Pacific Pride At
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
Murder?" in Custody of CPD Amistad Hugh A
Vol. 10, No. 10 The People Paper July 26—August 7, 2003 ADJarrell Communications inc. All rights Reserved 500 Reviles the Black Policy racket, Tke Economic engine of tke Black community of yesterday Once upon a time in the Black com- Black America." Policy Kings. munity, the men and woman owned the For all of the prosperity associated Nathan Thompson, spent ten years businesses, today it is owned by other with this historic migration of Black peo- documenting, interviewing, writing and ethnics for the most part. ple to the Bronzeville neighborhood, its researching the era during the 1930s and Once upon a time in the Black com- legacy is deeply rooted in Policy, the 40s. "There was a National Brotherhood munity was an economic engine in the 'numbers game' known today as the Illi- of Policy Kings that permeated nearly Black community, that financed the little nois State Lottery, but the Lottery is not every Black community in America." league baseball games to the major Ne- financing the community as it was during Explains Thompson. "Then known as the gro League. that time of the Numbers racket of Pol- nation's Black Belts. Chicago's Bron- The economic engine behind it all was icy zeville neighborhood was the "Policy the policy racket. In the 1930s, Time r The African American businessmen Capital of the World." Magazine dubbed Chicago's Bronzeville who founded and controlled this game In Kings, it sends the readers on a jour neighborhood the "Business Capital of for half a century, however, were called (Continued on page 6) Murder?" in Custody of CPD Amistad Hugh A. -
Pentecostal Spirituality As Lived Experience
Pentecostal Spirituality as Lived Experience: An Empirical Study of Women in the British Black Pentecostal Church By Marcia Clarke A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law University of Birmingham September 1, 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This study’s central thesis is based upon a qualitative research project which captured and analysed the focus group conversations of fifty-two Black British Pentecostal women of African - Caribbean heritage as they discuss their lived experience in terms of Christian spirituality. Practical Theology as a theologically normative discipline provides the lens through which to study spirituality as experience. This thesis states that the lived experience of Black British Pentecostal women develops and informs Pentecostal spirituality as lived experience as part of a conscious and integrated lifestyle and further facilitates growth in a woman’s relationship with God. The translation of the Hebrew term yāda῾ meaning ‘to know’ is relevant to this understanding, as it is interpreted as to know by experience. -
Musica Tejana: More Than Conjuntos and Orquestas
San Jose State University SJSU ScholarWorks 2001: 28th Annual: Beginning a New Millennium NACCS Annual Conference Proceedings - Tucson, AZ Apr 1st, 5:00 PM Musica Tejana: More Than Conjuntos and Orquestas Guadalupe San Miguel, Jr. University of Houston - Main Follow this and additional works at: https://scholarworks.sjsu.edu/naccs San Miguel,, Guadalupe Jr., "Musica Tejana: More Than Conjuntos and Orquestas" (2001). NACCS Annual Conference Proceedings. 17. https://scholarworks.sjsu.edu/naccs/2001/Proceedings/17 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. CHAPTER FIFTEEN Guadalupe San Miguel, Jr. Musica Tejana: More Than Conjuntos and Orquestas INTRODUCTION Manuel Pena has argued that musica tejana is comprised of two major musical ensembles and their styles, the conjunto and the orquesta.1 These are not the only ones in the community. Others have formed and become dominant at different historical periods in the 20th century. The only ensemble that has survived during this century, however, has been the conjunto. CONJUNTO: TRADITIONAL AND PROGRESSIVE The conjunto originated on both sides of the border and began as a two-person outfit in the 1920s, one played the accordion and the other played a string instrument. Its repertoire, initially, was quite broad and included a host of traditional dances and songs popular throughout 215 Mexico. The conjunto expanded to four persons and four instruments in the post-WWII period. -
Het Verleden in Hiphopmuziek Verwijzingen Naar Het Verleden Van Onderdrukking in De Hiphopcultuur Van De Jaren Negentig
Het verleden in hiphopmuziek Verwijzingen naar het verleden van onderdrukking in de hiphopcultuur van de jaren negentig. Naam: Joris Martens Studentnummer: S4381459 Begeleider: Dhr. Riswick Inleverdatum: 15-6-2017 Radboud Universiteit Nijmegen Inhoud Inleiding .................................................................................................................................................. 2 Status Quaestionis ................................................................................................................................... 4 Bronselectie en methode ......................................................................................................................... 8 Hoofdstuk 1: ‘Verandering hangt in de lucht’ 1990-1993 .................................................................... 11 Hoofdstuk 2: ‘Hernieuwde assertiviteit’ 1994-1997 ............................................................................. 16 Hoofdstuk 3: ‘Over de grenzen van het genre heen kijken’ 1998-2000 ................................................ 23 Conclusie ............................................................................................................................................... 28 Bibliografie ............................................................................................................................................ 30 Bronnen ............................................................................................................................................. 30 Internet -
