Yutaka Sado Conductor
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Reference List Construction and Industry
REFERENCE PROJECTS (EXTRACT) PRODUCTS FOR CONSTRUCTION AND INDUSTRY STRUCTURAL BEARINGS NON-REINFORCED BEARINGS COMPACT BEARING S 65 Construction project Country City Design Year Europahafenkopf Germany Bremen Houses at the head of the port: Structural support 2020 Amazon Logistics Center Germany Paderborn Support of structural components 2020 Amazon Logistics Center Germany Bayreuth Support of structural components 2020 EDEKA Germany Oberhausen Supermarket chain: Structural support 2020 OETTINGER Brewery Germany Gotha/Mönchengladbach New beer tanks: Structural support 2020 Technology Center YG-1 Germany Oberkochen Structural support (punctual) 2019 New nobilia plant Germany Saarlouis Production site: Structural support 2019 New construction of the Schwaketenbad Germany Constance Support of structural components 2019 Paper machine no. 2 Germany Spremberg Industrial plant: Structural support 2019 Parkhotel Heilbronn Germany Heilbronn New opening: Structural support 2019 German Embassy Belgrade Serbia Belgrade Support of structural components 2018 Bio Energy Netherlands Coevorden Biogas plant: Structural support 2018 NaturTheater, Open-Air-Arena Germany Bad Elster Structural support (punctual) 2018 Amazon Logistics Center Poland Sosnowiec Support of structural components 2017 Novozymes Innovation Campus Denmark Lyngby Structural support (linear) 2017 Siemens compressor plant Germany Duisburg Production hall: Support of structural components 2017 DAV Alpine Centre swoboda alpin Germany Kempten (Allgäu) Structural support 2016 Glasbläserhöfe -
2005-2006 PPC Recital-Daisuke Sasaki (Double Bass)
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM Daisuke Sasaki, double bass Dr. Jon Robertson, Dean PPC Recital Welcome to the 2005-2006 season . This being my first year as dean of the conservatory, I greet the WithYANG SHEN, piano season with unabated enthusiasm and excitement. The talented musicians and extraordinary performing faculty at Lynn represent the future of the performing Tuesday, December 13, 2005 at 7:30p.m. arts, and you, the patrons, pave the road to their Amarnick-Goldstein Concert Hall artistic success through your presence and generosity. This community engagement is in keeping with the Lynn University, Boca Raton Conservatory of Music's mission: to provide high quality professional performance education for gifted young musicians and set a superior standard for music performance worldwide. Sonata in A Major, op.17 •.•..•••••••••••.• Ludwig van Beethoven THE ANNUAL FUND A gift to the Annual Fund can be designated for Allegro moderato scholarships, various studios, special concerts or to Poco adagio quasi andante the General Conservatory Fund. Allegro moderato ADOPT-A-STUDENT You may select from the conservatory's promising Suite No. 3 .....•...........•...•....•..............•........... J. S. Bach young musicians and provide for his or her future through the Conservatory Scholarship Fund. You will enjoy the concert even more when your student Bourree performs. A gift of $25,000 adopts a student for Gigue one year. A gift of $100,000 pays for an education. ESTATE GIFT Intermezzo, op.9 ...•.......•........••.....••.........Reinhold Gliere An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift of appreciated stock, real estate or cash. -
The Elbphilharmonie. More Than Just a Concert Hall
