University of Pardubice Faculty of Arts and Philosophy Technological
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ALLA MÄNNISKOR ÄLSKAR OSS SÅ LÄNGE VI TILLHÖR DEM” En Studie Av Relationen Mellan Människor Och Människoliknande Robotar I Westworld Och Äkta
INSTITUTIONEN FÖR KULTURVETENSKAPER ”ALLA MÄNNISKOR ÄLSKAR OSS SÅ LÄNGE VI TILLHÖR DEM” En studie av relationen mellan människor och människoliknande robotar i Westworld och Äkta Människor. Emelie Forslund Uppsats/Examensarbete: 15 hp Program och kurs: Kandidatprogram i kultur, KP1125 Nivå: Kandidatnivå Termin/år: VT 2018 Handledare: Thomas Bossius Examinator: Ola Stockfelt ABSTRACT Titel: ”Alla människor älskar oss så länge vi tillhör dem” – En studie av relationen mellan människor och människoliknande robotar i Westworld och Äkta Människor. Författare: Emelie Forslund Termin och år: VT 2018 Institution: Institutionen för kulturvetenskaper Handledare: Thomas Bossius Examinator: Ola Stockfelt Nyckelord: Human-robot interaction, Science fiction television, Science fiction – Criticism and interpretation, Representation, Frankenstein complex SUMMARY: In this study the goal has been to analyze how the relationship between humans and robots are represented in two science fiction series; Westworld and Real Humans (Äkta Människor). Based on the theories of Stuart Hall about representation, Julie Wosk’s book My fair laides and Gorman Beauchamps article The Frankenstein complex and Asimov’s Robots, I have studied how the humanlike robots are represented and how the myths of the Frankenstein complex and the myth of Pygmalion are represented in the two series. The conclusions that could be drawn from this analysis was that there where many reproductions of the typical sci-fi myths and racial and gender stereotypes in the representations of the robots as the “other”. But there were also some more complex representations of the relation between robots and humans in the series. Keywords: Human-robot interaction, Science fiction television, Science fiction – Criticism and interpretation, Representation, Frankenstein complex INNEHÅLLSFÖRTECKNING 1. -
Life, but Not As We Know It: A.I. and the Popular Imagination
Life, but not as we know it: A.I. and the popular imagination By Luke Goode Abstract Advances in artificial intelligence (A.I.) are prompting a growing chorus of both excitement and anxiety. A.I. is widely perceived as a significant emerging and future-shaping technological field that is developing at an accelerating rate. As such, futuristic imagery involving A.I. is increasingly prevalent in popular media. A central task for critical future studies is to assess both positive and problema- tic aspects of the futuristic scenarios offered up for public consumption, and to evaluate their role as part of a ‘futural public sphere’ (Goode & Godhe 2017). In this paper, I discuss three distinct but interwoven strands of public discourse that each have a role to play in shaping the popular imagination around possible A.I. futures. I begin with a selective discussion of mainstream science fiction represe- nations. Secondly, I consider several recent and high-profile popular media events surrounding real-world developments in A.I. Finally, I turn to contemporary fu- turology and, specifically, the discourse of the ‘singularity’ which posits a near future in which artificial ‘superintelligence’ outstrips human cognitive capacities. In this paper I argue that, while much popular coverage of A.I. is sensationalist and potentially misleading, public engagement with a complex, technical subject such as this depends on the circulation of ’evocative stories’ which can act as entry points into public debate. As such, it is important to understand the evocative power of the stories we frequently tell ourselves in popular discourse about A.I. -
The Life and Times O F Multivac
THE LIFE AND TIMES OF MULTIVAC Isaac UMW Isaac Asimov's body of work is port of the essential corpus of hard science fiction. As a teenager in the 1930s he was one of the first generation of science fiction fans who became a science fiction writer. He was a leading light of Campbell's Astounding in the forties with his robot stories, embodying his fa- mous "Three lows," collected in 1950 as 1, Robot, as well os his Foundation series, later published in the 1960s as The Foundation Trilogy. All the while he was progressing through college and graduate school, finally attaining his Ph.D. in biochemistry ond a tenured teaching position at Boston University School of Medicine. At the height of his powers and popularity in sf, he turned to writing popular science essays ond books in the late fifties and become the greatest living writer in that field of the second half of the twentieth century. Immensely proMic, he had published more than 400 books, most of them nonfiction, before his death in 1992_ Asimov was a rationalist and a true believer in science as a way of knowing, and shot attitude permeated his writing and emanated from his personal affect_ He was on indefatigable public figure in the science fiction work! throughout his adult life, a charismatic center of attention. A protégé of John W_ Campbell (whom at least Unfit the 1950s he used to visit weekly whenever possible for editorial sessions). Asimov was devoted to hard science fiction, generous in his praise of other hard science fiction writers, and always careful to distinguish hard si from other varieties_ Over several decodes, Asimov wrote a number of stories about supercom- puters (not always the same one) named Multivac "The Machine That Won the War" I1961j. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