Ms LULAMA KONZA
CAREER CONSTRUCTION PART II With Bernard Bushe Ms LULAMA KONZA ALSO INSIDE Called to Overcoming fear Apostleship With … Musa Maluleke Empowering Praying +Youth Women challenges JUL&AUG 2017 ON THE COVER 17 LULAMA KONZA Apostle by calling, is empowering women to warriors in the prayer room YOUTH CORNER LEADERSHIP 10 KSD Social Pressures 26 LEADERSHIP NOTE 12 RELATIONSHIPS Nurture Your Gift Guilty By Association 29 MONEY MATTERS 14 CREATIVE SPACE Spending trends Poem By Maunami 45 31 CAREER FOCUS Career Construction 33 ADVICE COLUMN Creating a sustainably LIFESTYLE healthy future 49 LAST WORD Asset 37 HEALTH Benefits of exercise SPOTLIGHT 38 BEAUTY Makeup Tips 43 SONG OF NOTE I know who I am 40 FASHION Winter trends 44 MOVIE REVIEW A Walk To Remember 46 SOCIAL Celeb of Note 46 THE TEAM EDITOR Mfesi Mayekiso CREATIVE DIRECTOR Owen Ngandu DESIGN & LAYOUT Prince Paks MANAGEMENT MARKETING Brandcore PUBLISHING & ADVERTISING Gondo Media ADMINISTRATION Exodus Christian Hub EDITORS NOTE YOUTH, THE BACKBONE OF OUR FU- TURE. WOMEN, THE WOMB OF ALL NATIONS South Africa celebrated on June 16, commemorating the strength and courage of the youth of 1976. Youth that knew what they wanted and how to fight for it. Youth today is still fighting to be heard in different other aspects of life. Above all, from not being heard they are being attacked, spiritually. The world is promising them wonderful re- wards if they follow the worldly paths. They are being swallowed into the ways of the world with very little help to rescue them. I therefore challenge you, young person that has found the right place to seek being heard, the right place to find rescue, the right place being the lord’s arms to use the strength you have to rescue others In August the country again celebrates the women of strength that fought for equality. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Petition for Cancellation Petitioner Information
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1079704 Filing date: 09/03/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party has filed a petition to cancel the registration indicated below. Petitioner Information Name Abraham Quintanilla III Entity Individual Citizenship UNITED STATES Address 7721 IMPALA DRIVE CORPUS CHRISTI, TX 78414 UNITED STATES Attorney informa- THOMAS K. RICHARDS tion SINGH, SINGH & TRAUBEN LLP 400 SOUTH BEVERLY DRIVE SUITE 240 BEVERLY HILLS, CA 90212 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 3108569705 Docket Number Registration Subject to Cancellation Registration No. 2859703 Registration date 07/06/2004 Registrant Martinez, Cruz 4126 NICKLAUS LANE CORPUS CHRISTI, TX 78413 UNITED STATES Goods/Services Subject to Cancellation Class 009. First Use: 1999/03/23 First Use In Commerce: 1999/03/23 All goods and services in the class are subject to cancellation, namely: Downloadable video record- ings featuringmusical group and music; Sound recordings featuring music; Video recordings featuring musical group and music; and Prerecorded audio and video tapes, phonograph records, compact au- dio disks, and video disks featuring musical group and music Class 041. First Use: 1999/03/23 First Use In Commerce: 1999/03/23 All goods and services in the class are subject to cancellation, namely: Entertainment in the nature of visual and audio performances; namely, a musicalband Grounds for Cancellation Fraud on the USPTO Trademark Act Section 14(3); In re Bose Corp., 580 F.3d 1240, 91 USPQ2d 1938 (Fed. -
A Guide to the Ramón Hernández Tejano Music Collection, 1922-2019
A Guide to the Ramón Hernández Tejano Music Collection, 1922-2019 Collection 141 Descriptive Summary Creator: Ramón Hernández Title: Ramón Hernández Tejano Music Collection Dates: 1922-2019 [Bulk dates, 1985-2019] Abstract: The Ramón Hernández Tejano Music Collection spans from 1922-2019 and is organized into twelve series. The collection documents the history of Tejano, conjunto, and orquesta music predominately in Texas (although musicians from around the world are represented). The bulk of the material relates to musicians’ publicity material, but all aspects of the business of Tejano music, including record labels, media outlets, publications, and events are also well-represented. The costume collection consisting of stage outfits is also of note. Identification: Collection 141 Extent: 253 boxes, plus oversize, framed items, and artifacts (approx. 175 linear feet) Language: English, Spanish, Japanese Repository: The WittliFF Collections, Texas State University Administrative Information Access Restrictions Open for research. Preferred Citation Ramón Hernández Tejano Music Collection, The Wittliff Collections, Texas State University Acquisition Information Purchase, 2017 Processing Information Processed in 2019-2020 by Susannah Broyles, with assistance from Roman Gros and Kyle Trehan. Notes for Researchers The Ramón Hernández Music Recording Collection includes 45s, LPs, audiocassettes, and CDs and is Collection 141b. The contents are included as an appendix to this collection. Some publications have been transferred to the Wittliff’s book collection and are available through the library’s online catalog. Guide to the Ramón Hernández Tejano Music Collection (Collection 141) 2 Ramón Hernández Biographical Notes Ramón Hernández (1940-) became an authority on Tejano music through his work as a journalist, photographer, publicist, collector, and musicologist. -
