How Some Science Fiction Presents AI's Claims to the Right to Life And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Defining Humanity Through an Examination of Asimovian Robots By
A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots by Abigail Bernasconi A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health (Honors Associate) Honors Baccalaureate of Arts in German (Honors Associate) Presented May 27, 2021 Commencement June 2021 AN ABSTRACT OF THE THESIS OF Abigail Bernasconi for the degree of Honors Baccalaureate of Science in Public Health and Honors Baccalaureate of Arts in German presented on May 27, 2021. Title: A Robot By Any Other Name Could Be A Human: defining humanity through an examination of Asimovian robots. Abstract approved:_____________________________________________________ Diana Rohlman Being human is often portrayed as desirable in fiction. Many fictional beings, particularly robots and androids, seek out being human as a goal. Although current robotics is not advanced enough for robots and androids to be deemed sentient, the world of fiction is quickly becoming reality. With the integration of robots into society, we are confronted not only with how society views robots, but how, through the eyes of fictional robots, society and humanity are defined. This thesis seeks to explore the definition of humanity and what it means to be human. The fictional works of the Star Trek universe and those of Isaac Asimov suggest that relationships, those of friendship and antagonism, and mortality, may also define humanity. Understanding what makes us human better prepares us for the eventual integration of intelligent robots into humanity as well as to imagine what their place in our society will look like. -
The Cyborg Prophecy: Reading Between Isaac Asimov's Lines
The Cyborg Prophecy: Reading between Isaac Asimov’s Lines Rudrani Gangopadhyay Jadavpur University, Kolkata Abstract: Donna Haraway’s “Cyborg Manifesto” describes the Cyborg as a conjunction of technology and discourse. It argues that a prosthesis becomes a cyborg element when it is integrated with the identity of an individual, and a cyborg is created by the almost symbiotic union of robotic and organic elements. Isaac Asimov, in his short story “The Bicentennial Man” for example, narrates the story of such a remarkable union of robotic and human parts and asserts, at the end, that the resultant system is, essentially, human. A cyborg, therefore, is ‘meta-human’, being somewhat enhanced (by the use of technology) in certain ways in comparison to a human being. There isa mass cyborgization of the global population taking place today. The kind of blurring of boundaries between exogenous and endogenous parts within the system of a human being that one had, so far, only come across in science fiction, is fast coming to life. The obvious example of prosthetics aside, gadgets like cellphone headsets, touchscreen phones and similar electronic devices have been rendered extensions of the human system, merging seamlessly with the organic identities and consequently, making cyborgs out of everyone. The relevance of literature featuring cyborgs, which have, in a way, acted as prophecies for human civilization, therefore cannot be emphasized enough. This paper explores the cyborg identity in select works of Isaac Asimov and reflect on the fast occurring cyborgization of the (meta-)human race in reality. Keywords: Science Fiction, Isaac Asimov, Cyborg, Cybernetics, Body Studies Donna Haraway, in the famous “Cyborg Manifesto,” describes a cyborg as a conjunction of technology and discourse (Haraway 149). -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Science Fiction Review 29 Geis 1979-01
