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019
    [Show full text]
  • Nightmare Tales
    Nightmare Tales by H. P. Blavatsky Nightmare Tales Table of Contents Nightmare Tales..................................................................................................................................................1 by H. P. Blavatsky..................................................................................................................................1 CAN THE DOUBLE MURDER?........................................................................................................................2 AN UNSOLVED MYSTERY..............................................................................................................................6 KARMIC VISIONS............................................................................................................................................11 I..............................................................................................................................................................11 II.............................................................................................................................................................12 III............................................................................................................................................................13 IV...........................................................................................................................................................13 V.............................................................................................................................................................14
    [Show full text]
  • Thesis Hum 2008 Morris J (1).Pdf
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town University of Cape Town Faculty of Humanities 2008 Two Shadows in the Moonlight Music in British Film Melodrama of the 1940s John Morris MRRJOH014 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts in Film Studies Programme Code: FAM5005Z Due date: 1 April 2008 University of Cape Town This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Two Shadows in the Moonlight Music in British Film Melodrama of the 1940s John Morris Town Cape of Acknowledgements ........................................................................................................ 1 Abstract ........................................................................................................................... 3 Introduction .................................................................................................................... 5 CHAPTER 1 - Nineteenth-century Roots ...................................................................
    [Show full text]
  • The Ensouled Violin
    The Ensouled Violin Helena P. Blavatsky The Ensouled Violin Table of Contents The Ensouled Violin..................................................................................................................................................1 Helena P. Blavatsky.......................................................................................................................................1 I......................................................................................................................................................................1 II.....................................................................................................................................................................4 III....................................................................................................................................................................6 IV...................................................................................................................................................................8 V...................................................................................................................................................................12 VI.................................................................................................................................................................14 i The Ensouled Violin Helena P. Blavatsky This page copyright © 2002 Blackmask Online. http://www.blackmask.com • I • II • III • IV • V • VI I In the year
    [Show full text]
  • A Living Affinity with the Saanenland
    Lord Menuhin and the Gstaad Menuhin Festival A Living Affinity with the Saanenland Lord Menuhin, the founder of the Gstaad classical music festival bearing his name, is still remembered as a world famous violin child prodigy, conductor and humanist. His remarkable humanity, his multi-faceted artistic gifts and his perpetual curiosity were the hallmarks of his creative endeavours. It was in 1957 that this honorary resident of Saanen founded the legendary festival in the Saanenland. The promotion of young talent was just as important to him as playing music amongst friends. A Russian cosmopolitan Born in 1916 in New York into a family of Russian Jewish immigrants, Yehudi Menuhin grew up in San Francisco. Watched over by his strict parents as he practised and learned, he was quickly seen to be a musical prodigy. All his life, Yehudi Menuhin was a nomad and a cosmopolitan and travelled the world as a humanist, organiser and musician. “When Can I Start Playing Vibrato?” As early as in 1922, the ambitious, tirelessly practicing boy Yehudi was allowed to appear for the first time in student concerts. In 1923, he enforced to continue the longed-for lessons with Louis Persinger, the first concertmaster of the San Francisco Symphony Orchestra. On February 29, 1924, the blond chubby boy impressed in a concert of the Symphony Orchestra, and therefore got the chance to appear as a soloist in the Scottish Rite Auditorium in San Francisco one year later – and another year later, in January 1926, Yehudi was shining in New York's Manhattan Opera House, right before his debut with the San Francisco Orchestra under Louis Persinger in March, where he played the Violin Concertos by Lalo and Tchaikovsky.
