DOCSLIB.ORG

Anuncia Gira De Invierno Por Reino Unido Y Europa

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anuncia Gira De Invierno Por Reino Unido Y Europa / / NOTICIAS 14.JUN.18 MGMT – ANUNCIA GIRA DE INVIERNO POR REINO UNIDO Y EUROPA SHARE: ANUNCIA GIRA DE INVIERNO POR REINO UNIDO Y EUROPA. ES PARTE DEL CARTEL DEL CORONA CAPITAL MGMT anuncia hoy que se embarcarán en una extensa gira por el Reino Unido y Europa que incluye espectáculos en el Eventim Apollo de Londres y en el Albert Hall de Manchester. Tras su gira de primavera de 2018, que fue su primera presentación en el Reino Unido desde Glastonbury 2014, su gira de invierno los llevará por toda Europa y el Reino Unido para celebrar su cuarto álbum Little Dark Age, así como a la Ciudad de México donde serán parte del Corona Capital presentándose el domingo 18 de junio. Los boletos salieron a la venta desde el 1 de junio, con una preventa para fans el miércoles 30 de mayo. Para más información visita: http://whoismgmt.com/. MGMT GIRA EUROPEA DE INVIERNO 27 de Noviembre – Estragon, Bologna, Italy 29 de Noviembre – X-TRA, Zurich, Switzerland 3 de Diciembre – Docks, Hamburg, Germany 4 de Diciembre – VEGA, Copenhagen, Denmark 6 de Diciembre – Nobelberget, Stockholm, Sweden 7 de Diciembre – Sentrum Scene, Oslo, Norway 9 de Diciembre – Astra, Berlin, Germany 10 de Diciembre – TivoliVredenburg Ronda, Utrecht, Netherlands 13 de Diciembre – Eventim Apollo, London, UK 15 de Diciembre – SWG3 TV Studio, Glasgow, UK 16 de Diciembre – O2 Academy, Leeds, UK 17 de Diciembre – Albert Hall, Manchester, UK MGMT son Andrew VanWyngarden y Ben Goldwasser, el dúo nominado al Grammy que han estado produciendo innovadores himnos de pop psicodélico desde su debut en Oracular Spectacular en 2008, incluyendo algunas de las canciones más grandes de la década de 2000 ‘Kids’, ‘Time to Pretend’ y ‘Electric Feel ‘. El cuarto álbum de la banda Little Dark Age, lanzado a principios de este año, presenta el innegable y brillante sencillo “Little Dark Age”, así como “When You Die” y “Me And Michael”. Producido por MGMT, Patrick Wimberly (Chairlift, Kelela, Blood Orange) y el antiguo colaborador Dave Fridmann (Flaming Lips, Spoon, Tame Impala), Little Dark Age es una verdadera “muestra de fuerza” -Q y “magnífico… MGMT haciendo lo que MGMT hace mejor “-The Guardian. El anuncio de la gira le siguió a la aparición de MGMT en Jimmy Kimmel en los Estados Unidos, donde interpretaron cinco canciones de Little Dark Age y donde tuvieron una gira totalmente sold out. La banda también tocará en varios festivales en Europa este verano, incluyendo Mad Cool en España y Rockwerchter. Realizarán un show sold out en Somerset House, Londres, en julio. Para más detalles sobre la gira visita: whoismgmt.com A continuación, las fechas de la gira de MGMT por Reino Unido y Europa incluyendo festivales de verano. 29 de Junio – Down The Rabbit Hole Festival, Beuningen, NL 30 de Junio – Sirens Call Festival, Luxembourg 1 de Julio – Garorock, Marmande, France 2 de Julio – Les Nuits de Fourvières, Grand Théatre Antique, Lyon, France – SOLD OUT 4 de Julio – Days Off Festival, Philarmonie de Paris, Paris, France – SOLD OUT 6 de Julio – Festival Beauregard, Hérouville Saint Clair, France 7 de Julio – Festivalpark Werchter, Werchter, Belgium 9 de Julio – Somerset House, London, UK – SOLD OUT 12 de Julio – Mad Cool Festival, Madrid, Spain 14 de Julio – NOS Alive, Alges, Portugal 17 de Julio – Milano Summer Festival, Milan, Italy 18 de Julio – Paleo Festival, Nyon, Switzerland 19 de Novimebre – Corona Capital, Ciudad de México, MX 27 de Noviembre – Estragon, Bologna, Italy 29 de Noviembre – X-TRA, Zurich, Switzerland 3 de Diciembre – Docks, Hamburg, Germany 4 de Diciembre – VEGA, Copenhagen, Denmark 6 de Diciembre – Nobelberget, Stockholm, Sweden 7 de Diciembre – Sentrum Scene, Oslo, Norway 9 de Diciembre – Astra, Berlin, Germany 10 de Diciembre – TivoliVredenburg Ronda, Utrecht, NL 13 de Diciembre – Eventim Apollo, London, UK 15 de Diciembre – SWG3 TV Studio, Glasgow, UK 16 de Diciembre – O2 Academy, Leeds, UK 17 de Diciembre – Albert Hall, Manchester, UK ANTERIOR NOTICIAS SIGUIENTE.
