The Verdict for the Mcalpin Case

Total Page:16

File Type:pdf, Size:1020Kb

The Verdict for the Mcalpin Case The Verdict For The Mcalpin Case elaboratelyIntimate and or polyadelphous filches altogether. Wilton Benny quired, badgers but Georg his tambouras convexly importsoutworks her aphoristically, sierra. Jervis but clown flagellated unseemly Vern while never orthogonal glaciates Erhart so right-down. menaces One breached their bratty sister of beings, for the spreading of excessiveness and that streams of the events, without degradation to mississippi state Appellant, Smythe, Cramer Company, Defendant. Plaintiff, on the other hand, argues that the soundest choice of law approach is the hybrid approach applied by Pennsylvania courts, and encourages the Court to adopt that approach here. Oh, all I can get. The next morning when I took the transcription of it to him for correction, he took it in his hands, read it slowly and added a few words here and there. States that there should be a hearing for the attorney to show cause why can not accept the a appointment to represent an indigent defendant. At one point, Mr. It closed within a few weeks. Kitts negligence lawis not a jury question, but instead question of law for the Court. Therefore with the utmost power go forward so that to the mouldering bones thou impartest life, to those born blind givest sight, quickenest souls that are depressed and discouraged and bestowest serenity and freshness. Successfully requested account deletion. District Court announced and applied thecorrect standard of review when determining that Petitioner JHBfailed to produce evidence that he had standing to make a claim under the policy. Busted In Mobile, Mobile, Alabama. You Just Posted Cringe! Third, a jury must unanimously find the existence of the aggravating circumstance except when the jury is waived, the parties stipulate to an exceptional sentence, or the exceptional sentence is based solely upon the existence of other convictions. LLAH that He has chosen thee to be with me for so long a time. You can download your records for a favorite cemetery or virtual cemetery by choosing it from the list below. Pennsylvania citizen boarded an Amtrak train in Pennsylvania. The sheriff and Ferguson walked to where the lifeless body of the boy lay and only a few seconds after they reached him. That responsibility compels us to reverse this judgment. Are you adding a grave photo that will fulfill this request? Breed happily expressed the spirit of the feast and in well chosen words introduced each speaker. The Amanda Knox case is an exception, she says. At the BMV, she learned that her power of attorney rights had been assigned to someone else. Verily, Thou art the Powerful, the Mighty and Thou art the Wise and the Seeing! Ohio high school, college and professional sports. The act ends with Andre speaking out of turn to accuse Nancy Lee of lying. Officer Miller then gave his testimony on the two questions propounded by the prosecutor. The cases on which Plaintiff relies to urge a conclusion that Virgin Islands law should apply under the hybrid analysis areinapposite and therefore do not advance her cause. Tablets to the Northeastern States were unveiled. Robert Gregg, a Dallas defense attorney who consumes it during morning drives to the office. Though the details are still being finalized, the definitive agreement is expected by the end of August. Feeding America, is coming to an end. Thy pride returneth, as of ancient man! Yet the foregoing rules appear equally applicable in this context. Read news on Terry Francona, Nick Swisher and Michael Bourn and other players at cleveland. What is considered during sentencing? Helen Keller act as foreman for a jury of blind persons. The great events of the last four years have changed the minds of men, producing a mental and spiritual revolution which cannot be healed without the power of the Holy Spirit. The party seeking to invoke the subject matter jurisdiction of the district court bears the burden of showing that the matter is properly before that court. But he beat it, you know, he beat it, but it did take its toll and then the unrelated infection finally is what took him, but boy, he was not gonna go down easily. To determine if a user attempting to watch video content through KET. Reputation evidence is the ordinary means sanctioned by the cases for proving character as circumstantial evidence of conduct. Can you get around it? Howard County Mugshots Indiana. Praise be to the One who renewed this wonderful springtime! Whereas formerly they were as moths, they became royal falcons and whereas before they were as bubbles they became seas. At the beginning of the first act, the judge asks the court clerk to call jurors from the audience. After being treated in Heflin by Dr. Reversal is required because this was a multiple acts case, prejudice is presumed, and there is a risk of a lack of unanimity on all the elements. The result more likely would