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Short Films Supports in Europe
e Un programme de l’Union européenne SHORT FILMS SUPPORTS IN EUROPE Belgium Bulgaria Croatia Denmark Estonia Finland France Germany Greece Ireland Italy Lithuania Netherlands Norway Poland Portugal Romania Spain Switzerland Published in 2013 MEDIA Desk France - 9 rue Ambroise Thomas - F-75009 Paris +33 1 47 27 12 77 - [email protected] - www.mediafrance.eu SHORT FILMS SUPPORTS IN… belgium Funding opportunities Centre du Cinéma or 50000 € for animated films. et de l’Audiovisuel (CCA) Foreign projects can be eligible if all the admissibility conditions are met. The maximum amount for those projects is 15000 €. Admissibility: independent pro- CSF (Film Selection Commis- duction company, registered in sion) – Short-length Films pro- Belgium. the whole support has duction and postproduction to be spent in Belgium. The di- GENERAL OVERVIEW support - made up of profes- rector has to be Belgian or Eu- Population: 10,9 million sionals, must issue an advice on ropean citizen (or resident in Languages: French, Dutch each admissible file submitted Belgium for 5 years). The direc- and German by the candidates. This advice tor’s nationality and country of Currency: Euro is then transmitted to the com- residence play a part in the dis- Number of theatres and petent Minister, who decides tinction between a national or a screens: 491 screens on granting or not the subsi- foreign project. (144 digital screens) / dies. For short-length films, the For foreign projects: All the 103 theatres committee meets 3 times a year. admissibility conditions above The members are spread over 2 must have been met. 30% of the Average admission colleges to examine the projects: financing has to be confirmed. -
Request for Proposals Website Redesign for the Arquives The
Request for Proposals Website redesign for The ArQuives The ArQuives (formally the Canadian Lesbian and Gay Archives) acquires, preserves, protects and gives public access to information related to the LGBTQ2+ experience in Canada. Our goal is to be a significant resource and catalyst for those who strive for a future world where LGBTQ2+ people are accepted, valued, and celebrated. Founded in 1973, The ArQuives is the largest LGBTQ2+ independent archive in the world and is recognized globally as a significant resource for LGBTQ2+ documentary heritage. Archival users from across Canada and around the world visit The ArQuives to conduct research for academic projects, journalistic work, documentary filmmaking and other creative productions. The ArQuives also offers remote services to hundreds of researchers who are unable to visit the archives in person. Our collection includes personal and organizational records, vertical files, a photographic collection (20,000 plus), moving images, posters, audiotapes, cartographic and architectural plans, works of art, textiles, and artifacts (including t-shirts, buttons, matchbooks and banners). The LGBTQ2+ periodicals collection is the largest in the world (10,000 plus titles). As trusted steward of vast holdings, The ArQuives has developed outreach programs that connect the public with the evidence needed to build a strong sense of identity and shared heritage for LGBTQ2+ Canadians. This includes Pride Walk, public lectures, class visits, conference presentations, tours of The ArQuives house and social media posts. We actively engage in partnering with other LGBTQ2+ agencies and archives to provide them with the research services and material content to support their management. We also provide valuable internship experience for undergraduate and graduate students to help foster the next generation of LGBTQ2+ historians and archivists. -
Destination Croatia