ARCHITECTURE Since its official opening on 11 January 2017, the Elbphilharmonie has come to be an absolute crowd-puller. Every year, some 4 million people visit the Plaza, the public viewing area between the building’s brick base and the glass superstructure. The Plaza offers a superb panoramic view of the harbour and the city, and entry is free of charge. It is also home to the Elbphilharmonie Shop and to the Smart Table, where visitors can explore the Elbphilharmonie interactively. A good 675 concerts per season – most of them sold A SPECTACULAR GESAMTKUNSTWERK out – lure some 900,000 enthusiastic music lovers to the Elbphilharmonie. More than THE ELBPHILHARMONIE. MORE THAN JUST A CONCERT HALL 80,000 visitors a year take part in the official guided tours, which include the foyer areas and the two concert halls. The Elbphilharmonie Hamburg is positioned between the industrial harbour and the city centre and is regarded worldwide as Hamburg’s landmark. The spectacular, 110-metre- high glass facade rises up like a wave of glass, and literally seems to hover above the rugged brick base of the historic quayside warehouse. The concert hall was designed by Swiss architects Herzog & de Meuron and is located in the flow of the River Elbe at the western point of the HafenCity Hamburg, opposite the Landungsbrücken piers and in close proximity to the Speicherstadt, Kontorhausviertel and Chilehaus UNESCO World Heritage Site. With 2,100 seats, the Grand Hall is the true centrepiece of the Elbphilharmonie. The seats rise in a steep incline to encircle the stage for an entirely new music experience, rooted in acoustic perfection and an unprecedented closeness between artists and concertgoers. -
Festival Village
77 Festival Location Conference Location Eatery Location to Sternschanze 1 Abaton 2 Angie's Nightclub 64 Grilly Idol 1 2 Angie's Nightclub 49 Arcotel Onyx 65 Kopiba 3 Astra Bühne "Zur geilen Knolle" ▶ Board Room 66 Playground Coffee 4 Bucerius Kunstforum ▶ Networking Area (Wiener Bistro) 67 Überquell 5 Centro Sociale ▶ Reeperbahn Festival Lounge 69 6 Docks ▶ Speakers Lounge Service Festival Village Schanzenstraße 7 Elbphilharmonie ▶ Suite 616 68 Artist Catering 68 8 Erotic Art Museum ▶ Suite 716 69 Artist Check-In & Shuttle Area Artist Catering 9 Festival Village 50 Chikago 70 Info & Merch Desk Spiegelzelt Info & Merch Desk 70 ▶ Spiegelzelt 51 Dips'n Stix ▶ Festival Village Info & Merch Desk B e c k s t r . 24 Klaus presented by SEAT 6 Docks Spielbudenplatz Info & Merch Desk ▶ Field Of Arts ▶ 65 5 16 M a r k t s t r . Voormann Fritz Bühne Bazookas Bus 52 East Hotel 71 Taschengarderobe / Bag Drop Ausstellung ▶ Shared Studio Fritz Bühne Aqua 72 Ticket Desk ▶ ▶ Bernstorfstraße Field Of Arts ▶ Shared Studio ▶ C1 ▶ Conference Registration Wohlers Allee 45 presented by SEAT 71 ▶ Klaus Voormann Ausstellung ▶ C2 ▶ Festival Ticketing N e u e r K a m p FELDSTR. T h a d e n s t r . 14 Feldstr. 47 72 10 Flatstock Europe Poster Convention ▶ Cinema ▶ Guestlist 36 11 Galerien in der Neustadt ▶ Foyer (1st floor) Bazzookas Ticket Desk Bus Glacischaussee 12 Grosse Freiheit 36 ▶ Foyer (ground floor) Hotel Otzenstr. 13 Gruenspan ▶ Ginger 49 Arcotel Onyx Hamburg St. Pauli 14 Grüner Jäger ▶ Mandarin 73 Cityhotel Monopol Entrance Otzenstr. 15 Hamburger Schulmuseum 53 Egon Hotel 52 East Hotel Gilbertstr. -
New York Stories« Elbphilharmonie Brings the Music of the Big Apple to Hamburg – from 30 March to 4 April