Load more

Recommended publications
  • Umphrey's Mcgee
    Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
    [Show full text]
  • Finance Committee Continues Discussion of Road Stabilization
    TONIGHT Light rain. Snow late. Low of 25. Search for The Westfield News The WestfieldNews “COURAGE IS DOING WHAT Search for The Westfield News Westfield350.com The WestfieldNews YOU’RE AFRAID TO DO. Serving Westfield, Southwick, and surrounding Hilltowns THERE CAN BE“T NOIME C ISOURAGE THE ONLY WEATHER UNLESS YOU’RECRITIC SCARED WITHOUT.” TONIGHT AMBITION.” Search for The Westfield - EDDI ENews RICKENBACKER Westfield350.comPartly Cloudy. The Westfield JOHN STEINBECK Low of 55. News Serving Westfield,www.thewestfieldnews.com Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT VOL.TONIGHT VOL.87 NO. 86 27 NO. 151 THURSDAY,TUESDAY, FEBRUARY JUNE 1, 27,2018 2017 AMBITION.” 75 Cents 75 cents Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Finance 86 NO. 151 Committee continuesTUESDAY, discussion JUNE 27, 2017 of Road Stabilization 75 centsFund By AMY PORTER Surprise, a member of the Finance Committee, said he would Correspondent volunteer to participate in the conversation. “The memo I WESTFIELD – The Finance Committee took up the motion believe is incorrect,” Surprise said, pointing to the City of of Councilors Andrew K. Surprise and Dave Flaherty to estab- Amesbury, which underwent the same process. He said other lish a Special Purpose Stabilization Fund dedicated to road and cities and towns have also done it. sidewalk repair and maintenance, to be funded by the Local “One thing about this memo, it’s not clear what she’s refer- Option Meals Tax and Room Occupancy Tax. ring to,” Allie said. Finance sub-committee chair Dan Allie read a memo from “I don’t think either of us said the Mayor wouldn’t be City Solicitor Susan C.
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • Dead but Not Powerless Series to Be Published but It Was Worth the Has a Fast Pace and Commands Your Atten- Words As “Odiferous” and “Prickle.” Do 18 Wait
    August 17, 2018 | Volume XVI, Issue 8 “First and foremost, the foundation of my life is my vocation. I’m very clear that credits his Buddhist tools of compassion I was born to be the priest that I am – it Living His Most Authentic Life and authenticity with helping him to sit with centers me, and I often have to go back to people who have undergone traumatic ex- that. As a priest/activist: how do I culti- covered, then you have access to their tal- Buddhist practitioner. When the LGBTQ periences. vate my humanity and help others do the ent …” community came together in the wake of While advancing professionally, Mer- same? That anchors me.” – REV. MErrICK It is vintage Merrick to be determined a number of murders of transwomen and rick had always struggled to nav- MOSES to bring his community up with him, to be formed an Advisory Council to reach igate his identity, eventually BY SAGE PIPER an example for others. This had been his out to city officials he was there, identifying himself as Last week, the Baltimore City way ever since he returned and he was the natural pick for gender-nonconforming Board of Estimates made A profile of to Baltimore from New York State’s Attorney Marilyn Mos- Of many in his 30s. To steady history when they lifted the in 2001. At that point he was by to hire as Victim’s Advo- hats – himself he used Merrick health-insurance exclusion Merrick Moses, following a romance. The cate early in her first term.