JANUARY-FEBRUARY 1979 NUMBER 29 SCIENCE FICTION REVIEW $1.50 NOISE LEVEL By John Brunner Interviews: JOHN BRUNNER MICHAEL MOORCOCK HANK STINE Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC RO. Bex 11408 COVER BY STEPHEN FABIAN January, 1979 — Vol .8, No.l Based on a forthcoming novel, SIVA, Portland, OR WHOLE NUMBER 29 by Leigh Richmond 97211 ALIEN TOUTS......................................3 RICHARD E. GEIS, editor & piblisher SUBSCRIPTION INFORMATION INTERVIEW WITH JOHN BRUWER............. 8 PUBLISHED BI-MONTHLY CONDUCTED BY IAN COVELL PAGE 63 JAN., MARCH, MAY, JULY, SEPT., NOV. NOISE LEVEL......................................... 15 SINGLE COPY ---- $1.50 A COLUMN BY JOHN BRUNNER REVIEWS-------------------------------------------- INTERVIEW WITH MICHAEL MOORCOCK.. .18 PHOfC: (503) 282-0381 CONDUCTED BY IAN COVELL "seasoning" asimov's (sept-oct)...27 "swanilda 's song" analog (oct)....27 THE REVIEW OF SHORT FICTION........... 27 "LITTLE GOETHE F&SF (NOV)........28 BY ORSON SCOTT CARD MARCHERS OF VALHALLA..............................97 "the wind from a burning WOMAN ...28 SKULL-FACE....................................................97 "hunter's moon" analog (nov).....28 SON OF THE WHITE WOLF........................... 97 OCCASIONALLY TENTIONING "TUNNELS OF THE MINDS GALILEO 10.28 SWORDS OF SHAHRAZAR................................97 SCIENCE FICTION................................ 31 "the incredible living man BY DARRELL SCHWEITZER BLACK CANAAN........................................ -
Demonic Texts and Textual Demons: the Demonic Tradition, the Self, and Popular Fiction
Note on this edition: this is an electronic version of the 1999 book, which was published by Tampere University Press. This PDF version is provided free of charge for personal and educational use, under the Creative Commons license with author’s permission. Commercial use requires a separate special permission. For copyright reasons, this electronic edition does not include any illustrations, and you are advised to purchase the printed version from Tampere University Press, http://granum.uta.fi (cc) 2005 Frans Ilkka Mäyrä k0K DDEEMMOONNIICC TTEEXXTTSS AANNDD TTEEXXTTUUAALL DDEEMMOONNSS k0K TAMPERE STUDIES IN LITERATURE AND TEXTUALITY ——————————— Series Editor: Pekka Tammi University of Tampere k0K DDEEMMOONNIICC TTEEXXTTSS AANNDD TTEEXXTTUUAALL DDEEMMOONNSS The Demonic Tradition, the Self, and Popular Fiction k0K Frans Ilkka Mäyrä TAMPERE UNIVERSITY PRESS Tampere Studies in Literature and Textuality Series Editor: Pekka Tammi, University of Tampere P.O.Box 607, FIN-33101 Tampere, Finland Frans Ilkka Mäyrä, Demonic Texts and Textual Demons: The Demonic Tradition, the Self, and Popular Fiction. Diss. © 1999 Tampere University Press Distributor University of Tampere Sales Office P.O. Box 617, FIN-33101 Tampere Finland Tel. +358 3 215 6055 Fax + 358 3 215 7150 [email protected] http://granum.uta.fi Layout by Frans Ilkka Mäyrä ISBN 951-44-4508-2 Printed by Vammalan Kirjapaino Oy Acknowledgements I am very pleased that I can finally acknowledge the plurality of voices that have helped and encouraged me during this long period of work. First of all, I would like to thank the Department of Literature and the Arts at the University of Tampere, and the School of Literary and Textual Theory for making all this possible. -
Agatha Christie
Agatha Christie Investigating Femininity Merja Makinen Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Merja Makinen AGATHA CHRISTIE Investigating Femininity Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0-333-71471-3 (Hardback) ISBN 978-0-333-93064-9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Authors Series Title the Legend of Eli Rachel Aaron Monpress the Spirit Thief the Legend of Eli Rachel Aaron Monpress the Spirit Rebellion Frank W