Presionado Por El Éxito
4D EXPRESO Martes 12 de Septiembre de 2006 eSTELAR Ahora el grupo inicia una nueva faceta y bajo el nombre de Kumbia All Starz. Jhonatan Garavito / Reforma / EXPRESO / Reforma Jhonatan Garavito Presionado por el éxito n tan sólo 58 días, El disco se Quintanilla realizó el E disco de Kumbia All “llama Ayer fue Starz, que saldrá a la venta Kumbia Kings, hoy el 29 de septiembre, ya que quería dar continuidad a la es Kumbia All Starz, popularidad que consiguió con su anterior álbum. y es, precisamente, “La disquera me dio ese para que quede tiempo y, para un productor, es difícil. Recuerdo que no claro que esa etapa dormí, pasé mis días traba- será siempre parte jando muy duro, porque hay que planear la música que sue- de mi historia, pero ne muy bien, no sólo este año, si no en el f ut u ro, que h aya u n a que hoy es algo evolución. diferente.” Confi esa haberse sentido A.B. Quintanilla presionado por el éxito ad- Líder de Kumbia All Starz quirido a lo largo de su tra- El líder de los Kumbia A.B. dice que los yectoria, desde que fue parte pleitos con Cruz del grupo Los Dinos, al lado éxito de ‘Dulce Niña’ y, aun- All Starz comenta sobre Martínez prefi ere de Selena, su hermana, pero que mucha gente dice que polémicas desatadas por dejarlos a juicio que enfrentarse al proceso ‘Chiquilla’ es el clon, no es así. del público. creativo es un nuevo reto Lo que pasa es que es el estilo su separación de Cruz que debe ser superado, co- de Pee Wee es el mismo, así mo ocurrió con su reciente como el mío, tenemos ya fra- Martínez producción. -
Down and out in Music City: the Urban Structuration Of
DOWN AND OUT IN MUSIC CITY: THE URBAN STRUCTURATION OF HOMELESSNESS By Damian T. Williams Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology December, 2010 Nashville, Tennessee Approved: Professor Richard Lloyd Professor Brooke Ackerly Professor Daniel Cornfield Professor Larry Isaac Copyright © 2010 Damian Terry Williams To the love of my life, Helene Di Iorio, the sweetest person I have ever known and To Nashville’s unhoused men, there but good fortune go I iii ACKNOWLEDGMENTS Many people have helped me complete this project. Among these are the members of my dissertation committee, who gave me the support, guidance and academic freedom necessary to develop an idiosyncratic and inchoate idea into an intelligible piece of sociological craftsmanship. Richard Lloyd, my dissertation chair, encouraged me to connect my local ethnographic observations to both historical and extra-local processes – his distinctive sociological imagination has profoundly shaped my work since we first crossed paths seven years ago in his seminars on “Contemporary Social Theory” and “Cities in a World Economy.” Intellectual craftsman par excellence, Professor Lloyd was a consistent source of sage conceptual and editorial advice. Ever a font of intellectual support, he continues to inspire me as I begin my career in the Windy City he so ably theorized in his first major piece of scholarship. Dan Cornfield provided consistently insightful and sharp critiques of what were at times ethereal chapter arguments. Moreover, his consistent votes of confidence were invaluable psychological buoys. Larry Isaac was a source of sagacious and candid advice since my second year of graduate studies. -
Production Notes
Production Notes Release Date: April 15 th 2010 Running Time: TBA Rating: TBA A dusty diner in the Mojave Desert becomes ground zero for earth’s final showdown in Legion , a startlingly original and terrifying vision of the Apocalypse from director and writer Scott Stewart ( Priest ). As mankind destroys itself in a savage fury, a small group of people trapped on the edge of nowhere prepare to make a last stand— with the help of a mysterious and powerful stranger. Unaware of the chaos unfolding around the globe, Bob Hanson (Dennis Quaid), the owner of a remote roadside café, and his partner Percy (Charles S. Dutton) go about business as usual. The restaurant’s beautiful and very pregnant waitress, Charlie (Adrianne Palicki), serves breakfast to Sandra and Howard, a well-heeled suburban couple (Kate Walsh and Jon Tenney) and their teenage daughter Audrey (Willa Holland), as they wait for their car to be repaired by Bob’s son, Jeep (Lucas Black). When the television goes on the fritz and the phones go out, the group realizes they have lost all communication with the outside world. As they attempt to make sense of what’s happening—An earthquake? A terrorist attack?— an elderly woman (Jeannette Miller) arrives and sweetly orders a steak from Charlie. When her meal arrives, she begins spewing shocking obscenities. In a heartbeat, the fragile old lady develops superhuman strength, launching a grisly attack that leaves Howard critically injured. A desperate attempt to get medical help ends when an impenetrable cloud of flying insects turns the diner into the only safe haven for miles.