The Dutchman's Fireside

Total Page:16

File Type:pdf, Size:1020Kb

The Dutchman's Fireside The Dutchman's Fireside James Kirke Paulding The Dutchman's Fireside Table of Contents The Dutchman's Fireside..........................................................................................................................................1 James Kirke Paulding.....................................................................................................................................1 VOL. I.........................................................................................................................................................................2 ADVERTISEMENT......................................................................................................................................2 CHAPTER I. Rural Scenes and rural Manners..............................................................................................2 CHAPTER II. The Reader is introduced to a bashful young Gentleman!.....................................................7 CHAPTER III. A Young Lady who would have been one hundred years old had she lived long enough.........................................................................................................................................................11 CHAPTER IV. The Morning's smiles, the Evening's tears.........................................................................16 CHAPTER V. An Irruption of Boiled Lobsters...........................................................................................21 CHAPTER VI. A Beau of the Old Regime.................................................................................................24 CHAPTER VII. An Invasion of State Rights..............................................................................................26 CHAPTER VIII. Our Hero, for the first time in his life, comes to a determination....................................29 CHAPTER IX. The Wilderness...................................................................................................................31 CHAPTER X. A Night Scene......................................................................................................................34 CHAPTER XI. A Woodman........................................................................................................................37 CHAPTER XII. The Woodman's Home......................................................................................................40 CHAPTER XIII. The Kings of the Woods..................................................................................................44 CHAPTER XIV. The Stranger undertakes the reformation of our Hero.....................................................47 CHAPTER XV. Our Hero takes his departure............................................................................................50 CHAPTER XVI. Showing that old Scenes revive old Habits.....................................................................52 CHAPTER XVII. An irruption of wandering Arabs, and a swarming of Bees...........................................55 CHAPTER XVIII. A civilized Savage........................................................................................................57 CHAPTER XVIII. Additional Traits of the civilized Savage......................................................................59 CHAPTER XX. A Hit and a Miss...............................................................................................................61 CHAPTER XXI. A trial of Skill..................................................................................................................63 CHAPTER XXII. Our Hero loses his character for morals and gallantry...................................................65 CHAPTER XXIII. The Pipe is broken at last..............................................................................................67 CHAPTER XXIV. A Separation instead of a Union...................................................................................71 VOL. II......................................................................................................................................................................73 CHAPTER I. A long Voyage!.....................................................................................................................73 CHAPTER II. Which may be skipped over by the gentle Reader, as it contains not a single bloody adventure.....................................................................................................................................................78 CHAPTER III. A Knight and an Honourable. The Reader is desired to make his best bow......................79 CHAPTER IV. A reigning Belle..................................................................................................................81 CHAPTER V. Manoeuvring........................................................................................................................83 CHAPTER VI. In which the Reader will be puzzled to discover whether the gray Mare is the better Horse or not.................................................................................................................................................84 CHAPTER VII. The Rape of the Picture.....................................................................................................86 CHAPTER VIII. A Hero in snuff−coloured Breeches................................................................................88 CHAPTER IX. Of the noble revenge of Sir Thicknesse Throgmorton. The Author lauds the Ladies........90 CHAPTER X. How oft the colours of men's