authors series title The Legend of Eli Rachel Aaron Monpress The Spirit Thief The Legend of Eli Rachel Aaron Monpress The Spirit Rebellion Frank W. Abagnale Catch Me If You Can The Dark Sun: Lynn Abbey Chronicles of Athas The Brazen Gambit The Dark Sun: Lynn Abbey Chronicles of Athas Cinnabar Shadows The Dark Sun: Lynn Abbey Chronicles of Athas The Rise and Fall of a Dragonking Edwin A. Abbott Flatland Joe Abercrombie The Heroes Joe Abercrombie The First Law The Blade Itself Joe Abercrombie The First Law Before They Are Hanged Joe Abercrombie The First Law Last Argument of Kings Dan Abnett Torchwood Border Princes Dan Abnett Gaunt's Ghosts First and Only Susan Abulhawa Mornings in Jenin Chinua Achebe Things Fall Apart Rick Acker When the Devil Whistles Peter Ackroyd Albion: The Origins of the English Imagination Peter Ackroyd The House of Doctor Dee C. T. Adams, Cathy Clamp A Tale of the Sazi Hunter's Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Web C. T. Adams, Cathy Clamp A Tale of the Sazi Captive Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Howling Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Fury C. T. Adams, Cathy Clamp A Tale of the Sazi Timeless Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Cold Moon Rising C. T. Adams, Cathy Clamp A Tale of the Sazi Serpent Moon C. T. Adams, Cathy Clamp Thrall Touch of Evil C. T. Adams, Cathy Clamp Thrall Touch of Darkness Douglas Adams Last Chance to See Douglas Adams Dirk Gently Series Dirk Gently's Holistic Detective Agency Douglas Adams Dirk Gently Series The -
Robot Visions - Isaac Asimov
Robot Visions - Isaac Asimov ISAAC ASIMOV ROBOT VISIONS ILLUSTRATIONS BY RALPH McQUARRIE file:///E|/Documents%20and%20Settings/Princess%20D...20Visions/Robot%20Visions%20-%20Isaac%20Asimov.htm (1 of 222)11/19/2005 3:59:53 AM Robot Visions - Isaac Asimov To Gardner Dozois and Stan Schmidt, colleagues and friends CONTENTS Introduction: The Robot Chronicles STORIES Robot Visions Too Bad! Robbie Reason Liar! Runaround Evidence Little Lost Robot The Evitable Conflict Feminine Intuition The Bicentennial Man Someday Think! Segregationist Mirror Image Lenny Galley Slave Christmas Without Rodney ESSAYS Robots I Have Known The New Teachers Whatever You Wish The Friends We Make Our Intelligent Tools The Laws Of Robotics Future Fantastic The Machine And The Robot The New Profession The Robot As Enemy? file:///E|/Documents%20and%20Settings/Princess%20D...20Visions/Robot%20Visions%20-%20Isaac%20Asimov.htm (2 of 222)11/19/2005 3:59:53 AM Robot Visions - Isaac Asimov Intelligences Together My Robots The Laws Of Humanics Cybernetic Organism The Sense Of Humor Robots In Combination Introduction: The Robot Chronicles What is a robot? We might define it most briefly and comprehensively as “an artificial object that resembles a human being.” When we think of resemblance, we think of it, first, in terms of appearance. A robot looks like a human being. It could, for instance, be covered with a soft material that resembles human skin. It could have hair, and eyes, and a voice, and all the features and appurtenances of a human being, so that it would, as far as outward appearance is concerned, be indistinguishable from a human being. -
Stories to Make Us Human: Twenty-First-Century Dystopian
MELISSA CRISTINA SILVA DE SÁ Stories to Make Us Human: Twenty-First-Century Dystopian Novels by Women BELO HORIZONTE 2020 MELISSA CRISTINA SILVA DE SÁ Stories to Make Us Human: Twenty-First-Century Dystopian Novels by Women Tese de doutorado apresentada ao Programa de Pós-Graduação em Estudos Literários da Facul- dade de Letras da Universidade Federal de Minas Gerais, como requisito parcial para obtenção do título de Doutora em Letras: Estudos Literários. BELO HORIZONTE 2020 To the ones who dare to dream new worlds. Acknowledgements Research as extensive as the one required for a Ph.D. dissertation cannot be done without the support of many people and institutions. I want to express my gratitude to all the ones that were part of this process for their patience and unconditional dedication. Without any particular order, I recognize the importance of the following: Instituto Federal de Minas Gerais – IFMG – for the eighteen-month paid leave that allowed me to do my research. I also thank my fellow professors at the institution, namely Anderson de Souto and Thadyanara Martinelli, who spent their time talking to me about the crazy new worlds I studied between classes. Professor Julio Jeha, my advisor, who helped me to refine all my arguments and consider diverse viewpoints. I thank you for making me a better and more mature researcher. Also, the meetings at Intelligenza were quite memorable. Diego Malachias, my husband and colleague, whom I met at the beginning of this journey. What a story we have to tell! Thank you for being such a fantastic companion – both in life and academia. -
