Seminar on Korean Cinema by David James
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Goldsmiths College University of London Locating Contemporary
Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality. -
The Korean Diaspora
HAUNTING the Korean Diaspora HAUNTING the Korean Diaspora Shame, Secrecy, and the Forgotten War Grace M. Cho UNIVERSITY OF MINNESOTA PRESS Minneapolis • London The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book from the Office of the Dean of Humanities and Social Sciences at College of Staten Island–City University of New York. A portion of chapter 4 was published as “Prostituted and Vulnerable Bodies,” in Gendered Bodies: Feminist Perspectives, ed. Judith Lorber and Lisa Jean Moore (Cary, N.C.: Roxbury Publishing, 2007), 210–14; reprinted by permission of Oxford University Press, Inc. Portions of chapters 4 and 5 have been previously published as “Diaspora of Camp - town: The Forgotten War’s Monstrous Family,” Women’s Studies Quarterly 34, nos. 1–2 (2006): 309–31. A shorter version of chapter 6 was published as “Voices from the Teum: Synesthetic Trauma and the Ghosts of Korean Diaspora,” in The Affective Turn: Theorizing the Social, ed. Patricia Clough with Jean Halley (Durham, N.C.: Duke University Press, 2007), 151–69. Portions of chapter 6 were published by Sage Publications as Grace M. Cho and Hosu Kim, “Dreaming in Tongues,” Qualitative Inquiry 11, no. 3 (2005): 445–57, and as Grace M. Cho, “Murmurs in the Storytelling Machine,” Cultural Studies—Critical Methodologies 4, no. 4 (2004): 426–32. Portions of chapter 6 have been performed in “6.25 History beneath the Skin,” a performance art piece in Still Present Pasts: Korean Americans and the “Forgotten War.” In chapter 2, the poem “Cheju Do” by Yong Yuk appears courtesy of the author. -
The Dutchman's Fireside
The Dutchman's Fireside James Kirke Paulding The Dutchman's Fireside Table of Contents The Dutchman's Fireside..........................................................................................................................................1 James Kirke Paulding.....................................................................................................................................1 VOL. I.........................................................................................................................................................................2 ADVERTISEMENT......................................................................................................................................2 CHAPTER I. Rural Scenes and rural Manners..............................................................................................2 CHAPTER II. The Reader is introduced to a bashful young Gentleman!.....................................................7 CHAPTER III. A Young Lady who would have been one hundred years old had she lived long enough.........................................................................................................................................................11 CHAPTER IV. The Morning's smiles, the Evening's tears.........................................................................16 CHAPTER V. An Irruption of Boiled Lobsters...........................................................................................21 CHAPTER VI. A Beau of the Old Regime.................................................................................................24 -
Cinema As a Window on Contemporary Korea
KOREAN FILM AND POPULAR CULTURE Cinema as a Window on Contemporary Korea By Tom Vick THE FOUNDATIONS OF THE NEW KOREAN CINEMA In 1992, after decades of military rule, South Korea elected its first civilian president, Kim Young-sam. Along with the many social, political, and economic changes that accompa- nied the nation’s shift from military to democratic rule, the Korean film industry under- went a renaissance in both popularity and artistic quality, spurred by public and corporate investment, and created by filmmakers released from decades of strict censor- . when President Kim was informed that the ship that prevented them from