clothes Their future destinies disclose!................................92 CHAPTER XI. A good Resolution sometimes comes a day after the Fair.................................................95 CHAPTER XII. Gilfillan and Sybrandt set out on a long journey..............................................................97 Section..........................................................................................................................................................97 Letter............................................................................................................................................................98 Section..........................................................................................................................................................99 CHAPTER XIII. Adieu a while to the Dutchman's Fireside.....................................................................101 i The Dutchman's Fireside Table of Contents The Dutchman's Fireside CHAPTER XIV. Sybrandt begins to act instead of think..........................................................................104 CHAPTER XV. A Night Adventure..........................................................................................................108 CHAPTER XVI. A Bush Fight..................................................................................................................113 CHAPTER XVII. An Explanation.............................................................................................................116 CHAPTER XVIII. The Burial of a gallant Soldier....................................................................................118 CHAPTER XIX. Catalina returns Home...................................................................................................120 CHAPTER XX. An anti−charitable Chapter.............................................................................................123 CHAPTER XXI. Pliny the younger...........................................................................................................125 CHAPTER XXII. Letters without Answers...............................................................................................127 CHAPTER XXIII. The last sleep of a good man.......................................................................................129 CHAPTER XXI. A Ghost!.........................................................................................................................132 CHAPTER XXV. The birth and parentage of a Rumour..........................................................................136 CHAPTER XXVI. Our Hero receives back his uncle's estate with an encumbrance................................139 ii The Dutchman's Fireside James Kirke Paulding This page copyright © 2002 Blackmask Online. http://www.blackmask.com • VOL. I. • ADVERTISEMENT. • CHAPTER I. Rural Scenes and rural Manners. • CHAPTER II. The Reader is introduced to a bashful young Gentleman! • CHAPTER III. A Young Lady who would have been one hundred years old had she lived long enough. • CHAPTER IV. The Morning's smiles, the Evening's tears. • CHAPTER V. An Irruption of Boiled Lobsters. • CHAPTER VI. A Beau of the Old Regime. • CHAPTER VII. An Invasion of State Rights. • CHAPTER VIII. Our Hero, for the first time in his life, comes to a determination. • CHAPTER IX. The Wilderness. • CHAPTER X. A Night Scene. • CHAPTER XI. A Woodman. • CHAPTER XII. The Woodman's Home. • CHAPTER XIII. The Kings of the Woods. • CHAPTER XIV. The Stranger undertakes the reformation of our Hero. • CHAPTER XV. Our Hero takes his departure. • CHAPTER XVI. Showing that old Scenes revive old Habits. • CHAPTER XVII. An irruption of wandering Arabs, and a swarming of Bees. • CHAPTER XVIII. A civilized Savage. • CHAPTER XVIII. Additional Traits of the civilized Savage. • CHAPTER XX. A Hit and a Miss.
Recommended publications
  • The Master of the Unruly Children and His Artistic and Creative Identities
    The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works.
    [Show full text]
  • Goldsmiths College University of London Locating Contemporary
    Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality.
    [Show full text]
  • New Mexico State Record, 12-20-1918 State Publishing Company
    University of New Mexico UNM Digital Repository New Mexico State Record, 1916-1921 New Mexico Historical Newspapers 12-20-1918 New Mexico State Record, 12-20-1918 State Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/nm_state_record_news Recommended Citation State Publishing Company. "New Mexico State Record, 12-20-1918." (1918). https://digitalrepository.unm.edu/ nm_state_record_news/128 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in New Mexico State Record, 1916-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. MEW MEXICO STATE 'RECORD SUBSCRIPTION $1.50 SANTA FE, NEW MEXICO, FRIDAY, DECEMBER 20, 1918 NUMBER 223 war, served no military advantage, FLORIDA IS 1STH STATE TO interest of O. H. Ray in the feed to record a single case of the "flu." 1 IIV I 11111 1 OUR IMPORTS NEW MEXICO what?-Glen- and were crimes quite as much as RATIFY DRY AMENDMENT and fuel business, heretofore con Healthy place; hey, rio! frlAft J LAWOillP WILL if they had been committed in times ducted under the firm name of Ful- of peace. The perpetrators should The Florida Legislature in special ler & Ray. The firm will henceforth FROM FAR EAST be apprehended, tried and punish- session has ratified the National Pro- NEWS REVIEW be known as Fuller & Company, and The county school board has de- BE CONSIDERED ed exactly as though no war had hibition Amendment. The score do business at the same old loca- cided to have no Christmas week occurred.