PRESS RELEASE »NEW YORK STORIES« ELBPHILHARMONIE BRINGS THE MUSIC OF THE BIG APPLE TO HAMBURG – FROM 30 MARCH TO 4 APRIL Hamburg, 27 March 2017: On six evenings featuring a whole variety of big names, audiences at the Elbphilharmonie can hear different facets of the wealth of musical styles that New York City is home to. The programme ranges from John Zorn’s »Bagatelle Marathon«, contemporary pieces for string quartet with the JACK Quartet and from an evening with Michael Feinstein and the hr- Bigband, playing gems from the »Great American Songbook«, to rap with Zebra Katz, great art pop with Anohni and the ensemble yMusic, and electronic music with Tyondai Braxton. The climax of the festival will be two concerts given by the New York Philharmonic under its principal conductor Alan Gilbert with cellist Yo-Yo Ma and the soprano Christina Landshamer. In addition, one of America’s leading contemporary composers, John Adams, will be making a guest appearance. It's an unchallenged claim that New York never sleeps. And if a city never sleeps, its inhabitants obviously have more time for everything, including playing music and listening to it. And it’s true that New Yorkers set great store by music – not least because so many aspiring musicians gravitate to the city from far afield in the belief that this is the only place where they can make their fortune. How did Frank Sinatra put it in the song he made immortal, »New York, New York«? – »If I can make it there, I’ll make it anywhere«. For decades, the East Coast metropolis, consisting of the five boroughs Manhattan, the Bronx, Brooklyn, Queens and Staten Island, was the focus of longing for countless immigrants from all over Europe. -
Key Figures Elbphilharmonie
KEY FIGURES ELBPHILHARMONIE SUBJECT AREA KEY FIGURES AREA OF THE BUILDING GFA of whole building Approx. 125,512 sq. m - Of which GFA of warehouse Approx. 61,333 sq. m - Of which GFA of new structure Approx. 64,179 sq. m GFA of concert area 30,121 sq. m GFA of plaza 5,745 sq. m GFA of plaza, public area Approx. 3,100 sq. m GFA of hotel Approx. 27,000 sq. m Number of rooms 244 GFA of multistorey car park 22,736 sq. m Number of parking spaces 520 GFA of residential units 12,801 sq. m Number of apartments 45 GFA of eateries 1,332 sq. m (4% of the building) GFA of eateries and conference facilities 3,631 sq. m GFA of general areas (staircases, 16,387 sq. m thoroughfares, equipment rooms) Total weight of the building: Approx. 200,000 t Height of former Kaispeicher A 35 m warehouse Height of plaza level 37.2 m WAREHOUSE DIMENSIONS Length of northern side 108.6 m Length of eastern side 85.1 m Length of western side 21.6 m Length of southern side 125.9 m HEIGHT OF THE ELBPHILHARMONIE Highest point, western side 110 m above sea level (Approx. 102 m above street level) Lowest point on the roof 78 m ROOF Area 6,200 sq. m Number of roof sections 8 Weight Approx. 700 t total Number of steel girders for the whole Approx. 1,000 girders roof Special features Each girder is unique and made from sheet steel, 3D design Roof sequins - Quantity Approx. -
Your Guide to Hamburg