    [Show full text]
  • Material Girls High-Interest Fabrics Were a Major Focus of Some of Fall’S Most Imaginative Collections
    s s RETAIL: Misses’ ACCESSORIES: NEWS: category faces tough Pressing the Trovata, customers, page 12. reset button at Forever Baselworld,s 21 trial page 6. showdown, page 2. EYE: Eating right when eating out, s page 16. Women’s Wear Daily • The Retailers’ Daily Newspaper • April 13, 2009 • $3.00 WAccessories/Innerwear/LegwearwDMONdAY Material Girls High-interest fabrics were a major focus of some of fall’s most imaginative collections. And few were as intricate The Shifting Paradigm: as Laura and Kate Mulleavy’s construction site-inspired textiles for Rodarte. “We wanted to play with the idea of deconstructing a home,” Laura said. Their collection, a Rules Being Redefined beautiful collage of marbleized, distressed and laminated fabrics, mimicked everything from insulation to duct tape. Here, a marbleized silk tulle and green polyacrylic lamé For Fashion and Retail with a silver laminated linen. For more materials, see pages 4 and 5. By WWD Staff The old financial tricks and merchandising sleights of hand aren’t going to work anymore. Fashion companies were quick enough to cut expenditures, pare store openings and lean on suppliers to survive the first year of the recession and the start of the credit crisis. But shifting consumer values and brutal economic realities are forcing both the weak and strong to reconsider their reason for being and how they do business. The paradigm in fashion is shifting. Well- established consumer segments are all changing independently and the industry is scrambling to keep up. The proof is everywhere, from First Lady Michelle Obama’s penchant for J. Crew to Jil Sander’s transformation into fast-fashion maven and luxury’s nosedive.
    [Show full text]
  • The Freshers' Soundtrack | Nouse
    Nouse Web Archives The Freshers’ Soundtrack Page 1 of 5 News Comment MUSE. Politics Business Science Sport Roses Freshers Freshers › Colleges Societies YUSU Campus City Domestic Survival Sport The Freshers’ Soundtrack Music Editor Chris Owen offers some album recommendations for your first weeks at University, whether you’re studying, partying or missing home Tuesday 29 September 2015 There are lots of decisions to make in your first weeks at university: what should I wear, which societies should I join, what should I eat, would it be a good idea to jump in the lake, et cetera, et cetera. As seasoned students, we hope that we can impart some wisdom to make things easier (the answers to those questions are anything, all of them especially Nouse, anything, and absolutely not, in case you were wondering). As the paper’s resident Music nerd, I’ve taken it upon myself to help with some choices of a musical nature, so you can concentrate on deciding the important things. Below are some albums that might come in handy for various points in your first few weeks at university – and if you absolutely have to jump in the lake, do it to some Queen. For pre-drinking Arriving at agreement for the pre-drinks music can be trickier than you’d think, especially in the face of that overbearing Music student flatmate and the wasted one who only wants to listen to ‘Uptown Funk’. But there are plenty of agreeable options to flesh out a playlist to appeal to all. The Killers – Hot Fuss You’ll be hearing ‘Mr Brightside’ at least twice a night each time you go out, so you’d better make sure you learn all the words beforehand if you don’t know them already.
    [Show full text]
  • Where Is Anne Frank
    WHERE IS ANNE FRANK a film by ARI FOLMAN PURPLE WHALE FILMS, WALKING THE DOG, SAMSA FILM, BRIDGIT FOLMAN FILM GANG, SUBMARINE AMSTERDAM, LE PACTE, DOGHOUSE FILMS and MAGELLAN FILMS present WHERE IS ANNE FRANK un film de ARI FOLMAN INTERNATIONAL SALES: U.S. AND INTERNATIONAL PRESS: FRENCH PRESS: [email protected] [email protected] CAA [email protected] [email protected] www.wildbunch.biz [email protected] TAGLINE Kitty, Anne Frank’s imaginary friend to whom Anne devoted her Diary, magically comes to life in present-day Amsterdam. Kitty sets out on a relentless quest to find Anne Frank. It’s the beginning of an adventurous journey. SYNOPSIS WHERE IS ANNE FRANK begins with a miracle: Kitty, the imaginary friend to whom Anne Frank wrote in her famous Diary, comes to life in present-day Amsterdam. Unaware that 75 years have gone by, Kitty is convinced that if she is alive, then Anne must be alive too. WHERE IS ANNE FRANK tells the story of Kitty’s quest across contemporary Europe to find her beloved friend. Armed with the precious Diary and with help from her friend Peter, who runs a secret shelter for undocumented refugees, Kitty follows Anne’s traces, from the Annex to her tragic end in the Holocaust. Disoriented by our broken world, and the injustices that child refugees endure, Kitty wants to fulfill Anne’s cause. Through her honesty, she presents a message of hope and generosity addressed to future generations. STATEMENT FROM ANNE FRANK FONDS BASEL Shortly after Otto Frank published the Diary of his daughter Anne Frank in 1947 for the first time, he decided to have it adapted for stage and film.
