The Korean Diaspora
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About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
Mediation and Authenticity in Theresa Hak Kyung Cha's Dictée Natalie
Mediation and Authenticity in Theresa Hak Kyung Cha’s Dictée Natalie Catasús Literature New College of Florida Introduction: Writing the Past Authors of memoir and autobiography must always grapple with the difficulty of reconstructing the past. What may at first seem to be a manageable task of recollection turns out to be an act of translation that must cross distances of time and location. Authors must probe into the elusive, fluid space of memory and imagine back across time passed in order to access and reconstruct life’s events. But memory is faulty, and the linearity demanded by text contradicts the simultaneous way we process experience. To translate life into text is to flatten out the robust simultaneity of lived experience into the linear medium of language. To complicate matters, authors whose interests extend beyond autobiography and into familial and national history have another set of problems on their hands. How can an author faithfully write about a past event that he or she did not experience, or a person he or she never knew? Can the sources he or she uses (memoirs, photographs, historical records, etc.) make the past more “real” to a reader? If the author acknowledges his or her own limited access to the past, does it make the text more authentic? Theresa Hak Kyung Cha’s book Dictée is loaded with experimental approaches to these questions. The avant-garde techniques she uses radically illustrate the problems of mediation and authenticity in personal narratives coming out of oppressive political contexts. The frustrated language that pervades the book paired with Cha’s idiosyncratic incorporation of outside sources works to express not just the difficulty, but perhaps the impossibility of conveying a lost past. -
Japanese Hermeneutics
JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA JAPANESE HERMENEUTICS JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA University of Hawai‘i Press Honolulu © 2002 University of Hawai‘i Press All rights reserved Printed in the United States of America 07 06 05 04 03 02 654321 Library of Congress Cataloging-in-Publication Data Japanese hermeneutics : current debates on aesthetics and interpretation / edited by Michael F. Marra. p. cm. Includes index. ISBN 0-8248-2457-1 (cloth : alk. paper) 1. Aesthetics, Japanese. 2. Hermeneutics. 3. Japanese literature— History and criticism. I. Marra, Michele. BH221.J3 J374 2000 111Ј.85Ј0952—dc21 2001040663 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Carol Colbath Printed by The Maple-Vail Book Manufacturing Group Volano gli angeli in Paradiso Che adornano con il sorriso Nel ricordo di Gemmina (1960 –2000) CONTENTS Acknowledgments ix Abbreviations xi Introduction Michael F. Marra 1 HERMENEUTICS AND JAPAN 1. Method, Hermeneutics, Truth Gianni Vattimo 9 2. Poetics of Intransitivity Sasaki Ken’ichi 17 3. The Hermeneutic Approach to Japanese Modernity: “Art-Way,” “Iki,” and “Cut-Continuance” O¯ hashi Ryo¯suke 25 4. Frame and Link: A Philosophy of Japanese Composition Amagasaki Akira 36 5. The Eloquent Stillness of Stone: Rock in the Dry Landscape Garden Graham Parkes 44 6. Motoori Norinaga’s Hermeneutic of Mono no Aware: The Link between Ideal and Tradition Mark Meli 60 7. Between Individual and Communal, Subject and Object, Self and Other: Mediating Watsuji Tetsuro¯’s Hermeneutics John C. -
Russell-Mills-Credits1
Russell Mills 1) Bob Marley: Dreams of Freedom (Ambient Dub translations of Bob Marley in Dub) by Bill Laswell 1997 Island Records Art and design: Russell Mills (shed) Design assistance, image melts: Michael Webster (storm) Paintings: Russell Mills 2) The Cocteau Twins: BBC Sessions 1999 Bella Union Records Art and design: Russell Mills (shed) Design assistance and image melts: Michael Webster (storm) 3) Gavin Bryars: The Sinking Of The Titanic / Jesus' Blood Never Failed Me Yet 1998 Virgin Records Art and design: Russell Mills Design assistance and image melts: Michael Webster (storm) Paintings and assemblages: Russell Mills 4) Gigi: Illuminated