© Lonely Planet Publications 16 Destination Croatia Sitting on a see-saw between the Balkans and Central Europe, Croatia has been suffering from something of a love-hate-love affair with the EU and its neighbours. Invited to join the UN Security Council in January 2008, its NATO membership was poised for 2009, but its dispute with the EU over its fishing laws saw displeased finger-wagging from the European officials and the already slightly elusive EU joining date (is it 2010? 2011? Perhaps 2012?) caught on yet another hurdle. March 2008 saw the beginning of the trial of Ante Gotovina, Croatia’s wartime general whose arrest was the main prerequisite for the beginning of Croatia’s talks for joining the EU back in 2005. Gotovina stands accused of ‘joint criminal enterprise’ for the expulsion of Serbs from Krajina in 1995. Revered and still seen as a hero by many in his native Zadar region, Gotovina’s trial is sure to bring home some controversial elements of Croatia’s Homeland War. Still in progress at the time of writing were the judicial reforms, the FAST FACTS struggle against corruption and the improvement of conditions for the Population: 4.5 million setting up of private businesses in the country, all of which have to be ful- Area: 56,538 sq km filled before Croatia can get its foot in the door of the desirable European club. Life for the average Croat remains on the tough side, however – the Head of state: President average salary of 6000KN per month is often too low to support a fam- Stjepan Mesić ily – and there is a declining but still substantial rate of unemployment GDP growth rate: 5% (11.18%). -
From Paper, to Microform, to Digital? Serials at the Arquives: Canada's LGBTQ2+ Archives Donald W. Mcleod
From Paper, to Microform, to Digital? Serials at the ArQuives: Canada’s LGBTQ2+ Archives Donald W. McLeod Abstract The ArQuives: Canada’s LGBTQ2+ Archives, founded in 1973, holds one of the largest collections of queer serials in the world, with more than ten thousand titles. Most are on paper, but formats have been evolving. Beginning in the 1980s, the ArQuives participated in small-scale microfilming projects. Microfilming of the collection increased greatly in 2005, when Primary Source Microfilm (PSM) undertook a large project to film a portion of the collection, resulting in 211 reels devoted to international gay and lesbian periodicals and newsletters. The PSM project was later repurposed and expanded by Gale Cengage, beginning in 2015, and forms part of its Archives of Sexuality and Gender online product. This paper examines the evolution of the ArQuives’ serial holdings from paper to microform to digital formats, and explores recent in-house digitization efforts and future prospects for expanding access to these materials. Résumé Les ArQuives : les archives LGBTQ2+ canadiennes, fondées en 1973, détiennent une des plus importantes collections de périodiques queer au monde, comprenant plus de dix mille titres. La majorité sont sur papier, mais les formats sont en évolution. Depuis les années 1980, les ArQuives participent à des projets de microfilmage de petite envergure. Le microfilmage a vu une augmentation importante en 2005, lorsque Primary Source Microfilm (PSM) a entrepris un grand projet consistant à microfilmer une portion de la collection, ayant pour résultat 211 bobines consacrées aux bulletins et périodiques gais et lesbiens internationaux. Par la suite, à partir de 2015, le projet PSM a été transformé et élargi par Gale Cengage, et fait maintenant partie de son produit en ligne Archives of Sexuality and Gender. -
2019-Annual-Snapshot.Pdf