    [Show full text]
  • Reflections on a Violin
    Reflections on a Violin T. C. Satyanath In the years immediately following World War II , Stewart Granger, then the matinee idol of the cinema, appeared in the role of the famous violin virtuoso Nicolo Paganini ( 1782-1840) in a movie called "The Magic Bow". There was considerable interest in the film not only from Granger's fans but also from music-lovers because the play-back for him was provided by none other than Yehudi Menuhin. And I vividly remember this particular scene in which Granger, wearing a wig and an appropriate expression which all geniuses are supposed to have, and his chest heaving with the excitement welling up inside him, gazes intensely for a few moments at a precious violin. He then takes it out rever­ ently and hesitantly, rests it on his chin, plays a few tentative notes and plunges vigorously and furiously into one of Paganini's almost unplayably diffi­ cult caprices. Forgetting that it was actually Menuhin who was producing the music. I developed a momentary admiration for Stewart Granger. A few days later, I read a review of the movie in one of the intellectual weeklies publi­ shed in England. The review concluded with a withering remark which read roughly as follows : "As for Stewart Granger, his performance was more agri­ cultural than realistic. One got the impression that he was trying to saw wood with the right hand while milking a cow with the other." The scene was actually an attempt at depicting a notable incident in the life of Paganini pertaining to a violin made by that great Italian violin-maker Giuseppe Guarneri.
    [Show full text]
  • The Legend of Violin Education in China
    Bard College Bard Digital Commons Senior Projects Fall 2018 Bard Undergraduate Senior Projects Fall 2018 Lin Yaoji: The Legend of Violin Education in China Bihan Li Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2018 Part of the Chinese Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Li, Bihan, "Lin Yaoji: The Legend of Violin Education in China" (2018). Senior Projects Fall 2018. 39. https://digitalcommons.bard.edu/senproj_f2018/39 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Lin Yaoji—The Legend of Violin Education in China Senior Project Submitted to The Division of Languages and Literature of Bard College by Bihan Li Annandale-on-Hudson, New York December 2018 Acknowledgements Thanks to my advisors, Jindong Cai, Li-hua Ying, and Robert Martin, who have helped me make this project possible. They gave me great inspirations, constructive advice, and constant encouragement. Thanks to my violin teachers, Weigang Li, Laurie Smukler, Jinzhou Zhang, who have given me valuable guidance on the writing of violin techniques.
    [Show full text]
  • Georgette Heyer, History and Historical Fiction
    Georgette Heyer, History and Historical Fiction EthicsCanada and in the FrameAesthetics ofGeorgetteCopyright, Translation Collections Heyer, and Historythe Image of Canada, 1895– 1924 Exploringand Historical the Work of Atxaga, Fiction Kundera and Semprún Edited by Samantha J. Rayner and Kim Wilkins HarrietPhilip J. Hatfield Hulme 00-UCL_ETHICS&AESTHETICS_i-278.indd9781787353008_Canada-in-the-Frame_pi-208.indd 3 3 11-Jun-1819/10/2018 4:56:18 09:50PM First published in 2021 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.uclpress.co.uk Collection © Editors, 2021 Text © Contributors, 2021 Images © Contributors and copyright holders named in captions, 2021 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. This book is published under a Creative Commons Attribution Non-Derivative 4.0 International licence (CC BY-ND 4.0). This licence allows you to share, copy and redistribute the work providing attribution is made to the author and publisher (but not in any way that suggests that they endorse you or your use of the work) and any changes are indicated. If you remix, transform or build upon the material, you may not distribute the modified material. Attribution should include the following information: Rayner, S. J. and Wilkins, K. (eds). 2021. Georgette Heyer, History and Historical Fiction. London: UCL Press. https://doi.org/10.14324/111.9781787357600 Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons licence unless indicated otherwise in the credit line to the material.