    [Show full text]
  • Sta Te Ne Ws Symphonic Conductor Papers Quote Secret U.S. Prestige
    M t //. V TUESDAY, NOVEMBER !, IWO AySlagh Badly Not Preoo Ktui ^turlinfstfr ^oEttittg l|fraU> ' For tin W«Oh Ended ' PeqeoMl e t U / i . ' Oct 29,1986 ^ • : itor.v.M ii/uite Rhnngn Umig k i 'em TWO Women’s Bodetjr C l r ^ of Annual Gi^d Fair GiubHeirsTalk^: t At 13,263 Law tetofhl mOo 40 the Community Baptist Chura Membw Of the Audit will meet -tomorrow at 8 p.m. The FU l day 86-00. Alto Set at St. MaiyV V (M Satelli^^ Ecko Aotdikatfo Hnreoa eC Clhiiglntlea. Reed-Bathn Circle win meeU at Manchester--—4 hf VUlage Charm . y . the home of Mrs. L T . w o o l , jitofliaito’ ! » ' wUI be ipon- dell, ISO Oak Bt,.and the WlUlng The annual fair of St. Mary’s I.TIie aatellltb Echo wlU be dls- FbesM m 2-tltf ^ rr*\ Ort BomU Episcopal OuUd' win take place eussed' tiy KeEineth' Sklimer of the Ones Circle will iheet at the home MANCHESTER, CONN., WEDNESDAY, NOVEMBER 2, 1M6 (CMssHted no Face 82) PRICE riVECKNTK m S toJB P.m. toi the of Mrs: Jtoes Bldef,_ 85 Wads­ on Thursday, Nov. 10, at 2 p.m. SduUiam New Engtend Telephone: VOL. LXXli; NO. 28 " (TWENTT-FOUIt PAGES—TWO SECTIONS—PLUS TABLOID) lihgilttMl b in e ( Methodist worth 8 t ' .. in.the hall of the old pfYblb house. B. P. Itury Is «en- Cheese will be aokfhesn* the.pn-, Oo. at a meeting of the 60-60 club •faf'dntnnan. an— Eva Holmea M Church St, trance by Mrs.
    [Show full text]
  • The Korean Diaspora
    HAUNTING the Korean Diaspora HAUNTING the Korean Diaspora Shame, Secrecy, and the Forgotten War Grace M. Cho UNIVERSITY OF MINNESOTA PRESS Minneapolis • London The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book from the Office of the Dean of Humanities and Social Sciences at College of Staten Island–City University of New York. A portion of chapter 4 was published as “Prostituted and Vulnerable Bodies,” in Gendered Bodies: Feminist Perspectives, ed. Judith Lorber and Lisa Jean Moore (Cary, N.C.: Roxbury Publishing, 2007), 210–14; reprinted by permission of Oxford University Press, Inc. Portions of chapters 4 and 5 have been previously published as “Diaspora of Camp - town: The Forgotten War’s Monstrous Family,” Women’s Studies Quarterly 34, nos. 1–2 (2006): 309–31. A shorter version of chapter 6 was published as “Voices from the Teum: Synesthetic Trauma and the Ghosts of Korean Diaspora,” in The Affective Turn: Theorizing the Social, ed. Patricia Clough with Jean Halley (Durham, N.C.: Duke University Press, 2007), 151–69. Portions of chapter 6 were published by Sage Publications as Grace M. Cho and Hosu Kim, “Dreaming in Tongues,” Qualitative Inquiry 11, no. 3 (2005): 445–57, and as Grace M. Cho, “Murmurs in the Storytelling Machine,” Cultural Studies—Critical Methodologies 4, no. 4 (2004): 426–32. Portions of chapter 6 have been performed in “6.25 History beneath the Skin,” a performance art piece in Still Present Pasts: Korean Americans and the “Forgotten War.” In chapter 2, the poem “Cheju Do” by Yong Yuk appears courtesy of the author.