Audio 2003 Palm Pictures Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Jean Baptiste Mondino 5) Pharoah Sanders and Graham Haynes: With a Heartbeat - full digipak 2003 Gravity Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Paintings and assemblages: Russell Mills 6) Hector Zazou: Songs From The Cold Seas 1995 Sony/Columbia Art and design: Russell Mills and Dave Coppenhall (mc2) Design assistance: Maggi Smith and Michael Webster 7) Hugo Largo: Mettle 1989 Land Records Art and design: Russell Mills Design assistance: Dave Coppenhall Photography: Adam Peacock 8) Lori Carson: The Finest Thing - digipak front and back 2004 Meta Records Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Lori Carson 9) Toru Takemitsu: Riverrun 1991 Virgin Classics Art & design: Russell Mills Cover -
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by David Hur Committee in charge: Professor Yunte Huang, co-Chair Professor Stephanie Batiste, co-Chair Professor erin Khuê Ninh Professor Sowon Park September 2020 The dissertation of David Hur is approved. ____________________________________________ erin Khuê Ninh ____________________________________________ Sowon Park ____________________________________________ Stephanie Batiste, Committee Co-Chair ____________________________________________ Yunte Huang, Committee Co-Chair September 2020 Diasporic Ethnopoetics Through “Han-Gook”: An Inquiry into Korean American Technicians of the Enigmatic Copyright © 2020 by David Hur iii ACKNOWLEDGEMENTS This journey has been made possible with support from faculty and staff of both the Comparative Literature program and the Department of Asian American Studies. Special thanks to Catherine Nesci for providing safe passage. I would not have had the opportunities for utter trial and error without the unwavering support of my committee. Thanks to Yunte Huang, for sharing poetry in forms of life. Thanks to Stephanie Batiste, for sharing life in forms of poetry. Thanks to erin Khuê Ninh, for sharing countless virtuous lessons. And many thanks to Sowon Park, for sharing in the witnessing. Thirdly, much has been managed with a little -
Mapping the Aesthetical-Political Sonic, Master Thesis, © March 2017 Supervisor: Sommerer, Christa, Univ.-Prof
Universität für Künstlerische und Industrielle Gestaltung Linz Institut für Medien Interface Culture SOUNDSREVOLTING:MAPPINGTHE AESTHETICAL-POLITICALSONIC oliver lehner Master Thesis MA supervisor: Sommerer, Christa, Univ.-Prof. Dr. date of approbation: March 2017 signature (supervisor): Linz, 2017 Oliver Lehner: Sounds Revolting: Mapping the Aesthetical-Political Sonic, Master Thesis, © March 2017 supervisor: Sommerer, Christa, Univ.-Prof. Dr. location: Linz ABSTRACT I demand change. As a creator of sound art, I wanted to know what it can do. I tried to find out about the potential field in the overlap between a political aesthetic and a political sonic, between an artis- tic activism and sonic war machines. My point of entry was Steve Goodman’s Sonic Warfare. From there, trajectories unfolded through sonic architectures into an activist philosophy in interactive art. Sonic weapon technology and contemporary sound art practices define a frame for my works. In the end, I could only hint at sonic agents for change. iii CONTENTS i thesis 1 1 introduction 3 1.1 Why sound matters (to me) . 3 1.2 Listening for “New Weapons” . 4 1.3 Sounds of War . 5 1.4 Aesthetics and Politics . 6 2 acoustic weapons 11 2.1 On “Non-lethal” Weapons (NLW) . 11 2.2 A brief history of weaponized sound . 14 2.3 Sonic Battleground Europe . 19 2.4 Civil Sonic Weapons and Counter Measures . 20 3 the art of (sonic) war 23 3.1 Advanced Hyperstition: Goodman’s work after Sonic Warfare . 23 3.2 Artistic Sonic War Machines . 26 3.3 Ultrasound Art and Micropolitics of Frequency . 31 4 the search for sound artivism 37 4.1 Art and Activism . -
Flying High Radio Show Playlists