    [Show full text]
  • HP0003 Bill Girdlestone
    BECTU History Project - Interview No. 3 [Copyright BECTU] Transcription Date: (Digital: 2012-10-02) Interview Date: 1987-04-22 Interviewer: Roy Fowler & Alan Lawson Interviewee: Bill Girdlestone Tape 1, Side 1 Roy Fowler & Alan Lawson: Now, Bill, where were you born, and when? Bill Girdlestone: Well I was born 17th of September 1899 in Camden Town Fowler/Lawson: And where did you go to school? Bill Girdlestone: Wimbledon Park. Fowler/Lawson: How come - oh you moved across, did you? (Yes.) Now, did you receive any special training before you started work? Bill Girdlestone: No, I started work in the' office of the Automobile Association in St James's Street as an office boy. Fowler/Lawson: Oh, well how come you got into films? Bill Girdlestone: Well, I was the original film buff. I had a home cinema at about 12. A local sweet shop started to sell film, six feet a penny - inflammable film, bits of newsreels - and I used to buy these bits of film because I had a toy cinema that, a toy projector somebody bought me, and somehow or other I got to know one or two other people, not handy but round about, who had similar ideas, and. eventually I built up a proper projector. And, you won't believe this but this is absolutely true, one Saturday afternoon - I couldn't have had a football match on I suppose - at Wimbledon Park, it was a little enclave that had been built with, I suppose you'd call them working- class, upper working-class houses, not quite middle class but better than working class, and we were adjunct to Southfields and Earlsfield and Wandsworth, which was working-class, and the cinema was in Earlsfield and another, poorer cinema was in Wandsworth.
    [Show full text]
  • Online Finding
    Ms Coll\Komroff Komroff, Manuel, 1890­ Papers, 1897-1979. 23 linear ft (ca. 1,900 items in 46 boxes & 1 drawer). Biography: Novelist & author, died in 1974. Summary: Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. ,There are also a number of books by other authors inscribed to him. Most of the photographs are portraits ofliterary figures, the majority of which were taken by Komroff 1986 ADDITION: Letters and photographs from the literary, arti~c, and musical worlds, including numerous letters from Ernest Bacon, Cyril Clemens, RM. Kallen,. and Carl Zig'fbsser, as well as one or two from Cecil B. deMille, Lady Gregory, Edward Kennedy, Robert Kennedy, Georg2Moore, and Georgia O'Keefe. The subjects of the photos are a similar group, including many of the same people. Organization: Selected materials cataloged; remainder arranged. Boxes 1-1 A: Cataloged correspondence; Box 2: Cataloged manuscripts & cataloged photographs; Box 2A; Boxes 3-23: Komroffs manuscripts; Boxes 24-24B: Photographs & negatives; Boxes 25-41: Printed material. Finding aids: Contents list, 39p. Donors: Gift of Manuel Komroff, 1953 & 1956. Gift ofMrs Manuel Komroff, 1979, 1980, 1985 & 1986. Gift of Mrs Louis Henry Cohn. Gift of Victor E. Krantz, 1998. Restrictions on use: Available for faculty, students, and researchers engaged in scholarly or publication :~. projects. ~,' Komroffs manuscript "A story teller's world" [autobiography] (Box 20A & 20B) is closed to all use indefinitely, as per letter from Mrs Komroff, 8/19/95.
    [Show full text]
  • Catalogue Number AMP 0031 --- 0040
    AMP 0031 The Daily Post, Peru, Illinois Wednesday, February 18, 1908 ALL ENRAPTURED BY MAUD POWELL Recital in Her native City a Happy Event. ARTISTRY DAZZLES PUBLIC Peru Woman Who Returns to Birthplace and Affords Rare Treat to Her Townspeople Storm-driven but resolute, about four hundred persons braved the blizzard and came to Turn Hall last night to hear Peru’s own daughter and one of the world’s greatest violinists play her magnificent Guadagnini with the hand of genius. Her appearance in Peru was in the nature of a home-coming, as Superintendent Hart of the public schools pointed out in a few introductory remarks at the beginning of the recital. Her welcome by the audience was most cordial, and a feeling of direct, personal attachment to the dark, slender, sympathetic, wonderful woman to whom the whole musical world pays homage, took possession of everyone present. In response to the warm greeting extended her, Mme. Powell played “Home, Sweet Home” to express her feeling toward this city and its inhabitants. This tender melody and its particular significance on this occasion at once put the artist and her audience into perfect accord. Those present felt that the graceful way Mme. Powell had chosen of showing her love for Peru made the affair not so much a formal musical recital as a glad reunion of old friends long separated. The number of out of town persons in attendance was not large on account of the heavy snowfall. Perhaps twenty-five were present from La Salle, but from other points along the interurban none attended, as the entire system was blockaded, though tickets had been sold to crowd the hall, but as it was there were many empty chairs.
    [Show full text]