directly addressing important issues. According movie Jurassic Park had turned a profit equal to to a frequently repeated anecdote, when President Kim was informed that the the export of 1.5 million Hyundai automobiles, he movie Jurassic Park had turned a profit was inspired to provide greatly increased state Marriage Story. equal to the export of 1.5 million ©1992 Shin Cine Communications Ik Young Films Co., Ltd.. Hyundai automobiles, he was inspired support to the media and culture industries. to provide greatly increased state sup- port to the media and culture indus- tries.1 Prior to that, the surprising box office success of Kim Ui-seok’s Marriage Story in 1992, which was financed in part by the corporate conglomerate Samsung, prompted other corporations to see movies as a worthwhile investment.2 Directors who suffered under censorship took advantage of this new era of free expression and increased funding to take on once forbidden topics. Jang Sun-woo, who had been imprisoned at one point for his political activi- ties, addressed the Kwangju Massacre of May 18, 1980, during which the military brutally suppressed a pro-democratization uprising, in A Petal (1996). -
Korea Cinema
한국 영화속으로의 여행 감독 레오나르도 치니에리 롬브로조 Blue Film presents Through Korean Cinema a documentary by Leonardo Cinieri Lombroso ________________________________THROUGH KOREAN CINEMA • technical notes Director Leonardo Cinieri Lombroso Editor Erika Manoni Photographed by Antonio Covato Music Umberto Sangiovanni Sound Park Cindy Graphic and colorist Alessandro Latrofa Produced by Alessandro Bonifazi Bruno Tribbioli Leonardo Cinieri Lombroso Supported by Korean Air Seoul Film commission Korea Film Fest Ambasciata della Repubblica di Corea in Italia Country Italy Year of production 2010 Running time 60‟ Format HD High Definition Standard – colour Sound Stereo SR Publicist Lionella Bianca Fiorillo - Storyfinders Tel. +39 06 45436244 +39 340 7364203 [email protected] [email protected] credits not contractual 1 THROUGH KOREAN CINEMA • Synopsis Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews at five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The interviews will be made to Im Kwon-taek, regarded by all as the great master. Park Kwang-Su, Lee chang-dong and Lee Myung-se (directors who began the new current call “New Korean Cinema”), Park Chan-wook (modern successful directors) The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it. Short filmography of the five directors. -
New Korean Cinema: Mourning to Regeneration
NEW KOREAN CINEMA: MOURNING TO REGENERATION by Seung-hwan Shin B. A. in English Literature, Yonsei University, Seoul, 1999 M. A. in Comparative Literature, Yonsei University, Seoul, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Seung-hwan Shin It was defended on March 3, 2014 and approved by Colin MacCabe, Distinguished Professor, English/Film Studies Adam Lowenstein, Associate Professor, Film Studies Kyung Hyun Kim, Associate Professor, Film & Media Studies, UC Irvine Dissertation Advisor: Marcia Landy, Distinguished Professor, Film Studies ii Copyright © by Seung-hwan Shin 2014 iii NEW KOREAN CINEMA: MOURNING TO REGENERATION Seung-hwan Shin, PhD University of Pittsburgh, 2014 The past two decades saw Korean cinema establishing itself as one of the most vibrant national cinemas in the world. Scholars have often sought clues in democratization in the early 1990s. Yet, the overall condition of Korean cinema had remained hardly promising until the late 1990s, which urges us to rethink the euphoria over democratization. In an effort to find a better account for its stunning and provocative revival, this dissertation challenges the custom of associating the resurgence of Korean cinema with democratization and contends that Korean cinema has gained its novelty and vitality, above all, by confronting the abortive nature of democratic transitions. The overarching concern of this study is thus elucidating the piquant tastes of the thematics and the styles Korean cinema has developed to articulate public discontents with recent historical changes. -
The Military and South Korean Society