Flying High Radio Show Playlist 2020 30 December 2020 i_o - Castles In The Sky (Extended Mix) Craig Connelly & Alex Holmes - Anything Like You (Daxson Extended Remix) MaRLo & HALIENE - Say Hello (Darren Porter Radio Edit) David Forbes & Susie Ledge - Silent Waves BT,Matt Fax, Nation Of One - Walk Into The Water Iain M & Deirdre McLaughlin - Eternally (Sneijder Extended Remix) Seawayz & Sharon Valerona - By My Side( Extended Mix) Andrew Rayel & Olivia Sebastianelli - Everything Everything (Cosmic Gate Remix) Illitheas & Pedro del Mar With Tiff Lacey - Lightning (Extended Mix) Protoculture & Diana Miro - Seconds Robbie Seed,Digital Vision,Caitlin Potter - Come Back Home (Radio Mix) DT8 & Project & Lustral - On My Own (Last Soldier Remix) Teddy Beats Ft. Mon RovÎa - Waste Some Time Marcus Santoro & Lauren L'aimant - Give Into You LTN & Christina Novelli - I'd Go Back (R.I.B & Seven24 & Eugene Cortez Remix) ©2009-2020 George Jopling https://djgj.co.uk Flying High Radio Show Playlist 2020 23 December 2020 LTN & Christina Novelli - I'd Go Back (Rinaly Extended Remix) Rezwan Khan & Hidden Tigress - Racing To Somewhere (Extended Mix) Susana - Dark Side of The Moon (Ferry Tayle Extended Mix) Tycoos & Jan Johnston - The Landslide (Extended Mix) Robert Nickson With Thea Riley - Feed My Soul (Extended Club Mix) Will Atkinson With Harry Roke - Burning Out Will Atkinson With Cari Golden - Cigarettes & Kerosene Will Atkinson With Perplexer - Acid Folk (Will Atkinson Last King of Scotland Remix) Billy Gillies - Closed Eyes (Extended Mix) Alessandra Roncone - What Makes You Feel Alive (Extended Mix) Nord Horizon - Take My Hand (Extended Mix) Dim3nsion - Outstanding Armin van Buuren Ft. Duncan Laurence - Feel Something Jes & Oliver Smith - Don't Let It End (Accoustic) 16 December 2020 James Kitcher, Adam Taylor & Susie Ledge - Come In From The Cold (Extended Mix) Ana Criado - In A Thousand Skies (Dan Stone Extended Mix) BiXX - Trance At The Opera (Extended Mix) Miyuki Ft. -
UC Santa Barbara Dissertation Template
CORE Metadata, citation and similar papers at core.ac.uk Provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Permalink https://escholarship.org/uc/item/6hz1c8vj Author Wasson, Kai Reed Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Kai Reed Wasson Committee in charge: Professor Sabine Frühstück, Chair Professor ann-elise lewallen Professor Kate McDonald June 2018 The thesis of Kai Reed Wasson is approved. ____________________________________________ Kate McDonald ____________________________________________ ann-elise lewallen ____________________________________________ Sabine Frühstück, Committee Chair June 2018 Discomforting Neighbors: Emotional Communities Clash over “Comfort Women” in an American Town Copyright © 2018 by Kai Reed Wasson iii ACKNOWLEDGEMENTS I have often heard that research projects of considerable length are impossible without the thoughtful input of a host of people. Pursuing this endeavor myself has proven to me that collaboration is absolutely necessary even for a project of this modest magnitude. I would first like to thank my masters committee, Professors Sabine Frühstück, ann- elise lewallen, and Kate McDonald, for bearing with me and providing constructive feedback on such a difficult and sensitive subject. I owe a debt of gratitude for the learning opportunities and financial support afforded to me by UC Santa Barbara’s East Asian Languages and Cultural Studies Department. -
Goldsmiths College University of London Locating Contemporary
Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality. -
Amerikan Movies Draft1.7
AMERIKAN MOVIES 1 AMERICAN MOVIES Table of contents The Parts that Make up the Whole, Some thoughts on the work of The Speculative Archive/Julia Meltzer and David Thorne by Pablo de Ocampo - 3 Frequencies: an interview with Jason Boughton - 6 Taking to the Periphery - 17 by Andrea Picard Light Waves and their Uses - 21 by David Dinnell David Gatten talk - 23 Hand Cranked: a Conversation with Filmmaker Lee Krist by Alex Mackenzie - 30 Milk and Juice: An unfinished text to the artist I wish I’d met before starting psychoanalysis by Deirdre Logue - 38 Experience Torn to Shreds/Experiments From the Granary, Vincent Grenier, A Retrospective by Mike Cartmell - 40 What is Felt Cannot be Forgotten: an interview with Deborah Stratman interview - 46 George Kuchar’s Videos: Excrements of time by Steve Reinke- 58 Jennifer Reeves at Cinemateque Ontatio, fall 2006 – 64 An Interview with Robert Todd – 72 Long Live Experimental: and Interview