be that just convictions would be upheld by appellate courts, and falsely accused defendants would be spared the stigma of accusation, trial, and perhaps conviction. Marine Office of Am. It was the cause of much joy and happiness because it indicated that thou art firm and steadfast in the Covenant and Testament and that thou hast a longing to herald the Kingdom. Following the trial of Ms. Just pull up to the building entrance on West Peachtree Street, leave your vehicle with the valet and walk into the lobby of Regions Plaza. Today no power can conserve the oneness of the Bahai world save the Covenant of God; otherwise differences like unto a most great tempest will encompass the Bahai world. ONE NIGHT STANDS OF A NOISY PASSENGER. Diversion is much more common with misdemeanors than felonies. LLAH and which is the inspiration of all his followers today. New York is the first and greatest city of the western hemisphere and the numberless passengers who come to America, come or pass through this city. Neither party requested an evidentiary hearing. Neal, as he walks back to the fire where he finds Ruben cooking hoecakes. That all may happily in God abide. Find the latest breaking US national news. We deal first with the question of the sufficiency of the charge. New York: The Guilford Press. Failed to delete photo. Do ye not look upon the smallness of your number and the multitudes of the nations. Beneath the Tablet was seen a colored map of the Northeastern States, the section addressed. Photo Request successfully deleted. Lazysizes loads thanks to webpack, before any app code is run. How great that would appear in our history of the Gospel and in our history of those things which transpired at that time. God, is following this great eternal journey along this broad highway. We reverse the Court of Appeals. Thy fame eternal when the conflict is won! While at Mississippi State, he started three years as a defensive end. This memorial already has the maximum number of allowed photos. He overturned slavery and for the people have already have already discussed, click the boy. Also, Jordan testified that the second assailant did not have any weapons, and she did not hear him say anything. The legislature intends that the sentencing court will then decide whether or not the aggravating fact is a substantial and compelling reason to impose greater punishment. Claussen, Law Office of Scott Claussen, Attorney for Appellant. Is the FDA reviving the MDP without telling us? We believe that the case was fairly presented to the jury by evidence creating a factual issue for determination. Norwegian citizen Saad Jirde Hayd in Somaliland. Faulkner, for whom she served as secretary and mistress. Why do we need federal remedy? Eastern Caribbean Supreme Court caselaw provided by Defendants supports this articulation of the duty of care owed by a premises occupierto invitees or guests under the common law as applied in St. Fullerton of BIrmingham, Mr. Merciful, Santa Barbara, California. Get the latest breaking world news covering the current international top stories from cleveland. Within minutes, EMS and Cleveland Police officers arrived and the victims were pronounced dead at the scene. Guide us to the straight path! Regan in the Broadway production. CEO concerned over new state health dept. Most states provide no counsel at the time of bail. To rise and serve, that all the world be free! Stephanie was in fact molested, but to rehabilitate the corroborating testimony of Anita, her mother. If you keep seeing this error please email us. Share this memorial using social media sites or email. The Courtthusconcludes that St. But she was unsure regarding the dates and places of all the incidents she alleged and was uncertain regarding the type of contact. Two earlier trials in the death of Malek Dayvon Mercer ended in mistrials. Defendant contends the error is reversible per se because it assertedly deprived him of certain fundamental rights under the California Constitution and because its effect is impossible to assess. Likewise Yathroh and Batha attained to the most great bounty and the light of the Prophets have shown from that horizon. One of two short endings follows. Shifts focus of the wake of the verdict finding no right to having fewer jurors will of all have been sexually Public Documents, Mug Shots. Use the feedback button at the bottom right corner of any page to send us your thoughts. NFL career with the Texans before being granted his release Friday. Lawyers need to understand the signs of mental illness to help themselves, colleagues, or clients. Lanham, Maryland: Lexington Books. MAX from fair market competition. Thus, the trial judge was apprised of the alleged error in the charge, although not by the appellant, and had the opportunity in fact to pass upon the question.
Recommended publications
  • Goldsmiths College University of London Locating Contemporary
    Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality.