Annual Snapshot 2019 © 2020 The ArQuives, 34 Isabella St., Toronto ON M4Y 1N1 416-777-2755 The CLGA is a registered charity with the Canada Revenue Agency (Charitable 118832864RR00001). 2019 Annual Snapshot 02 Board Message As we are putting together this annual In March 2019, The Canadian Lesbian and snapshot, we work in the dismal shadow of Gay Archives changed its operating name to not only COVID-19, but also the horrific The ArQuives: Canada’s LGBTQ2+ police murder of George Floyd, anti-Black Archives. This change was deliberate to police brutality, and everyday state more accurately reflect the diversity of our violence against Black, Indigenous people communities (beyond gay and lesbians), and all people of colour. As we move into that are already represented in our Pride Month, which celebrates our days of collection. rage against police brutality against LGBTQ2+ people, we call on our At the same time that we launched our new community to protest current instances of name, we launched our Online Collections state violence and anti-Black racism. We Portal. This site allows the public to search are reminded of the importance of our collection from anywhere in the world. gathering and preserving our queer and As a direct result, the number of online trans documentary culture, because it is research requests grew 40%. By sharing only through doing so that future what collections we have, we can work with generations can know their past and draw communities to further demonstrate the from it to build resilience and change in scope of Canadian LGBTQ2+ histories as the future. -
Hedgehog's Home Festivals Awards Screenings
Hedgehog's Home / Jezeva kuca by Eva Cvijanovic 2017 / Canada, Croatia / 10' World premiere: 14/2/2017, Berlin International Film Festival Awards 1. Special Mention, Berlinale International Film Festival, Berlin, Germany (9/2-19/2/2017) 2. Best Film Award, KIKI International Film Festival for Kids, Zabok, Croatia (24/4-28/4/2017) 3. First prize in MIDI SENIOR category, VAFI International Children and Youth Animation Festival, Varazdin, Croatia (30/5-4/6/2017) 4. Audience Award, Animafest – World Festival of Animated Film, Zagreb, Croatia (5/6-10/6/2017) 5. Special Jury Award, Animafest – World Festival of Animated Film, Zagreb, Croatia (5/6- 10/6/2017) 6. Best Animation Award, Kratki na brzinu – Revue of Croatian Short Films, Sv. Ivan Zelina, Croatia (6/6-11/6/2017) 7. Audience Award, Mediterranean Film Festival Split, Split, Croatia (8/6-17/6/2017) 8. Special Mention, Mediterranean Film Festival Split, Split, Croatia (8/6-17/6/2017) 9. Young Audience Award, Annecy International Animation Festival, Annecy, France (12/6- 17/6/2017) 10. Oktavijan Award for the Best Animated Film, Days of Croatian Film, Zagreb, Croatia (16/6- 21/6/2017) 11. Best Music Award, Days of Croatian Film, Zagreb, Croatia (16/6-21/6/2017) 12. Audience Award, Days of Croatian Film, Zagreb, Croatia (16/6-21/6/2017) 13. Grand Prix in Short Animated Film Category, Supertoon International Animation Festival, Sibenik, Croatia (16/7-21/7/2017) 14. Grand Prix in Short Animated Film Category, Kinder Film Fest Kyoto, Kyoto, Japan (3/8-5/8/2017) 15. Special Mention, Guanajuato International Film Festival, Guanajuato, Mexico (21/7-30/7/2017) 16. -
His Ghosts Must Do My Bidding
Wysing Arts Centre Press Release 21 May 2019 All His Ghosts Must Do My Bidding An ambitious new exhibition celebrating the 30th Anniversary of Wysing Arts Centre 7 July to 25 August Launch: 6 July, 5pm–8pm Gone's for once the old magician With his countenance forbidding; I'm now master, I'm tactician, All his ghosts must do my bidding. Know his incantation, Spells and gestures too; By my mind's creation Wonders shall I do. (Johann Wolfgang von Goethe, “The Sorcerer’s Apprentice”, 1779, translation by Paul Dyrsen, 1878) Wysing Arts Centre is delighted to announce an ambitious new exhibition to celebrate its 30th anniversary. Staged across Wysing’s 11-acre rural site, All His Ghosts Must Do My Bidding considers art as magic, artists as magicians, and the studio as a magical site.* The exhibition features new commissions from artists Jill McKnight, Tessa Norton, Pallavi Paul, Imran Perretta and Morgan Quaintance alongside works from Jonathan Baldock, Anna Bunting-Branch, Olivier Castel, Melika Ngombe Kolongo, Shana Moulton, Harold Offeh, Heather Phillipson, Elizabeth Price, Laure Prouvost, Phil Root and Tai Shani. The exhibition begins as an idealistic retelling of “The Sorcerer’s Apprentice”, the tale in which an apprentice uses the master’s magic to cause chaos in the unattended studio, before being caught and punished. In a deliberate act of misreading, All His Ghosts... leaves the tale unfinished, re- interpreting the story as one of liberation. With the ‘forbidding’ master sorcerer gone, and the story’s moralising ending removed, the apprentice is free to experiment, to create and to fail without judgement. -