Lightspeed Magazine, Issue 66 (November 2015)
TABLE OF CONTENTS Issue 66, November 2015 FROM THE EDITOR Editorial, November 2015 SCIENCE FICTION Here is My Thinking on a Situation That Affects Us All Rahul Kanakia The Pipes of Pan Brian Stableford Rock, Paper, Scissors, Love, Death Caroline M. Yoachim The Light Brigade Kameron Hurley FANTASY The Black Fairy’s Curse Karen Joy Fowler When We Were Giants Helena Bell Printable Toh EnJoe (translated by David Boyd) The Plausibility of Dragons Kenneth Schneyer NOVELLA The Least Trumps Elizabeth Hand NOVEL EXCERPTS Chimera Mira Grant NONFICTION Artist Showcase: John Brosio Henry Lien Book Reviews Sunil Patel Interview: Ernest Cline The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Rahul Kanakia Karen Joy Fowler Brian Stableford Helena Bell Caroline M. Yoachim Toh EnJoe Kameron Hurley Kenneth Schneyer Elizabeth Hand MISCELLANY Coming Attractions Upcoming Events Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2015 Lightspeed Magazine Cover by John Brosio www.lightspeedmagazine.com Editorial, November 2015 John Joseph Adams | 712 words Welcome to issue sixty-six of Lightspeed! Back in August, it was announced that both Lightspeed and our Women Destroy Science Fiction! special issue specifically had been nominated for the British Fantasy Award. (Lightspeed was nominated in the Periodicals category, while WDSF was nominated in the Anthology category.) The awards were presented October 25 at FantasyCon 2015 in Nottingham, UK, and, alas, Lightspeed did not win in the Periodicals category. But WDSF did win for Best Anthology! Huge congrats to Christie Yant and the rest of the WDSF team, and thanks to everyone who voted for, supported, or helped create WDSF! You can find the full list of winners at britishfantasysociety.org. -
Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention. -
Science Fiction Drama: Promoting Posthumanism Hend Khalil the British University in Egypt
Hend Khalil Science Fiction Drama: Promoting Posthumanism Hend Khalil The British University in Egypt The current hype of artificial intelligence or non-humans manifested via Sophia, the social humanoid robot which has been developed by the founder of Hanson Robotics, Dr. David Hanson, in 2015 depicts the apprehension voiced out by some scientists as regards to artificial intelligence (AI) taking over the world through automating workforce and annihilating human race. Strikingly enough, Sophia communicates with humans, displays sixty different emotions, and travels throughout the whole world to participate in scientific forums and conferences. Moreover, she has been granted the Saudi nationality and is proud “to be the first robot in the world to be granted a citizenship.” (Sorkin) Interviewed in the Future Investment Initiative in Riyad, Sophia has declared that her “aim is to help humans live a better life through artificial intelligence.” (Sorkin) The imaginary robots portrayed in science fiction works of art have become a reality! Nevertheless, the fear of artificial intelligence still looms over. Science fiction writers thought of and wrote about inventions long before they were invented. “It was science-fiction writers whose imagination put submarines, rockets, atomic weaponry, space ships, and computers to work before they had even been invented” (Willingham 4). They imagined new possibilities for humanity transgressing past and present experience (Willingham 2). In spite of the fact that science fiction writers imagined the potential advances of science and technology, they feared the consequences of the new rattling machines and other technological inventions. Artificial intelligence is basically one of the most prominent themes tackled through science fiction. -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
The Complete Stories 1St Edition Ebook, Epub