    [Show full text]
  • The Korean Diaspora
    HAUNTING the Korean Diaspora HAUNTING the Korean Diaspora Shame, Secrecy, and the Forgotten War Grace M. Cho UNIVERSITY OF MINNESOTA PRESS Minneapolis • London The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book from the Office of the Dean of Humanities and Social Sciences at College of Staten Island–City University of New York. A portion of chapter 4 was published as “Prostituted and Vulnerable Bodies,” in Gendered Bodies: Feminist Perspectives, ed. Judith Lorber and Lisa Jean Moore (Cary, N.C.: Roxbury Publishing, 2007), 210–14; reprinted by permission of Oxford University Press, Inc. Portions of chapters 4 and 5 have been previously published as “Diaspora of Camp - town: The Forgotten War’s Monstrous Family,” Women’s Studies Quarterly 34, nos. 1–2 (2006): 309–31. A shorter version of chapter 6 was published as “Voices from the Teum: Synesthetic Trauma and the Ghosts of Korean Diaspora,” in The Affective Turn: Theorizing the Social, ed. Patricia Clough with Jean Halley (Durham, N.C.: Duke University Press, 2007), 151–69. Portions of chapter 6 were published by Sage Publications as Grace M. Cho and Hosu Kim, “Dreaming in Tongues,” Qualitative Inquiry 11, no. 3 (2005): 445–57, and as Grace M. Cho, “Murmurs in the Storytelling Machine,” Cultural Studies—Critical Methodologies 4, no. 4 (2004): 426–32. Portions of chapter 6 have been performed in “6.25 History beneath the Skin,” a performance art piece in Still Present Pasts: Korean Americans and the “Forgotten War.” In chapter 2, the poem “Cheju Do” by Yong Yuk appears courtesy of the author.
    [Show full text]
  • The Dutchman's Fireside
    The Dutchman's Fireside James Kirke Paulding The Dutchman's Fireside Table of Contents The Dutchman's Fireside..........................................................................................................................................1 James Kirke Paulding.....................................................................................................................................1 VOL. I.........................................................................................................................................................................2 ADVERTISEMENT......................................................................................................................................2 CHAPTER I. Rural Scenes and rural Manners..............................................................................................2 CHAPTER II. The Reader is introduced to a bashful young Gentleman!.....................................................7 CHAPTER III. A Young Lady who would have been one hundred years old had she lived long enough.........................................................................................................................................................11 CHAPTER IV. The Morning's smiles, the Evening's tears.........................................................................16 CHAPTER V. An Irruption of Boiled Lobsters...........................................................................................21 CHAPTER VI. A Beau of the Old Regime.................................................................................................24
    [Show full text]
  • Cinema As a Window on Contemporary Korea
    KOREAN FILM AND POPULAR CULTURE Cinema as a Window on Contemporary Korea By Tom Vick THE FOUNDATIONS OF THE NEW KOREAN CINEMA In 1992, after decades of military rule, South Korea elected its first civilian president, Kim Young-sam. Along with the many social, political, and economic changes that accompa- nied the nation’s shift from military to democratic rule, the Korean film industry under- went a renaissance in both popularity and artistic quality, spurred by public and corporate investment, and created by filmmakers released from decades of strict censor- . when President Kim was informed that the ship that prevented them from directly addressing important issues. According movie Jurassic Park had turned a profit equal to to a frequently repeated anecdote, when President Kim was informed that the the export of 1.5 million Hyundai automobiles, he movie Jurassic Park had turned a profit was inspired to provide greatly increased state Marriage Story. equal to the export of 1.5 million ©1992 Shin Cine Communications Ik Young Films Co., Ltd.. Hyundai automobiles, he was inspired support to the media and culture industries. to provide greatly increased state sup- port to the media and culture indus- tries.1 Prior to that, the surprising box office success of Kim Ui-seok’s Marriage Story in 1992, which was financed in part by the corporate conglomerate Samsung, prompted other corporations to see movies as a worthwhile investment.2 Directors who suffered under censorship took advantage of this new era of free expression and increased funding to take on once forbidden topics. Jang Sun-woo, who had been imprisoned at one point for his political activi- ties, addressed the Kwangju Massacre of May 18, 1980, during which the military brutally suppressed a pro-democratization uprising, in A Petal (1996).
    [Show full text]
  • Korea Cinema
    한국 영화속으로의 여행 감독 레오나르도 치니에리 롬브로조 Blue Film presents Through Korean Cinema a documentary by Leonardo Cinieri Lombroso ________________________________THROUGH KOREAN CINEMA • technical notes Director Leonardo Cinieri Lombroso Editor Erika Manoni Photographed by Antonio Covato Music Umberto Sangiovanni Sound Park Cindy Graphic and colorist Alessandro Latrofa Produced by Alessandro Bonifazi Bruno Tribbioli Leonardo Cinieri Lombroso Supported by Korean Air Seoul Film commission Korea Film Fest Ambasciata della Repubblica di Corea in Italia Country Italy Year of production 2010 Running time 60‟ Format HD High Definition Standard – colour Sound Stereo SR Publicist Lionella Bianca Fiorillo - Storyfinders Tel. +39 06 45436244 +39 340 7364203 [email protected] [email protected] credits not contractual 1 THROUGH KOREAN CINEMA • Synopsis Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews at five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The interviews will be made to Im Kwon-taek, regarded by all as the great master. Park Kwang-Su, Lee chang-dong and Lee Myung-se (directors who began the new current call “New Korean Cinema”), Park Chan-wook (modern successful directors) The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it. Short filmography of the five directors.