Hamburg in collaboration with Hamburg Tourismus GmbH Photo: CooperCopter GmbH Elbe and Alster Lake, the historic Town Hall, the UNESCO World Heritage Site Speicherstadt and Kontorhaus District with Chilehaus, the nightlife on the famous Reeperbahn and the traditional Hamburg fish market shape the image of Hamburg, Germany’s green city on the waterfront. The HafenCity offers modern architecture and the new landmark, the concert hall Elphilharmonie Hamburg. In Hamburg prestige, elegance and modernity are combined to a globally unique atmosphere. ©Jörg Modrow_www.mediaserver.hamburg.de Top 5 Elbphilharmonie Plaza - Ex... The Plaza is the central meeting place in the Elbphilharmonie and forms the ... Panoramic views from “Michel” Hamburg has many large churches - but only one "Michel": On its platform 132... Paddling on the Alster lake Hamburg Tourismus GmbH The 160-hectare lake in the heart of the city is a true paradise for sailors... Blankenese – “the Pearl of... The former fishing and pilot village to the west of Hamburg is located right... Follow the steps of the Be... The Beatles laid the foundation stone of their career in the early 1960s in ... Hamburg Tourismus GmbH Updated 12 November 2019 Destination: Hamburg Publishing date: 2019-11-12 THE CITY HAMBURG CARD Hamburg Tourismus GmbH Hamburg Tourismus GmbH A distinct maritime character and international Perfect for your city tour! outlook make the Hanseatic city of Hamburg one Discover more – pay less: of Europe's nest destinations. Urban sparkle and natural beauty are the hallmarks of Unlimited travel by bus, train and harbour ferry Hamburg, which boasts a wide range of hotels, (HVV - Hamburg Transport Association) and restaurants, theatres and shops, chic beaches discounts at more than 150 tourist attractions! along the Elbe river, the verdant banks of the With the discovery ticket, you can explore Alster, a buzzing port district and landmarks Hamburg conveniently, exibly and aordably at reecting more than 1,200 years of history. -
2014-2015 Philharmonia No. 4
Lynn Philharmonia No. 4 2014-2015 Season Lynn Philharmonia Roster VIOLIN CELLO FRENCH HORN JunHeng Chen Patricia Cova Mileidy Gonzalez Erin David Akmal Irmatov Mateusz Jagiello Franz Felkl Trace Johnson Daniel Leon Wynton Grant Yuliya Kim Shaun Murray Herongia Han Elizabeth Lee Raul Rodriguez Xiaonan Huang Clarissa Vieira Clinton Soisson Julia Jakkel Hugo Valverde Villalobos Nora Lastre Shuyu Yao Jennifer Lee DOUBLE BASS Lilliana Marrero August Berger Cassidy Moore Evan Musgrave TRUMPET Yaroslava Poletaeva Jordan Nashman Zachary Brown Vijeta Sathyaraj Amy Nickler Ricardo Chinchilla Yalyen Savignon Isac Ryu Marianela Cordoba Kristen Seto Kevin Karabell Delcho Tenev FLUTE Mark Poljak Yordan Tenev Mark Huskey Natalie Smith Marija Trajkovska Jihee Kim Anna Tsukervanik Alla Sorokoletova TROMBONE Mozhu Yan Anastasia Tonina Mariana Cisneros Zongxi Li VIOLA OBOE Derek Mitchell Felicia Besan Paul Chinen Emily Nichols Brenton Caldwell Asako Furuoya Patricio Pinto Hao Chang Kelsey Maiorano Jordan Robison Josiah Coe Trevor Mansell Sean Colbert TUBA Zefang Fang CLARINET Joseph Guimaraes Roberto Henriquez Anna Brumbaugh Josue Jimenez Morales Miguel Fernandez Sonnak Jacqueline Gillette Nicole Kukieza Jesse Yukimura Amalia Wyrick-Flax Alberto Zilberstein PERCUSSION BASSOON Kirk Etheridge Hyunwook Bae Isaac Fernandez Hernandez Sebastian Castellanos Parker Lee Joshua Luty Jesse Monkman Ruth Santos 2 Lynn Philharmonia No. 4 Guillermo Figueroa, music director and conductor Saturday, February 7 – 7:30 p.m. Sunday, February 8 – 4 p.m. Keith C. and Elaine Johnson Wold Performing Arts Center Märchen von der schönen Melusine, Op. 32 Felix Mendelssohn (1809-1847) Concerto for Flute and Orchestra (2013) Behzad Ranjbaran (b. 1955) Jeffrey Khaner, flute INTERMISSION Harold en Italie, H 68 (1834) Hector Berlioz (1803-1869) Harold aux montagnes. -
Acclaimed Pianist Angela Hewitt Joins the Vienna Tonkünstler Orchestra for Beethoven's Heroic 'Emperor Concerto'