    [Show full text]
  • GLIMPSES of the GOD-MAN MEHER BABA Volume 1 (1943-1948)
    GLIMPSES OF THE GOD-MAN MEHER BABA Volume 1 (1943-1948) By Bal Natu An Avatar Meher Baba Trust eBook June 2011 Copyright © 1977 by Bal Natu Source: This eBook reproduces the original edition of Glimpses of the God-Man, Meher Baba, Volume1, published by Sufism Reoriented (Walnut Creek, California) in 1977. eBooks at the Avatar Meher Baba Trust Web Site The Avatar Meher Baba Trust’s eBooks aspire to be textually exact though non-facsimile reproductions of published books, journals and articles. With the consent of the copyright holders, these online editions are being made available through the Avatar Meher Baba Trust’s web site, for the research needs of Meher Baba’s lovers and the general public around the world. Again, the eBooks reproduce the text, though not the exact visual likeness, of the original publications. They have been created through a process of scanning the original pages, running these scans through optical character recognition (OCR) software, reflowing the new text, and proofreading it. Except in rare cases where we specify otherwise, the texts that you will find here correspond, page for page, with those of the original publications: in other words, page citations reliably correspond to those of the source books. But in other respects—such as lineation and font—the page designs differ. Our purpose is to provide digital texts that are more readily downloadable and searchable than photo facsimile images of the originals would have been. Moreover, they are often much more readable, especially in the case of older books, whose discoloration and deteriorated condition often makes them partly illegible.
    [Show full text]
  • Cinema As a Window on Contemporary Korea
    KOREAN FILM AND POPULAR CULTURE Cinema as a Window on Contemporary Korea By Tom Vick THE FOUNDATIONS OF THE NEW KOREAN CINEMA In 1992, after decades of military rule, South Korea elected its first civilian president, Kim Young-sam. Along with the many social, political, and economic changes that accompa- nied the nation’s shift from military to democratic rule, the Korean film industry under- went a renaissance in both popularity and artistic quality, spurred by public and corporate investment, and created by filmmakers released from decades of strict censor- . when President Kim was informed that the ship that prevented them from directly addressing important issues. According movie Jurassic Park had turned a profit equal to to a frequently repeated anecdote, when President Kim was informed that the the export of 1.5 million Hyundai automobiles, he movie Jurassic Park had turned a profit was inspired to provide greatly increased state Marriage Story. equal to the export of 1.5 million ©1992 Shin Cine Communications Ik Young Films Co., Ltd.. Hyundai automobiles, he was inspired support to the media and culture industries. to provide greatly increased state sup- port to the media and culture indus- tries.1 Prior to that, the surprising box office success of Kim Ui-seok’s Marriage Story in 1992, which was financed in part by the corporate conglomerate Samsung, prompted other corporations to see movies as a worthwhile investment.2 Directors who suffered under censorship took advantage of this new era of free expression and increased funding to take on once forbidden topics. Jang Sun-woo, who had been imprisoned at one point for his political activi- ties, addressed the Kwangju Massacre of May 18, 1980, during which the military brutally suppressed a pro-democratization uprising, in A Petal (1996).
    [Show full text]
  • Korea Cinema
    한국 영화속으로의 여행 감독 레오나르도 치니에리 롬브로조 Blue Film presents Through Korean Cinema a documentary by Leonardo Cinieri Lombroso ________________________________THROUGH KOREAN CINEMA • technical notes Director Leonardo Cinieri Lombroso Editor Erika Manoni Photographed by Antonio Covato Music Umberto Sangiovanni Sound Park Cindy Graphic and colorist Alessandro Latrofa Produced by Alessandro Bonifazi Bruno Tribbioli Leonardo Cinieri Lombroso Supported by Korean Air Seoul Film commission Korea Film Fest Ambasciata della Repubblica di Corea in Italia Country Italy Year of production 2010 Running time 60‟ Format HD High Definition Standard – colour Sound Stereo SR Publicist Lionella Bianca Fiorillo - Storyfinders Tel. +39 06 45436244 +39 340 7364203 [email protected] [email protected] credits not contractual 1 THROUGH KOREAN CINEMA • Synopsis Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews at five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The interviews will be made to Im Kwon-taek, regarded by all as the great master. Park Kwang-Su, Lee chang-dong and Lee Myung-se (directors who began the new current call “New Korean Cinema”), Park Chan-wook (modern successful directors) The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it. Short filmography of the five directors.