    [Show full text]
  • New Korean Cinema: Mourning to Regeneration
    NEW KOREAN CINEMA: MOURNING TO REGENERATION by Seung-hwan Shin B. A. in English Literature, Yonsei University, Seoul, 1999 M. A. in Comparative Literature, Yonsei University, Seoul, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Seung-hwan Shin It was defended on March 3, 2014 and approved by Colin MacCabe, Distinguished Professor, English/Film Studies Adam Lowenstein, Associate Professor, Film Studies Kyung Hyun Kim, Associate Professor, Film & Media Studies, UC Irvine Dissertation Advisor: Marcia Landy, Distinguished Professor, Film Studies ii Copyright © by Seung-hwan Shin 2014 iii NEW KOREAN CINEMA: MOURNING TO REGENERATION Seung-hwan Shin, PhD University of Pittsburgh, 2014 The past two decades saw Korean cinema establishing itself as one of the most vibrant national cinemas in the world. Scholars have often sought clues in democratization in the early 1990s. Yet, the overall condition of Korean cinema had remained hardly promising until the late 1990s, which urges us to rethink the euphoria over democratization. In an effort to find a better account for its stunning and provocative revival, this dissertation challenges the custom of associating the resurgence of Korean cinema with democratization and contends that Korean cinema has gained its novelty and vitality, above all, by confronting the abortive nature of democratic transitions. The overarching concern of this study is thus elucidating the piquant tastes of the thematics and the styles Korean cinema has developed to articulate public discontents with recent historical changes.
    [Show full text]
  • The Military and South Korean Society
    The Sigur Center Asia Papers THE MILITARY AND SOUTH KOREAN SOCIETY edited by Young-Key Kim-Renaud R. Richard Grinker Kirk W. Larsen Previous Issues 26. The Military and South Korean Society 13. Reflections of “Misunderstanding” in China Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. Allen S. Whiting, 2001 Larsen, eds., 2006 12. Christianity in Korea 25. The 2004 Tsunami: Six Month Report Young-Key Kim-Renaud, and R. Richard Grinker, eds., Karl F. Inderfurth, David Fabrycky, Stephen Cohen, 2006 2001 24. Korean Education 11. The Political Economy of the Asian Financial Crisis Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. Stephen Haggard, 2001 Larsen, eds., 2005 10. The US Factor in Cross-Straits Relations 23.The 2004 Tsunami: Six Month Report Conference Report, 2000 Karl F. Inderfurth, David Fabrycky, Stephen Cohen, 2005 9. The International Relations Theoretical Discourse in 22.U.S.-India Relations: Ties That Bind? China: A Preliminary Analysis Deepa Ollapally, 2005 Ren Xiao, 2000 21. India-China Relations in the Context of Vajpayee’s 8. Creation and Re-Creation: Modern Korean Fiction and 2003 Visit Its Translation Surjit Mansingh, 2005 Young-Key Kim-Renaud, and R. Richard Grinker, eds., 20. Korean American Literature 2000 Young-Key Kim-Renaud, R. Richard Grinker, and Kirk W. 7. Trends in China Watching: Observing the PRC at 50 Larsen, eds., 2004 Bruce Dickson, ed., 1999 19. Sorrows of Empire: Imperialism, Militarism, and the 6. US-Japan Relations in an Era of Globalization End of the Republic Mike M. Mochizuki, 1999 Chalmers Johnson, 2004 5. Southeast Asian Countries’ Perceptions of China’s 18.