PRESS RELEASE FOR IMMEDIATE USE Acclaimed pianist Angela Hewitt joins the Vienna Tonkünstler Orchestra for Beethoven’s heroic ‘Emperor Concerto’ Vienna Tonkünstler Orchestra with Angela Hewitt Sunday 28 Oct 2018, 7.30pm Usher Hall, Lothian Road, Edinburgh Bernstein: Three Dance Episodes from On the Town Beethoven: Piano Concerto No. 5 Sibelius: Symphony No. 5 Images available to download here Sibelius’s visionary Fifth Symphony, plus the musical heroism of Beethoven’s Emperor Concerto Following the opening concert from the Russian State Symphony Orchestra, the second concert in the Sunday Classics 2018-19 season sees the Vienna Tonkünstler Orchestra bring an evening of wonderfully varied music to the Usher Hall. Japanese conductor Yutaka Sado and his Orchestra open with musical heroes not often referenced in the Usher Hall: the three wide-eyed sailors on shore leave in Bernstein’s foot-tapping musical On the Town. His feel-good Three Dance Episodes blend jazz, big band and classical to electrifying effect – and feature Bernstein’s hit tune ‘New York, New York’. The remarkable Canadian pianist Angela Hewitt joins Orchestra and conductor for one of the most heroic piano concertos of them all. Beethoven’s noble Emperor Concerto was the composer’s last for the piano, and is cast on a grand scale, but its brilliant, breathtaking virtuosity melds effortlessly with tenderness and exquisite beauty. The piece is an ideal match for Hewitt’s fresh, elegant, powerful playing. Born into a musical family, Hewitt started her piano education at the age of three and has gone on to win awards and fans across the world. -
Spring/Summer 2010 a Quiet Place at New York City Opera
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2010 A Quiet Place at New York City Opera by George Steel eonard Bernstein himself Lsaid that all of his works - symphonies, piano pieces, songs, all of it - were theatrical. But his works for the stage have a special place in the history of American music. So I am overjoyed to say that New York City Opera will open its 2010-11 season with A Quiet Place, Bernstein's final completed stage work, with a libretto by Stephen Wadsworth. It is undoubtedly one of Bernstein's greatest musical achievements. As a composer, LB always sought "undiscovered country." It is so typical of him that a late work like A Quiet Place would be full of struggle and experimenta tion. Every note he wrote "cost," as he would say: he paid in sweat and blood (or really cigarettes and Tums) for music that seems inevitable and even, paradoxically, effortless. He completed A Quiet Place through Herculean effort and self-sacrifice. It is an amazing work - and one that we need more than ever. It is not afraid to challenge and to break new ground - and it reaches in some ways further than other Bernstein Music by Libretto by works to integrate his many Leonard Bernstein Stephen Wadsworth musical languages. Bernstein had an uncanny Pro,lwud l1y Houston Grand Opera, The John F. Kennedy Center for the Performing Arts and 1eatro al/a Scala understanding of the theatrical power of music, and all his talent and experience are on display in (continued on page 2) Poster from the Houston Grand Opera premiere production 3 Mass in Virginia 5 Artful Learning Spring 8 In the News Inside .. -
The Concert of the Year 2016 the Best Concert in 2016 Chosen by Each Orchestra 〔1/4/2016-31/3/2017〕 最も印象に残ったコンサート 最も印象に残ったコンサート Full Members