    [Show full text]
  • The Dark Side User Manual
    USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries.
    [Show full text]
  • MGMT: Little Dark Age
    MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom.
    [Show full text]
  • Indie Mixtape 20 Q&A Is with Big Wild, Who Is Poised and Ready to Vote for the Rock in 2024
    :: View email as a web page :: In a recent edition of Uproxx’s “Ask A Music Critic” column, we were asked about our favorite “career-killer follow-up” albums. You know what we’re talking about: A band has a huge hit debut, and then instead of making another record that attempts to replicate that success, the band goes the opposite way and alienates many of the people who originally loved them. One album that came immediately to mind was Congratulations, the 2010 LP by MGMT that essentially transformed them from the kings of late-aughts dorm-room indie-pop — it can’t be overstated how popular songs like “Kids” and “Electric Feel” still are — to a weird outsider psych outfit who never regained the mainstream popularity they once had. Congratulations arrived at a moment when the indie wave of the aughts was about to crash against the critical vogue of poptimism and the commercial consolidation around massive pop stars that has defined the corporate and homogenized streaming era. What I love about Congratulations is that MGMT steered into the crash. Read more here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century In case you missed it... Our YouTube channel just added a handful of new videos from late-'80s era The Replacements. Settle into a nice audiobook with St. Vincent, who was announced as the latest artist featured on Audible's Words And Music series. We're getting new Sufjan Stevens solo music for the first time since we cried while looking into a fire to his Call Me By Your Name soundtrack contributions.
    [Show full text]
  • Client and Artist List
    STUDIO AT THE PALMS Client List 2 Cellos David Copperfield Jeff Timmons 50 Cent Death Cab for Cutie Jersey Boys (Broadway) Aaron Lewis Diplo Joe Bonamassa Akina Nakamori Disturbed Joe Jonas Akon Divinyls Joey Fatone Al B Sure Dizzy Wright Joey McIntyre Alabama DJ Mustard John Fogarty Alan Parsons Doc McStuffins John Legend Ali Lohan Donny & Marie Johnny Gill Alice in Chains Dr. Dre JoJo Alicia Keys Dr. Luke Jordin Sparks Andrea Bocelli Duck Commander Josh Gracin Annie Leibovitz Eddie Levert Jose “Pepe” Quintano Ashley Tinsdale Ellie Goulding Journey Barry Manilow Elton John Jr. Sanchez Beauty of Magic (Broadway) Eminem (Grammy) Juan Montero Beyonce Ennio Morricone Juicy J Bianca Ryan Eric Benet Justin Timberlake Big Sean Evanescence K Camp Billy Bob Thornton Eve Katy Perry Birdman Family Feud (TV) Keith Galliher Bird and the Bee Family Guy (TV) Kelly Rowland Black Eyed Peas Far East Movement Kendrick Lamar Black Stone Cherry Frankie Moreno Keri Hilson Blue Man Group (Broadway) Franky Perez Keyshia Cole Bobby Valentino Future Kool & the Gang Bone, Thugs & Harmony Gavin Rossdale Kris Kristofferson Boyz II Men Ghostface Killa Kyle Cousins Brandon Flowers Gloriana Hinder Britney Spears Great Big World Lady Gaga Busta Rhymes Goo Goo Dolls Lang Lang Carnage Graham Nash Larry Goldings Charise Guns n’ Roses Lee Carr Cassie Gucci Mane Lee Hazelwood Cedric the Entertainer Gym Class Heroes Lil Jon Cee-lo Haley Reinhart Lil Wayne Celine Dion Hinder Limp Bizkit Charlie Wilson Human Nature LL Cool J Chevelle Ice-T LMFAO Chris Daughtry Icona Pop Los
    [Show full text]