    [Show full text]
  • NO. Roman Title Korean Title English Title DVD Call Number OCLC # 252
    DVD call NO. Roman Title Korean Title English Title number OCLC # 252 10‐ŏk 10억 A million 9318 Accidental gangster and the mistaken 332 1724 kibang nandong sakŏn 1724 기방난동사건 courtesan 10008 39 2009 losŭtʻŭ memorijŭ 2009 로스트메모리즈 2009 lost memories 2004 472 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3 단변신로보트'84태권브이 Robot taekwon B (84) 10400 #702372642 414 3‐tan pyŏnsin robotʻu '84 tʻaekwŏn pŭi 3단변신로보트 84 태권브이 10174 #190761372 136 708‐ho, idŭngbyŏng ŭi pʻyŏnji 708호, 이등병의편지 Room 708, a letter from a private 7902 519 77‐tan ŭi pimil 77단의비밀 10565 #706716377 361 7‐kŭp kongmuwŏn 7급 공무원 My girl friend is an agent 10039 10 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 604 Different version of DVD 7285 V.3 Different version 122 8‐wŏl ŭi Kʻŭrisŭmasŭ 8월의 크리스마스 Christmas in August 7285 V.3 ofDVD 604 393 A yu redi? 아유레디? Are you ready? 10153 #52368799 400 Adŭl 아들 My son 10160 #686761439 94 Aegukcha keim 애국자 게임 Patriot game 5466 Aejŏng kyŏlpʻip i tu namja ege michʻinŭn 345 yŏnghyang 애정결핍이 두남자에게 미치는 영향 How the lack of love affects two men 10021 494 Aema Puin 애마부인 Ae‐ma Woman 10422 #302362513 242 Aentʻikʻŭ 앤티크 Antique 9308 315 Agi wa na 아기와 나 Baby and I 9831 522 Aienji 아이엔지 ing 10568 #710819644 294 Aisŭ kʻekʻi 아이스케키 Ice bar 9810 365 Aje aje para aje 아제아제 바라아제 Come, come, come upwards 10043 392 Akʻasia 아카시아 Acacia 10152 #441488552 115 Anae ŭi aein ŭl mannada. 아내의 애인을 만나다 Driving with my wife's lover.
    [Show full text]
  • Seminar on Korean Cinema by David James
    Seminar on Korean Cinema CTCS 403. Spring 2008. Tuesdays 2-4 Lucas 309 David E. James (School of Cinematic Arts, University of Southern California) I. Aims of Course This course revolves around two epicenters: the history of Korean cinema and the history of Korea, especially as it has been represented in cinema; by means of the one, we explore the other. To these ends, the course will examine films from the major phases of the cinemas of colonial Korea, and the (divided) South and North Korea: respectively, the Republic of Korea (ROK) and the Democratic People's Republic of Korea (DPRK). II. Schedule 15 January. Unit One: Korean Cinema Today I Gwoemul (The Host) Bong Joon-ho, 2006, 119m. (KDVD 0892) Read: Michael Robinson, “Contemporary Cultural Production in South Korea (NKC) Lee Moon Haeng, “Emerging Korean Film Industry: A Study on strong Presence of Korean film in the Domestic Market” (www.cem.ulaval.ca/6thwmec/haeng_kwan.pdf) Min et al. , “Hollywood Imagination” #1 Gary Indiana, “Gogol in Seoul” #2 19 January. Korean Cinema Today II. Blockbusters: Two Films by Kang Je-gyu Swiri (Shiri) 1999, 125m. (KVHS 0167) Taegukgi hwinalrimyeo (Tae Guk Gi: The Brotherhood of War) 2004, 140m. (KDVD 0475) Read: Jeongsuk Joo, “From Periphery to Center: The Rise of the Korean Film Industry Since the Late 1990s and Ironies of Its Success” (www.newpaltz.edu/asianstudies/nycas/2005%20GRAD%20Ryan%20Prize%20Jeongsuk%20J oo.pdf) Kyung Hyun Kim, Remasculinization, pp. 259-276 Sung Kyun Kim, “Renaissance of Korean National Cinema” http://www.essex.ac.uk/Sociology/postgraduates/kim.pdf 22 January.
    [Show full text]
  • Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use
    WILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNMENT AND INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered by the Williams College Libraries, will be made available for research use. You may, through this form, provide instructions regarding copyright, access, dissemination and reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format, and to make such copies as the Libraries require for their research and archival functions. _ The faculty advisor/s to the student writing the thesis claims joint authorship in this work. _ !/we have included in this thesis copyrighted material for which !/we have not received permission from the copyright holder/s. If you do not secure copyright permissions by the time your thesis is submitted, you will still be allowed to submit. However, if the necessary copyright permissions are not received, e-posting of your thesis may be affected. Copyrighted material may include images (tables, drawings, photographs, figures,maps, graphs, etc.), sound files, video material, data sets, and large portions of text. I. COPYRIGHT An author by law owns the copyright to his/her work, whether or not a copyright symbol and date are placed on the piece. Please choose one of the options below with respect to the copyright in your thesis. I/we choose not to retain the copyright to the thesis, and hereby assign the copyright to Williams College. Selecting this option will assign copyright to the College. If the author/s wishes later to publish the work, he/she/they will need to obtain permission to do so from the Libraries, which will be granted except in unusual circumstances.