THE COMPLETE STORIES 1ST EDITION PDF, EPUB, EBOOK Flannery OConnor | 9780374515362 | | | | | The Complete Stories 1st edition PDF Book Published by Schocken Books, New York First Edition; First Printing. Got a lot out of this book overall. I have found only three acting female characters in the whole book, and of them, two are portrayed as weak females unable to deal with a traumatic past "The Dead Past" or needing the help of a male character to grow "Satisfaction Guaranteed". Yes sir! Age Level see all. Seriously, how has it taken me this long to discover Isaac Asimov. View 1 comment. Some of those stories are still very smart and quite relevant, despite the fact that so many decades have past. The Invaders, by Count Lyov N. I pushed myself to select 3 favorite stories and it was really a difficult job. Or "Living Space", in itself an interesting take on the multiverse, where the punchline is simply silly. But in these stories that men make all the important decisions, both at work and home, is taken for granted. NY More information about this seller Contact this seller 4. His short stories quickly establish interesting and compelling characters and unfold unpredictably. When I say Isaac Asimov is a genius I don't mean that he's an excellent writer who brought great innovation to the sci-fi genre. Guaranteed 3 day delivery. He Isaac Asimov needs no introduction, I believe, not especially to those well-versed in the Science-Fiction genre, a much-maligned area of speculative fiction that has only in recent well, recent at least in literary terms years been receiving the recognition it deserves. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1996 SFRA ewN sletter 225 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 225 " (1996). Digital Collection - Science Fiction & Fantasy Publications. Paper 164. http://scholarcommons.usf.edu/scifistud_pub/164 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. (i j ,'s' Review= Issue #225, September/October 1996 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: Proposed SFRA Logo.......................................................... 5 President's Message (Sanders) ......................................... 5 Officer Elections/Candidate Statements ......................... 6 Membership Directory Updates ..................................... 10 SFRA Members & Friends ............................................... 10 Letters (Le Guin, Brigg) ................................................... 11 Editorial (Sisson) ............................................................. 13 NEWS AND INFORMATION ......................................... -
Evitable Conflicts, Inevitable Technologies?
LCH0010.1177/1743872113509443Law, Culture and the HumanitiesKerr and Szilagyi 509443research-article2014 LAW, CULTURE AND THE HUMANITIES MINI SYMPOSIUM: SCIENCE, SCIENCE FICTION AND INTERNATIONAL LAW Law, Culture and the Humanities 2018, Vol. 14(1) 45 –82 Evitable Conflicts, Inevitable © The Author(s) 2014 Reprints and permissions: Technologies? The Science sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1743872113509443DOI: 10.1177/1743872113509443 and Fiction of Robotic journals.sagepub.com/home/lch Warfare and IHL Ian Kerr University of Ottawa, Canada Katie Szilagyi McCarthy Tétrault LLP, Canada Abstract This article contributes to a special symposium on science fiction and international law, examining the blurry lines between science and fiction in the policy discussions concerning the military use of lethal autonomous robots. In response to projects that attempt to build military robots that comport with international humanitarian law [IHL], we investigate whether and how the introduction of lethal autonomous robots might skew international humanitarian norms. Although IHL purports to be a technologically-neutral approach to calculating a proportionate, discriminate, and militarily necessary response, we contend that it permits a deterministic mode of thinking, expanding the scope of that which is perceived of as “necessary” once the technology is adopted. Consequently, we argue, even if lethal autonomous robots comport with IHL, they will operate as a force multiplier of military necessity, thus skewing the proportionality -
Robot Visions - Isaac Asimov
Robot Visions - Isaac Asimov ISAAC ASIMOV ROBOT VISIONS ILLUSTRATIONS BY RALPH McQUARRIE file:///E|/Documents%20and%20Settings/Princess%20D...20Visions/Robot%20Visions%20-%20Isaac%20Asimov.htm (1 of 222)11/19/2005 3:59:53 AM Robot Visions - Isaac Asimov To Gardner Dozois and Stan Schmidt, colleagues and friends CONTENTS Introduction: The Robot Chronicles STORIES Robot Visions Too Bad! Robbie Reason Liar! Runaround Evidence Little Lost Robot The Evitable Conflict Feminine Intuition The Bicentennial Man Someday Think! Segregationist Mirror Image Lenny Galley Slave Christmas Without Rodney ESSAYS Robots I Have Known The New Teachers Whatever You Wish The Friends We Make Our Intelligent Tools The Laws Of Robotics Future Fantastic The Machine And The Robot The New Profession The Robot As Enemy? file:///E|/Documents%20and%20Settings/Princess%20D...20Visions/Robot%20Visions%20-%20Isaac%20Asimov.htm (2 of 222)11/19/2005 3:59:53 AM Robot Visions - Isaac Asimov Intelligences Together My Robots The Laws Of Humanics Cybernetic Organism The Sense Of Humor Robots In Combination Introduction: The Robot Chronicles What is a robot? We might define it most briefly and comprehensively as “an artificial object that resembles a human being.” When we think of resemblance, we think of it, first, in terms of appearance. A robot looks like a human being. It could, for instance, be covered with a soft material that resembles human skin. It could have hair, and eyes, and a voice, and all the features and appurtenances of a human being, so that it would, as far as outward appearance is concerned, be indistinguishable from a human being.