Regulations for the European Film Awards and the Consent to Make the Film Available on the EFA VOD Platform
REGULATIONS FOR THE 32nd EUROPEAN FILM AWARDS (EFAs) Title page 1. General Information 2 2. FEATURE FILMS: Eligibility 3 3. FEATURE FILMS: Selection 4 4. FEATURE FILMS: Nominations 4 5. FEATURE FILMS: Election of the Winners 5 6. EUROPEAN COMEDY 6 7. EUROPEAN DISCOVERY – Prix FIPRESCI 6 8. EUROPEAN DOCUMENTARY 7 9. EUROPEAN ANIMATED FEATURE FILM 8 10. EUROPEAN SHORT FILM 9 11. EFA LIFETIME ACHIEVEMENT AWARD 10 12. EUROPEAN ACHIEVEMENT IN WORLD CINEMA AWARD 10 13. EURIMAGES CO-PRODUCTION AWARD 10 14. EFA PEOPLE’S CHOICE AWARD for Best European Film 10 15. EFA YOUNG AUDIENCE AWARD (YAA) 11 16. EUROPEAN UNIVERSITY FILM AWARD (EUFA) 12 EUROPEAN FILM ACADEMY e.V. Kurfürstendamm 225 10719 Berlin GERMANY +49 30 887 16 70 [email protected] REGULATIONS FOR THE 32nd EUROPEAN FILM AWARDS (EFAs) 1. GENERAL INFORMATION 1.1. The aims of the European Film Awards (EFAs) are: to celebrate the excellence and diversity of European cinema to attract new audiences to European film to draw attention to new European talent 1.2. Legal body of the EFAs is the European Film Academy e.V. The executive body is the EFA Board. The board consists of a chair person, two deputy chair persons and up to 16 further EFA Members. 1.3. The 32nd EFAs will be presented by the European Film Academy e.V. and EFA Productions gGmbH on 7 December 2019 in Berlin. 1.4. The European Film Academy and EFA Productions present awards in the following categories: EUROPEAN FILM EUROPEAN COMEDY EUROPEAN DISCOVERY – Prix FIPRESCI EUROPEAN DOCUMENTARY EUROPEAN ANIMATED FEATURE FILM EUROPEAN SHORT FILM EUROPEAN DIRECTOR EUROPEAN ACTRESS EUROPEAN ACTOR EUROPEAN SCREENWRITER EUROPEAN CINEMATOGRAPHY EUROPEAN EDITING EUROPEAN PRODUCTION DESIGN EUROPEAN COSTUME DESIGN EUROPEAN HAIR & MAKE-UP EUROPEAN ORIGINAL SCORE EUROPEAN SOUND EUROPEAN VISUAL EFFECTS EFA LIFETIME ACHIEVEMENT AWARD EUROPEAN ACHIEVEMENT IN WORLD CINEMA AWARD EURIMAGES CO-PRODUCTION AWARD EFA PEOPLE’S CHOICE AWARD for Best European Film EFA YOUNG AUDIENCE AWARD (YAA) EUROPEAN UNIVERSITY FILM AWARD (EUFA) 1.5. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Jackie Shane
DISCOGRAPHY SINGLES MONEY (THAT’S WHAT I WANT), I’VE REALLY GOT THE BLUES, HAVE YOU EVER HAD THE BLUES?, ANY OTHER WAY , STICKS AND STONES, IN MY TENEMENT, COMIN’ DOWN, STAND UP STRAIGHT AND TALL, YOU ARE MY SUNSHINE, CRUEL CRUEL WORLD, NEW WAY OF LOVIN ALBUMS JACKIE SHANE LIVE, HONKIN’ AT MIDNIGHT, LIVE AT THE SAPHIRE TAVERN, SOUL SINGLES CLASSICS, JACKIE SHANE LIVE (REISSUE) COMPILATIONS SLAVE FOR YOU BABY, CHICKADEE, ANY OTHER WAY Jackie recorded the chart-topping “Any Other Way”, at Toronto’s Sapphire Tavern. Her popularity was so widespread she was offered an appearance JACKIE SHANE on The Ed MAY 15, 1940 – FEBRUARY 21, 2019 Sullivan Show. She declined because the contract was conditional on her presenting as male. Desh Pardesh was an influential queer South Asian arts festival which existed From 1988 to 2001 Promotional postcard from 1994 Desh Pardesh Festival. Photo by Rachel Kalpana James. Source: The ArQuives. Salaam: Queer Muslim Community formed in Toronto in 2009 primarily as a peer support network. By 2011 they organized the National Salaam Canada Conference in Vancouver in conjunction with the OUTGames Human Rights Conference. c What started as a fling cabinet in the ofces of The Body Politi has grow into the largest independent LGBTQ2+ archive in the world. The organization has also been known as The Canadian Gay Liberation Movement Archives (1971), The Canadian Gay Liberation Movement Archives (1975), Canadian Lesbian and Gay Archives (1993) to its present day name, The ArQuives. Carole Pope Lorraine Segato k.d. lang hAD been to CHEZ MOI, a lesbian bar at 30 hayden street between church & yonge street. -