with Julie Murray - 94 An Interview with Martha Colburn – 109 David Dinnell’s Midden – 118 Dani Leventhal by Steve Reinke - 120 Editor: Mike Hoolboom Notes on 4 Movies by Dani Leventhal - 121 Design by Mike Evans 2 The parts that make up the whole Some thoughts on the work of The Speculative Archive/Julia Meltzer and David Thorne by Pablo de Ocampo Since 1999 Julia Meltzer and David Thorne “the truth” is a means by which to emphasize have been collaborating under the name The the often loose and uncertain nature of the facts Speculative Archive. Though their output they are working with. Meltzer and Thorne’s includes installations, texts, and photographs, process is heavily rooted in an intensive the bulk of their work has been in the production investigation of documents—government texts, of single channel video documentaries. -
Experimental Sound & Radio
,!7IA2G2-hdbdaa!:t;K;k;K;k Art weiss, making and criticism have focused experimental mainly on the visual media. This book, which orig- inally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experi- editor mental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes “radio,” but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical, 0-262-73130-4 Jean Wilcox jacket design by political, popular cultural, archeological, semiotic, and feminist. Topics include the formal properties of radiophony, the disembodiment of the radiophonic voice, aesthetic implications of psychopathology, gender differences in broad- experimental sound and radio cast musical voices and in narrative radio, erotic fantasy, and radio as an http://mitpress.mit.edu Cambridge, Massachusetts 02142 Massachusetts Institute of Technology The MIT Press electronic memento mori. The book includes new pieces by Allen S. Weiss and on the origins of sound recording, by Brandon LaBelle on contemporary Japanese noise music, and by Fred Moten on the ideology and aesthetics of jazz. Allen S. Weiss is a member of the Performance Studies and Cinema Studies Faculties at New York University’s Tisch School of the Arts. TDR Books Richard Schechner, series editor experimental edited by allen s. weiss #583606 5/17/01 and edited edited by allen s. weiss Experimental Sound & Radio TDR Books Richard Schechner, series editor Puppets, Masks, and Performing Objects, edited by John Bell Experimental Sound & Radio, edited by Allen S. -
BAMPFA Mounts Major Solo Exhibition of Work by Theresa Hak Kyung Cha
Media Contact: A. J. Fox · (510) 642-0365 · [email protected] BAMPFA Mounts Major Solo Exhibition of Work by Theresa Hak Kyung Cha On View January 31–April 22, 2018 Theresa Hak Kyung Cha: Avant Dictee is First Exhibition Inspired by Bay Area Artist’s Celebrated 1982 Book Dictee (Berkeley, CA) January 18, 2018—The UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) presents an innovatively organized exhibition of work by Theresa Hak Kyung Cha (1951–1982), the first solo presentation in more than a decade of work by the accomplished artist, filmmaker, and writer. Opening on January 31, Theresa Hak Kyung Cha: Avant Dictee features nearly fifty of Cha’s works in a range of media, organized for the first time into distinct thematic groupings inspired by the ten chapters of her iconic 1982 book Dictee. Drawing from Cha’s rarely exhibited archives—which were donated to BAMPFA in 1992—Theresa Hak Kyung Cha: Avant Dictee captures the interdisciplinary scope of Cha’s artistic output, which encompassed photography, poetry, film, video, live performance, mail art, sculpture, works on paper, and more. The selected works highlight the artist’s interest in the spiritual and aesthetic dimensions of language, which is also a central focus of Dictee—a formally ambitious work that includes passages in English, French, and Korean. The exhibition is organized into ten sections that correspond to the chapters of Dictee, with excerpts from the book displayed alongside individual works to illuminate connections and themes that extend throughout the artist’s practice. Born in South Korea, Cha immigrated with her family to the United States as a child and settled in the Bay Area, where she studied French at San Francisco’s Convent of the Sacred Heart before enrolling at UC Berkeley.