The Sigur Center Asia Papers THE MILITARY AND SOUTH KOREAN SOCIETY edited by Young-Key Kim-Renaud R. Richard Grinker Kirk W. Larsen Previous Issues 26. The Military and South Korean Society 13. Reflections of “Misunderstanding” in China Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. Allen S. Whiting, 2001 Larsen, eds., 2006 12. Christianity in Korea 25. The 2004 Tsunami: Six Month Report Young-Key Kim-Renaud, and R. Richard Grinker, eds., Karl F. Inderfurth, David Fabrycky, Stephen Cohen, 2006 2001 24. Korean Education 11. The Political Economy of the Asian Financial Crisis Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. Stephen Haggard, 2001 Larsen, eds., 2005 10. The US Factor in Cross-Straits Relations 23.The 2004 Tsunami: Six Month Report Conference Report, 2000 Karl F. Inderfurth, David Fabrycky, Stephen Cohen, 2005 9. The International Relations Theoretical Discourse in 22.U.S.-India Relations: Ties That Bind? China: A Preliminary Analysis Deepa Ollapally, 2005 Ren Xiao, 2000 21. India-China Relations in the Context of Vajpayee’s 8. Creation and Re-Creation: Modern Korean Fiction and 2003 Visit Its Translation Surjit Mansingh, 2005 Young-Key Kim-Renaud, and R. Richard Grinker, eds., 20. Korean American Literature 2000 Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. 7. Trends in China Watching: Observing the PRC at 50 Larsen, eds., 2004 Bruce Dickson, ed., 1999 19. Sorrows of Empire: Imperialism, Militarism, and the 6. US-Japan Relations in an Era of Globalization End of the Republic Mike M. Mochizuki, 1999 Chalmers Johnson, 2004 5. Southeast Asian Countries’ Perceptions of China’s 18. -
NO. Roman Title Korean Title English Title DVD Call Number OCLC # 252
DVD call NO. Roman Title Korean Title English Title number OCLC # 252 10‐ŏk 10억 A million 9318 Accidental gangster and the mistaken 332 1724 kibang nandong sakŏn 1724 기방난동사건 courtesan 10008 39 2009 losŭtʻŭ memorijŭ 2009 로스트메모리즈 2009 lost memories 2004 472 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3 단변신로보트'84태권브이 Robot taekwon B (84) 10400 #702372642 414 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3단변신로보트 84 태권브이 10174 #190761372 136 708‐ho, idŭngbyŏng ŭi pʻyŏnji 708호, 이등병의편지 Room 708, a letter from a private 7902 519 77‐tan ŭi pimil 77단의비밀 10565 #706716377 361 7‐kŭp kongmuwŏn 7급 공무원 My girl friend is an agent 10039 10 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 604 Different version of DVD 7285 V.3 Different version 122 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 7285 V.3 ofDVD 604 393 A yu redi? 아유레디? Are you ready? 10153 #52368799 400 Adŭl 아들 My son 10160 #686761439 94 Aegukcha keim 애국자 게임 Patriot game 5466 Aejŏng kyŏlpʻip i tu namja ege michʻinŭn 345 yŏnghyang 애정결핍이 두남자에게 미치는 영향 How the lack of love affects two men 10021 494 Aema Puin 애마부인 Ae‐ma Woman 10422 #302362513 242 Aentʻikʻŭ 앤티크 Antique 9308 315 Agi wa na 아기와 나 Baby and I 9831 522 Aienji 아이엔지 ing 10568 #710819644 294 Aisŭ kʻekʻi 아이스케키 Ice bar 9810 365 Aje aje para aje 아제아제 바라아제 Come, come, come upwards 10043 392 Akʻasia 아카시아 Acacia 10152 #441488552 115 Anae ŭi aein ŭl mannada. 아내의 애인을 만나다 Driving with my wife's lover. -
Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use
WILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNMENT AND INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered by the Williams College Libraries, will be made available for research use. You may, through this form, provide instructions regarding copyright, access, dissemination and reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format, and to make such copies as the Libraries require for their research and archival functions. _ The faculty advisor/s to the student writing the thesis claims joint authorship in this work. _ !/we have included in this thesis copyrighted material for which !