(Virtual Meeting) Minutes of the 2019 Annual General Meetin
The ArQuives Annual General Meeting June 8, 2020, 6:00 p.m. via Zoom (virtual meeting) Minutes of the 2019 Annual General Meeting 1. Welcome and land acknowledgement Raegan Swanson (Executive Director) gave instructions on the Zoom platform and informed everyone that the meeting was being recorded. Raegan called the meeting to order at 6:05 p.m. and welcomed everyone to the 2019 Annual General Meeting of The ArQuives. Raegan Swanson read The ArQuives’ Indigenous Land Acknowledgment statement. 2. Minutes of the previous Annual General Meeting: May 6, 2019 There were no additions or alterations to the draft minutes of the 2018 Annual General Meeting. It was moved by Dennis Findlay, seconded by Kabir Ravindra, that the minutes of the 2018 Annual General Meeting be approved. Carried unanimously. 3. Business arising None. 4. President’s address Dennis Findlay addressed the meeting: “Firstly, I want to thank everyone for joining us in this new way for our AGM. For some it will be a new experience and for others it is now just an everyday part of our lives, as we have integrated technology into our daily routines, thanks to COVID 19 and maintaining social distancing to keep everyone healthy and safe. Secondly, on behalf of The ArQuives, I would like to thank the Directors of the Board who have served during 2019. Rachel Epstein, who finished her term at the last AGM, along with continuing members, Elspeth Brown, Paul Leatherdale, Justin Hughes-Jones, Marcos Persaud, Kabir Ravindra, David DesLauriers, Ana Rita Morais, Leyla Shahid (who stepped down in the fall) and our newest member, Fran Odette who joined us in November. -
Federal Court Final Settlement Agreement 1
1 Court File No.: T-370-17 FEDERAL COURT Proposed Class Proceeding TODD EDWARD ROSS, MARTINE ROY and ALIDA SATALIC Plaintiffs - and - HER MAJESTY THE QUEEN Defendant FINAL SETTLEMENT AGREEMENT WHEREAS: A. Canada took action against members of the Canadian Armed Forces (the "CAF"), members of the Royal Canadian Mounted Police (the "RCMP") and employees of the Federal Public Service (the “FPS”) as defined in this Final Settlement Agreement (“FSA”), pursuant to various written policies commencing in or around 1956 in the military and in or around 1955 in the public service, which actions included identifying, investigating, sanctioning, and in some cases, discharging lesbian, gay, bisexual and transgender members of the CAF or the RCMP from the military or police service, or terminating the employment of lesbian, gay, bisexual and transgender employees of the FPS, on the grounds that they were unsuitable for service or employment because of their sexual orientation, gender identity or gender expression (the “LGBT Purge”); B. In 2016, class proceedings were commenced against Canada in the Ontario Superior Court of Justice, the Quebec Superior Court and the Federal Court of Canada in connection with the LGBT Purge, and those proceedings have been stayed on consent or held in abeyance while this consolidated proposed class action (the “Omnibus Class Action”) has been pursued on behalf of all three of the representative plaintiffs in the preceding actions; C. The plaintiffs, Todd Edward Ross, Martine Roy and Alida Satalic (the “Plaintiffs”) commenced the Omnibus Class Action in the Federal Court (Court File No. T-370-17) on March 13, 2017 by the Statement of Claim attached as Schedule “A”.