Nina Lagerlöf a Study of the Terms Feminine and Masculine Engelska D-Uppsats
Estetisk-filosofiska fakulteten Nina Lagerlöf A Study of the Terms Feminine and Masculine Engelska D-uppsats Termin: Vårterminen 2006 Handledare: Thorsten Schröter Karlstads universitet 651 88 Karlstad Tfn 054-700 10 00 Fax 054-700 14 60 [email protected] www.kau.se Abstract Titel: A study of the terms feminine and masculine Författare: Nina Lagerlöf Engelska D, 2006 Antal sidor: 48 Abstract: Women and men are often labeled as feminine or masculine. The aim of this paper was to study the terms feminine and masculine and their occurrence in The Guardian and The Observer from 2000 and 2004. The background of the paper deals with gender and corpus-linguistics and briefly describes semantics and lexicography. In order to find out who or what was described by the usage of the two terms, a corpus study was undertaken. All hits from both years were saved and examined. The results showed that feminine and masculine were used within many areas and not only for describing men and women. The terms were also used to describe, for example, clothes, parts of the body, values, images and identities. Moreover, men were occasionally described as feminine and women as masculine.The terms were also used together to describe both a feminine and a masculine society or a trait, for example. Finally, feminine was more frequent than masculine both in 2000 and 2004. Nyckelord: Gender-related attributes, labels, feminine, masculine, corpus-linguistics, collocation, language use. TABLE OF CONTENTS 1. INTRODUCTION AND AIMS 1 2. BACKGROUND 2 2.1 Semantics and Lexicography 2 2.2 Corpus-linguistics 3 2.3 Collocations 4 2.4 Gender and sex 5 2.5 Feminine and masculine 6 2.5.1 The etymology of the terms feminine and masculine 7 2.5.2 Definition of the term feminine 8 2.5.3 Definition of the term masculine 8 3. -
"The Bicentennial Man"
“The Bicentennial Man” -ISAAC ASIMOV The Three Laws of Robotics 1. Arobot may not injure a human being, or, through inaction, allow a human being to come to harm. 2. Arobot must obey the orders given it by human beings except where such orders would conflict with the First Law. 3. Arobot must protect its own existence as long as such protection does not conflict with the First or Second Law. !Andrew Martin said, "Thank you," and took the seat offered him. He didn't look driven to the last resort, but he had been. He didn't, actually, look anything, for there was a smooth blankness, to his face, except for the sadness one imagined one saw in his eyes. His hair was smooth, light brown, rather fine; and he had no facial hair. He looked freshly and cleanly shaved. His clothes were distinctly old-fashioned, but neat, and predominantly a velvety red-purple in color. Facing him from behind the desk was the surgeon. The nameplate on the desk included a fully identifying series of letters and numbers which Andrew didn't bother with. To call him Doctor would be quite enough "When can the operation be carried through, Doctor?" he asked. Softly, with that certain inalienable note of respect that a robot always used to a human being, the surgeon said, "I am not certain, sir, that I understand how or upon whom such an operation could be performed." !There might have been a look of respectful intransigence on the surgeon's face, if a robot of his sort, in lightly bronzed stainless steel, could have such an expression-or any expression.