    [Show full text]
  • I®Anrl|Palpr Hrralji
    Pair of journeymen takes British Open iead ... page 11 J i®anrl|palpr HrralJi u Friday, July 21, 1989 Manchester, Conn. — A City of Village Charm Newsstand Price: 35 Cents Pilot says control was lost before disaster Walter Williams of 147 Edger- of the survivors.” system, which is routed through United released the names of ton St. was not on a list of At least 76 people were killed in the tail and allows the pilot to survivors Thursday but withheld Family holds Crew doubted survivors which \yas released by the fiery crash and up to 43 others manipulate wing and tail con­ a list of casualties while relatives United Airlines Thursday, and were missing and believed dead. trols. contained no fluid as Capt. were notified. vigil for man airline officials could not deter­ The plane is a DC-10 jumbo jet. landing safety A1 C. Haynes tried to bring the As workers continued to search mine whether he had survived or Rachel Williams, the couple’s plane into Sioux Gateway Air­ wreckage strewn through a corn­ By Maureen Leavitt not, according to Norman Pattis two young daughters and son By Sharon Cohen port, National Transportation field and across a runway, Manchester Herald of 124 W. Middle Turnpike. were visiting her husband’s fam ­ The Associated Press Safety Board officials said Thurs­ investigators released details of Pattis said he and his wife ily in Colorado at the time of the day night. the harrowing last hour of the Family, friends and co-workers talked with Williams' wife, Ra­ crash, Pattis said.
    [Show full text]
  • Baylor University
    ABSTRACT We Believe in the Communion of Saints: A Proposed Protestant Reclamation of the Doctrine Jonathan Scott Speegle Mentor: Bob Patterson, Ph.D. The corrective theology of the Reformation broke the historic union, at least in Europe, among all members of the kingdom of God. Perhaps the most serious Protestant loss—one still not satisfactorily recovered—is the doctrine of the communion between pilgrims and saints, especially when we remember that the Reformation declared all Christians to be saints, not just those who had been officially beatified and canonized. So, while the theology of the Church’s true treasury may have been corrected, Protestant Christians remain bereft of a satisfactory explication of their creedal claim that “we believe in the Communion of Saints” Hence there is a Protestant need for a recovered doctrine of the Communion of Saints as including the dead no less than the living. This proposed reclamation of the doctrine of the Communion of Saints living and dead for Protestant Christianity will be attempted in this dissertation in three parts. Part one will survey the historical development of the doctrine and outline the reasons for its ultimate rejection. Part two will construct a biblically grounded eschatological context through which we can understand, in part, the life beyond. Part three will explore the Church’s understanding of the various interactions between believers on earth and those in heaven. The story of Augustine’s mother Monica’s internment will introduce the Communion of Saints as a spiritual bond which knits together the faithful in this world and the saints beyond in a mystical organic and historic unity within which there exists a mutuality of faith, prayer, and love that is best and most fully expressed in the Eucharistic feast.