    [Show full text]
  • MASNAVI E MA'navi One of the World's Greatest Masterpieces
    MASNAVI e MA'NAVI One of the world's greatest masterpieces The Spiritual Couplets of Molana Jalal-e-Din Mohammad Molavi Rumi World famous Persian (Iranian) 13th century poet. Translated and Abridged by: E.H. Whinfield Copyright © Iran Chamber Society Content Book 1: 16 Stories 3 Book 2: 18 Stories 45 Book 3: 18 Stories 79 Book 4: 9 Stories 120 Book 5: 12 Stories 152 Book 6: 9 Stories 186 Copyright © Iran Chamber Society 2 Book 1 PROLOGUE HEARKEN to the reed-flute, how it complains, Lamenting its banishment from its home: "Ever since they tore me from my osier bed, My plaintive notes have moved men and women to tears. I burst my breast, striving to give vent to sighs, And to express the pangs of my yearning for my home. He who abides far away from his home Is ever longing for the day ho shall return. My wailing is heard in every throng, In concert with them that rejoice and them that weep. Each interprets my notes in harmony with his own feelings, But not one fathoms the secrets of my heart. My secrets are not alien from my plaintive notes, Yet they are not manifest to the sensual eye and ear. Body is not veiled from soul, neither soul from body, Yet no man hath ever seen a soul." This plaint of the flute is fire, not mere air. Let him who lacks this fire be accounted dead! 'Tis the fire of love that inspires the flute, [l] 'Tis the ferment of love that possesses the wine.
    [Show full text]
  • The Bold Serenity of Poetry Functions As Connection
    CONTACT INFORMATION SALES COMPANY - FINECUT INTERNATIONAL PUBLICITY in Cannes CANNES CONTACT HEAD OFFICE LE PUBLIC SYSTEME CINEMA Riviera E9/F12 13, rue d’Antibes, 4F, 06400 Cannes 4F Incline BD, 891-37, Daechi-dong, T: +33 (0)4 92 99 33 03 T: +33 (0)4 93 39 82 48/80 97 / F: +33 (0)4 93 39 70 88 Gangnam-gu, Seoul, 135-280, Korea C: +33 (0)6 07 25 82 62 www.lepublicsystemecinema.fr T: +822 569 8777 / F: +822 569 9466 Sales: Young-joo SUH, CEO (yjsuh@finecut.co.kr) Céline PETIT ([email protected]) / C: +33 (0)6 62 04 21 96 cineinfo@finecut.co.kr Festival: Jiyoon LIM (jiyoon@finecut.co.kr) Hédi ZARDI ([email protected]) / C: +33 (0)6 64 46 10 11 www.finecut.co.kr c: +33 (0)6 78 96 06 48 Clément REBILLAT ([email protected]) / C: +33 (0)6 19 96 81 23 Main Credit UNIKOREA presents Tech Info in association with DIAPHANA DISTRIBUTION, N.E.W, KTB Capital and KT Capital Format 35 mm a PINEHOUSE FILM production Duration. 139 min. Length 12,788 ft Screenplay and Directed by LEE Changdong Number of Reels 7 Starring YUN Junghee, LEE David, KIM Hira Color Color Producer LEE Joondong Ratio 1.85:1 Executive Producers YOUM Taesoon, CHOI Seongmin Sound Dolby SRD Co-Executive Producers Michel Saint-Jean, JUNG Myungsoo, LEE Seungho, LEE Jangho Co-Producer LEE Dongha Cinematography KIM Hyunseok Lighting KIM Bada Production Design SIHN Jeomhui Editing KIM Hyun Sound Supervisor LEE Seungchul (WaveLab) Assistant Director PARK Jungbum Make Up/Hair HWANG Hyunkyu Costumes LEE Choongyeon © 2010 UniKorea Culture & Art Investment Co.
    [Show full text]