/we have not received permission from the copyright holder/s. If you do not secure copyright permissions by the time your thesis is submitted, you will still be allowed to submit. However, if the necessary copyright permissions are not received, e-posting of your thesis may be affected. Copyrighted material may include images (tables, drawings, photographs, figures,maps, graphs, etc.), sound files, video material, data sets, and large portions of text. I. COPYRIGHT An author by law owns the copyright to his/her work, whether or not a copyright symbol and date are placed on the piece. Please choose one of the options below with respect to the copyright in your thesis. I/we choose not to retain the copyright to the thesis, and hereby assign the copyright to Williams College. Selecting this option will assign copyright to the College. If the author/s wishes later to publish the work, he/she/they will need to obtain permission to do so from the Libraries, which will be granted except in unusual circumstances. -
MASNAVI E MA'navi One of the World's Greatest Masterpieces
MASNAVI e MA'NAVI One of the world's greatest masterpieces The Spiritual Couplets of Molana Jalal-e-Din Mohammad Molavi Rumi World famous Persian (Iranian) 13th century poet. Translated and Abridged by: E.H. Whinfield Copyright © Iran Chamber Society Content Book 1: 16 Stories 3 Book 2: 18 Stories 45 Book 3: 18 Stories 79 Book 4: 9 Stories 120 Book 5: 12 Stories 152 Book 6: 9 Stories 186 Copyright © Iran Chamber Society 2 Book 1 PROLOGUE HEARKEN to the reed-flute, how it complains, Lamenting its banishment from its home: "Ever since they tore me from my osier bed, My plaintive notes have moved men and women to tears. I burst my breast, striving to give vent to sighs, And to express the pangs of my yearning for my home. He who abides far away from his home Is ever longing for the day ho shall return. My wailing is heard in every throng, In concert with them that rejoice and them that weep. Each interprets my notes in harmony with his own feelings, But not one fathoms the secrets of my heart. My secrets are not alien from my plaintive notes, Yet they are not manifest to the sensual eye and ear. Body is not veiled from soul, neither soul from body, Yet no man hath ever seen a soul." This plaint of the flute is fire, not mere air. Let him who lacks this fire be accounted dead! 'Tis the fire of love that inspires the flute, [l] 'Tis the ferment of love that possesses the wine. -
The Bold Serenity of Poetry Functions As Connection
CONTACT INFORMATION SALES COMPANY - FINECUT INTERNATIONAL PUBLICITY in Cannes CANNES CONTACT HEAD OFFICE LE PUBLIC SYSTEME CINEMA Riviera E9/F12 13, rue d’Antibes, 4F, 06400 Cannes 4F Incline BD, 891-37, Daechi-dong, T: +33 (0)4 92 99 33 03 T: +33 (0)4 93 39 82 48/80 97 / F: +33 (0)4 93 39 70 88 Gangnam-gu, Seoul, 135-280, Korea C: +33 (0)6 07 25 82 62 www.lepublicsystemecinema.fr T: +822 569 8777 / F: +822 569 9466 Sales: Young-joo SUH, CEO (yjsuh@finecut.co.kr) Céline PETIT ([email protected]) / C: +33 (0)6 62 04 21 96 cineinfo@finecut.co.kr Festival: Jiyoon LIM (jiyoon@finecut.co.kr) Hédi ZARDI ([email protected]) / C: +33 (0)6 64 46 10 11 www.finecut.co.kr c: +33 (0)6 78 96 06 48 Clément REBILLAT ([email protected]) / C: +33 (0)6 19 96 81 23 Main Credit UNIKOREA presents Tech Info in association with DIAPHANA DISTRIBUTION, N.E.W, KTB Capital and KT Capital Format 35 mm a PINEHOUSE FILM production Duration. 139 min. Length 12,788 ft Screenplay and Directed by LEE Changdong Number of Reels 7 Starring YUN Junghee, LEE David, KIM Hira Color Color Producer LEE Joondong Ratio 1.85:1 Executive Producers YOUM Taesoon, CHOI Seongmin Sound Dolby SRD Co-Executive Producers Michel Saint-Jean, JUNG Myungsoo, LEE Seungho, LEE Jangho Co-Producer LEE Dongha Cinematography KIM Hyunseok Lighting KIM Bada Production Design SIHN Jeomhui Editing KIM Hyun Sound Supervisor LEE Seungchul (WaveLab) Assistant Director PARK Jungbum Make Up/Hair HWANG Hyunkyu Costumes LEE Choongyeon © 2010 UniKorea Culture & Art Investment Co. -
Transactions
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 90 – 2015 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) Copyright © 2015 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel.: (82-2) 763-9483; Fax: (82-2) 766-3796; email: [email protected] Visit our website at www.raskb.com TRANSACTIONS of the ROYAL ASIATIC SOCIETY KOREA BRANCH Volume 90 – 2015 Contents Korean Christian Nationalists and Canadian Missionaries Frederick J.