    [Show full text]
  • 45 Collection
    TYPE ARTIST HIT FLIP LABEL NO CON VALUE RR 1910 FRUITGUM COMPNY SIMON SAYS BUDDAH 024 V $2.00 RR 1910 FRUITGUM COMPNY MR JENSEN GIANT STEP BUDDAH 039 N $8.00 RR 1910 FRUITGUM COMPNY 1 2 3 RED LIGHT STICKY STICKY BUDDAH 054 E $7.00 RR 1910 FRUITGUM COMPNY GOODY GOODY GUMDROP CANDY KISSES BUDDAH 071 N $8.00 RR 1910 FRUITGUM COMPNY INDIAN GIVER POW WOW BUDDAH 091 N $8.00 RR 1910 FRUITGUM COMPNY SPECIAL DELIVERY NO GOOD ANNIE BUDDAH 114 N $8.00 RR 3-D’S NOTHIN TO WEAR HAPPIEST BOY AND GIRL BRUNS 55152 E $10.00 5 BLIND BOYS MONTANA BROTHER BILL RI FILED UNDER SPARKTONES VINTGE 1000 N $2.00 COM A PAIR OF KINGS ONCE MONSTER RCA 7659 E RR ABBOTT BILLY COME ON AND DANCE WITH ME GROOVY BABY PARKWY 874 N $20.00 DWP ACADEMICS GIRL THAT I LOVE I OFTEN WONDER (RED) ANCHO 104 N $5.00 DWP ACADEMICS AT MY FRONT DOOR (RED) DARLA MY DARLIN’ RELIC 509 G $3.00 RR ACCENTS WIGGLE WIGGLE DREAMIN’ AND SCHEMIN’ BRUNS 55100 N $25.00 RR ACCENTS CHING A LING I GIVE MY HEART TO YOU BRUNS 55123 E $25.00 RB ACE BUDDY BEYOND THE RAINBOW ANGEL BOY DJ DUKE 199 N $30.00 RB ACE BUDDY WONT YOU RECONSIDER THIS LITTLE LOVE OF MINE DUKE 325 V $10.00 RB ACE JOHNNY CROSS MY HEART ANGEL DUKE 107 N $50.00 RB ACE JOHNNY PLEASE FORGIVE ME YOUVE BEEN GONE TOO LONG DUKE 128 N $50.00 RB ACE JOHNNY PLEDGING MY LOVE ANYMORE DUKE 136 N $30.00 RB ACE JOHNNY PLEDGING MY LOVE NO MONEY DUKE 136 N $50.00 RB ACE JOHNNY ANYMORE HOW CAN YOU BE SO MEAN DUKE 144 E $40.00 RB ACE JOHNNY I STILL LOVE YOU SO DONT YOU KNOW DUKE 154 V $10.00 RB ACE JOHNNY SAVING MY LOVE FOR YOU+ ANGEL/PLEASE FORGIVE ME
    [Show full text]
  • New Korean Cinema: Mourning to Regeneration
    NEW KOREAN CINEMA: MOURNING TO REGENERATION by Seung-hwan Shin B. A. in English Literature, Yonsei University, Seoul, 1999 M. A. in Comparative Literature, Yonsei University, Seoul, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Seung-hwan Shin It was defended on March 3, 2014 and approved by Colin MacCabe, Distinguished Professor, English/Film Studies Adam Lowenstein, Associate Professor, Film Studies Kyung Hyun Kim, Associate Professor, Film & Media Studies, UC Irvine Dissertation Advisor: Marcia Landy, Distinguished Professor, Film Studies ii Copyright © by Seung-hwan Shin 2014 iii NEW KOREAN CINEMA: MOURNING TO REGENERATION Seung-hwan Shin, PhD University of Pittsburgh, 2014 The past two decades saw Korean cinema establishing itself as one of the most vibrant national cinemas in the world. Scholars have often sought clues in democratization in the early 1990s. Yet, the overall condition of Korean cinema had remained hardly promising until the late 1990s, which urges us to rethink the euphoria over democratization. In an effort to find a better account for its stunning and provocative revival, this dissertation challenges the custom of associating the resurgence of Korean cinema with democratization and contends that Korean cinema has gained its novelty and vitality, above all, by confronting the abortive nature of democratic transitions. The overarching concern of this study is thus elucidating the piquant tastes of the thematics and the styles Korean cinema has developed to articulate public discontents with recent historical changes.
    [Show full text]