The Concert of the Year 2016 The best concert in 2016 chosen by each orchestra 〔1/4/2016-31/3/2017〕 最も印象に残ったコンサート 最も印象に残ったコンサート Full Members Sapporo Symphony Orchestra Tokyo Symphony Orchestra The 594th Subscription Concert Tokyo Symphony Subscription Concert No.645 Conducted by Radomil Eliška Conducted by Jonathan Nott Smetana: “Wallenstein's Camp” vn: Isabelle Faust Dvořák: Scherzo capriccioso Beethoven: Violin Concerto Tchaikovsky: Symphony No. 5 Shostakovich: Symphony No.10 14 & 15 October 2016 Sapporo Concert Hall; Kitara 15 October 2016 Suntory Hall Sendai Philharmonic Orchestra Tokyo City Philharmonic Orchestra The 300th Subscription Concert The 300th Subscription Concert Conducted by Pascal Verrot Conducted by Ken Takaseki Berlioz: Symphonie fantastique Satoshi Nishimura, Faust Berlioz: “Lelio”(monodrama) 14b Akiya Fukushima, Méphistophélès 15 & 16 April 2016 Hitachi Systems Hall Sendai Michiko Hayashi, Marguerite Concert Hall Tatsuhiko Kitagawa, Brander Chorus: TCPO Chor/ Chorusmaster: Takahiro Fujimaru, Yamagata Symphony Orchestra Children's chorus: KOTO Boys & Girls Chor, The 256th Subscription Concert Berlioz: “La damnation de Faust”, Légende dramatique Conducted by Radek Baborak 10 September 2016 Tokyo Opera City Concert Hall hrn: Radek Baborak Na'ama Tamir: “Spring Illusions” Tokyo Metropolitan Symphony Orchestra Mendelssohn: Lieder ohne Worte (arr.Paul Angerer) Beethoven: Symphony No.4 TMSO Special / Subscription Concert No.812 B Series 15 & 16 October 2016 Yamagata Terrsa Hall Conducted by Alan Gilbert Mozart: Symphony -
Ünstler Symphonie Yutaka Sado Anton
YUTAKA SADO TONKÜNSTLER ORCHESTER ANTON BRUCKNER 8. SYMPHONIE Recorded LIVE at the Wiener Musikverein ORCHESTER ANTON BRUCKNER (1824–1896) アントン・ブルックナー Symphonie Nr. 8 c-Moll | Symphony No. 8 in C minor | 交響曲第8番 ハ短調 Gesamtlänge 85’03 Total Length | 演奏時間合計 Fassung/Edition: Robert Haas | Version/Edition by Robert Haas | ロベルト・ハース版 YUTAKA SADO COMPACT DISC 1 佐渡裕 1 Dirigent | Conductor | Allegro moderato 15’36 指揮 ア レ グ ロ・モ デ ラ ート TONKÜNSTLER-ORCHESTER Tonkunstler Orchestra 2 Scherzo. Allegro moderato; Trio. Langsam 15’17 トーンキュンストラー管弦楽団 Scherzo. Allegro moderato; Trio. Slow. スケルツォ。アレグロ・モデラート – トリオ。ゆっくりと 3 Adagio. Feierlich langsam, doch nicht schleppend 27’26 Werkbeschreibung P 06 Adagio. Solemnly slow, but not dragging Description of the Work P 18 アダージョ。荘重にゆっくりと、しかしひきずらないように 作品解説 P 30 COMPACT DISC 2 Biografien P 12 Biographies P 26 1 Finale. Feierlich, nicht schnell 26’40 バ イオグ ラフィー P 38 Finale. Solemn, not fast フィナーレ。荘重に、急がず P 2 P 3 ANTON BRUCKNER de, sondern auch von Verwerfungen, Zweifeln und Umarbeitungen schon während Konzeption Symphonie Nr. 8 c-Moll und erster Reinschrift gekennzeichnet war: Zunächst war das Adagio wie üblich an zweiter Stelle vorgesehen, später stellte Bruckner jedoch nach dem Vorbild von Beethovens Neunter die Mittelsätze um, wie er es seinerzeit schon in der Zweiten erprobt hatte. Das veranlasste «Tagelang habe ich studiert, aber ich kann mir das Werk nicht zu eigen machen. Fern sei es von ihn, die Gestalt des Adagios abzuändern – durchaus möglich, dass gerade der völlig unge - mir, ein Urteil aussprechen zu wollen [...] aber ich finde die Instrumentation unmöglich und was wohnte Jubel für die Siebte, der sozusagen immer wieder in Bruckners Arbeitszimmer schall - mich besonders erschreckt hat, ist die große Ähnlichkeit mit der 7ten, das fast Schablonenmäßige te, den bis dahin überwiegend recht flüssigen Fortschritt seiner Kompositionen beeinflusste.